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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #29CE63 it is the complementary color #D6319C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #29CE63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #29CE63 shade: #2ECE5E, #3FE071, #50F284, #61FF97 and #72FFAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #29CE63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #29CE63 shade: #29CE63, #18BC50, #07AA3D, #00982A and #008617

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #29CE63 shade: #28CC62, #28CC36, #47CC28, #73CC28 and #A0CC28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #29CE63 shade: #28CC62, #28CC8E, #28CCBB, #28B2CC and #2886CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #29CE63 shade matches the following richer shades: #28CC62, #15E05C and #01F456

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #29CE63 shade: #28CC62, #3CB968, #50A56E, #649174 and #787D7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #29CE63 shade: #46CC28, #28CC36, #28CC62, #28CC8E and #28CCB9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #29CE63 shade: #1B8841, #22AA52, #28CC62, #44DA79 and #66E191

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #29CE63 shade: #29CE63, #2872CC and #CC2831

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #29CE63 shade: #29CE63, #6228CC and #CC6228

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #29CE63 shade: #29CE63, #2872CC, #CC2893 and #CC8328

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #29CE63 shade: #29CE63, #2841CC, #CC2893 and #CCB428

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 52 / 19

HEX #29CE63

RGB 41 206 99

HSL 141.09, 0.67%, 0.48%

LAB 73.23, -63.24, 41.58

 

Complementary color

CMYK 0 / 77 / 27 / 16

HEX #D6319C

RGB 214 49 156

HSL 321.09, 0.67%, 0.52%

LAB 50.56, 70.9, -19.94

 

CMYK 78 / 0 / 54 / 19

HEX #2ECE5E

RGB 46 206 94

HSL 138, 0.63%, 0.49%

LAB 73.24, -63.37, 44

 

CMYK 72 / 0 / 50 / 12

HEX #3FE071

RGB 63 224 113

HSL 138.63, 0.72%, 0.56%

LAB 79.36, -64.35, 42.48

 

CMYK 67 / 0 / 45 / 5

HEX #50F284

RGB 80 242 132

HSL 139.26, 0.86%, 0.63%

LAB 85.44, -64.99, 41

 

CMYK 62 / 0 / 41 / 0

HEX #61FF97

RGB 97 255 151

HSL 140.51, 1%, 0.69%

LAB 90, -63.54, 37.67

 

CMYK 55 / 0 / 33 / 0

HEX #72FFAA

RGB 114 255 170

HSL 143.83, 1%, 0.72%

LAB 90.78, -56.75, 29.34

 

CMYK 80 / 0 / 52 / 19

HEX #29CE63

RGB 41 206 99

HSL 141.09, 0.67%, 0.48%

LAB 73.23, -63.24, 41.58

 

CMYK 87 / 0 / 57 / 26

HEX #18BC50

RGB 24 188 80

HSL 140.49, 0.77%, 0.42%

LAB 67.08, -61.67, 43.18

 

CMYK 96 / 0 / 64 / 33

HEX #07AA3D

RGB 7 170 61

HSL 139.88, 0.92%, 0.35%

LAB 60.9, -59.44, 44.72

 

CMYK 100 / 0 / 72 / 40

HEX #00982A

RGB 0 152 42

HSL 136.58, 1%, 0.3%

LAB 54.68, -56.32, 46

 

CMYK 100 / 0 / 83 / 47

HEX #008617

RGB 0 134 23

HSL 130.3, 1%, 0.26%

LAB 48.4, -52.43, 46.51

 

CMYK 80 / 0 / 52 / 20

HEX #28CC62

RGB 40 204 98

HSL 141.22, 0.67%, 0.48%

LAB 72.57, -62.83, 41.25

 

CMYK 80 / 0 / 74 / 20

HEX #28CC36

RGB 40 204 54

HSL 125.12, 0.67%, 0.48%

LAB 72.16, -67.84, 59.58

 

CMYK 65 / 0 / 80 / 20

HEX #47CC28

RGB 71 204 40

HSL 108.66, 0.67%, 0.48%

LAB 72.68, -63.71, 64.7

 

CMYK 44 / 0 / 80 / 20

HEX #73CC28

RGB 115 204 40

HSL 92.56, 0.67%, 0.48%

LAB 74.18, -51.92, 66.64

 

CMYK 22 / 0 / 80 / 20

HEX #A0CC28

RGB 160 204 40

HSL 76.1, 0.67%, 0.48%

LAB 76.57, -35.65, 69.68

 

CMYK 80 / 0 / 52 / 20

HEX #28CC62

RGB 40 204 98

HSL 141.22, 0.67%, 0.48%

LAB 72.57, -62.83, 41.25

 

CMYK 80 / 0 / 30 / 20

HEX #28CC8E

RGB 40 204 142

HSL 157.32, 0.67%, 0.48%

LAB 73.28, -54.72, 19.65

 

CMYK 80 / 0 / 8 / 20

HEX #28CCBB

RGB 40 204 187

HSL 173.78, 0.67%, 0.48%

LAB 74.33, -43.58, -3.02

 

CMYK 80 / 13 / 0 / 20

HEX #28B2CC

RGB 40 178 204

HSL 189.51, 0.67%, 0.48%

LAB 67.01, -26.34, -23.3

 

CMYK 80 / 34 / 0 / 20

HEX #2886CC

RGB 40 134 204

HSL 205.61, 0.67%, 0.48%

LAB 53.88, -2.33, -43.74

 

CMYK 80 / 0 / 52 / 20

HEX #28CC62

RGB 40 204 98

HSL 141.22, 0.67%, 0.48%

LAB 72.57, -62.83, 41.25

 

CMYK 91 / 0 / 59 / 12

HEX #15E05C

RGB 21 224 92

HSL 140.99, 0.83%, 0.48%

LAB 78.6, -71.57, 51.21

 

CMYK 100 / 0 / 65 / 4

HEX #01F456

RGB 1 244 86

HSL 140.99, 0.99%, 0.48%

LAB 84.68, -78.88, 60.6

 

CMYK 80 / 0 / 52 / 20

HEX #28CC62

RGB 40 204 98

HSL 141.22, 0.67%, 0.48%

LAB 72.57, -62.83, 41.25

 

CMYK 68 / 0 / 44 / 27

HEX #3CB968

RGB 60 185 104

HSL 141.12, 0.51%, 0.48%

LAB 67.02, -52.2, 31.32

 

CMYK 52 / 0 / 33 / 35

HEX #50A56E

RGB 80 165 110

HSL 141.18, 0.35%, 0.48%

LAB 61.43, -38.46, 20.84

 

CMYK 31 / 0 / 20 / 43

HEX #649174

RGB 100 145 116

HSL 141.33, 0.18%, 0.48%

LAB 56.31, -21.73, 10.56

 

CMYK 4 / 0 / 2 / 51

HEX #787D7A

RGB 120 125 122

HSL 144, 0.02%, 0.48%

LAB 51.91, -2.47, 0.98

 

CMYK 66 / 0 / 80 / 20

HEX #46CC28

RGB 70 204 40

HSL 109.02, 0.67%, 0.48%

LAB 72.65, -63.92, 64.67

 

CMYK 80 / 0 / 74 / 20

HEX #28CC36

RGB 40 204 54

HSL 125.12, 0.67%, 0.48%

LAB 72.16, -67.84, 59.58

 

CMYK 80 / 0 / 52 / 20

HEX #28CC62

RGB 40 204 98

HSL 141.22, 0.67%, 0.48%

LAB 72.57, -62.83, 41.25

 

CMYK 80 / 0 / 30 / 20

HEX #28CC8E

RGB 40 204 142

HSL 157.32, 0.67%, 0.48%

LAB 73.28, -54.72, 19.65

 

CMYK 80 / 0 / 9 / 20

HEX #28CCB9

RGB 40 204 185

HSL 173.05, 0.67%, 0.48%

LAB 74.28, -44.13, -2.02

 

CMYK 80 / 0 / 52 / 47

HEX #1B8841

RGB 27 136 65

HSL 140.92, 0.67%, 0.32%

LAB 49.77, -45.79, 29.69

 

CMYK 80 / 0 / 52 / 33

HEX #22AA52

RGB 34 170 82

HSL 141.18, 0.67%, 0.4%

LAB 61.39, -54.35, 35.35

 

CMYK 80 / 0 / 52 / 20

HEX #28CC62

RGB 40 204 98

HSL 141.22, 0.67%, 0.48%

LAB 72.57, -62.83, 41.25

 

CMYK 69 / 0 / 44 / 15

HEX #44DA79

RGB 68 218 121

HSL 141.2, 0.67%, 0.56%

LAB 77.73, -60.17, 36.51

 

CMYK 55 / 0 / 36 / 12

HEX #66E191

RGB 102 225 145

HSL 140.98, 0.67%, 0.64%

LAB 81.14, -51.92, 29

 

CMYK 80 / 0 / 52 / 19

HEX #29CE63

RGB 41 206 99

HSL 141.09, 0.67%, 0.48%

LAB 73.23, -63.24, 41.58

 

CMYK 80 / 44 / 0 / 20

HEX #2872CC

RGB 40 114 204

HSL 212.93, 0.67%, 0.48%

LAB 48.06, 9.88, -53

 

CMYK 0 / 80 / 76 / 20

HEX #CC2831

RGB 204 40 49

HSL 356.71, 0.67%, 0.48%

LAB 45.05, 62.33, 36.95

 

CMYK 80 / 0 / 52 / 19

HEX #29CE63

RGB 41 206 99

HSL 141.09, 0.67%, 0.48%

LAB 73.23, -63.24, 41.58

 

CMYK 52 / 80 / 0 / 20

HEX #6228CC

RGB 98 40 204

HSL 261.22, 0.67%, 0.48%

LAB 34.95, 60.4, -74.17

 

CMYK 0 / 52 / 80 / 20

HEX #CC6228

RGB 204 98 40

HSL 21.22, 0.67%, 0.48%

LAB 53.74, 38.53, 50.38

 

CMYK 80 / 0 / 52 / 19

HEX #29CE63

RGB 41 206 99

HSL 141.09, 0.67%, 0.48%

LAB 73.23, -63.24, 41.58

 

CMYK 80 / 44 / 0 / 20

HEX #2872CC

RGB 40 114 204

HSL 212.93, 0.67%, 0.48%

LAB 48.06, 9.88, -53

 

CMYK 0 / 80 / 28 / 20

HEX #CC2893

RGB 204 40 147

HSL 320.85, 0.67%, 0.48%

LAB 47.57, 69.88, -19.29

 

CMYK 0 / 36 / 80 / 20

HEX #CC8328

RGB 204 131 40

HSL 33.29, 0.67%, 0.48%

LAB 60.98, 21.04, 57.09

 

CMYK 80 / 0 / 52 / 19

HEX #29CE63

RGB 41 206 99

HSL 141.09, 0.67%, 0.48%

LAB 73.23, -63.24, 41.58

 

CMYK 80 / 68 / 0 / 20

HEX #2841CC

RGB 40 65 204

HSL 230.85, 0.67%, 0.48%

LAB 35.19, 41.31, -73.94

 

CMYK 0 / 80 / 28 / 20

HEX #CC2893

RGB 204 40 147

HSL 320.85, 0.67%, 0.48%

LAB 47.57, 69.88, -19.29

 

CMYK 0 / 12 / 80 / 20

HEX #CCB428

RGB 204 180 40

HSL 51.22, 0.67%, 0.48%

LAB 73.31, -5.3, 68.09

 

Description

Color code: HEX #29CE63 | qconv.com Color code: HEX #29CE63 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 206 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 206 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 52 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 52% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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