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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #29CD7C it is the complementary color #D63283. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #29CD7C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #29CD7C shade: #2ECD77, #3FDF8A, #50F19D, #61FFB0 and #72FFC3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #29CD7C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #29CD7C shade: #29CD7C, #18BB69, #07A956, #009743 and #008530

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #29CD7C shade: #28CC7B, #28CC4F, #2ECC28, #5ACC28 and #86CC28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #29CD7C shade: #28CC7B, #28CCA8, #28C5CC, #2899CC and #286CCC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #29CD7C shade matches the following richer shades: #28CC7B, #15E07C and #01F47C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #29CD7C shade: #28CC7B, #3CB97B, #50A57B, #64917B and #787D7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #29CD7C shade: #2ECC28, #28CC4F, #28CC7A, #28CCA6 and #28C7CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #29CD7C shade: #1B8852, #22AA67, #28CC7B, #44DA90 and #66E1A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #29CD7C shade: #29CD7C, #285ACC and #CC3928

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #29CD7C shade: #29CD7C, #7A28CC and #CC7A28

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #29CD7C shade: #29CD7C, #285ACC, #CC287A and #CC9B28

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #29CD7C shade: #29CD7C, #2828CC, #CC287A and #CCCC28

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 40 / 20

HEX #29CD7C

RGB 41 205 124

HSL 150.37, 0.67%, 0.48%

LAB 73.28, -58.66, 29.09

 

Complementary color

CMYK 0 / 77 / 39 / 16

HEX #D63283

RGB 214 50 131

HSL 330.37, 0.67%, 0.52%

LAB 49.76, 67.88, -6.17

 

CMYK 78 / 0 / 42 / 20

HEX #2ECD77

RGB 46 205 119

HSL 147.55, 0.63%, 0.49%

LAB 73.27, -59.01, 31.67

 

CMYK 72 / 0 / 38 / 13

HEX #3FDF8A

RGB 63 223 138

HSL 148.13, 0.71%, 0.56%

LAB 79.42, -59.8, 30.11

 

CMYK 67 / 0 / 35 / 5

HEX #50F19D

RGB 80 241 157

HSL 148.7, 0.85%, 0.63%

LAB 85.53, -60.3, 28.67

 

CMYK 62 / 0 / 31 / 0

HEX #61FFB0

RGB 97 255 176

HSL 150, 1%, 0.69%

LAB 90.41, -59.05, 25.73

 

CMYK 55 / 0 / 24 / 0

HEX #72FFC3

RGB 114 255 195

HSL 154.47, 1%, 0.72%

LAB 91.25, -51.92, 17.28

 

CMYK 80 / 0 / 40 / 20

HEX #29CD7C

RGB 41 205 124

HSL 150.37, 0.67%, 0.48%

LAB 73.28, -58.66, 29.09

 

CMYK 87 / 0 / 44 / 27

HEX #18BB69

RGB 24 187 105

HSL 149.82, 0.77%, 0.41%

LAB 67.09, -57.35, 30.78

 

CMYK 96 / 0 / 49 / 34

HEX #07A956

RGB 7 169 86

HSL 149.26, 0.92%, 0.35%

LAB 60.86, -55.49, 32.6

 

CMYK 100 / 0 / 56 / 41

HEX #009743

RGB 0 151 67

HSL 146.62, 1%, 0.3%

LAB 54.59, -52.9, 34.52

 

CMYK 100 / 0 / 64 / 48

HEX #008530

RGB 0 133 48

HSL 141.65, 1%, 0.26%

LAB 48.25, -49.69, 36.37

 

CMYK 80 / 0 / 40 / 20

HEX #28CC7B

RGB 40 204 123

HSL 150.37, 0.67%, 0.48%

LAB 72.94, -58.59, 29.15

 

CMYK 80 / 0 / 61 / 20

HEX #28CC4F

RGB 40 204 79

HSL 134.27, 0.67%, 0.48%

LAB 72.36, -65.38, 49.82

 

CMYK 77 / 0 / 80 / 20

HEX #2ECC28

RGB 46 204 40

HSL 117.8, 0.67%, 0.48%

LAB 72.17, -68.02, 64.05

 

CMYK 56 / 0 / 80 / 20

HEX #5ACC28

RGB 90 204 40

HSL 101.71, 0.67%, 0.48%

LAB 73.23, -59.23, 65.41

 

CMYK 34 / 0 / 80 / 20

HEX #86CC28

RGB 134 204 40

HSL 85.61, 0.67%, 0.48%

LAB 75.08, -45.45, 67.79

 

CMYK 80 / 0 / 40 / 20

HEX #28CC7B

RGB 40 204 123

HSL 150.37, 0.67%, 0.48%

LAB 72.94, -58.59, 29.15

 

CMYK 80 / 0 / 18 / 20

HEX #28CCA8

RGB 40 204 168

HSL 166.83, 0.67%, 0.48%

LAB 73.85, -48.6, 6.53

 

CMYK 80 / 3 / 0 / 20

HEX #28C5CC

RGB 40 197 204

HSL 182.56, 0.67%, 0.48%

LAB 72.72, -35.53, -14.64

 

CMYK 80 / 25 / 0 / 20

HEX #2899CC

RGB 40 153 204

HSL 198.66, 0.67%, 0.48%

LAB 59.52, -13.19, -34.88

 

CMYK 80 / 47 / 0 / 20

HEX #286CCC

RGB 40 108 204

HSL 215.12, 0.67%, 0.48%

LAB 46.36, 13.67, -55.74

 

CMYK 80 / 0 / 40 / 20

HEX #28CC7B

RGB 40 204 123

HSL 150.37, 0.67%, 0.48%

LAB 72.94, -58.59, 29.15

 

CMYK 91 / 0 / 45 / 12

HEX #15E07C

RGB 21 224 124

HSL 150.44, 0.83%, 0.48%

LAB 79, -66.78, 36.52

 

CMYK 100 / 0 / 49 / 4

HEX #01F47C

RGB 1 244 124

HSL 150.37, 0.99%, 0.48%

LAB 85.08, -73.92, 44.22

 

CMYK 80 / 0 / 40 / 20

HEX #28CC7B

RGB 40 204 123

HSL 150.37, 0.67%, 0.48%

LAB 72.94, -58.59, 29.15

 

CMYK 68 / 0 / 34 / 27

HEX #3CB97B

RGB 60 185 123

HSL 150.24, 0.51%, 0.48%

LAB 67.34, -48.62, 21.72

 

CMYK 52 / 0 / 25 / 35

HEX #50A57B

RGB 80 165 123

HSL 150.35, 0.35%, 0.48%

LAB 61.69, -35.82, 14.04

 

CMYK 31 / 0 / 15 / 43

HEX #64917B

RGB 100 145 123

HSL 150.67, 0.18%, 0.48%

LAB 56.48, -20.27, 6.81

 

CMYK 4 / 0 / 2 / 51

HEX #787D7A

RGB 120 125 122

HSL 144, 0.02%, 0.48%

LAB 51.91, -2.47, 0.98

 

CMYK 77 / 0 / 80 / 20

HEX #2ECC28

RGB 46 204 40

HSL 117.8, 0.67%, 0.48%

LAB 72.17, -68.02, 64.05

 

CMYK 80 / 0 / 61 / 20

HEX #28CC4F

RGB 40 204 79

HSL 134.27, 0.67%, 0.48%

LAB 72.36, -65.38, 49.82

 

CMYK 80 / 0 / 40 / 20

HEX #28CC7A

RGB 40 204 122

HSL 150, 0.67%, 0.48%

LAB 72.92, -58.78, 29.65

 

CMYK 80 / 0 / 19 / 20

HEX #28CCA6

RGB 40 204 166

HSL 166.1, 0.67%, 0.48%

LAB 73.8, -49.1, 7.54

 

CMYK 80 / 2 / 0 / 20

HEX #28C7CC

RGB 40 199 204

HSL 181.83, 0.67%, 0.48%

LAB 73.32, -36.46, -13.74

 

CMYK 80 / 0 / 40 / 47

HEX #1B8852

RGB 27 136 82

HSL 150.28, 0.67%, 0.32%

LAB 50.04, -42.63, 20.78

 

CMYK 80 / 0 / 39 / 33

HEX #22AA67

RGB 34 170 103

HSL 150.44, 0.67%, 0.4%

LAB 61.71, -50.62, 24.81

 

CMYK 80 / 0 / 40 / 20

HEX #28CC7B

RGB 40 204 123

HSL 150.37, 0.67%, 0.48%

LAB 72.94, -58.59, 29.15

 

CMYK 69 / 0 / 34 / 15

HEX #44DA90

RGB 68 218 144

HSL 150.4, 0.67%, 0.56%

LAB 78.1, -56.01, 25.27

 

CMYK 55 / 0 / 27 / 12

HEX #66E1A4

RGB 102 225 164

HSL 150.24, 0.67%, 0.64%

LAB 81.49, -48.32, 19.64

 

CMYK 80 / 0 / 40 / 20

HEX #29CD7C

RGB 41 205 124

HSL 150.37, 0.67%, 0.48%

LAB 73.28, -58.66, 29.09

 

CMYK 80 / 56 / 0 / 20

HEX #285ACC

RGB 40 90 204

HSL 221.71, 0.67%, 0.48%

LAB 41.41, 25.3, -63.75

 

CMYK 0 / 72 / 80 / 20

HEX #CC3928

RGB 204 57 40

HSL 6.22, 0.67%, 0.48%

LAB 46.87, 56.69, 43.78

 

CMYK 80 / 0 / 40 / 20

HEX #29CD7C

RGB 41 205 124

HSL 150.37, 0.67%, 0.48%

LAB 73.28, -58.66, 29.09

 

CMYK 40 / 80 / 0 / 20

HEX #7A28CC

RGB 122 40 204

HSL 270, 0.67%, 0.48%

LAB 37.87, 63.63, -69.27

 

CMYK 0 / 40 / 80 / 20

HEX #CC7A28

RGB 204 122 40

HSL 30, 0.67%, 0.48%

LAB 58.89, 25.91, 55.18

 

CMYK 80 / 0 / 40 / 20

HEX #29CD7C

RGB 41 205 124

HSL 150.37, 0.67%, 0.48%

LAB 73.28, -58.66, 29.09

 

CMYK 80 / 56 / 0 / 20

HEX #285ACC

RGB 40 90 204

HSL 221.71, 0.67%, 0.48%

LAB 41.41, 25.3, -63.75

 

CMYK 0 / 80 / 40 / 20

HEX #CC287A

RGB 204 40 122

HSL 330, 0.67%, 0.48%

LAB 46.66, 67.2, -5.5

 

CMYK 0 / 24 / 80 / 20

HEX #CC9B28

RGB 204 155 40

HSL 42.07, 0.67%, 0.48%

LAB 66.85, 7.99, 62.38

 

CMYK 80 / 0 / 40 / 20

HEX #29CD7C

RGB 41 205 124

HSL 150.37, 0.67%, 0.48%

LAB 73.28, -58.66, 29.09

 

CMYK 80 / 80 / 0 / 20

HEX #2828CC

RGB 40 40 204

HSL 240, 0.67%, 0.48%

LAB 30.23, 55.24, -82.13

 

CMYK 0 / 80 / 40 / 20

HEX #CC287A

RGB 204 40 122

HSL 330, 0.67%, 0.48%

LAB 46.66, 67.2, -5.5

 

CMYK 0 / 0 / 80 / 20

HEX #CCCC28

RGB 204 204 40

HSL 60, 0.67%, 0.48%

LAB 79.71, -17.52, 73.66

 

Description

Color code: HEX #29CD7C | qconv.com Color code: HEX #29CD7C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 205 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 205 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 40 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 40% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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