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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #29C970 it is the complementary color #D6368F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #29C970. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #29C970 shade: #2EC96B, #3FDB7E, #50ED91, #61FFA4 and #72FFB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #29C970. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #29C970 shade: #29C970, #18B75D, #07A54A, #009337 and #008124

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #29C970 shade: #29C76F, #29C744, #38C729, #63C729 and #8DC729

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #29C970 shade: #29C76F, #29C79A, #29C7C4, #299FC7 and #2974C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #29C970 shade matches the following richer shades: #29C76F, #15DA6D and #02EE6B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #29C970 shade: #29C76F, #3CB471, #50A073, #638D75 and #767978

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #29C970 shade: #39C729, #29C743, #29C76D, #29C797 and #29C7C2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #29C970 shade: #1B8249, #22A55C, #29C76F, #41D884 and #63DF9A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #29C970 shade: #29C970, #2963C7 and #C72E29

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #29C970 shade: #29C970, #6D29C7 and #C76D29

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #29C970 shade: #29C970, #2963C7, #C72982 and #C78D29

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #29C970 shade: #29C970, #2933C7, #C72982 and #C7BC29

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 44 / 21

HEX #29C970

RGB 41 201 112

HSL 146.63, 0.66%, 0.47%

LAB 71.84, -59.42, 33.36

 

Complementary color

CMYK 0 / 75 / 33 / 16

HEX #D6368F

RGB 214 54 143

HSL 326.63, 0.66%, 0.53%

LAB 50.59, 67.94, -12.14

 

CMYK 77 / 0 / 47 / 21

HEX #2EC96B

RGB 46 201 107

HSL 143.61, 0.63%, 0.48%

LAB 71.84, -59.67, 35.91

 

CMYK 71 / 0 / 42 / 14

HEX #3FDB7E

RGB 63 219 126

HSL 144.23, 0.68%, 0.55%

LAB 78.01, -60.49, 34.34

 

CMYK 66 / 0 / 39 / 7

HEX #50ED91

RGB 80 237 145

HSL 144.84, 0.81%, 0.62%

LAB 84.13, -61, 32.87

 

CMYK 62 / 0 / 36 / 0

HEX #61FFA4

RGB 97 255 164

HSL 145.44, 1%, 0.69%

LAB 90.2, -61.29, 31.49

 

CMYK 55 / 0 / 28 / 0

HEX #72FFB7

RGB 114 255 183

HSL 149.36, 1%, 0.72%

LAB 91.01, -54.32, 23.08

 

CMYK 80 / 0 / 44 / 21

HEX #29C970

RGB 41 201 112

HSL 146.63, 0.66%, 0.47%

LAB 71.84, -59.42, 33.36

 

CMYK 87 / 0 / 49 / 28

HEX #18B75D

RGB 24 183 93

HSL 146.04, 0.77%, 0.41%

LAB 65.63, -58.05, 35.06

 

CMYK 96 / 0 / 55 / 35

HEX #07A54A

RGB 7 165 74

HSL 145.44, 0.92%, 0.34%

LAB 59.39, -56.08, 36.84

 

CMYK 100 / 0 / 63 / 42

HEX #009337

RGB 0 147 55

HSL 142.45, 1%, 0.29%

LAB 53.11, -53.3, 38.61

 

CMYK 100 / 0 / 72 / 49

HEX #008124

RGB 0 129 36

HSL 136.74, 1%, 0.25%

LAB 46.75, -49.81, 40.11

 

CMYK 79 / 0 / 44 / 22

HEX #29C76F

RGB 41 199 111

HSL 146.58, 0.66%, 0.47%

LAB 71.19, -58.89, 33.04

 

CMYK 79 / 0 / 66 / 22

HEX #29C744

RGB 41 199 68

HSL 130.25, 0.66%, 0.47%

LAB 70.69, -64.9, 52.66

 

CMYK 72 / 0 / 79 / 22

HEX #38C729

RGB 56 199 41

HSL 114.3, 0.66%, 0.47%

LAB 70.77, -64.9, 62.5

 

CMYK 50 / 0 / 79 / 22

HEX #63C729

RGB 99 199 41

HSL 97.97, 0.66%, 0.47%

LAB 72, -54.87, 64.1

 

CMYK 29 / 0 / 79 / 22

HEX #8DC729

RGB 141 199 41

HSL 82.03, 0.66%, 0.47%

LAB 73.98, -40.7, 66.65

 

CMYK 79 / 0 / 44 / 22

HEX #29C76F

RGB 41 199 111

HSL 146.58, 0.66%, 0.47%

LAB 71.19, -58.89, 33.04

 

CMYK 79 / 0 / 23 / 22

HEX #29C79A

RGB 41 199 154

HSL 162.91, 0.66%, 0.47%

LAB 71.99, -49.91, 11.44

 

CMYK 79 / 0 / 2 / 22

HEX #29C7C4

RGB 41 199 196

HSL 178.86, 0.66%, 0.47%

LAB 73.09, -38.73, -9.74

 

CMYK 79 / 20 / 0 / 22

HEX #299FC7

RGB 41 159 199

HSL 195.19, 0.66%, 0.47%

LAB 61.13, -18.08, -29.58

 

CMYK 79 / 42 / 0 / 22

HEX #2974C7

RGB 41 116 199

HSL 211.52, 0.66%, 0.47%

LAB 48.37, 6.83, -49.65

 

CMYK 79 / 0 / 44 / 22

HEX #29C76F

RGB 41 199 111

HSL 146.58, 0.66%, 0.47%

LAB 71.19, -58.89, 33.04

 

CMYK 90 / 0 / 50 / 15

HEX #15DA6D

RGB 21 218 109

HSL 146.8, 0.82%, 0.47%

LAB 76.92, -67.29, 41.26

 

CMYK 99 / 0 / 55 / 7

HEX #02EE6B

RGB 2 238 107

HSL 146.69, 0.98%, 0.47%

LAB 83.03, -74.54, 49.65

 

CMYK 79 / 0 / 44 / 22

HEX #29C76F

RGB 41 199 111

HSL 146.58, 0.66%, 0.47%

LAB 71.19, -58.89, 33.04

 

CMYK 67 / 0 / 37 / 29

HEX #3CB471

RGB 60 180 113

HSL 146.5, 0.5%, 0.47%

LAB 65.59, -48.61, 24.71

 

CMYK 50 / 0 / 28 / 37

HEX #50A073

RGB 80 160 115

HSL 146.25, 0.33%, 0.47%

LAB 59.97, -35.22, 16.08

 

CMYK 30 / 0 / 17 / 45

HEX #638D75

RGB 99 141 117

HSL 145.71, 0.18%, 0.47%

LAB 55.06, -19.79, 8.21

 

CMYK 2 / 0 / 1 / 53

HEX #767978

RGB 118 121 120

HSL 160, 0.01%, 0.47%

LAB 50.55, -1.33, 0.15

 

CMYK 71 / 0 / 79 / 22

HEX #39C729

RGB 57 199 41

HSL 113.92, 0.66%, 0.47%

LAB 70.79, -64.72, 62.53

 

CMYK 79 / 0 / 66 / 22

HEX #29C743

RGB 41 199 67

HSL 129.87, 0.66%, 0.47%

LAB 70.68, -65, 53.07

 

CMYK 79 / 0 / 45 / 22

HEX #29C76D

RGB 41 199 109

HSL 145.82, 0.66%, 0.47%

LAB 71.16, -59.23, 34.02

 

CMYK 79 / 0 / 24 / 22

HEX #29C797

RGB 41 199 151

HSL 161.77, 0.66%, 0.47%

LAB 71.93, -50.63, 12.97

 

CMYK 79 / 0 / 3 / 22

HEX #29C7C2

RGB 41 199 194

HSL 178.1, 0.66%, 0.47%

LAB 73.03, -39.31, -8.74

 

CMYK 79 / 0 / 44 / 49

HEX #1B8249

RGB 27 130 73

HSL 146.8, 0.66%, 0.31%

LAB 47.85, -42.08, 22.92

 

CMYK 79 / 0 / 44 / 35

HEX #22A55C

RGB 34 165 92

HSL 146.56, 0.66%, 0.39%

LAB 59.91, -50.85, 28.3

 

CMYK 79 / 0 / 44 / 22

HEX #29C76F

RGB 41 199 111

HSL 146.58, 0.66%, 0.47%

LAB 71.19, -58.89, 33.04

 

CMYK 70 / 0 / 39 / 15

HEX #41D884

RGB 65 216 132

HSL 146.62, 0.66%, 0.55%

LAB 77.22, -58.01, 30.27

 

CMYK 56 / 0 / 31 / 13

HEX #63DF9A

RGB 99 223 154

HSL 146.61, 0.66%, 0.63%

LAB 80.61, -50.12, 23.62

 

CMYK 80 / 0 / 44 / 21

HEX #29C970

RGB 41 201 112

HSL 146.63, 0.66%, 0.47%

LAB 71.84, -59.42, 33.36

 

CMYK 79 / 50 / 0 / 22

HEX #2963C7

RGB 41 99 199

HSL 217.97, 0.66%, 0.47%

LAB 43.53, 17.64, -57.42

 

CMYK 0 / 77 / 79 / 22

HEX #C72E29

RGB 199 46 41

HSL 1.9, 0.66%, 0.47%

LAB 44.6, 58.86, 40.67

 

CMYK 80 / 0 / 44 / 21

HEX #29C970

RGB 41 201 112

HSL 146.63, 0.66%, 0.47%

LAB 71.84, -59.42, 33.36

 

CMYK 45 / 79 / 0 / 22

HEX #6D29C7

RGB 109 41 199

HSL 265.82, 0.66%, 0.47%

LAB 35.91, 60.21, -69.63

 

CMYK 0 / 45 / 79 / 22

HEX #C76D29

RGB 199 109 41

HSL 25.82, 0.66%, 0.47%

LAB 55.32, 30.83, 51.19

 

CMYK 80 / 0 / 44 / 21

HEX #29C970

RGB 41 201 112

HSL 146.63, 0.66%, 0.47%

LAB 71.84, -59.42, 33.36

 

CMYK 79 / 50 / 0 / 22

HEX #2963C7

RGB 41 99 199

HSL 217.97, 0.66%, 0.47%

LAB 43.53, 17.64, -57.42

 

CMYK 0 / 79 / 35 / 22

HEX #C72982

RGB 199 41 130

HSL 326.2, 0.66%, 0.47%

LAB 46.1, 66.52, -11.33

 

CMYK 0 / 29 / 79 / 22

HEX #C78D29

RGB 199 141 41

HSL 37.97, 0.66%, 0.47%

LAB 62.8, 13.44, 58.17

 

CMYK 80 / 0 / 44 / 21

HEX #29C970

RGB 41 201 112

HSL 146.63, 0.66%, 0.47%

LAB 71.84, -59.42, 33.36

 

CMYK 79 / 74 / 0 / 22

HEX #2933C7

RGB 41 51 199

HSL 236.2, 0.66%, 0.47%

LAB 31.72, 47.94, -76.73

 

CMYK 0 / 79 / 35 / 22

HEX #C72982

RGB 199 41 130

HSL 326.2, 0.66%, 0.47%

LAB 46.1, 66.52, -11.33

 

CMYK 0 / 6 / 79 / 22

HEX #C7BC29

RGB 199 188 41

HSL 55.82, 0.66%, 0.47%

LAB 74.99, -11.57, 69.11

 

Description

Color code: HEX #29C970 | qconv.com Color code: HEX #29C970 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 201 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 201 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 44 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 44% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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