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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #29BAE3 it is the complementary color #D6451C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #29BAE3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #29BAE3 shade: #2EBADE, #3FCCF1, #50DEFF, #61F0FF and #72FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #29BAE3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #29BAE3 shade: #29BAE3, #18A8D0, #0796BD, #0084AA and #007297

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #29BAE3 shade: #2BBBE3, #2B89E3, #2B57E3, #302BE3 and #622BE3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #29BAE3 shade: #2BBBE3, #2B89E3, #2B57E3 and #2B2BE3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #29BAE3 shade matches the following richer shades: #2BBBE3 and #17C6F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #29BAE3 shade: #2BBBE3, #3EB0D0, #52A5BD, #659AA9 and #788F96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #29BAE3 shade: #2BE3A9, #2BE3DA, #2BBBE3, #2B8AE3 and #2B59E3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #29BAE3 shade: #1686A6, #1AA4CB, #2BBBE3, #4FC6E8 and #74D2ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #29BAE3 shade: #29BAE3, #782BE3 and #E3C22B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #29BAE3 shade: #29BAE3, #E32BBB and #BBE32B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #29BAE3 shade: #29BAE3, #782BE3, #E3532B and #97E32B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #29BAE3 shade: #29BAE3, #AF2BE3, #E3532B and #5FE32B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 18 / 0 / 11

HEX #29BAE3

RGB 41 186 227

HSL 193.23, 0.77%, 0.53%

LAB 70.27, -22.8, -30.9

 

Complementary color

CMYK 0 / 68 / 87 / 16

HEX #D6451C

RGB 214 69 28

HSL 13.23, 0.77%, 0.47%

LAB 50.26, 55.1, 53.1

 

CMYK 79 / 16 / 0 / 13

HEX #2EBADE

RGB 46 186 222

HSL 192.27, 0.73%, 0.53%

LAB 70.16, -24, -28.35

 

CMYK 74 / 15 / 0 / 5

HEX #3FCCF1

RGB 63 204 241

HSL 192.47, 0.86%, 0.6%

LAB 76.43, -25.22, -28.96

 

CMYK 69 / 13 / 0 / 0

HEX #50DEFF

RGB 80 222 255

HSL 191.31, 1%, 0.66%

LAB 82.47, -27.71, -27.13

 

CMYK 62 / 6 / 0 / 0

HEX #61F0FF

RGB 97 240 255

HSL 185.7, 1%, 0.69%

LAB 88.01, -33.84, -18.69

 

CMYK 55 / 0 / 0 / 0

HEX #72FFFF

RGB 114 255 255

HSL 180, 1%, 0.72%

LAB 92.71, -37.9, -11.58

 

CMYK 82 / 18 / 0 / 11

HEX #29BAE3

RGB 41 186 227

HSL 193.23, 0.77%, 0.53%

LAB 70.27, -22.8, -30.9

 

CMYK 88 / 19 / 0 / 18

HEX #18A8D0

RGB 24 168 208

HSL 193.04, 0.79%, 0.45%

LAB 63.96, -21.07, -30.23

 

CMYK 96 / 21 / 0 / 26

HEX #0796BD

RGB 7 150 189

HSL 192.86, 0.93%, 0.38%

LAB 57.59, -18.92, -29.46

 

CMYK 100 / 22 / 0 / 33

HEX #0084AA

RGB 0 132 170

HSL 193.41, 1%, 0.33%

LAB 51.16, -16.26, -28.59

 

CMYK 100 / 25 / 0 / 41

HEX #007297

RGB 0 114 151

HSL 194.7, 1%, 0.3%

LAB 44.62, -13.24, -27.65

 

CMYK 81 / 18 / 0 / 11

HEX #2BBBE3

RGB 43 187 227

HSL 193.04, 0.77%, 0.53%

LAB 70.59, -23.14, -30.4

 

CMYK 81 / 40 / 0 / 11

HEX #2B89E3

RGB 43 137 227

HSL 209.35, 0.77%, 0.53%

LAB 56.04, 4.67, -53.24

 

CMYK 81 / 62 / 0 / 11

HEX #2B57E3

RGB 43 87 227

HSL 225.65, 0.77%, 0.53%

LAB 42.58, 36.08, -75

 

CMYK 79 / 81 / 0 / 11

HEX #302BE3

RGB 48 43 227

HSL 241.63, 0.77%, 0.53%

LAB 33.78, 61.22, -89.51

 

CMYK 57 / 81 / 0 / 11

HEX #622BE3

RGB 98 43 227

HSL 257.93, 0.77%, 0.53%

LAB 37.61, 65.16, -83.04

 

CMYK 81 / 18 / 0 / 11

HEX #2BBBE3

RGB 43 187 227

HSL 193.04, 0.77%, 0.53%

LAB 70.59, -23.14, -30.4

 

CMYK 81 / 40 / 0 / 11

HEX #2B89E3

RGB 43 137 227

HSL 209.35, 0.77%, 0.53%

LAB 56.04, 4.67, -53.24

 

CMYK 81 / 62 / 0 / 11

HEX #2B57E3

RGB 43 87 227

HSL 225.65, 0.77%, 0.53%

LAB 42.58, 36.08, -75

 

CMYK 81 / 81 / 0 / 11

HEX #2B2BE3

RGB 43 43 227

HSL 240, 0.77%, 0.53%

LAB 33.54, 60.97, -89.92

 

CMYK 81 / 18 / 0 / 11

HEX #2BBBE3

RGB 43 187 227

HSL 193.04, 0.77%, 0.53%

LAB 70.59, -23.14, -30.4

 

CMYK 91 / 20 / 0 / 3

HEX #17C6F7

RGB 23 198 247

HSL 193.13, 0.93%, 0.53%

LAB 74.37, -23.35, -35.4

 

CMYK 81 / 18 / 0 / 11

HEX #2BBBE3

RGB 43 187 227

HSL 193.04, 0.77%, 0.53%

LAB 70.59, -23.14, -30.4

 

CMYK 70 / 15 / 0 / 18

HEX #3EB0D0

RGB 62 176 208

HSL 193.15, 0.61%, 0.53%

LAB 67, -21.54, -25.49

 

CMYK 57 / 13 / 0 / 26

HEX #52A5BD

RGB 82 165 189

HSL 193.46, 0.45%, 0.53%

LAB 63.65, -18.26, -20.01

 

CMYK 40 / 9 / 0 / 34

HEX #659AA9

RGB 101 154 169

HSL 193.24, 0.28%, 0.53%

LAB 60.55, -13.58, -13.38

 

CMYK 20 / 5 / 0 / 41

HEX #788F96

RGB 120 143 150

HSL 194, 0.13%, 0.53%

LAB 57.88, -6.56, -6.45

 

CMYK 81 / 0 / 26 / 11

HEX #2BE3A9

RGB 43 227 169

HSL 161.09, 0.77%, 0.53%

LAB 80.91, -57.23, 16.03

 

CMYK 81 / 0 / 4 / 11

HEX #2BE3DA

RGB 43 227 218

HSL 177.07, 0.77%, 0.53%

LAB 82.12, -44.76, -8.12

 

CMYK 81 / 18 / 0 / 11

HEX #2BBBE3

RGB 43 187 227

HSL 193.04, 0.77%, 0.53%

LAB 70.59, -23.14, -30.4

 

CMYK 81 / 39 / 0 / 11

HEX #2B8AE3

RGB 43 138 227

HSL 209.02, 0.77%, 0.53%

LAB 56.32, 4.07, -52.78

 

CMYK 81 / 61 / 0 / 11

HEX #2B59E3

RGB 43 89 227

HSL 225, 0.77%, 0.53%

LAB 43.07, 34.81, -74.19

 

CMYK 87 / 19 / 0 / 35

HEX #1686A6

RGB 22 134 166

HSL 193.33, 0.77%, 0.37%

LAB 51.81, -17.71, -25.25

 

CMYK 87 / 19 / 0 / 20

HEX #1AA4CB

RGB 26 164 203

HSL 193.22, 0.77%, 0.45%

LAB 62.58, -20.57, -29.58

 

CMYK 81 / 18 / 0 / 11

HEX #2BBBE3

RGB 43 187 227

HSL 193.04, 0.77%, 0.53%

LAB 70.59, -23.14, -30.4

 

CMYK 66 / 15 / 0 / 9

HEX #4FC6E8

RGB 79 198 232

HSL 193.33, 0.77%, 0.61%

LAB 74.75, -22.86, -26.67

 

CMYK 51 / 11 / 0 / 7

HEX #74D2ED

RGB 116 210 237

HSL 193.39, 0.77%, 0.69%

LAB 79.57, -20.7, -21.89

 

CMYK 82 / 18 / 0 / 11

HEX #29BAE3

RGB 41 186 227

HSL 193.23, 0.77%, 0.53%

LAB 70.27, -22.8, -30.9

 

CMYK 47 / 81 / 0 / 11

HEX #782BE3

RGB 120 43 227

HSL 265.11, 0.77%, 0.53%

LAB 40.03, 67.69, -78.98

 

CMYK 0 / 15 / 81 / 11

HEX #E3C22B

RGB 227 194 43

HSL 49.24, 0.77%, 0.53%

LAB 79.09, -2.5, 73.09

 

CMYK 82 / 18 / 0 / 11

HEX #29BAE3

RGB 41 186 227

HSL 193.23, 0.77%, 0.53%

LAB 70.27, -22.8, -30.9

 

CMYK 0 / 81 / 18 / 11

HEX #E32BBB

RGB 227 43 187

HSL 313.04, 0.77%, 0.53%

LAB 53.65, 79.14, -33.18

 

CMYK 18 / 0 / 81 / 11

HEX #BBE32B

RGB 187 227 43

HSL 73.04, 0.77%, 0.53%

LAB 84.83, -35.35, 76.87

 

CMYK 82 / 18 / 0 / 11

HEX #29BAE3

RGB 41 186 227

HSL 193.23, 0.77%, 0.53%

LAB 70.27, -22.8, -30.9

 

CMYK 47 / 81 / 0 / 11

HEX #782BE3

RGB 120 43 227

HSL 265.11, 0.77%, 0.53%

LAB 40.03, 67.69, -78.98

 

CMYK 0 / 63 / 81 / 11

HEX #E3532B

RGB 227 83 43

HSL 13.04, 0.77%, 0.53%

LAB 54.75, 54.12, 51.29

 

CMYK 33 / 0 / 81 / 11

HEX #97E32B

RGB 151 227 43

HSL 84.78, 0.77%, 0.53%

LAB 82.75, -48.88, 74.24

 

CMYK 82 / 18 / 0 / 11

HEX #29BAE3

RGB 41 186 227

HSL 193.23, 0.77%, 0.53%

LAB 70.27, -22.8, -30.9

 

CMYK 23 / 81 / 0 / 11

HEX #AF2BE3

RGB 175 43 227

HSL 283.04, 0.77%, 0.53%

LAB 47.48, 75.69, -66.5

 

CMYK 0 / 63 / 81 / 11

HEX #E3532B

RGB 227 83 43

HSL 13.04, 0.77%, 0.53%

LAB 54.75, 54.12, 51.29

 

CMYK 58 / 0 / 81 / 11

HEX #5FE32B

RGB 95 227 43

HSL 103.04, 0.77%, 0.53%

LAB 80.49, -65.8, 71.34

 

Description

Color code: HEX #29BAE3 | qconv.com Color code: HEX #29BAE3 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 186 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 186 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 18 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 18% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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