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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #29B87B it is the complementary color #D64784. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #29B87B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #29B87B shade: #2EB876, #3FCA89, #50DC9C, #61EEAF and #72FFC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #29B87B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #29B87B shade: #29B87B, #18A668, #079455, #008242 and #00702F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #29B87B shade: #28B87B, #28B854, #28B82D, #4AB828 and #71B828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #29B87B shade: #28B87B, #28B8A1, #28A8B8, #2881B8 and #285AB8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #29B87B shade matches the following richer shades: #28B87B, #16CA7D and #04DC80

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #29B87B shade: #28B87B, #3BA678, #4D9475, #5F8273 and #716F70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #29B87B shade: #28B82D, #28B853, #28B87A, #28B8A0 and #28AAB8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #29B87B shade: #1A744E, #219664, #28B87B, #37D390 and #58DAA3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #29B87B shade: #29B87B, #284AB8 and #B84028

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #29B87B shade: #29B87B, #7A28B8 and #B87A28

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #29B87B shade: #29B87B, #284AB8, #B82867 and #B89628

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #29B87B shade: #29B87B, #3228B8, #B82867 and #AEB828

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 33 / 28

HEX #29B87B

RGB 41 184 123

HSL 154.41, 0.64%, 0.44%

LAB 66.66, -51.02, 20.73

 

Complementary color

CMYK 0 / 67 / 38 / 16

HEX #D64784

RGB 214 71 132

HSL 334.41, 0.64%, 0.56%

LAB 52.36, 60.79, -2.91

 

CMYK 75 / 0 / 36 / 28

HEX #2EB876

RGB 46 184 118

HSL 151.3, 0.6%, 0.45%

LAB 66.65, -51.42, 23.41

 

CMYK 69 / 0 / 32 / 21

HEX #3FCA89

RGB 63 202 137

HSL 151.94, 0.57%, 0.52%

LAB 72.96, -52.01, 21.93

 

CMYK 64 / 0 / 29 / 14

HEX #50DC9C

RGB 80 220 156

HSL 152.57, 0.67%, 0.59%

LAB 79.21, -52.34, 20.57

 

CMYK 59 / 0 / 26 / 7

HEX #61EEAF

RGB 97 238 175

HSL 153.19, 0.81%, 0.66%

LAB 85.4, -52.49, 19.33

 

CMYK 55 / 0 / 24 / 0

HEX #72FFC2

RGB 114 255 194

HSL 154.04, 1%, 0.72%

LAB 91.23, -52.12, 17.76

 

CMYK 78 / 0 / 33 / 28

HEX #29B87B

RGB 41 184 123

HSL 154.41, 0.64%, 0.44%

LAB 66.66, -51.02, 20.73

 

CMYK 86 / 0 / 37 / 35

HEX #18A668

RGB 24 166 104

HSL 153.8, 0.75%, 0.37%

LAB 60.31, -49.92, 22.37

 

CMYK 95 / 0 / 43 / 42

HEX #079455

RGB 7 148 85

HSL 153.19, 0.91%, 0.3%

LAB 53.9, -48.27, 24.18

 

CMYK 100 / 0 / 49 / 49

HEX #008242

RGB 0 130 66

HSL 150.46, 1%, 0.25%

LAB 47.44, -45.85, 26.18

 

CMYK 100 / 0 / 58 / 56

HEX #00702F

RGB 0 112 47

HSL 145.18, 1%, 0.22%

LAB 40.89, -42.77, 28.26

 

CMYK 78 / 0 / 33 / 28

HEX #28B87B

RGB 40 184 123

HSL 154.58, 0.64%, 0.44%

LAB 66.64, -51.14, 20.71

 

CMYK 78 / 0 / 54 / 28

HEX #28B854

RGB 40 184 84

HSL 138.33, 0.64%, 0.44%

LAB 66.04, -58.13, 40.06

 

CMYK 78 / 0 / 76 / 28

HEX #28B82D

RGB 40 184 45

HSL 122.08, 0.64%, 0.44%

LAB 65.69, -62.39, 56.21

 

CMYK 60 / 0 / 78 / 28

HEX #4AB828

RGB 74 184 40

HSL 105.83, 0.64%, 0.44%

LAB 66.44, -56.22, 58.85

 

CMYK 39 / 0 / 78 / 28

HEX #71B828

RGB 113 184 40

HSL 89.58, 0.64%, 0.44%

LAB 67.98, -44.5, 60.86

 

CMYK 78 / 0 / 33 / 28

HEX #28B87B

RGB 40 184 123

HSL 154.58, 0.64%, 0.44%

LAB 66.64, -51.14, 20.71

 

CMYK 78 / 0 / 13 / 28

HEX #28B8A1

RGB 40 184 161

HSL 170.42, 0.64%, 0.44%

LAB 67.51, -41.95, 1.18

 

CMYK 78 / 9 / 0 / 28

HEX #28A8B8

RGB 40 168 184

HSL 186.67, 0.64%, 0.44%

LAB 63.27, -27.75, -17.9

 

CMYK 78 / 30 / 0 / 28

HEX #2881B8

RGB 40 129 184

HSL 202.92, 0.64%, 0.44%

LAB 51.4, -6.72, -36.24

 

CMYK 78 / 51 / 0 / 28

HEX #285AB8

RGB 40 90 184

HSL 219.17, 0.64%, 0.44%

LAB 39.96, 17.63, -54.48

 

CMYK 78 / 0 / 33 / 28

HEX #28B87B

RGB 40 184 123

HSL 154.58, 0.64%, 0.44%

LAB 66.64, -51.14, 20.71

 

CMYK 89 / 0 / 38 / 21

HEX #16CA7D

RGB 22 202 125

HSL 154.33, 0.8%, 0.44%

LAB 72.16, -58.97, 27.05

 

CMYK 98 / 0 / 42 / 14

HEX #04DC80

RGB 4 220 128

HSL 154.44, 0.96%, 0.44%

LAB 77.74, -65.37, 32.86

 

CMYK 78 / 0 / 33 / 28

HEX #28B87B

RGB 40 184 123

HSL 154.58, 0.64%, 0.44%

LAB 66.64, -51.14, 20.71

 

CMYK 64 / 0 / 28 / 35

HEX #3BA678

RGB 59 166 120

HSL 154.21, 0.48%, 0.44%

LAB 61.27, -41.59, 15.02

 

CMYK 48 / 0 / 21 / 42

HEX #4D9475

RGB 77 148 117

HSL 153.8, 0.32%, 0.44%

LAB 56.13, -29.96, 9.58

 

CMYK 27 / 0 / 12 / 49

HEX #5F8273

RGB 95 130 115

HSL 154.29, 0.16%, 0.44%

LAB 51.42, -15.72, 4.14

 

CMYK 0 / 2 / 1 / 56

HEX #716F70

RGB 113 111 112

HSL 330, 0.01%, 0.44%

LAB 47.04, 0.97, -0.29

 

CMYK 78 / 0 / 76 / 28

HEX #28B82D

RGB 40 184 45

HSL 122.08, 0.64%, 0.44%

LAB 65.69, -62.39, 56.21

 

CMYK 78 / 0 / 55 / 28

HEX #28B853

RGB 40 184 83

HSL 137.92, 0.64%, 0.44%

LAB 66.03, -58.27, 40.53

 

CMYK 78 / 0 / 34 / 28

HEX #28B87A

RGB 40 184 122

HSL 154.17, 0.64%, 0.44%

LAB 66.62, -51.36, 21.22

 

CMYK 78 / 0 / 13 / 28

HEX #28B8A0

RGB 40 184 160

HSL 170, 0.64%, 0.44%

LAB 67.48, -42.22, 1.69

 

CMYK 78 / 8 / 0 / 28

HEX #28AAB8

RGB 40 170 184

HSL 185.83, 0.64%, 0.44%

LAB 63.89, -28.74, -16.97

 

CMYK 78 / 0 / 33 / 55

HEX #1A744E

RGB 26 116 78

HSL 154.67, 0.63%, 0.28%

LAB 43.15, -35.42, 13.77

 

CMYK 78 / 0 / 33 / 41

HEX #219664

RGB 33 150 100

HSL 154.36, 0.64%, 0.36%

LAB 55.13, -43.59, 17.59

 

CMYK 78 / 0 / 33 / 28

HEX #28B87B

RGB 40 184 123

HSL 154.58, 0.64%, 0.44%

LAB 66.64, -51.14, 20.71

 

CMYK 74 / 0 / 32 / 17

HEX #37D390

RGB 55 211 144

HSL 154.23, 0.64%, 0.52%

LAB 75.71, -55.23, 21.97

 

CMYK 60 / 0 / 25 / 15

HEX #58DAA3

RGB 88 218 163

HSL 154.62, 0.64%, 0.6%

LAB 78.96, -48.54, 16.59

 

CMYK 78 / 0 / 33 / 28

HEX #29B87B

RGB 41 184 123

HSL 154.41, 0.64%, 0.44%

LAB 66.66, -51.02, 20.73

 

CMYK 78 / 60 / 0 / 28

HEX #284AB8

RGB 40 74 184

HSL 225.83, 0.64%, 0.44%

LAB 35.61, 28.19, -61.53

 

CMYK 0 / 65 / 78 / 28

HEX #B84028

RGB 184 64 40

HSL 10, 0.64%, 0.44%

LAB 44.25, 47.23, 39.96

 

CMYK 78 / 0 / 33 / 28

HEX #29B87B

RGB 41 184 123

HSL 154.41, 0.64%, 0.44%

LAB 66.66, -51.02, 20.73

 

CMYK 34 / 78 / 0 / 28

HEX #7A28B8

RGB 122 40 184

HSL 274.17, 0.64%, 0.44%

LAB 36.21, 59.08, -60.26

 

CMYK 0 / 34 / 78 / 28

HEX #B87A28

RGB 184 122 40

HSL 34.17, 0.64%, 0.44%

LAB 56.35, 17.28, 51.89

 

CMYK 78 / 0 / 33 / 28

HEX #29B87B

RGB 41 184 123

HSL 154.41, 0.64%, 0.44%

LAB 66.66, -51.02, 20.73

 

CMYK 78 / 60 / 0 / 28

HEX #284AB8

RGB 40 74 184

HSL 225.83, 0.64%, 0.44%

LAB 35.61, 28.19, -61.53

 

CMYK 0 / 78 / 44 / 28

HEX #B82867

RGB 184 40 103

HSL 333.75, 0.64%, 0.44%

LAB 42.29, 60.22, -0.62

 

CMYK 0 / 18 / 78 / 28

HEX #B89628

RGB 184 150 40

HSL 45.83, 0.64%, 0.44%

LAB 63.47, 1.83, 58.55

 

CMYK 78 / 0 / 33 / 28

HEX #29B87B

RGB 41 184 123

HSL 154.41, 0.64%, 0.44%

LAB 66.66, -51.02, 20.73

 

CMYK 73 / 78 / 0 / 28

HEX #3228B8

RGB 50 40 184

HSL 244.17, 0.64%, 0.44%

LAB 28.53, 49.69, -73.16

 

CMYK 0 / 78 / 44 / 28

HEX #B82867

RGB 184 40 103

HSL 333.75, 0.64%, 0.44%

LAB 42.29, 60.22, -0.62

 

CMYK 5 / 0 / 78 / 28

HEX #AEB828

RGB 174 184 40

HSL 64.17, 0.64%, 0.44%

LAB 71.85, -20.34, 65.83

 

Description

Color code: HEX #29B87B | qconv.com Color code: HEX #29B87B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 184 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 184 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 33 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 33% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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