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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #29AE6E it is the complementary color #D65191. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #29AE6E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #29AE6E shade: #2EAE69, #3FC07C, #50D28F, #61E4A2 and #72F6B5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #29AE6E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #29AE6E shade: #29AE6E, #189C5B, #078A48, #007835 and #006622

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #29AE6E shade: #29AE6E, #29AE4A, #2BAE29, #4FAE29 and #73AE29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #29AE6E shade: #29AE6E, #29AE91, #29A6AE, #2982AE and #295EAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #29AE6E shade matches the following richer shades: #29AE6E, #17BF6E and #06D06F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #29AE6E shade: #29AE6E, #3A9C6D, #4B8B6C, #5D7A6C and #6E686B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #29AE6E shade: #2BAE29, #29AE4A, #29AE6D, #29AE91 and #29A7AE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #29AE6E shade: #196B43, #218C58, #29AE6E, #31CF83 and #52D697

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #29AE6E shade: #29AE6E, #294EAE and #AE3829

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #29AE6E shade: #29AE6E, #6D29AE and #AE6D29

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #29AE6E shade: #29AE6E, #294EAE, #AE2969 and #AE8829

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #29AE6E shade: #29AE6E, #2B29AE, #AE2969 and #ABAE29

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 37 / 32

HEX #29AE6E

RGB 41 174 110

HSL 151.13, 0.62%, 0.42%

LAB 63.23, -49.87, 23.09

 

Complementary color

CMYK 0 / 62 / 32 / 16

HEX #D65191

RGB 214 81 145

HSL 331.13, 0.62%, 0.58%

LAB 54.27, 58.17, -7.82

 

CMYK 74 / 0 / 40 / 32

HEX #2EAE69

RGB 46 174 105

HSL 147.66, 0.58%, 0.43%

LAB 63.24, -50.15, 25.79

 

CMYK 67 / 0 / 35 / 25

HEX #3FC07C

RGB 63 192 124

HSL 148.37, 0.51%, 0.5%

LAB 69.62, -50.68, 24.28

 

CMYK 62 / 0 / 32 / 18

HEX #50D28F

RGB 80 210 143

HSL 149.08, 0.59%, 0.57%

LAB 75.94, -50.94, 22.9

 

CMYK 57 / 0 / 29 / 11

HEX #61E4A2

RGB 97 228 162

HSL 149.77, 0.71%, 0.64%

LAB 82.18, -51.04, 21.62

 

CMYK 54 / 0 / 26 / 4

HEX #72F6B5

RGB 114 246 181

HSL 150.45, 0.88%, 0.71%

LAB 88.36, -51.02, 20.44

 

CMYK 76 / 0 / 37 / 32

HEX #29AE6E

RGB 41 174 110

HSL 151.13, 0.62%, 0.42%

LAB 63.23, -49.87, 23.09

 

CMYK 85 / 0 / 42 / 39

HEX #189C5B

RGB 24 156 91

HSL 150.45, 0.73%, 0.35%

LAB 56.81, -48.81, 24.77

 

CMYK 95 / 0 / 48 / 46

HEX #078A48

RGB 7 138 72

HSL 149.77, 0.9%, 0.28%

LAB 50.32, -47.14, 26.61

 

CMYK 100 / 0 / 56 / 53

HEX #007835

RGB 0 120 53

HSL 146.5, 1%, 0.24%

LAB 43.79, -44.59, 28.6

 

CMYK 100 / 0 / 67 / 60

HEX #006622

RGB 0 102 34

HSL 140, 1%, 0.2%

LAB 37.15, -41.24, 30.54

 

CMYK 76 / 0 / 37 / 32

HEX #29AE6E

RGB 41 174 110

HSL 151.13, 0.62%, 0.42%

LAB 63.23, -49.87, 23.09

 

CMYK 76 / 0 / 57 / 32

HEX #29AE4A

RGB 41 174 74

HSL 134.89, 0.62%, 0.42%

LAB 62.71, -55.97, 40.9

 

CMYK 75 / 0 / 76 / 32

HEX #2BAE29

RGB 43 174 41

HSL 119.1, 0.62%, 0.42%

LAB 62.46, -59.09, 54.4

 

CMYK 55 / 0 / 76 / 32

HEX #4FAE29

RGB 79 174 41

HSL 102.86, 0.62%, 0.42%

LAB 63.42, -51.21, 55.67

 

CMYK 34 / 0 / 76 / 32

HEX #73AE29

RGB 115 174 41

HSL 86.62, 0.62%, 0.42%

LAB 65.02, -39.45, 57.77

 

CMYK 76 / 0 / 37 / 32

HEX #29AE6E

RGB 41 174 110

HSL 151.13, 0.62%, 0.42%

LAB 63.23, -49.87, 23.09

 

CMYK 76 / 0 / 17 / 32

HEX #29AE91

RGB 41 174 145

HSL 166.92, 0.62%, 0.42%

LAB 63.99, -41.74, 4.94

 

CMYK 76 / 5 / 0 / 32

HEX #29A6AE

RGB 41 166 174

HSL 183.61, 0.62%, 0.42%

LAB 62.34, -29.79, -13.71

 

CMYK 76 / 25 / 0 / 32

HEX #2982AE

RGB 41 130 174

HSL 199.85, 0.62%, 0.42%

LAB 51.26, -10.78, -30.7

 

CMYK 76 / 46 / 0 / 32

HEX #295EAE

RGB 41 94 174

HSL 216.09, 0.62%, 0.42%

LAB 40.46, 11.28, -47.78

 

CMYK 76 / 0 / 37 / 32

HEX #29AE6E

RGB 41 174 110

HSL 151.13, 0.62%, 0.42%

LAB 63.23, -49.87, 23.09

 

CMYK 88 / 0 / 42 / 25

HEX #17BF6E

RGB 23 191 110

HSL 151.07, 0.79%, 0.42%

LAB 68.44, -57.9, 29.94

 

CMYK 97 / 0 / 47 / 18

HEX #06D06F

RGB 6 208 111

HSL 151.19, 0.94%, 0.42%

LAB 73.74, -64.32, 36.25

 

CMYK 76 / 0 / 37 / 32

HEX #29AE6E

RGB 41 174 110

HSL 151.13, 0.62%, 0.42%

LAB 63.23, -49.87, 23.09

 

CMYK 63 / 0 / 30 / 39

HEX #3A9C6D

RGB 58 156 109

HSL 151.22, 0.46%, 0.42%

LAB 57.83, -39.9, 16.36

 

CMYK 46 / 0 / 22 / 45

HEX #4B8B6C

RGB 75 139 108

HSL 150.94, 0.3%, 0.42%

LAB 53, -28.16, 10.29

 

CMYK 24 / 0 / 11 / 52

HEX #5D7A6C

RGB 93 122 108

HSL 151.03, 0.13%, 0.42%

LAB 48.67, -13.57, 4.27

 

CMYK 0 / 5 / 3 / 57

HEX #6E686B

RGB 110 104 107

HSL 330, 0.03%, 0.42%

LAB 44.63, 2.95, -0.85

 

CMYK 75 / 0 / 76 / 32

HEX #2BAE29

RGB 43 174 41

HSL 119.1, 0.62%, 0.42%

LAB 62.46, -59.09, 54.4

 

CMYK 76 / 0 / 57 / 32

HEX #29AE4A

RGB 41 174 74

HSL 134.89, 0.62%, 0.42%

LAB 62.71, -55.97, 40.9

 

CMYK 76 / 0 / 37 / 32

HEX #29AE6D

RGB 41 174 109

HSL 150.68, 0.62%, 0.42%

LAB 63.22, -50.07, 23.61

 

CMYK 76 / 0 / 17 / 32

HEX #29AE91

RGB 41 174 145

HSL 166.92, 0.62%, 0.42%

LAB 63.99, -41.74, 4.94

 

CMYK 76 / 4 / 0 / 32

HEX #29A7AE

RGB 41 167 174

HSL 183.16, 0.62%, 0.42%

LAB 62.65, -30.27, -13.25

 

CMYK 77 / 0 / 37 / 58

HEX #196B43

RGB 25 107 67

HSL 150.73, 0.62%, 0.26%

LAB 39.79, -34.24, 15.67

 

CMYK 76 / 0 / 37 / 45

HEX #218C58

RGB 33 140 88

HSL 150.84, 0.62%, 0.34%

LAB 51.59, -42.15, 19.51

 

CMYK 76 / 0 / 37 / 32

HEX #29AE6E

RGB 41 174 110

HSL 151.13, 0.62%, 0.42%

LAB 63.23, -49.87, 23.09

 

CMYK 76 / 0 / 37 / 19

HEX #31CF83

RGB 49 207 131

HSL 151.14, 0.62%, 0.5%

LAB 74.14, -57.12, 26.63

 

CMYK 62 / 0 / 29 / 16

HEX #52D697

RGB 82 214 151

HSL 151.36, 0.62%, 0.58%

LAB 77.35, -50.57, 20.65

 

CMYK 76 / 0 / 37 / 32

HEX #29AE6E

RGB 41 174 110

HSL 151.13, 0.62%, 0.42%

LAB 63.23, -49.87, 23.09

 

CMYK 76 / 55 / 0 / 32

HEX #294EAE

RGB 41 78 174

HSL 223.31, 0.62%, 0.42%

LAB 35.94, 21.83, -55.09

 

CMYK 0 / 68 / 76 / 32

HEX #AE3829

RGB 174 56 41

HSL 6.77, 0.62%, 0.42%

LAB 41.2, 47.2, 35.66

 

CMYK 76 / 0 / 37 / 32

HEX #29AE6E

RGB 41 174 110

HSL 151.13, 0.62%, 0.42%

LAB 63.23, -49.87, 23.09

 

CMYK 37 / 76 / 0 / 32

HEX #6D29AE

RGB 109 41 174

HSL 270.68, 0.62%, 0.42%

LAB 33.76, 54.15, -58.39

 

CMYK 0 / 37 / 76 / 32

HEX #AE6D29

RGB 174 109 41

HSL 30.68, 0.62%, 0.42%

LAB 51.95, 20.17, 46.75

 

CMYK 76 / 0 / 37 / 32

HEX #29AE6E

RGB 41 174 110

HSL 151.13, 0.62%, 0.42%

LAB 63.23, -49.87, 23.09

 

CMYK 76 / 55 / 0 / 32

HEX #294EAE

RGB 41 78 174

HSL 223.31, 0.62%, 0.42%

LAB 35.94, 21.83, -55.09

 

CMYK 0 / 76 / 40 / 32

HEX #AE2969

RGB 174 41 105

HSL 331.13, 0.62%, 0.42%

LAB 40.58, 57.42, -4.6

 

CMYK 0 / 22 / 76 / 32

HEX #AE8829

RGB 174 136 41

HSL 42.86, 0.62%, 0.42%

LAB 58.76, 5.06, 53.39

 

CMYK 76 / 0 / 37 / 32

HEX #29AE6E

RGB 41 174 110

HSL 151.13, 0.62%, 0.42%

LAB 63.23, -49.87, 23.09

 

CMYK 75 / 76 / 0 / 32

HEX #2B29AE

RGB 43 41 174

HSL 240.9, 0.62%, 0.42%

LAB 27.17, 45.37, -69.45

 

CMYK 0 / 76 / 40 / 32

HEX #AE2969

RGB 174 41 105

HSL 331.13, 0.62%, 0.42%

LAB 40.58, 57.42, -4.6

 

CMYK 2 / 0 / 76 / 32

HEX #ABAE29

RGB 171 174 41

HSL 61.35, 0.62%, 0.42%

LAB 68.82, -16.56, 62.68

 

Description

Color code: HEX #29AE6E | qconv.com Color code: HEX #29AE6E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 174 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 174 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 37 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 37% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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