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Color name
HEX #29AB9A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #29AB9A it is the complementary color #D65465. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #29AB9A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #29AB9A shade: #2EAB95, #3FBDA8, #50CFBB, #61E1CE and #72F3E1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #29AB9A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #29AB9A shade: #29AB9A, #189987, #078774, #007561 and #00634E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #29AB9A shade: #2AAC9B, #2AAC78, #2AAC55, #2AAC32 and #45AC2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #29AB9A shade: #2AAC9B, #2A9AAC, #2A77AC, #2A54AC and #2A31AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #29AB9A shade matches the following richer shades: #2AAC9B, #18BEA8 and #07CFB5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #29AB9A shade: #2AAC9B, #3B9B8F, #4C8A82, #5E7875 and #6F6768

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #29AB9A shade: #2AAC55, #2AAC78, #2AAC9B, #2A9BAC and #2A78AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #29AB9A shade: #1A6A5F, #228B7D, #2AAC9B, #32CDB9 and #53D5C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #29AB9A shade: #29AB9A, #322AAC and #AC672A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #29AB9A shade: #29AB9A, #9B2AAC and #AC9B2A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #29AB9A shade: #29AB9A, #322AAC, #AC2A3B and #A4AC2A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #29AB9A shade: #29AB9A, #5A2AAC, #AC2A3B and #7DAC2A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 10 / 33

HEX #29AB9A

RGB 41 171 154

HSL 172.15, 0.61%, 0.42%

LAB 63.29, -37.99, -1.1

 

Complementary color

CMYK 0 / 61 / 53 / 16

HEX #D65465

RGB 214 84 101

HSL 352.15, 0.61%, 0.58%

LAB 53.57, 52.42, 17.3

 

CMYK 73 / 0 / 13 / 33

HEX #2EAB95

RGB 46 171 149

HSL 169.44, 0.58%, 0.43%

LAB 63.24, -38.74, 1.64

 

CMYK 67 / 0 / 11 / 26

HEX #3FBDA8

RGB 63 189 168

HSL 170, 0.5%, 0.49%

LAB 69.67, -39.3, 0.54

 

CMYK 61 / 0 / 10 / 19

HEX #50CFBB

RGB 80 207 187

HSL 170.55, 0.57%, 0.56%

LAB 76.02, -39.66, -0.46

 

CMYK 57 / 0 / 8 / 12

HEX #61E1CE

RGB 97 225 206

HSL 171.09, 0.68%, 0.63%

LAB 82.3, -39.87, -1.37

 

CMYK 53 / 0 / 7 / 5

HEX #72F3E1

RGB 114 243 225

HSL 171.63, 0.84%, 0.7%

LAB 88.5, -39.99, -2.21

 

CMYK 76 / 0 / 10 / 33

HEX #29AB9A

RGB 41 171 154

HSL 172.15, 0.61%, 0.42%

LAB 63.29, -37.99, -1.1

 

CMYK 84 / 0 / 12 / 40

HEX #189987

RGB 24 153 135

HSL 171.63, 0.73%, 0.35%

LAB 56.81, -36.94, 0.12

 

CMYK 95 / 0 / 14 / 47

HEX #078774

RGB 7 135 116

HSL 171.09, 0.9%, 0.28%

LAB 50.26, -35.43, 1.52

 

CMYK 100 / 0 / 17 / 54

HEX #007561

RGB 0 117 97

HSL 169.74, 1%, 0.23%

LAB 43.63, -33.28, 3.13

 

CMYK 100 / 0 / 21 / 61

HEX #00634E

RGB 0 99 78

HSL 167.27, 1%, 0.19%

LAB 36.88, -30.67, 4.94

 

CMYK 76 / 0 / 10 / 33

HEX #2AAC9B

RGB 42 172 155

HSL 172.15, 0.61%, 0.42%

LAB 63.64, -38.05, -1.13

 

CMYK 76 / 0 / 30 / 33

HEX #2AAC78

RGB 42 172 120

HSL 156, 0.61%, 0.42%

LAB 62.8, -46.82, 17.08

 

CMYK 76 / 0 / 51 / 33

HEX #2AAC55

RGB 42 172 85

HSL 139.85, 0.61%, 0.42%

LAB 62.21, -53.51, 34.88

 

CMYK 76 / 0 / 71 / 33

HEX #2AAC32

RGB 42 172 50

HSL 123.69, 0.61%, 0.42%

LAB 61.85, -57.86, 50.48

 

CMYK 60 / 0 / 76 / 33

HEX #45AC2A

RGB 69 172 42

HSL 107.54, 0.61%, 0.42%

LAB 62.45, -53.04, 54.27

 

CMYK 76 / 0 / 10 / 33

HEX #2AAC9B

RGB 42 172 155

HSL 172.15, 0.61%, 0.42%

LAB 63.64, -38.05, -1.13

 

CMYK 76 / 10 / 0 / 33

HEX #2A9AAC

RGB 42 154 172

HSL 188.31, 0.61%, 0.42%

LAB 58.59, -24.31, -18.26

 

CMYK 76 / 31 / 0 / 33

HEX #2A77AC

RGB 42 119 172

HSL 204.46, 0.61%, 0.42%

LAB 47.83, -4.96, -34.9

 

CMYK 76 / 51 / 0 / 33

HEX #2A54AC

RGB 42 84 172

HSL 220.62, 0.61%, 0.42%

LAB 37.5, 17.2, -51.37

 

CMYK 76 / 72 / 0 / 33

HEX #2A31AC

RGB 42 49 172

HSL 236.77, 0.61%, 0.42%

LAB 28.56, 39.98, -65.97

 

CMYK 76 / 0 / 10 / 33

HEX #2AAC9B

RGB 42 172 155

HSL 172.15, 0.61%, 0.42%

LAB 63.64, -38.05, -1.13

 

CMYK 87 / 0 / 12 / 25

HEX #18BEA8

RGB 24 190 168

HSL 172.05, 0.78%, 0.42%

LAB 69.36, -43.95, 0.02

 

CMYK 97 / 0 / 13 / 19

HEX #07CFB5

RGB 7 207 181

HSL 172.2, 0.93%, 0.42%

LAB 74.83, -48.29, 0.91

 

CMYK 76 / 0 / 10 / 33

HEX #2AAC9B

RGB 42 172 155

HSL 172.15, 0.61%, 0.42%

LAB 63.64, -38.05, -1.13

 

CMYK 62 / 0 / 8 / 39

HEX #3B9B8F

RGB 59 155 143

HSL 172.5, 0.45%, 0.42%

LAB 58.37, -30.9, -2.06

 

CMYK 45 / 0 / 6 / 46

HEX #4C8A82

RGB 76 138 130

HSL 172.26, 0.29%, 0.42%

LAB 53.3, -22.08, -1.97

 

CMYK 22 / 0 / 3 / 53

HEX #5E7875

RGB 94 120 117

HSL 173.08, 0.12%, 0.42%

LAB 48.38, -10.08, -1.47

 

CMYK 0 / 7 / 6 / 56

HEX #6F6768

RGB 111 103 104

HSL 352.5, 0.04%, 0.42%

LAB 44.35, 3.34, 0.57

 

CMYK 76 / 0 / 51 / 33

HEX #2AAC55

RGB 42 172 85

HSL 139.85, 0.61%, 0.42%

LAB 62.21, -53.51, 34.88

 

CMYK 76 / 0 / 30 / 33

HEX #2AAC78

RGB 42 172 120

HSL 156, 0.61%, 0.42%

LAB 62.8, -46.82, 17.08

 

CMYK 76 / 0 / 10 / 33

HEX #2AAC9B

RGB 42 172 155

HSL 172.15, 0.61%, 0.42%

LAB 63.64, -38.05, -1.13

 

CMYK 76 / 10 / 0 / 33

HEX #2A9BAC

RGB 42 155 172

HSL 187.85, 0.61%, 0.42%

LAB 58.89, -24.82, -17.79

 

CMYK 76 / 30 / 0 / 33

HEX #2A78AC

RGB 42 120 172

HSL 204, 0.61%, 0.42%

LAB 48.14, -5.55, -34.42

 

CMYK 75 / 0 / 10 / 58

HEX #1A6A5F

RGB 26 106 95

HSL 171.75, 0.61%, 0.26%

LAB 40.17, -26.28, -0.66

 

CMYK 76 / 0 / 10 / 45

HEX #228B7D

RGB 34 139 125

HSL 172, 0.61%, 0.34%

LAB 52.16, -32.31, -0.9

 

CMYK 76 / 0 / 10 / 33

HEX #2AAC9B

RGB 42 172 155

HSL 172.15, 0.61%, 0.42%

LAB 63.64, -38.05, -1.13

 

CMYK 76 / 0 / 10 / 20

HEX #32CDB9

RGB 50 205 185

HSL 172.26, 0.61%, 0.5%

LAB 74.73, -43.57, -1.35

 

CMYK 61 / 0 / 8 / 16

HEX #53D5C4

RGB 83 213 196

HSL 172.15, 0.61%, 0.58%

LAB 78.12, -39.53, -2.21

 

CMYK 76 / 0 / 10 / 33

HEX #29AB9A

RGB 41 171 154

HSL 172.15, 0.61%, 0.42%

LAB 63.29, -37.99, -1.1

 

CMYK 71 / 76 / 0 / 33

HEX #322AAC

RGB 50 42 172

HSL 243.69, 0.61%, 0.42%

LAB 27.61, 44.81, -67.51

 

CMYK 0 / 40 / 76 / 33

HEX #AC672A

RGB 172 103 42

HSL 28.15, 0.61%, 0.42%

LAB 50.26, 22.69, 44.52

 

CMYK 76 / 0 / 10 / 33

HEX #29AB9A

RGB 41 171 154

HSL 172.15, 0.61%, 0.42%

LAB 63.29, -37.99, -1.1

 

CMYK 10 / 76 / 0 / 33

HEX #9B2AAC

RGB 155 42 172

HSL 292.15, 0.61%, 0.42%

LAB 40.58, 62.15, -45.84

 

CMYK 0 / 10 / 76 / 33

HEX #AC9B2A

RGB 172 155 42

HSL 52.15, 0.61%, 0.42%

LAB 63.66, -6.15, 57.59

 

CMYK 76 / 0 / 10 / 33

HEX #29AB9A

RGB 41 171 154

HSL 172.15, 0.61%, 0.42%

LAB 63.29, -37.99, -1.1

 

CMYK 71 / 76 / 0 / 33

HEX #322AAC

RGB 50 42 172

HSL 243.69, 0.61%, 0.42%

LAB 27.61, 44.81, -67.51

 

CMYK 0 / 76 / 66 / 33

HEX #AC2A3B

RGB 172 42 59

HSL 352.15, 0.61%, 0.42%

LAB 39.14, 52.76, 22.38

 

CMYK 5 / 0 / 76 / 33

HEX #A4AC2A

RGB 164 172 42

HSL 63.69, 0.61%, 0.42%

LAB 67.7, -18.53, 61.12

 

CMYK 76 / 0 / 10 / 33

HEX #29AB9A

RGB 41 171 154

HSL 172.15, 0.61%, 0.42%

LAB 63.29, -37.99, -1.1

 

CMYK 48 / 76 / 0 / 33

HEX #5A2AAC

RGB 90 42 172

HSL 262.15, 0.61%, 0.42%

LAB 31.37, 50.04, -61.2

 

CMYK 0 / 76 / 66 / 33

HEX #AC2A3B

RGB 172 42 59

HSL 352.15, 0.61%, 0.42%

LAB 39.14, 52.76, 22.38

 

CMYK 27 / 0 / 76 / 33

HEX #7DAC2A

RGB 125 172 42

HSL 81.69, 0.61%, 0.42%

LAB 64.99, -34.7, 57.6

 

Description

Color code: HEX #29AB9A | qconv.com Color code: HEX #29AB9A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 171 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 171 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 10 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 10% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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