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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #299933 it is the complementary color #D666CC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #299933. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #299933 shade: #2E992E, #3FAB41, #50BD54, #61CF67 and #72E17A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #299933. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #299933 shade: #299933, #188720, #07750D, #006300 and #005100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #299933 shade: #299933, #3D9929, #5B9929, #7A9929 and #989929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #299933 shade: #299933, #299951, #29996F, #29998E and #298699

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #299933 shade matches the following richer shades: #299933, #19A926 and #09B819

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #299933 shade: #299933, #388940, #487A4C, #586A59 and #675A66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #299933 shade: #5B9929, #3D9929, #299932, #299950 and #29996E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #299933 shade: #17581D, #207928, #299933, #31BA3E and #46CE52

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #299933 shade: #299933, #297999 and #99294C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #299933 shade: #299933, #322999 and #993229

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #299933 shade: #299933, #297999, #992990 and #994929

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #299933 shade: #299933, #295899, #992990 and #996A29

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 67 / 40

HEX #299933

RGB 41 153 51

HSL 125.36, 0.58%, 0.38%

LAB 55.58, -51.54, 43.34

 

Complementary color

CMYK 0 / 52 / 5 / 16

HEX #D666CC

RGB 214 102 204

HSL 305.36, 0.58%, 0.62%

LAB 60.03, 57.25, -33.13

 

CMYK 70 / 0 / 70 / 40

HEX #2E992E

RGB 46 153 46

HSL 120, 0.54%, 0.39%

LAB 55.65, -51.13, 45.58

 

CMYK 63 / 0 / 62 / 33

HEX #3FAB41

RGB 63 171 65

HSL 121.11, 0.46%, 0.46%

LAB 62.14, -51.99, 44.56

 

CMYK 58 / 0 / 56 / 26

HEX #50BD54

RGB 80 189 84

HSL 122.2, 0.45%, 0.53%

LAB 68.56, -52.44, 43.32

 

CMYK 53 / 0 / 50 / 19

HEX #61CF67

RGB 97 207 103

HSL 123.27, 0.53%, 0.6%

LAB 74.92, -52.63, 42.01

 

CMYK 49 / 0 / 46 / 12

HEX #72E17A

RGB 114 225 122

HSL 124.32, 0.65%, 0.66%

LAB 81.2, -52.64, 40.71

 

CMYK 73 / 0 / 67 / 40

HEX #299933

RGB 41 153 51

HSL 125.36, 0.58%, 0.38%

LAB 55.58, -51.54, 43.34

 

CMYK 82 / 0 / 76 / 47

HEX #188720

RGB 24 135 32

HSL 124.32, 0.7%, 0.31%

LAB 49.04, -49.93, 44.14

 

CMYK 94 / 0 / 89 / 54

HEX #07750D

RGB 7 117 13

HSL 123.27, 0.89%, 0.24%

LAB 42.46, -47.27, 43.89

 

CMYK 100 / 0 / 100 / 61

HEX #006300

RGB 0 99 0

HSL 120, 1%, 0.19%

LAB 35.84, -43.07, 41.57

 

CMYK 100 / 0 / 100 / 68

HEX #005100

RGB 0 81 0

HSL 120, 1%, 0.16%

LAB 29.12, -37.49, 36.18

 

CMYK 73 / 0 / 67 / 40

HEX #299933

RGB 41 153 51

HSL 125.36, 0.58%, 0.38%

LAB 55.58, -51.54, 43.34

 

CMYK 60 / 0 / 73 / 40

HEX #3D9929

RGB 61 153 41

HSL 109.29, 0.58%, 0.38%

LAB 56.02, -48.18, 48.09

 

CMYK 41 / 0 / 73 / 40

HEX #5B9929

RGB 91 153 41

HSL 93.21, 0.58%, 0.38%

LAB 57.24, -38.99, 49.72

 

CMYK 20 / 0 / 73 / 40

HEX #7A9929

RGB 122 153 41

HSL 76.61, 0.58%, 0.38%

LAB 59.05, -27, 52.12

 

CMYK 1 / 0 / 73 / 40

HEX #989929

RGB 152 153 41

HSL 60.54, 0.58%, 0.38%

LAB 61.32, -14.04, 55.11

 

CMYK 73 / 0 / 67 / 40

HEX #299933

RGB 41 153 51

HSL 125.36, 0.58%, 0.38%

LAB 55.58, -51.54, 43.34

 

CMYK 73 / 0 / 47 / 40

HEX #299951

RGB 41 153 81

HSL 141.43, 0.58%, 0.38%

LAB 55.94, -47.33, 29.05

 

CMYK 73 / 0 / 27 / 40

HEX #29996F

RGB 41 153 111

HSL 157.5, 0.58%, 0.38%

LAB 56.49, -41.2, 13.32

 

CMYK 73 / 0 / 7 / 40

HEX #29998E

RGB 41 153 142

HSL 174.11, 0.58%, 0.38%

LAB 57.28, -33.1, -3.15

 

CMYK 73 / 12 / 0 / 40

HEX #298699

RGB 41 134 153

HSL 190.18, 0.58%, 0.38%

LAB 51.63, -20.2, -17.95

 

CMYK 73 / 0 / 67 / 40

HEX #299933

RGB 41 153 51

HSL 125.36, 0.58%, 0.38%

LAB 55.58, -51.54, 43.34

 

CMYK 85 / 0 / 78 / 34

HEX #19A926

RGB 25 169 38

HSL 125.42, 0.74%, 0.38%

LAB 60.54, -60.06, 53.43

 

CMYK 95 / 0 / 86 / 28

HEX #09B819

RGB 9 184 25

HSL 125.49, 0.91%, 0.38%

LAB 65.29, -66.31, 61.41

 

CMYK 73 / 0 / 67 / 40

HEX #299933

RGB 41 153 51

HSL 125.36, 0.58%, 0.38%

LAB 55.58, -51.54, 43.34

 

CMYK 59 / 0 / 53 / 46

HEX #388940

RGB 56 137 64

HSL 125.93, 0.42%, 0.38%

LAB 50.81, -40.65, 31.66

 

CMYK 41 / 0 / 38 / 52

HEX #487A4C

RGB 72 122 76

HSL 124.8, 0.26%, 0.38%

LAB 46.74, -27.22, 20.04

 

CMYK 17 / 0 / 16 / 58

HEX #586A59

RGB 88 106 89

HSL 123.33, 0.09%, 0.38%

LAB 42.92, -10.44, 7.32

 

CMYK 0 / 13 / 1 / 60

HEX #675A66

RGB 103 90 102

HSL 304.62, 0.07%, 0.38%

LAB 39.84, 7.66, -4.93

 

CMYK 41 / 0 / 73 / 40

HEX #5B9929

RGB 91 153 41

HSL 93.21, 0.58%, 0.38%

LAB 57.24, -38.99, 49.72

 

CMYK 60 / 0 / 73 / 40

HEX #3D9929

RGB 61 153 41

HSL 109.29, 0.58%, 0.38%

LAB 56.02, -48.18, 48.09

 

CMYK 73 / 0 / 67 / 40

HEX #299932

RGB 41 153 50

HSL 124.82, 0.58%, 0.38%

LAB 55.57, -51.65, 43.77

 

CMYK 73 / 0 / 48 / 40

HEX #299950

RGB 41 153 80

HSL 140.89, 0.58%, 0.38%

LAB 55.92, -47.5, 29.56

 

CMYK 73 / 0 / 28 / 40

HEX #29996E

RGB 41 153 110

HSL 156.96, 0.58%, 0.38%

LAB 56.47, -41.43, 13.85

 

CMYK 74 / 0 / 67 / 65

HEX #17581D

RGB 23 88 29

HSL 125.54, 0.59%, 0.22%

LAB 32.37, -33.64, 27.73

 

CMYK 74 / 0 / 67 / 53

HEX #207928

RGB 32 121 40

HSL 125.39, 0.58%, 0.3%

LAB 44.43, -43.03, 35.95

 

CMYK 73 / 0 / 67 / 40

HEX #299933

RGB 41 153 51

HSL 125.36, 0.58%, 0.38%

LAB 55.58, -51.54, 43.34

 

CMYK 74 / 0 / 67 / 27

HEX #31BA3E

RGB 49 186 62

HSL 125.69, 0.58%, 0.46%

LAB 66.61, -60.2, 50.74

 

CMYK 66 / 0 / 60 / 19

HEX #46CE52

RGB 70 206 82

HSL 125.29, 0.58%, 0.54%

LAB 73.58, -61.05, 50.03

 

CMYK 73 / 0 / 67 / 40

HEX #299933

RGB 41 153 51

HSL 125.36, 0.58%, 0.38%

LAB 55.58, -51.54, 43.34

 

CMYK 73 / 21 / 0 / 40

HEX #297999

RGB 41 121 153

HSL 197.14, 0.58%, 0.38%

LAB 47.55, -13.05, -24.22

 

CMYK 0 / 73 / 50 / 40

HEX #99294C

RGB 153 41 76

HSL 341.25, 0.58%, 0.38%

LAB 35.75, 48.53, 6.35

 

CMYK 73 / 0 / 67 / 40

HEX #299933

RGB 41 153 51

HSL 125.36, 0.58%, 0.38%

LAB 55.58, -51.54, 43.34

 

CMYK 67 / 73 / 0 / 40

HEX #322999

RGB 50 41 153

HSL 244.82, 0.58%, 0.38%

LAB 25.45, 39.14, -59.54

 

CMYK 0 / 67 / 73 / 40

HEX #993229

RGB 153 50 41

HSL 4.82, 0.58%, 0.38%

LAB 36.39, 42.42, 29.24

 

CMYK 73 / 0 / 67 / 40

HEX #299933

RGB 41 153 51

HSL 125.36, 0.58%, 0.38%

LAB 55.58, -51.54, 43.34

 

CMYK 73 / 21 / 0 / 40

HEX #297999

RGB 41 121 153

HSL 197.14, 0.58%, 0.38%

LAB 47.55, -13.05, -24.22

 

CMYK 0 / 73 / 6 / 40

HEX #992990

RGB 153 41 144

HSL 304.82, 0.58%, 0.38%

LAB 38.5, 57.25, -32.28

 

CMYK 0 / 52 / 73 / 40

HEX #994929

RGB 153 73 41

HSL 17.14, 0.58%, 0.38%

LAB 40.73, 31.08, 34.12

 

CMYK 73 / 0 / 67 / 40

HEX #299933

RGB 41 153 51

HSL 125.36, 0.58%, 0.38%

LAB 55.58, -51.54, 43.34

 

CMYK 73 / 42 / 0 / 40

HEX #295899

RGB 41 88 153

HSL 214.82, 0.58%, 0.38%

LAB 37.39, 7.11, -40.2

 

CMYK 0 / 73 / 6 / 40

HEX #992990

RGB 153 41 144

HSL 304.82, 0.58%, 0.38%

LAB 38.5, 57.25, -32.28

 

CMYK 0 / 31 / 73 / 40

HEX #996A29

RGB 153 106 41

HSL 34.82, 0.58%, 0.38%

LAB 48.56, 12.48, 42.47

 

Description

Color code: HEX #299933 | qconv.com Color code: HEX #299933 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 153 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 153 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 67 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 67% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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