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Color name
HEX #299215

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #299215 it is the complementary color #D66DEA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #299215. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #299215 shade: #2E9210, #3FA423, #50B636, #61C849 and #72DA5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #299215. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #299215 shade: #299215, #188002, #076E00, #005C00 and #004A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #299215 shade: #299315, #4B9315, #6D9315, #8F9315 and #937515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #299215 shade: #299315, #159323, #159345, #159367 and #159389

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #299215 shade matches the following richer shades: #299315 and #20A107

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #299215 shade: #299315, #328623, #3C7830, #456A3E and #4E5D4B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #299215 shade: #6D9315, #4C9315, #2A9315, #159322 and #159343

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #299215 shade: #154B0B, #1F6F10, #299315, #33B71A and #3DDB1F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #299215 shade: #299215, #158F93 and #93155D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #299215 shade: #299215, #152A93 and #93152A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #299215 shade: #299215, #158F93, #7E1593 and #931915

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #299215 shade: #299215, #156993, #7E1593 and #933F15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 86 / 43

HEX #299215

RGB 41 146 21

HSL 110.4, 0.75%, 0.33%

LAB 53.04, -51.52, 51.56

 

Complementary color

CMYK 9 / 53 / 0 / 8

HEX #D66DEA

RGB 214 109 234

HSL 290.4, 0.75%, 0.67%

LAB 62.65, 59.29, -45.85

 

CMYK 68 / 0 / 89 / 43

HEX #2E9210

RGB 46 146 16

HSL 106.15, 0.8%, 0.32%

LAB 53.14, -50.73, 52.88

 

CMYK 62 / 0 / 79 / 36

HEX #3FA423

RGB 63 164 35

HSL 106.98, 0.65%, 0.39%

LAB 59.64, -52.12, 53.81

 

CMYK 56 / 0 / 70 / 29

HEX #50B636

RGB 80 182 54

HSL 107.81, 0.54%, 0.46%

LAB 66.08, -52.96, 53.64

 

CMYK 52 / 0 / 64 / 22

HEX #61C849

RGB 97 200 73

HSL 108.66, 0.54%, 0.54%

LAB 72.45, -53.43, 52.9

 

CMYK 48 / 0 / 58 / 15

HEX #72DA5C

RGB 114 218 92

HSL 109.52, 0.63%, 0.61%

LAB 78.75, -53.66, 51.88

 

CMYK 72 / 0 / 86 / 43

HEX #299215

RGB 41 146 21

HSL 110.4, 0.75%, 0.33%

LAB 53.04, -51.52, 51.56

 

CMYK 81 / 0 / 98 / 50

HEX #188002

RGB 24 128 2

HSL 109.52, 0.97%, 0.25%

LAB 46.49, -49.28, 49.8

 

CMYK 94 / 0 / 100 / 57

HEX #076E00

RGB 7 110 0

HSL 116.18, 1%, 0.22%

LAB 39.91, -45.7, 44.86

 

CMYK 100 / 0 / 100 / 64

HEX #005C00

RGB 0 92 0

HSL 120, 1%, 0.18%

LAB 33.25, -40.92, 39.49

 

CMYK 100 / 0 / 100 / 71

HEX #004A00

RGB 0 74 0

HSL 120, 1%, 0.15%

LAB 26.44, -35.26, 33.91

 

CMYK 72 / 0 / 86 / 42

HEX #299315

RGB 41 147 21

HSL 110.48, 0.75%, 0.33%

LAB 53.38, -51.86, 51.86

 

CMYK 49 / 0 / 86 / 42

HEX #4B9315

RGB 75 147 21

HSL 94.29, 0.75%, 0.33%

LAB 54.47, -43.05, 53.25

 

CMYK 26 / 0 / 86 / 42

HEX #6D9315

RGB 109 147 21

HSL 78.1, 0.75%, 0.33%

LAB 56.26, -30.44, 55.51

 

CMYK 3 / 0 / 86 / 42

HEX #8F9315

RGB 143 147 21

HSL 61.9, 0.75%, 0.33%

LAB 58.75, -15.7, 58.62

 

CMYK 0 / 20 / 86 / 42

HEX #937515

RGB 147 117 21

HSL 45.71, 0.75%, 0.33%

LAB 50.66, 2.58, 51.98

 

CMYK 72 / 0 / 86 / 42

HEX #299315

RGB 41 147 21

HSL 110.48, 0.75%, 0.33%

LAB 53.38, -51.86, 51.86

 

CMYK 86 / 0 / 76 / 42

HEX #159323

RGB 21 147 35

HSL 126.67, 0.75%, 0.33%

LAB 53.11, -53.89, 47.11

 

CMYK 86 / 0 / 53 / 42

HEX #159345

RGB 21 147 69

HSL 142.86, 0.75%, 0.33%

LAB 53.45, -49.78, 32.13

 

CMYK 86 / 0 / 30 / 42

HEX #159367

RGB 21 147 103

HSL 159.05, 0.75%, 0.33%

LAB 54.03, -43, 14.37

 

CMYK 86 / 0 / 7 / 42

HEX #159389

RGB 21 147 137

HSL 175.24, 0.75%, 0.33%

LAB 54.9, -33.86, -3.83

 

CMYK 72 / 0 / 86 / 42

HEX #299315

RGB 41 147 21

HSL 110.48, 0.75%, 0.33%

LAB 53.38, -51.86, 51.86

 

CMYK 80 / 0 / 96 / 37

HEX #20A107

RGB 32 161 7

HSL 110.26, 0.92%, 0.33%

LAB 57.86, -58.26, 58.31

 

CMYK 72 / 0 / 86 / 42

HEX #299315

RGB 41 147 21

HSL 110.48, 0.75%, 0.33%

LAB 53.38, -51.86, 51.86

 

CMYK 63 / 0 / 74 / 47

HEX #328623

RGB 50 134 35

HSL 110.91, 0.59%, 0.33%

LAB 49.31, -44.35, 43.46

 

CMYK 50 / 0 / 60 / 53

HEX #3C7830

RGB 60 120 48

HSL 110, 0.43%, 0.33%

LAB 45.09, -34.47, 33.07

 

CMYK 35 / 0 / 42 / 58

HEX #456A3E

RGB 69 106 62

HSL 110.45, 0.26%, 0.33%

LAB 41.09, -22.68, 20.62

 

CMYK 16 / 0 / 19 / 64

HEX #4E5D4B

RGB 78 93 75

HSL 110, 0.11%, 0.33%

LAB 37.76, -9.68, 8.45

 

CMYK 26 / 0 / 86 / 42

HEX #6D9315

RGB 109 147 21

HSL 78.1, 0.75%, 0.33%

LAB 56.26, -30.44, 55.51

 

CMYK 48 / 0 / 86 / 42

HEX #4C9315

RGB 76 147 21

HSL 93.81, 0.75%, 0.33%

LAB 54.51, -42.73, 53.3

 

CMYK 71 / 0 / 86 / 42

HEX #2A9315

RGB 42 147 21

HSL 110, 0.75%, 0.33%

LAB 53.4, -51.66, 51.89

 

CMYK 86 / 0 / 77 / 42

HEX #159322

RGB 21 147 34

HSL 126.19, 0.75%, 0.33%

LAB 53.1, -53.97, 47.47

 

CMYK 86 / 0 / 54 / 42

HEX #159343

RGB 21 147 67

HSL 141.9, 0.75%, 0.33%

LAB 53.42, -50.1, 33.13

 

CMYK 72 / 0 / 85 / 71

HEX #154B0B

RGB 21 75 11

HSL 110.63, 0.74%, 0.17%

LAB 27.34, -30.83, 30.58

 

CMYK 72 / 0 / 86 / 56

HEX #1F6F10

RGB 31 111 16

HSL 110.53, 0.75%, 0.25%

LAB 40.73, -41.72, 41.63

 

CMYK 72 / 0 / 86 / 42

HEX #299315

RGB 41 147 21

HSL 110.48, 0.75%, 0.33%

LAB 53.38, -51.86, 51.86

 

CMYK 72 / 0 / 86 / 28

HEX #33B71A

RGB 51 183 26

HSL 110.45, 0.75%, 0.41%

LAB 65.47, -61.48, 61.55

 

CMYK 72 / 0 / 86 / 14

HEX #3DDB1F

RGB 61 219 31

HSL 110.43, 0.75%, 0.49%

LAB 77.13, -70.72, 70.83

 

CMYK 72 / 0 / 86 / 43

HEX #299215

RGB 41 146 21

HSL 110.4, 0.75%, 0.33%

LAB 53.04, -51.52, 51.56

 

CMYK 86 / 3 / 0 / 42

HEX #158F93

RGB 21 143 147

HSL 181.9, 0.75%, 0.33%

LAB 53.93, -28.86, -11.03

 

CMYK 0 / 86 / 37 / 42

HEX #93155D

RGB 147 21 93

HSL 325.71, 0.75%, 0.33%

LAB 32.98, 54.65, -8.85

 

CMYK 72 / 0 / 86 / 43

HEX #299215

RGB 41 146 21

HSL 110.4, 0.75%, 0.33%

LAB 53.04, -51.52, 51.56

 

CMYK 86 / 71 / 0 / 42

HEX #152A93

RGB 21 42 147

HSL 230, 0.75%, 0.33%

LAB 23.41, 33.58, -59.27

 

CMYK 0 / 86 / 71 / 42

HEX #93152A

RGB 147 21 42

HSL 350, 0.75%, 0.33%

LAB 31.59, 50.6, 22.65

 

CMYK 72 / 0 / 86 / 43

HEX #299215

RGB 41 146 21

HSL 110.4, 0.75%, 0.33%

LAB 53.04, -51.52, 51.56

 

CMYK 86 / 3 / 0 / 42

HEX #158F93

RGB 21 143 147

HSL 181.9, 0.75%, 0.33%

LAB 53.93, -28.86, -11.03

 

CMYK 14 / 86 / 0 / 42

HEX #7E1593

RGB 126 21 147

HSL 290, 0.75%, 0.33%

LAB 31.99, 58.1, -44.79

 

CMYK 0 / 83 / 86 / 42

HEX #931915

RGB 147 25 21

HSL 1.9, 0.75%, 0.33%

LAB 31.7, 48.78, 35.48

 

CMYK 72 / 0 / 86 / 43

HEX #299215

RGB 41 146 21

HSL 110.4, 0.75%, 0.33%

LAB 53.04, -51.52, 51.56

 

CMYK 86 / 29 / 0 / 42

HEX #156993

RGB 21 105 147

HSL 200, 0.75%, 0.33%

LAB 41.8, -8.25, -29.66

 

CMYK 14 / 86 / 0 / 42

HEX #7E1593

RGB 126 21 147

HSL 290, 0.75%, 0.33%

LAB 31.99, 58.1, -44.79

 

CMYK 0 / 57 / 86 / 42

HEX #933F15

RGB 147 63 21

HSL 20, 0.75%, 0.33%

LAB 37.5, 33.1, 40.66

 

Description

Color code: HEX #299215 | qconv.com Color code: HEX #299215 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 146 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 146 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 86 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 86% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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