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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2980E5 it is the complementary color #D67F1A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2980E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2980E5 shade: #2E80E0, #3F92F3, #50A4FF, #61B6FF and #72C8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2980E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2980E5 shade: #2980E5, #186ED2, #075CBF, #004AAC and #003899

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2980E5 shade: #2A80E5, #2A4EE5, #382AE5, #6A2AE5 and #9D2AE5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2980E5 shade: #2A80E5, #2A4EE5 and #2A2AE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2980E5 shade matches the following richer shades: #2A80E5 and #167FF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2980E5 shade: #2A80E5, #3D82D1, #5083BE, #6485AA and #778697

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2980E5 shade: #2AE5E5, #2AB3E5, #2A81E5, #2A4FE5 and #362AE5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2980E5 shade: #1558A7, #196CCC, #2A80E5, #4E96E9 and #73ACEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2980E5 shade: #2980E5, #B32AE5 and #CCE52A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2980E5 shade: #2980E5, #E52A81 and #81E52A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2980E5 shade: #2980E5, #B32AE5, #E58D2A and #5CE52A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2980E5 shade: #2980E5, #E52ADE, #E58D2A and #2AE530

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 44 / 0 / 10

HEX #2980E5

RGB 41 128 229

HSL 212.23, 0.78%, 0.53%

LAB 53.56, 10.72, -58.32

 

Complementary color

CMYK 0 / 41 / 88 / 16

HEX #D67F1A

RGB 214 127 26

HSL 32.23, 0.78%, 0.47%

LAB 61.26, 27.07, 62.51

 

CMYK 79 / 43 / 0 / 12

HEX #2E80E0

RGB 46 128 224

HSL 212.36, 0.74%, 0.53%

LAB 53.39, 9.31, -55.8

 

CMYK 74 / 40 / 0 / 5

HEX #3F92F3

RGB 63 146 243

HSL 212.33, 0.88%, 0.6%

LAB 59.97, 7.25, -55.82

 

CMYK 69 / 36 / 0 / 0

HEX #50A4FF

RGB 80 164 255

HSL 211.2, 1%, 0.66%

LAB 66.12, 3.17, -52.58

 

CMYK 62 / 29 / 0 / 0

HEX #61B6FF

RGB 97 182 255

HSL 207.72, 1%, 0.69%

LAB 71.7, -4.25, -43.75

 

CMYK 55 / 22 / 0 / 0

HEX #72C8FF

RGB 114 200 255

HSL 203.4, 1%, 0.72%

LAB 77.34, -10.8, -34.92

 

CMYK 82 / 44 / 0 / 10

HEX #2980E5

RGB 41 128 229

HSL 212.23, 0.78%, 0.53%

LAB 53.56, 10.72, -58.32

 

CMYK 89 / 48 / 0 / 18

HEX #186ED2

RGB 24 110 210

HSL 212.26, 0.79%, 0.46%

LAB 46.97, 13.47, -58.2

 

CMYK 96 / 52 / 0 / 25

HEX #075CBF

RGB 7 92 191

HSL 212.28, 0.93%, 0.39%

LAB 40.35, 16.83, -57.97

 

CMYK 100 / 57 / 0 / 33

HEX #004AAC

RGB 0 74 172

HSL 214.19, 1%, 0.34%

LAB 33.72, 20.89, -57.54

 

CMYK 100 / 63 / 0 / 40

HEX #003899

RGB 0 56 153

HSL 218.04, 1%, 0.3%

LAB 27.1, 25.44, -56.91

 

CMYK 82 / 44 / 0 / 10

HEX #2A80E5

RGB 42 128 229

HSL 212.41, 0.78%, 0.53%

LAB 53.59, 10.81, -58.28

 

CMYK 82 / 66 / 0 / 10

HEX #2A4EE5

RGB 42 78 229

HSL 228.45, 0.78%, 0.53%

LAB 40.57, 42.35, -79.43

 

CMYK 76 / 82 / 0 / 10

HEX #382AE5

RGB 56 42 229

HSL 244.49, 0.78%, 0.53%

LAB 34.3, 62.68, -89.77

 

CMYK 54 / 82 / 0 / 10

HEX #6A2AE5

RGB 106 42 229

HSL 260.53, 0.78%, 0.53%

LAB 38.51, 66.9, -82.67

 

CMYK 31 / 82 / 0 / 10

HEX #9D2AE5

RGB 157 42 229

HSL 276.9, 0.78%, 0.53%

LAB 44.92, 73.56, -71.92

 

CMYK 82 / 44 / 0 / 10

HEX #2A80E5

RGB 42 128 229

HSL 212.41, 0.78%, 0.53%

LAB 53.59, 10.81, -58.28

 

CMYK 82 / 66 / 0 / 10

HEX #2A4EE5

RGB 42 78 229

HSL 228.45, 0.78%, 0.53%

LAB 40.57, 42.35, -79.43

 

CMYK 82 / 82 / 0 / 10

HEX #2A2AE5

RGB 42 42 229

HSL 240, 0.78%, 0.53%

LAB 33.57, 61.97, -91

 

CMYK 82 / 44 / 0 / 10

HEX #2A80E5

RGB 42 128 229

HSL 212.41, 0.78%, 0.53%

LAB 53.59, 10.81, -58.28

 

CMYK 91 / 49 / 0 / 3

HEX #167FF8

RGB 22 127 248

HSL 212.12, 0.94%, 0.53%

LAB 54.16, 17.36, -67.95

 

CMYK 82 / 44 / 0 / 10

HEX #2A80E5

RGB 42 128 229

HSL 212.41, 0.78%, 0.53%

LAB 53.59, 10.81, -58.28

 

CMYK 71 / 38 / 0 / 18

HEX #3D82D1

RGB 61 130 209

HSL 212.03, 0.62%, 0.53%

LAB 53.56, 4.43, -47.04

 

CMYK 58 / 31 / 0 / 25

HEX #5083BE

RGB 80 131 190

HSL 212.18, 0.46%, 0.53%

LAB 53.66, 0.66, -36.03

 

CMYK 41 / 22 / 0 / 33

HEX #6485AA

RGB 100 133 170

HSL 211.71, 0.29%, 0.53%

LAB 54.43, -1.81, -23.28

 

CMYK 21 / 11 / 0 / 41

HEX #778697

RGB 119 134 151

HSL 211.88, 0.13%, 0.53%

LAB 55.28, -1.58, -10.91

 

CMYK 82 / 0 / 0 / 10

HEX #2AE5E5

RGB 42 229 229

HSL 180, 0.78%, 0.53%

LAB 83.01, -42.6, -12.61

 

CMYK 82 / 22 / 0 / 10

HEX #2AB3E5

RGB 42 179 229

HSL 196.04, 0.78%, 0.53%

LAB 68.31, -18.41, -35.03

 

CMYK 82 / 44 / 0 / 10

HEX #2A81E5

RGB 42 129 229

HSL 212.09, 0.78%, 0.53%

LAB 53.87, 10.19, -57.83

 

CMYK 82 / 66 / 0 / 10

HEX #2A4FE5

RGB 42 79 229

HSL 228.13, 0.78%, 0.53%

LAB 40.8, 41.73, -79.05

 

CMYK 76 / 82 / 0 / 10

HEX #362AE5

RGB 54 42 229

HSL 243.85, 0.78%, 0.53%

LAB 34.18, 62.57, -89.96

 

CMYK 87 / 47 / 0 / 35

HEX #1558A7

RGB 21 88 167

HSL 212.47, 0.78%, 0.37%

LAB 37.71, 10.45, -48.09

 

CMYK 88 / 47 / 0 / 20

HEX #196CCC

RGB 25 108 204

HSL 212.18, 0.78%, 0.45%

LAB 46.03, 12.46, -56.29

 

CMYK 82 / 44 / 0 / 10

HEX #2A80E5

RGB 42 128 229

HSL 212.41, 0.78%, 0.53%

LAB 53.59, 10.81, -58.28

 

CMYK 67 / 36 / 0 / 9

HEX #4E96E9

RGB 78 150 233

HSL 212.13, 0.78%, 0.61%

LAB 61.06, 3.51, -48.53

 

CMYK 52 / 28 / 0 / 7

HEX #73ACEE

RGB 115 172 238

HSL 212.2, 0.78%, 0.69%

LAB 68.98, -0.39, -38.72

 

CMYK 82 / 44 / 0 / 10

HEX #2980E5

RGB 41 128 229

HSL 212.23, 0.78%, 0.53%

LAB 53.56, 10.72, -58.32

 

CMYK 22 / 82 / 0 / 10

HEX #B32AE5

RGB 179 42 229

HSL 283.96, 0.78%, 0.53%

LAB 48.13, 76.98, -66.55

 

CMYK 11 / 0 / 82 / 10

HEX #CCE52A

RGB 204 229 42

HSL 68.02, 0.78%, 0.53%

LAB 86.53, -29.5, 79.03

 

CMYK 82 / 44 / 0 / 10

HEX #2980E5

RGB 41 128 229

HSL 212.23, 0.78%, 0.53%

LAB 53.56, 10.72, -58.32

 

CMYK 0 / 82 / 44 / 10

HEX #E52A81

RGB 229 42 129

HSL 332.09, 0.78%, 0.53%

LAB 51.72, 73.51, -1.75

 

CMYK 44 / 0 / 82 / 10

HEX #81E52A

RGB 129 229 42

HSL 92.09, 0.78%, 0.53%

LAB 82.31, -57.06, 73.71

 

CMYK 82 / 44 / 0 / 10

HEX #2980E5

RGB 41 128 229

HSL 212.23, 0.78%, 0.53%

LAB 53.56, 10.72, -58.32

 

CMYK 22 / 82 / 0 / 10

HEX #B32AE5

RGB 179 42 229

HSL 283.96, 0.78%, 0.53%

LAB 48.13, 76.98, -66.55

 

CMYK 0 / 38 / 82 / 10

HEX #E58D2A

RGB 229 141 42

HSL 31.76, 0.78%, 0.53%

LAB 66.42, 26.33, 62.42

 

CMYK 60 / 0 / 82 / 10

HEX #5CE52A

RGB 92 229 42

HSL 103.96, 0.78%, 0.53%

LAB 81.01, -67.24, 72.04

 

CMYK 82 / 44 / 0 / 10

HEX #2980E5

RGB 41 128 229

HSL 212.23, 0.78%, 0.53%

LAB 53.56, 10.72, -58.32

 

CMYK 0 / 82 / 3 / 10

HEX #E52ADE

RGB 229 42 222

HSL 302.25, 0.78%, 0.53%

LAB 55.67, 84.55, -50.04

 

CMYK 0 / 38 / 82 / 10

HEX #E58D2A

RGB 229 141 42

HSL 31.76, 0.78%, 0.53%

LAB 66.42, 26.33, 62.42

 

CMYK 82 / 0 / 79 / 10

HEX #2AE530

RGB 42 229 48

HSL 121.93, 0.78%, 0.53%

LAB 80.04, -75.39, 69.18

 

Description

Color code: HEX #2980E5 | qconv.com Color code: HEX #2980E5 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 128 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 128 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 44 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 44% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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