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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #297192 it is the complementary color #D68E6D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #297192. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #297192 shade: #2E718D, #3F83A0, #5095B3, #61A7C6 and #72B9D9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #297192. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #297192 shade: #297192, #185F7F, #074D6C, #003B59 and #002946

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #297192 shade: #2A7293, #2A5593, #2A3993, #372A93 and #532A93

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #297192 shade: #2A7293, #2A5593, #2A3993 and #2A2A93

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #297192 shade matches the following richer shades: #2A7293, #1A78A2 and #0B7DB2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #297192 shade: #2A7293, #396C84, #486775, #576165 and #675B56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #297192 shade: #2A937B, #2A9093, #2A7393, #2A5793 and #2A3B93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #297192 shade: #174053, #205973, #2A7293, #338BB3 and #45A0CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #297192 shade: #297192, #5E2A93 and #93892A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #297192 shade: #297192, #932A73 and #73932A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #297192 shade: #297192, #5E2A93, #93492A and #5E932A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #297192 shade: #297192, #7E2A93, #93492A and #3F932A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 23 / 0 / 43

HEX #297192

RGB 41 113 146

HSL 198.86, 0.56%, 0.37%

LAB 44.74, -10.93, -24.44

 

Complementary color

CMYK 0 / 34 / 49 / 16

HEX #D68E6D

RGB 214 142 109

HSL 18.86, 0.56%, 0.63%

LAB 65.55, 23.7, 28.73

 

CMYK 67 / 20 / 0 / 45

HEX #2E718D

RGB 46 113 141

HSL 197.68, 0.51%, 0.37%

LAB 44.68, -11.84, -21.55

 

CMYK 61 / 18 / 0 / 37

HEX #3F83A0

RGB 63 131 160

HSL 197.94, 0.43%, 0.44%

LAB 51.64, -12.57, -21.95

 

CMYK 55 / 17 / 0 / 30

HEX #5095B3

RGB 80 149 179

HSL 198.18, 0.39%, 0.51%

LAB 58.47, -13.09, -22.31

 

CMYK 51 / 16 / 0 / 22

HEX #61A7C6

RGB 97 167 198

HSL 198.42, 0.47%, 0.58%

LAB 65.17, -13.47, -22.66

 

CMYK 47 / 15 / 0 / 15

HEX #72B9D9

RGB 114 185 217

HSL 198.64, 0.58%, 0.65%

LAB 71.75, -13.76, -23

 

CMYK 72 / 23 / 0 / 43

HEX #297192

RGB 41 113 146

HSL 198.86, 0.56%, 0.37%

LAB 44.74, -10.93, -24.44

 

CMYK 81 / 25 / 0 / 50

HEX #185F7F

RGB 24 95 127

HSL 198.64, 0.68%, 0.3%

LAB 37.68, -9.56, -24.01

 

CMYK 94 / 29 / 0 / 58

HEX #074D6C

RGB 7 77 108

HSL 198.42, 0.88%, 0.23%

LAB 30.49, -7.58, -23.47

 

CMYK 100 / 34 / 0 / 65

HEX #003B59

RGB 0 59 89

HSL 200.22, 1%, 0.17%

LAB 23.17, -4.61, -22.76

 

CMYK 100 / 41 / 0 / 73

HEX #002946

RGB 0 41 70

HSL 204.86, 1%, 0.14%

LAB 15.63, -0.69, -21.93

 

CMYK 71 / 22 / 0 / 42

HEX #2A7293

RGB 42 114 147

HSL 198.86, 0.56%, 0.37%

LAB 45.13, -11, -24.43

 

CMYK 71 / 42 / 0 / 42

HEX #2A5593

RGB 42 85 147

HSL 215.43, 0.56%, 0.37%

LAB 36.17, 6.93, -38.53

 

CMYK 71 / 61 / 0 / 42

HEX #2A3993

RGB 42 57 147

HSL 231.43, 0.56%, 0.37%

LAB 28.18, 25.77, -51.41

 

CMYK 63 / 71 / 0 / 42

HEX #372A93

RGB 55 42 147

HSL 247.43, 0.56%, 0.37%

LAB 25.49, 37.24, -55.78

 

CMYK 44 / 71 / 0 / 42

HEX #532A93

RGB 83 42 147

HSL 263.43, 0.56%, 0.37%

LAB 28.38, 42.04, -50.92

 

CMYK 71 / 22 / 0 / 42

HEX #2A7293

RGB 42 114 147

HSL 198.86, 0.56%, 0.37%

LAB 45.13, -11, -24.43

 

CMYK 71 / 42 / 0 / 42

HEX #2A5593

RGB 42 85 147

HSL 215.43, 0.56%, 0.37%

LAB 36.17, 6.93, -38.53

 

CMYK 71 / 61 / 0 / 42

HEX #2A3993

RGB 42 57 147

HSL 231.43, 0.56%, 0.37%

LAB 28.18, 25.77, -51.41

 

CMYK 71 / 71 / 0 / 42

HEX #2A2A93

RGB 42 42 147

HSL 240, 0.56%, 0.37%

LAB 24.5, 35.52, -57.44

 

CMYK 71 / 22 / 0 / 42

HEX #2A7293

RGB 42 114 147

HSL 198.86, 0.56%, 0.37%

LAB 45.13, -11, -24.43

 

CMYK 84 / 26 / 0 / 36

HEX #1A78A2

RGB 26 120 162

HSL 198.53, 0.72%, 0.37%

LAB 47.32, -10.98, -29.9

 

CMYK 94 / 30 / 0 / 30

HEX #0B7DB2

RGB 11 125 178

HSL 199.04, 0.88%, 0.37%

LAB 49.44, -8.85, -35.89

 

CMYK 71 / 22 / 0 / 42

HEX #2A7293

RGB 42 114 147

HSL 198.86, 0.56%, 0.37%

LAB 45.13, -11, -24.43

 

CMYK 57 / 18 / 0 / 48

HEX #396C84

RGB 57 108 132

HSL 199.2, 0.4%, 0.37%

LAB 43.15, -9.74, -18.48

 

CMYK 38 / 12 / 0 / 54

HEX #486775

RGB 72 103 117

HSL 198.67, 0.24%, 0.37%

LAB 41.79, -7.4, -11.44

 

CMYK 14 / 4 / 0 / 60

HEX #576165

RGB 87 97 101

HSL 197.14, 0.07%, 0.37%

LAB 40.44, -2.93, -3.59

 

CMYK 0 / 12 / 17 / 60

HEX #675B56

RGB 103 91 86

HSL 17.65, 0.09%, 0.37%

LAB 39.64, 3.92, 4.65

 

CMYK 71 / 0 / 16 / 42

HEX #2A937B

RGB 42 147 123

HSL 166.29, 0.56%, 0.37%

LAB 54.86, -35.43, 4.19

 

CMYK 71 / 2 / 0 / 42

HEX #2A9093

RGB 42 144 147

HSL 181.71, 0.56%, 0.37%

LAB 54.6, -27.12, -9.99

 

CMYK 71 / 22 / 0 / 42

HEX #2A7393

RGB 42 115 147

HSL 198.29, 0.56%, 0.37%

LAB 45.44, -11.58, -23.95

 

CMYK 71 / 41 / 0 / 42

HEX #2A5793

RGB 42 87 147

HSL 214.29, 0.56%, 0.37%

LAB 36.77, 5.63, -37.57

 

CMYK 71 / 60 / 0 / 42

HEX #2A3B93

RGB 42 59 147

HSL 230.29, 0.56%, 0.37%

LAB 28.71, 24.42, -50.54

 

CMYK 72 / 23 / 0 / 67

HEX #174053

RGB 23 64 83

HSL 199, 0.57%, 0.21%

LAB 25.18, -7.31, -15.64

 

CMYK 72 / 23 / 0 / 55

HEX #205973

RGB 32 89 115

HSL 198.8, 0.56%, 0.29%

LAB 35.38, -9.29, -20.18

 

CMYK 71 / 22 / 0 / 42

HEX #2A7293

RGB 42 114 147

HSL 198.86, 0.56%, 0.37%

LAB 45.13, -11, -24.43

 

CMYK 72 / 22 / 0 / 30

HEX #338BB3

RGB 51 139 179

HSL 198.75, 0.56%, 0.45%

LAB 54.47, -12.78, -28.55

 

CMYK 66 / 21 / 0 / 21

HEX #45A0CA

RGB 69 160 202

HSL 198.95, 0.56%, 0.53%

LAB 62.23, -13.93, -29.49

 

CMYK 72 / 23 / 0 / 43

HEX #297192

RGB 41 113 146

HSL 198.86, 0.56%, 0.37%

LAB 44.74, -10.93, -24.44

 

CMYK 36 / 71 / 0 / 42

HEX #5E2A93

RGB 94 42 147

HSL 269.71, 0.56%, 0.37%

LAB 29.77, 44.23, -48.61

 

CMYK 0 / 7 / 71 / 42

HEX #93892A

RGB 147 137 42

HSL 54.29, 0.56%, 0.37%

LAB 56.35, -7.69, 49.72

 

CMYK 72 / 23 / 0 / 43

HEX #297192

RGB 41 113 146

HSL 198.86, 0.56%, 0.37%

LAB 44.74, -10.93, -24.44

 

CMYK 0 / 71 / 22 / 42

HEX #932A73

RGB 147 42 115

HSL 318.29, 0.56%, 0.37%

LAB 36.17, 50.95, -18.03

 

CMYK 22 / 0 / 71 / 42

HEX #73932A

RGB 115 147 42

HSL 78.29, 0.56%, 0.37%

LAB 56.76, -26.91, 49.3

 

CMYK 72 / 23 / 0 / 43

HEX #297192

RGB 41 113 146

HSL 198.86, 0.56%, 0.37%

LAB 44.74, -10.93, -24.44

 

CMYK 36 / 71 / 0 / 42

HEX #5E2A93

RGB 94 42 147

HSL 269.71, 0.56%, 0.37%

LAB 29.77, 44.23, -48.61

 

CMYK 0 / 50 / 71 / 42

HEX #93492A

RGB 147 73 42

HSL 17.71, 0.56%, 0.37%

LAB 39.81, 28.65, 32.28

 

CMYK 36 / 0 / 71 / 42

HEX #5E932A

RGB 94 147 42

HSL 90.29, 0.56%, 0.37%

LAB 55.5, -35.19, 47.61

 

CMYK 72 / 23 / 0 / 43

HEX #297192

RGB 41 113 146

HSL 198.86, 0.56%, 0.37%

LAB 44.74, -10.93, -24.44

 

CMYK 14 / 71 / 0 / 42

HEX #7E2A93

RGB 126 42 147

HSL 288, 0.56%, 0.37%

LAB 34.39, 51.17, -40.92

 

CMYK 0 / 50 / 71 / 42

HEX #93492A

RGB 147 73 42

HSL 17.71, 0.56%, 0.37%

LAB 39.81, 28.65, 32.28

 

CMYK 57 / 0 / 71 / 42

HEX #3F932A

RGB 63 147 42

HSL 108, 0.56%, 0.37%

LAB 54.12, -45.29, 45.76

 

Description

Color code: HEX #297192 | qconv.com Color code: HEX #297192 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 113 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 113 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 23 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 23% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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