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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #296FDECE it is the complementary color #D69021CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #296FDECE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #296FDECE shade: #2E6FD9CE, #3F81ECCE, #5093FFCE, #61A5FFCE and #72B7FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #296FDECE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #296FDECE shade: #296FDECE, #185DCBCE, #074BB8CE, #0039A5CE and #002792CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #296FDECE shade: #2B70DE, #2B40DE, #472BDE, #772BDE and #A72BDE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #296FDECE shade: #2B70DE, #2B40DE and #2B2BDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #296FDECE shade matches the following richer shades: #2B70DE and #176CF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #296FDECE shade: #2B70DE, #3F75CA, #5379B6, #677EA3 and #7A828F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #296FDECE shade: #2BD2DE, #2BA2DE, #2B73DE, #2B43DE and #432BDE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #296FDECE shade: #194C9E, #1E5DC2, #2B70DE, #4F88E4 and #73A0E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #296FDECE shade: #296FDE, #BA2BDE and #BADE2B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #296FDECE shade: #296FDE, #DE2B73 and #73DE2B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #296FDECE shade: #296FDE, #BA2BDE, #DE962B and #4FDE2B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #296FDECE shade: #296FDE, #DE2BCC, #DE962B and #2BDE3D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 41 / 0 / 10

HEX #296FDECE

RGBA 41 111 222 0.81

HSLA 216.8, 0.73%, 0.52%, 0.81

LABA 48.4, 18.72, -62.69, 0.81

 

Complementary color

CMYK 0 / 26 / 69 / 13

HEX #D69021CE

RGBA 214 144 33 0.81

HSLA 36.8, 0.73%, 0.48%, 0.81

LABA 65.24, 18.1, 63.68, 0.81

 

CMYK 64 / 40 / 0 / 12

HEX #2E6FD9CE

RGBA 46 111 217 0.81

HSLA 217.19, 0.69%, 0.52%, 0.81

LABA 48.21, 17.3, -60.17, 0.81

 

CMYK 59 / 37 / 0 / 6

HEX #3F81ECCE

RGBA 63 129 236 0.81

HSLA 217.11, 0.82%, 0.59%, 0.81

LABA 54.88, 15.02, -60.08, 0.81

 

CMYK 56 / 34 / 0 / 0

HEX #5093FFCE

RGBA 80 147 255 0.81

HSLA 217.03, 1%, 0.66%, 0.81

LABA 61.48, 13.14, -59.97, 0.81

 

CMYK 50 / 29 / 0 / 0

HEX #61A5FFCE

RGBA 97 165 255 0.81

HSLA 214.18, 1%, 0.69%, 0.81

LABA 67.03, 5.33, -51.1, 0.81

 

CMYK 45 / 23 / 0 / 0

HEX #72B7FFCE

RGBA 114 183 255 0.81

HSLA 210.64, 1%, 0.72%, 0.81

LABA 72.67, -1.59, -42.18, 0.81

 

CMYK 66 / 41 / 0 / 10

HEX #296FDECE

RGBA 41 111 222 0.81

HSLA 216.8, 0.73%, 0.52%, 0.81

LABA 48.4, 18.72, -62.69, 0.81

 

CMYK 71 / 44 / 0 / 17

HEX #185DCBCE

RGBA 24 93 203 0.81

HSLA 216.87, 0.79%, 0.45%, 0.81

LABA 41.74, 21.73, -62.65, 0.81

 

CMYK 78 / 48 / 0 / 23

HEX #074BB8CE

RGBA 7 75 184 0.81

HSLA 216.95, 0.93%, 0.37%, 0.81

LABA 35.08, 25.37, -62.44, 0.81

 

CMYK 81 / 53 / 0 / 29

HEX #0039A5CE

RGBA 0 57 165 0.81

HSLA 219.27, 1%, 0.32%, 0.81

LABA 28.49, 29.64, -61.91, 0.81

 

CMYK 81 / 59 / 0 / 35

HEX #002792CE

RGBA 0 39 146 0.81

HSLA 223.97, 1%, 0.29%, 0.81

LABA 22.04, 34.17, -60.93, 0.81

 

CMYK 81 / 50 / 0 / 13

HEX #2B70DE

RGB 43 112 222

HSL 216.87, 0.73%, 0.52%

LAB 48.73, 18.26, -62.16

 

CMYK 81 / 71 / 0 / 13

HEX #2B40DE

RGB 43 64 222

HSL 232.96, 0.73%, 0.52%

LAB 36.84, 48.38, -81.57

 

CMYK 68 / 81 / 0 / 13

HEX #472BDE

RGB 71 43 222

HSL 249.39, 0.73%, 0.52%

LAB 34.68, 61.29, -85.1

 

CMYK 46 / 81 / 0 / 13

HEX #772BDE

RGB 119 43 222

HSL 265.47, 0.73%, 0.52%

LAB 39.45, 66.37, -77.07

 

CMYK 25 / 81 / 0 / 13

HEX #A72BDE

RGB 167 43 222

HSL 281.56, 0.73%, 0.52%

LAB 45.93, 73.44, -66.22

 

CMYK 81 / 50 / 0 / 13

HEX #2B70DE

RGB 43 112 222

HSL 216.87, 0.73%, 0.52%

LAB 48.73, 18.26, -62.16

 

CMYK 81 / 71 / 0 / 13

HEX #2B40DE

RGB 43 64 222

HSL 232.96, 0.73%, 0.52%

LAB 36.84, 48.38, -81.57

 

CMYK 81 / 81 / 0 / 13

HEX #2B2BDE

RGB 43 43 222

HSL 240, 0.73%, 0.52%

LAB 32.95, 59.47, -88.02

 

CMYK 81 / 50 / 0 / 13

HEX #2B70DE

RGB 43 112 222

HSL 216.87, 0.73%, 0.52%

LAB 48.73, 18.26, -62.16

 

CMYK 90 / 55 / 0 / 5

HEX #176CF2

RGB 23 108 242

HSL 216.71, 0.89%, 0.52%

LAB 48.66, 27.09, -73.54

 

CMYK 81 / 50 / 0 / 13

HEX #2B70DE

RGB 43 112 222

HSL 216.87, 0.73%, 0.52%

LAB 48.73, 18.26, -62.16

 

CMYK 69 / 42 / 0 / 21

HEX #3F75CA

RGB 63 117 202

HSL 216.69, 0.57%, 0.52%

LAB 49.55, 10.18, -49.44

 

CMYK 54 / 34 / 0 / 29

HEX #5379B6

RGB 83 121 182

HSL 216.97, 0.4%, 0.52%

LAB 50.56, 4.68, -36.29

 

CMYK 37 / 23 / 0 / 36

HEX #677EA3

RGB 103 126 163

HSL 217, 0.25%, 0.52%

LAB 52.34, 1.15, -22.44

 

CMYK 15 / 9 / 0 / 44

HEX #7A828F

RGB 122 130 143

HSL 217.14, 0.09%, 0.52%

LAB 54.12, -0.12, -8

 

CMYK 81 / 5 / 0 / 13

HEX #2BD2DE

RGB 43 210 222

HSL 184.02, 0.73%, 0.52%

LAB 77.21, -35.94, -17.6

 

CMYK 81 / 27 / 0 / 13

HEX #2BA2DE

RGB 43 162 222

HSL 200.11, 0.73%, 0.52%

LAB 63.03, -11.57, -39.4

 

CMYK 81 / 48 / 0 / 13

HEX #2B73DE

RGB 43 115 222

HSL 215.87, 0.73%, 0.52%

LAB 49.56, 16.37, -60.83

 

CMYK 81 / 70 / 0 / 13

HEX #2B43DE

RGB 43 67 222

HSL 231.96, 0.73%, 0.52%

LAB 37.48, 46.62, -80.52

 

CMYK 70 / 81 / 0 / 13

HEX #432BDE

RGB 67 43 222

HSL 248.04, 0.73%, 0.52%

LAB 34.39, 60.97, -85.6

 

CMYK 84 / 52 / 0 / 38

HEX #194C9E

RGB 25 76 158

HSL 216.99, 0.73%, 0.36%

LAB 33.66, 15.18, -49.24

 

CMYK 85 / 52 / 0 / 24

HEX #1E5DC2

RGB 30 93 194

HSL 216.95, 0.73%, 0.44%

LAB 41.22, 18.61, -58.29

 

CMYK 81 / 50 / 0 / 13

HEX #2B70DE

RGB 43 112 222

HSL 216.87, 0.73%, 0.52%

LAB 48.73, 18.26, -62.16

 

CMYK 65 / 40 / 0 / 11

HEX #4F88E4

RGB 79 136 228

HSL 217.05, 0.73%, 0.6%

LAB 56.95, 10.27, -52.28

 

CMYK 51 / 31 / 0 / 9

HEX #73A0E9

RGB 115 160 233

HSL 217.12, 0.73%, 0.68%

LAB 65.49, 4.89, -41.44

 

CMYK 82 / 50 / 0 / 13

HEX #296FDE

RGB 41 111 222

HSL 216.8, 0.73%, 0.52%

LAB 48.4, 18.72, -62.69

 

CMYK 16 / 81 / 0 / 13

HEX #BA2BDE

RGB 186 43 222

HSL 287.93, 0.73%, 0.52%

LAB 48.81, 76.61, -61.42

 

CMYK 16 / 0 / 81 / 13

HEX #BADE2B

RGB 186 222 43

HSL 72.07, 0.73%, 0.52%

LAB 83.37, -33.46, 75.56

 

CMYK 82 / 50 / 0 / 13

HEX #296FDE

RGB 41 111 222

HSL 216.8, 0.73%, 0.52%

LAB 48.4, 18.72, -62.69

 

CMYK 0 / 81 / 48 / 13

HEX #DE2B73

RGB 222 43 115

HSL 335.87, 0.73%, 0.52%

LAB 50.09, 70.35, 4.2

 

CMYK 48 / 0 / 81 / 13

HEX #73DE2B

RGB 115 222 43

HSL 95.87, 0.73%, 0.52%

LAB 79.65, -58.64, 70.83

 

CMYK 82 / 50 / 0 / 13

HEX #296FDE

RGB 41 111 222

HSL 216.8, 0.73%, 0.52%

LAB 48.4, 18.72, -62.69

 

CMYK 16 / 81 / 0 / 13

HEX #BA2BDE

RGB 186 43 222

HSL 287.93, 0.73%, 0.52%

LAB 48.81, 76.61, -61.42

 

CMYK 0 / 32 / 81 / 13

HEX #DE962B

RGB 222 150 43

HSL 35.87, 0.73%, 0.52%

LAB 67.66, 18.6, 62.84

 

CMYK 64 / 0 / 81 / 13

HEX #4FDE2B

RGB 79 222 43

HSL 107.93, 0.73%, 0.52%

LAB 78.51, -67.76, 69.36

 

CMYK 82 / 50 / 0 / 13

HEX #296FDE

RGB 41 111 222

HSL 216.8, 0.73%, 0.52%

LAB 48.4, 18.72, -62.69

 

CMYK 0 / 81 / 8 / 13

HEX #DE2BCC

RGB 222 43 204

HSL 306.03, 0.73%, 0.52%

LAB 53.62, 80.42, -43.11

 

CMYK 0 / 32 / 81 / 13

HEX #DE962B

RGB 222 150 43

HSL 35.87, 0.73%, 0.52%

LAB 67.66, 18.6, 62.84

 

CMYK 81 / 0 / 73 / 13

HEX #2BDE3D

RGB 43 222 61

HSL 126.03, 0.73%, 0.52%

LAB 77.93, -72.34, 62.99

 

Description

Color code: HEX #296FDECE | qconv.com Color code: HEX #296FDECE | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 111 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 111 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 41 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 41% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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