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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #296FA14C it is the complementary color #D6905E4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #296FA14C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #296FA14C shade: #2E6F9C4C, #3F81AF4C, #5093C24C, #61A5D54C and #72B7E84C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #296FA14C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #296FA14C shade: #296FA14C, #185D8E4C, #074B7B4C, #0039684C and #0027554C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #296FA14C shade: #2A70A2, #2A50A2, #2A2FA2, #452AA2 and #652AA2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #296FA14C shade: #2A70A2, #2A50A2, #2A2FA2 and #2A2AA2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #296FA14C shade matches the following richer shades: #2A70A2, #1973B3 and #0976C3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #296FA14C shade: #2A70A2, #3A6D92, #4B6B81, #5B6871 and #6C6560

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #296FA14C shade: #2AA294, #2A90A2, #2A70A2, #2A50A2 and #2A30A2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #296FA14C shade: #194361, #215981, #2A70A2, #3287C3 and #4D9AD1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #296FA14C shade: #296FA1, #742AA2 and #A0A22A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #296FA14C shade: #296FA1, #A22A70 and #70A22A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #296FA14C shade: #296FA1, #742AA2, #A25C2A and #58A22A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #296FA14C shade: #296FA1, #982AA2, #A25C2A and #34A22A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 9 / 0 / 11

HEX #296FA14C

RGBA 41 111 161 0.3

HSLA 205, 0.59%, 0.4%, 0.3

LABA 44.82, -4.33, -33.19, 0.3

 

Complementary color

CMYK 0 / 10 / 17 / 5

HEX #D6905E4C

RGBA 214 144 94 0.3

HSLA 25, 0.59%, 0.6%, 0.3

LABA 65.79, 21.3, 37.12, 0.3

 

CMYK 21 / 9 / 0 / 12

HEX #2E6F9C4C

RGBA 46 111 156 0.3

HSLA 204.55, 0.54%, 0.4%, 0.3

LABA 44.73, -5.4, -30.37, 0.3

 

CMYK 19 / 8 / 0 / 9

HEX #3F81AF4C

RGBA 63 129 175 0.3

HSLA 204.64, 0.47%, 0.47%, 0.3

LABA 51.67, -6.49, -30.58, 0.3

 

CMYK 18 / 7 / 0 / 7

HEX #5093C24C

RGBA 80 147 194 0.3

HSLA 204.74, 0.48%, 0.54%, 0.3

LABA 58.48, -7.3, -30.78, 0.3

 

CMYK 16 / 7 / 0 / 5

HEX #61A5D54C

RGBA 97 165 213 0.3

HSLA 204.83, 0.58%, 0.61%, 0.3

LABA 65.17, -7.93, -30.98, 0.3

 

CMYK 15 / 6 / 0 / 3

HEX #72B7E84C

RGBA 114 183 232 0.3

HSLA 204.92, 0.72%, 0.68%, 0.3

LABA 71.74, -8.43, -31.18, 0.3

 

CMYK 22 / 9 / 0 / 11

HEX #296FA14C

RGBA 41 111 161 0.3

HSLA 205, 0.59%, 0.4%, 0.3

LABA 44.82, -4.33, -33.19, 0.3

 

CMYK 25 / 10 / 0 / 13

HEX #185D8E4C

RGBA 24 93 142 0.3

HSLA 204.92, 0.71%, 0.33%, 0.3

LABA 37.8, -2.54, -32.95, 0.3

 

CMYK 28 / 12 / 0 / 16

HEX #074B7B4C

RGBA 7 75 123 0.3

HSLA 204.83, 0.89%, 0.25%, 0.3

LABA 30.66, -0.07, -32.61, 0.3

 

CMYK 30 / 14 / 0 / 18

HEX #0039684C

RGBA 0 57 104 0.3

HSLA 207.12, 1%, 0.2%, 0.3

LABA 23.42, 3.43, -32.11, 0.3

 

CMYK 30 / 16 / 0 / 20

HEX #0027554C

RGBA 0 39 85 0.3

HSLA 212.47, 1%, 0.17%, 0.3

LABA 16.04, 7.88, -31.48, 0.3

 

CMYK 74 / 31 / 0 / 36

HEX #2A70A2

RGB 42 112 162

HSL 205, 0.59%, 0.4%

LAB 45.21, -4.43, -33.18

 

CMYK 74 / 51 / 0 / 36

HEX #2A50A2

RGB 42 80 162

HSL 221, 0.59%, 0.4%

LAB 35.67, 16.01, -48.36

 

CMYK 74 / 71 / 0 / 36

HEX #2A2FA2

RGB 42 47 162

HSL 237.5, 0.59%, 0.4%

LAB 27.11, 37.7, -62.31

 

CMYK 57 / 74 / 0 / 36

HEX #452AA2

RGB 69 42 162

HSL 253.5, 0.59%, 0.4%

LAB 28.19, 44, -60.46

 

CMYK 38 / 74 / 0 / 36

HEX #652AA2

RGB 101 42 162

HSL 269.5, 0.59%, 0.4%

LAB 31.88, 49.36, -54.28

 

CMYK 74 / 31 / 0 / 36

HEX #2A70A2

RGB 42 112 162

HSL 205, 0.59%, 0.4%

LAB 45.21, -4.43, -33.18

 

CMYK 74 / 51 / 0 / 36

HEX #2A50A2

RGB 42 80 162

HSL 221, 0.59%, 0.4%

LAB 35.67, 16.01, -48.36

 

CMYK 74 / 71 / 0 / 36

HEX #2A2FA2

RGB 42 47 162

HSL 237.5, 0.59%, 0.4%

LAB 27.11, 37.7, -62.31

 

CMYK 74 / 74 / 0 / 36

HEX #2A2AA2

RGB 42 42 162

HSL 240, 0.59%, 0.4%

LAB 26.03, 40.7, -64.1

 

CMYK 74 / 31 / 0 / 36

HEX #2A70A2

RGB 42 112 162

HSL 205, 0.59%, 0.4%

LAB 45.21, -4.43, -33.18

 

CMYK 86 / 36 / 0 / 30

HEX #1973B3

RGB 25 115 179

HSL 204.94, 0.75%, 0.4%

LAB 46.61, -1.67, -40.93

 

CMYK 95 / 39 / 0 / 24

HEX #0976C3

RGB 9 118 195

HSL 204.84, 0.91%, 0.4%

LAB 48.2, 1.85, -47.65

 

CMYK 74 / 31 / 0 / 36

HEX #2A70A2

RGB 42 112 162

HSL 205, 0.59%, 0.4%

LAB 45.21, -4.43, -33.18

 

CMYK 60 / 25 / 0 / 43

HEX #3A6D92

RGB 58 109 146

HSL 205.23, 0.43%, 0.4%

LAB 44.11, -5.48, -25.38

 

CMYK 42 / 17 / 0 / 49

HEX #4B6B81

RGB 75 107 129

HSL 204.44, 0.26%, 0.4%

LAB 43.65, -5.43, -15.84

 

CMYK 19 / 8 / 0 / 56

HEX #5B6871

RGB 91 104 113

HSL 204.55, 0.11%, 0.4%

LAB 43.24, -2.8, -6.71

 

CMYK 0 / 6 / 11 / 58

HEX #6C6560

RGB 108 101 96

HSL 25, 0.06%, 0.4%

LAB 43.27, 1.8, 3.81

 

CMYK 74 / 0 / 9 / 36

HEX #2AA294

RGB 42 162 148

HSL 173, 0.59%, 0.4%

LAB 60.31, -35.45, -2.09

 

CMYK 74 / 11 / 0 / 36

HEX #2A90A2

RGB 42 144 162

HSL 189, 0.59%, 0.4%

LAB 55.12, -22.38, -17.83

 

CMYK 74 / 31 / 0 / 36

HEX #2A70A2

RGB 42 112 162

HSL 205, 0.59%, 0.4%

LAB 45.21, -4.43, -33.18

 

CMYK 74 / 51 / 0 / 36

HEX #2A50A2

RGB 42 80 162

HSL 221, 0.59%, 0.4%

LAB 35.67, 16.01, -48.36

 

CMYK 74 / 70 / 0 / 36

HEX #2A30A2

RGB 42 48 162

HSL 237, 0.59%, 0.4%

LAB 27.34, 37.09, -61.94

 

CMYK 74 / 31 / 0 / 62

HEX #194361

RGB 25 67 97

HSL 205, 0.59%, 0.24%

LAB 26.97, -3.47, -21.93

 

CMYK 74 / 31 / 0 / 49

HEX #215981

RGB 33 89 129

HSL 205, 0.59%, 0.32%

LAB 36.09, -3.92, -27.71

 

CMYK 74 / 31 / 0 / 36

HEX #2A70A2

RGB 42 112 162

HSL 205, 0.59%, 0.4%

LAB 45.21, -4.43, -33.18

 

CMYK 74 / 31 / 0 / 24

HEX #3287C3

RGB 50 135 195

HSL 204.83, 0.59%, 0.48%

LAB 53.97, -5.05, -38.47

 

CMYK 63 / 26 / 0 / 18

HEX #4D9AD1

RGB 77 154 209

HSL 205, 0.59%, 0.56%

LAB 61.04, -6.97, -35.23

 

CMYK 75 / 31 / 0 / 37

HEX #296FA1

RGB 41 111 161

HSL 205, 0.59%, 0.4%

LAB 44.82, -4.33, -33.19

 

CMYK 28 / 74 / 0 / 36

HEX #742AA2

RGB 116 42 162

HSL 277, 0.59%, 0.4%

LAB 33.94, 52.24, -50.85

 

CMYK 1 / 0 / 74 / 36

HEX #A0A22A

RGB 160 162 42

HSL 61, 0.59%, 0.4%

LAB 64.55, -15.15, 58.05

 

CMYK 75 / 31 / 0 / 37

HEX #296FA1

RGB 41 111 161

HSL 205, 0.59%, 0.4%

LAB 44.82, -4.33, -33.19

 

CMYK 0 / 74 / 31 / 36

HEX #A22A70

RGB 162 42 112

HSL 325, 0.59%, 0.4%

LAB 38.74, 54.62, -11.98

 

CMYK 31 / 0 / 74 / 36

HEX #70A22A

RGB 112 162 42

HSL 85, 0.59%, 0.4%

LAB 61.18, -35.17, 53.64

 

CMYK 75 / 31 / 0 / 37

HEX #296FA1

RGB 41 111 161

HSL 205, 0.59%, 0.4%

LAB 44.82, -4.33, -33.19

 

CMYK 28 / 74 / 0 / 36

HEX #742AA2

RGB 116 42 162

HSL 277, 0.59%, 0.4%

LAB 33.94, 52.24, -50.85

 

CMYK 0 / 43 / 74 / 36

HEX #A25C2A

RGB 162 92 42

HSL 25, 0.59%, 0.4%

LAB 46.32, 24.5, 40.01

 

CMYK 46 / 0 / 74 / 36

HEX #58A22A

RGB 88 162 42

HSL 97, 0.59%, 0.4%

LAB 59.96, -43.73, 52.03

 

CMYK 75 / 31 / 0 / 37

HEX #296FA1

RGB 41 111 161

HSL 205, 0.59%, 0.4%

LAB 44.82, -4.33, -33.19

 

CMYK 6 / 74 / 0 / 36

HEX #982AA2

RGB 152 42 162

HSL 295, 0.59%, 0.4%

LAB 39.48, 59.73, -41.64

 

CMYK 0 / 43 / 74 / 36

HEX #A25C2A

RGB 162 92 42

HSL 25, 0.59%, 0.4%

LAB 46.32, 24.5, 40.01

 

CMYK 68 / 0 / 74 / 36

HEX #34A22A

RGB 52 162 42

HSL 115, 0.59%, 0.4%

LAB 58.73, -53.4, 50.39

 

Description

Color code: HEX #296FA14C | qconv.com Color code: HEX #296FA14C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 111 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 111 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 9 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 9% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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