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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #296CC0CE it is the complementary color #D6933FCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #296CC0CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #296CC0CE shade: #2E6CBBCE, #3F7ECECE, #5090E1CE, #61A2F4CE and #72B4FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #296CC0CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #296CC0CE shade: #296CC0CE, #185AADCE, #07489ACE, #003687CE and #002474CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #296CC0CE shade: #296DC2, #2944C2, #3829C2, #6129C2 and #8A29C2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #296CC0CE shade: #296DC2, #2944C2 and #2929C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #296CC0CE shade matches the following richer shades: #296DC2, #166BD5 and #0368E8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #296CC0CE shade: #296DC2, #3C6FAF, #4F719C, #627389 and #757576

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #296CC0CE shade: #29BFC2, #2996C2, #296EC2, #2945C2 and #3629C2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #296CC0CE shade: #1B467D, #225AA0, #296DC2, #3E81D6 and #6097DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #296CC0CE shade: #296CC0, #9B29C2 and #ABC229

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #296CC0CE shade: #296CC0, #C2296E and #6EC229

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #296CC0CE shade: #296CC0, #9B29C2, #C27D29 and #4FC229

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #296CC0CE shade: #296CC0, #C229BA, #C27D29 and #29C231

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 35 / 0 / 20

HEX #296CC0CE

RGBA 41 108 192 0.81

HSLA 213.38, 0.65%, 0.46%, 0.81

LABA 45.64, 9.19, -49.99, 0.81

 

Complementary color

CMYK 0 / 25 / 57 / 13

HEX #D6933FCE

RGBA 214 147 63 0.81

HSLA 33.38, 0.65%, 0.54%, 0.81

LABA 66.15, 17.63, 52.94, 0.81

 

CMYK 61 / 34 / 0 / 22

HEX #2E6CBBCE

RGBA 46 108 187 0.81

HSLA 213.62, 0.61%, 0.46%, 0.81

LABA 45.49, 7.89, -47.33, 0.81

 

CMYK 56 / 31 / 0 / 16

HEX #3F7ECECE

RGBA 63 126 206 0.81

HSLA 213.57, 0.59%, 0.53%, 0.81

LABA 52.33, 6.08, -47.3, 0.81

 

CMYK 52 / 29 / 0 / 10

HEX #5090E1CE

RGBA 80 144 225 0.81

HSLA 213.52, 0.71%, 0.6%, 0.81

LABA 59.06, 4.65, -47.26, 0.81

 

CMYK 49 / 27 / 0 / 3

HEX #61A2F4CE

RGBA 97 162 244 0.81

HSLA 213.47, 0.87%, 0.67%, 0.81

LABA 65.68, 3.48, -47.23, 0.81

 

CMYK 45 / 24 / 0 / 0

HEX #72B4FFCE

RGBA 114 180 255 0.81

HSLA 211.91, 1%, 0.72%, 0.81

LABA 71.85, 0.07, -43.46, 0.81

 

CMYK 64 / 35 / 0 / 20

HEX #296CC0CE

RGBA 41 108 192 0.81

HSLA 213.38, 0.65%, 0.46%, 0.81

LABA 45.64, 9.19, -49.99, 0.81

 

CMYK 70 / 39 / 0 / 26

HEX #185AADCE

RGBA 24 90 173 0.81

HSLA 213.42, 0.76%, 0.39%, 0.81

LABA 38.77, 11.78, -49.95, 0.81

 

CMYK 77 / 43 / 0 / 32

HEX #07489ACE

RGBA 7 72 154 0.81

HSLA 213.47, 0.91%, 0.32%, 0.81

LABA 31.84, 15.08, -49.79, 0.81

 

CMYK 81 / 49 / 0 / 38

HEX #003687CE

RGBA 0 54 135 0.81

HSLA 216, 1%, 0.26%, 0.81

LABA 24.91, 19.27, -49.37, 0.81

 

CMYK 81 / 56 / 0 / 44

HEX #002474CE

RGBA 0 36 116 0.81

HSLA 221.38, 1%, 0.23%, 0.81

LABA 18.02, 24.08, -48.64, 0.81

 

CMYK 79 / 44 / 0 / 24

HEX #296DC2

RGB 41 109 194

HSL 213.33, 0.65%, 0.46%

LAB 46.05, 9.32, -50.49

 

CMYK 79 / 65 / 0 / 24

HEX #2944C2

RGB 41 68 194

HSL 229.41, 0.65%, 0.46%

LAB 35, 35.9, -68.4

 

CMYK 71 / 79 / 0 / 24

HEX #3829C2

RGB 56 41 194

HSL 245.88, 0.65%, 0.46%

LAB 30.21, 52.77, -76.27

 

CMYK 50 / 79 / 0 / 24

HEX #6129C2

RGB 97 41 194

HSL 261.96, 0.65%, 0.46%

LAB 34.03, 57.29, -69.85

 

CMYK 29 / 79 / 0 / 24

HEX #8A29C2

RGB 138 41 194

HSL 278.04, 0.65%, 0.46%

LAB 39.38, 63.6, -60.87

 

CMYK 79 / 44 / 0 / 24

HEX #296DC2

RGB 41 109 194

HSL 213.33, 0.65%, 0.46%

LAB 46.05, 9.32, -50.49

 

CMYK 79 / 65 / 0 / 24

HEX #2944C2

RGB 41 68 194

HSL 229.41, 0.65%, 0.46%

LAB 35, 35.9, -68.4

 

CMYK 79 / 79 / 0 / 24

HEX #2929C2

RGB 41 41 194

HSL 240, 0.65%, 0.46%

LAB 29.29, 51.68, -77.82

 

CMYK 79 / 44 / 0 / 24

HEX #296DC2

RGB 41 109 194

HSL 213.33, 0.65%, 0.46%

LAB 46.05, 9.32, -50.49

 

CMYK 90 / 50 / 0 / 16

HEX #166BD5

RGB 22 107 213

HSL 213.3, 0.81%, 0.46%

LAB 46.3, 16.46, -61

 

CMYK 99 / 55 / 0 / 9

HEX #0368E8

RGB 3 104 232

HSL 213.54, 0.97%, 0.46%

LAB 46.64, 25.17, -71.22

 

CMYK 79 / 44 / 0 / 24

HEX #296DC2

RGB 41 109 194

HSL 213.33, 0.65%, 0.46%

LAB 46.05, 9.32, -50.49

 

CMYK 66 / 37 / 0 / 31

HEX #3C6FAF

RGB 60 111 175

HSL 213.39, 0.49%, 0.46%

LAB 46.21, 3.76, -39.17

 

CMYK 49 / 28 / 0 / 39

HEX #4F719C

RGB 79 113 156

HSL 213.51, 0.33%, 0.46%

LAB 46.81, 0.26, -27.02

 

CMYK 28 / 16 / 0 / 46

HEX #627389

RGB 98 115 137

HSL 213.85, 0.17%, 0.46%

LAB 47.83, -0.91, -14.11

 

CMYK 1 / 1 / 0 / 54

HEX #757576

RGB 117 117 118

HSL 240, 0%, 0.46%

LAB 49.27, 0.21, -0.56

 

CMYK 79 / 2 / 0 / 24

HEX #29BFC2

RGB 41 191 194

HSL 181.18, 0.65%, 0.46%

LAB 70.61, -35.64, -12.35

 

CMYK 79 / 23 / 0 / 24

HEX #2996C2

RGB 41 150 194

HSL 197.25, 0.65%, 0.46%

LAB 58.21, -14.93, -31.3

 

CMYK 79 / 43 / 0 / 24

HEX #296EC2

RGB 41 110 194

HSL 212.94, 0.65%, 0.46%

LAB 46.34, 8.69, -50.03

 

CMYK 79 / 64 / 0 / 24

HEX #2945C2

RGB 41 69 194

HSL 229.02, 0.65%, 0.46%

LAB 35.25, 35.26, -68

 

CMYK 72 / 79 / 0 / 24

HEX #3629C2

RGB 54 41 194

HSL 245.1, 0.65%, 0.46%

LAB 30.07, 52.61, -76.51

 

CMYK 78 / 44 / 0 / 51

HEX #1B467D

RGB 27 70 125

HSL 213.67, 0.64%, 0.3%

LAB 29.65, 6.06, -35.45

 

CMYK 79 / 44 / 0 / 37

HEX #225AA0

RGB 34 90 160

HSL 213.33, 0.65%, 0.38%

LAB 38.18, 7.59, -43.14

 

CMYK 79 / 44 / 0 / 24

HEX #296DC2

RGB 41 109 194

HSL 213.33, 0.65%, 0.46%

LAB 46.05, 9.32, -50.49

 

CMYK 71 / 40 / 0 / 16

HEX #3E81D6

RGB 62 129 214

HSL 213.55, 0.65%, 0.54%

LAB 53.58, 6.97, -49.83

 

CMYK 57 / 32 / 0 / 13

HEX #6097DD

RGB 96 151 221

HSL 213.6, 0.65%, 0.62%

LAB 61.52, 2.26, -41.11

 

CMYK 79 / 44 / 0 / 25

HEX #296CC0

RGB 41 108 192

HSL 213.38, 0.65%, 0.46%

LAB 45.64, 9.19, -49.99

 

CMYK 20 / 79 / 0 / 24

HEX #9B29C2

RGB 155 41 194

HSL 284.71, 0.65%, 0.46%

LAB 41.92, 66.58, -56.64

 

CMYK 12 / 0 / 79 / 24

HEX #ABC229

RGB 171 194 41

HSL 69.02, 0.65%, 0.46%

LAB 74.45, -26.47, 67.79

 

CMYK 79 / 44 / 0 / 25

HEX #296CC0

RGB 41 108 192

HSL 213.38, 0.65%, 0.46%

LAB 45.64, 9.19, -49.99

 

CMYK 0 / 79 / 43 / 24

HEX #C2296E

RGB 194 41 110

HSL 332.94, 0.65%, 0.46%

LAB 44.49, 63.23, -1.52

 

CMYK 43 / 0 / 79 / 24

HEX #6EC229

RGB 110 194 41

HSL 92.94, 0.65%, 0.46%

LAB 70.91, -49.53, 63.25

 

CMYK 79 / 44 / 0 / 25

HEX #296CC0

RGB 41 108 192

HSL 213.38, 0.65%, 0.46%

LAB 45.64, 9.19, -49.99

 

CMYK 20 / 79 / 0 / 24

HEX #9B29C2

RGB 155 41 194

HSL 284.71, 0.65%, 0.46%

LAB 41.92, 66.58, -56.64

 

CMYK 0 / 36 / 79 / 24

HEX #C27D29

RGB 194 125 41

HSL 32.94, 0.65%, 0.46%

LAB 58.32, 20.03, 53.79

 

CMYK 59 / 0 / 79 / 24

HEX #4FC229

RGB 79 194 41

HSL 105.1, 0.65%, 0.46%

LAB 69.76, -58.45, 61.75

 

CMYK 79 / 44 / 0 / 25

HEX #296CC0

RGB 41 108 192

HSL 213.38, 0.65%, 0.46%

LAB 45.64, 9.19, -49.99

 

CMYK 0 / 79 / 4 / 24

HEX #C229BA

RGB 194 41 186

HSL 303.14, 0.65%, 0.46%

LAB 47.75, 72.69, -42.27

 

CMYK 0 / 36 / 79 / 24

HEX #C27D29

RGB 194 125 41

HSL 32.94, 0.65%, 0.46%

LAB 58.32, 20.03, 53.79

 

CMYK 79 / 0 / 75 / 24

HEX #29C231

RGB 41 194 49

HSL 123.14, 0.65%, 0.46%

LAB 68.95, -65.05, 58.1

 

Description

Color code: HEX #296CC0CE | qconv.com Color code: HEX #296CC0CE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 108 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 108 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 35 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 35% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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