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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #296CBACE it is the complementary color #D69345CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #296CBACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #296CBACE shade: #2E6CB5CE, #3F7EC8CE, #5090DBCE, #61A2EECE and #72B4FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #296CBACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #296CBACE shade: #296CBACE, #185AA7CE, #074894CE, #003681CE and #00246ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #296CBACE shade: #296DBC, #2946BC, #3529BC, #5C29BC and #8429BC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #296CBACE shade: #296DBC, #2946BC and #2929BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #296CBACE shade matches the following richer shades: #296DBC, #176CCF and #046AE1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #296CBACE shade: #296DBC, #3C6FAA, #4E7097, #617184 and #747372

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #296CBACE shade: #29BCBC, #2995BC, #296EBC, #2947BC and #3329BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #296CBACE shade: #1A4679, #225A9A, #296DBC, #3B82D4 and #5D97DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #296CBACE shade: #296CBA, #9529BC and #A9BC29

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #296CBACE shade: #296CBA, #BC296E and #6EBC29

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #296CBACE shade: #296CBA, #9529BC, #BC7829 and #50BC29

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #296CBACE shade: #296CBA, #BC29B7, #BC7829 and #29BC2E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 34 / 0 / 22

HEX #296CBACE

RGBA 41 108 186 0.81

HSLA 212.28, 0.64%, 0.45%, 0.81

LABA 45.28, 6.91, -47.09, 0.81

 

Complementary color

CMYK 0 / 25 / 55 / 13

HEX #D69345CE

RGBA 214 147 69 0.81

HSLA 32.28, 0.64%, 0.55%, 0.81

LABA 66.21, 17.96, 50.22, 0.81

 

CMYK 60 / 33 / 0 / 24

HEX #2E6CB5CE

RGBA 46 108 181 0.81

HSLA 212.44, 0.59%, 0.45%, 0.81

LABA 45.14, 5.64, -44.4, 0.81

 

CMYK 55 / 30 / 0 / 17

HEX #3F7EC8CE

RGBA 63 126 200 0.81

HSLA 212.41, 0.55%, 0.52%, 0.81

LABA 52, 3.95, -44.39, 0.81

 

CMYK 51 / 28 / 0 / 11

HEX #5090DBCE

RGBA 80 144 219 0.81

HSLA 212.37, 0.66%, 0.59%, 0.81

LABA 58.76, 2.63, -44.39, 0.81

 

CMYK 48 / 26 / 0 / 5

HEX #61A2EECE

RGBA 97 162 238 0.81

HSLA 212.34, 0.81%, 0.66%, 0.81

LABA 65.4, 1.56, -44.39, 0.81

 

CMYK 45 / 24 / 0 / 0

HEX #72B4FFCE

RGBA 114 180 255 0.81

HSLA 211.91, 1%, 0.72%, 0.81

LABA 71.85, 0.07, -43.46, 0.81

 

CMYK 63 / 34 / 0 / 22

HEX #296CBACE

RGBA 41 108 186 0.81

HSLA 212.28, 0.64%, 0.45%, 0.81

LABA 45.28, 6.91, -47.09, 0.81

 

CMYK 69 / 37 / 0 / 28

HEX #185AA7CE

RGBA 24 90 167 0.81

HSLA 212.31, 0.75%, 0.37%, 0.81

LABA 38.37, 9.37, -47.03, 0.81

 

CMYK 77 / 42 / 0 / 34

HEX #074894CE

RGBA 7 72 148 0.81

HSLA 212.34, 0.91%, 0.3%, 0.81

LABA 31.39, 12.56, -46.86, 0.81

 

CMYK 81 / 47 / 0 / 40

HEX #003681CE

RGBA 0 54 129 0.81

HSLA 214.88, 1%, 0.25%, 0.81

LABA 24.4, 16.68, -46.46, 0.81

 

CMYK 81 / 54 / 0 / 46

HEX #00246ECE

RGBA 0 36 110 0.81

HSLA 220.36, 1%, 0.22%, 0.81

LABA 17.4, 21.5, -45.78, 0.81

 

CMYK 78 / 42 / 0 / 26

HEX #296DBC

RGB 41 109 188

HSL 212.24, 0.64%, 0.45%

LAB 45.69, 7.04, -47.6

 

CMYK 78 / 63 / 0 / 26

HEX #2946BC

RGB 41 70 188

HSL 228.16, 0.64%, 0.45%

LAB 34.97, 32.4, -64.94

 

CMYK 72 / 78 / 0 / 26

HEX #3529BC

RGB 53 41 188

HSL 244.9, 0.64%, 0.45%

LAB 29.35, 50.68, -74.17

 

CMYK 51 / 78 / 0 / 26

HEX #5C29BC

RGB 92 41 188

HSL 260.82, 0.64%, 0.45%

LAB 32.9, 55.05, -68.19

 

CMYK 30 / 78 / 0 / 26

HEX #8429BC

RGB 132 41 188

HSL 277.14, 0.64%, 0.45%

LAB 38.06, 61.3, -59.54

 

CMYK 78 / 42 / 0 / 26

HEX #296DBC

RGB 41 109 188

HSL 212.24, 0.64%, 0.45%

LAB 45.69, 7.04, -47.6

 

CMYK 78 / 63 / 0 / 26

HEX #2946BC

RGB 41 70 188

HSL 228.16, 0.64%, 0.45%

LAB 34.97, 32.4, -64.94

 

CMYK 78 / 78 / 0 / 26

HEX #2929BC

RGB 41 41 188

HSL 240, 0.64%, 0.45%

LAB 28.61, 49.77, -75.41

 

CMYK 78 / 42 / 0 / 26

HEX #296DBC

RGB 41 109 188

HSL 212.24, 0.64%, 0.45%

LAB 45.69, 7.04, -47.6

 

CMYK 89 / 48 / 0 / 19

HEX #176CCF

RGB 23 108 207

HSL 212.28, 0.8%, 0.45%

LAB 46.19, 13.52, -57.74

 

CMYK 98 / 53 / 0 / 12

HEX #046AE1

RGB 4 106 225

HSL 212.31, 0.97%, 0.45%

LAB 46.67, 21.16, -67.22

 

CMYK 78 / 42 / 0 / 26

HEX #296DBC

RGB 41 109 188

HSL 212.24, 0.64%, 0.45%

LAB 45.69, 7.04, -47.6

 

CMYK 65 / 35 / 0 / 33

HEX #3C6FAA

RGB 60 111 170

HSL 212.18, 0.48%, 0.45%

LAB 45.95, 1.99, -36.66

 

CMYK 48 / 26 / 0 / 41

HEX #4E7097

RGB 78 112 151

HSL 212.05, 0.32%, 0.45%

LAB 46.23, -0.95, -24.97

 

CMYK 27 / 14 / 0 / 48

HEX #617184

RGB 97 113 132

HSL 212.57, 0.15%, 0.45%

LAB 47, -1.34, -12.42

 

CMYK 0 / 1 / 2 / 55

HEX #747372

RGB 116 115 114

HSL 30, 0.01%, 0.45%

LAB 48.5, 0.18, 0.68

 

CMYK 78 / 0 / 0 / 26

HEX #29BCBC

RGB 41 188 188

HSL 180, 0.64%, 0.45%

LAB 69.52, -36.02, -10.7

 

CMYK 78 / 21 / 0 / 26

HEX #2995BC

RGB 41 149 188

HSL 195.92, 0.64%, 0.45%

LAB 57.65, -16.45, -28.76

 

CMYK 78 / 41 / 0 / 26

HEX #296EBC

RGB 41 110 188

HSL 211.84, 0.64%, 0.45%

LAB 45.98, 6.41, -47.13

 

CMYK 78 / 62 / 0 / 26

HEX #2947BC

RGB 41 71 188

HSL 227.76, 0.64%, 0.45%

LAB 35.22, 31.75, -64.53

 

CMYK 73 / 78 / 0 / 26

HEX #3329BC

RGB 51 41 188

HSL 244.08, 0.64%, 0.45%

LAB 29.21, 50.51, -74.4

 

CMYK 79 / 42 / 0 / 53

HEX #1A4679

RGB 26 70 121

HSL 212.21, 0.65%, 0.29%

LAB 29.36, 4.3, -33.4

 

CMYK 78 / 42 / 0 / 40

HEX #225A9A

RGB 34 90 154

HSL 212, 0.64%, 0.37%

LAB 37.82, 5.24, -40.14

 

CMYK 78 / 42 / 0 / 26

HEX #296DBC

RGB 41 109 188

HSL 212.24, 0.64%, 0.45%

LAB 45.69, 7.04, -47.6

 

CMYK 72 / 39 / 0 / 17

HEX #3B82D4

RGB 59 130 212

HSL 212.16, 0.64%, 0.53%

LAB 53.65, 5.23, -48.59

 

CMYK 58 / 31 / 0 / 14

HEX #5D97DB

RGB 93 151 219

HSL 212.38, 0.64%, 0.61%

LAB 61.29, 1.01, -40.37

 

CMYK 78 / 42 / 0 / 27

HEX #296CBA

RGB 41 108 186

HSL 212.28, 0.64%, 0.45%

LAB 45.28, 6.91, -47.09

 

CMYK 21 / 78 / 0 / 26

HEX #9529BC

RGB 149 41 188

HSL 284.08, 0.64%, 0.45%

LAB 40.58, 64.33, -55.33

 

CMYK 10 / 0 / 78 / 26

HEX #A9BC29

RGB 169 188 41

HSL 67.76, 0.64%, 0.45%

LAB 72.6, -24.39, 66.07

 

CMYK 78 / 42 / 0 / 27

HEX #296CBA

RGB 41 108 186

HSL 212.28, 0.64%, 0.45%

LAB 45.28, 6.91, -47.09

 

CMYK 0 / 78 / 41 / 26

HEX #BC296E

RGB 188 41 110

HSL 331.84, 0.64%, 0.45%

LAB 43.36, 61.66, -3.31

 

CMYK 41 / 0 / 78 / 26

HEX #6EBC29

RGB 110 188 41

HSL 91.84, 0.64%, 0.45%

LAB 69.07, -47.12, 61.52

 

CMYK 78 / 42 / 0 / 27

HEX #296CBA

RGB 41 108 186

HSL 212.28, 0.64%, 0.45%

LAB 45.28, 6.91, -47.09

 

CMYK 21 / 78 / 0 / 26

HEX #9529BC

RGB 149 41 188

HSL 284.08, 0.64%, 0.45%

LAB 40.58, 64.33, -55.33

 

CMYK 0 / 36 / 78 / 26

HEX #BC7829

RGB 188 120 41

HSL 32.24, 0.64%, 0.45%

LAB 56.37, 20.17, 51.68

 

CMYK 57 / 0 / 78 / 26

HEX #50BC29

RGB 80 188 41

HSL 104.08, 0.64%, 0.45%

LAB 67.9, -56.07, 60

 

CMYK 78 / 42 / 0 / 27

HEX #296CBA

RGB 41 108 186

HSL 212.28, 0.64%, 0.45%

LAB 45.28, 6.91, -47.09

 

CMYK 0 / 78 / 3 / 26

HEX #BC29B7

RGB 188 41 183

HSL 302.04, 0.64%, 0.45%

LAB 46.57, 71.02, -42.45

 

CMYK 0 / 36 / 78 / 26

HEX #BC7829

RGB 188 120 41

HSL 32.24, 0.64%, 0.45%

LAB 56.37, 20.17, 51.68

 

CMYK 78 / 0 / 76 / 26

HEX #29BC2E

RGB 41 188 46

HSL 122.04, 0.64%, 0.45%

LAB 67, -63.42, 57.18

 

Description

Color code: HEX #296CBACE | qconv.com Color code: HEX #296CBACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 108 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 108 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 34 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 34% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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