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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #296C5E it is the complementary color #D693A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #296C5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #296C5E shade: #2E6C59, #3F7E6C, #50907F, #61A292 and #72B4A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #296C5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #296C5E shade: #296C5E, #185A4B, #074838, #003625 and #002412

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #296C5E shade: #296B5D, #296B4B, #296B39, #2A6B29 and #3C6B29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #296C5E shade: #296B5D, #29676B, #29556B, #29436B and #29316B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #296C5E shade matches the following richer shades: #296B5D, #1D7764, #11836B and #058F72

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #296C5E shade: #296B5D, #355F56, #41534F, #4D4748 and #593B41

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #296C5E shade: #296B39, #296B4B, #296B5D, #29686B and #29566B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #296C5E shade: #122F29, #1D4D43, #296B5D, #348977 and #3FA791

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #296C5E shade: #296C5E, #292A6B and #6B4229

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #296C5E shade: #296C5E, #5D296B and #6B5D29

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #296C5E shade: #296C5E, #292A6B, #6B2937 and #6B6A29

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #296C5E shade: #296C5E, #3C296B, #6B2937 and #586B29

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 13 / 58

HEX #296C5E

RGB 41 108 94

HSL 167.46, 0.45%, 0.29%

LAB 41.22, -24.85, 1.54

 

Complementary color

CMYK 0 / 31 / 25 / 16

HEX #D693A1

RGB 214 147 161

HSL 347.46, 0.45%, 0.71%

LAB 67.83, 27.22, 2.92

 

CMYK 57 / 0 / 18 / 58

HEX #2E6C59

RGB 46 108 89

HSL 161.61, 0.4%, 0.3%

LAB 41.26, -25.05, 4.64

 

CMYK 50 / 0 / 14 / 51

HEX #3F7E6C

RGB 63 126 108

HSL 162.86, 0.33%, 0.37%

LAB 48.34, -24.98, 3.58

 

CMYK 44 / 0 / 12 / 44

HEX #50907F

RGB 80 144 127

HSL 164.06, 0.29%, 0.44%

LAB 55.26, -24.83, 2.64

 

CMYK 40 / 0 / 10 / 36

HEX #61A292

RGB 97 162 146

HSL 165.23, 0.26%, 0.51%

LAB 62.05, -24.66, 1.79

 

CMYK 37 / 0 / 8 / 29

HEX #72B4A5

RGB 114 180 165

HSL 166.36, 0.31%, 0.58%

LAB 68.71, -24.48, 1

 

CMYK 62 / 0 / 13 / 58

HEX #296C5E

RGB 41 108 94

HSL 167.46, 0.45%, 0.29%

LAB 41.22, -24.85, 1.54

 

CMYK 73 / 0 / 17 / 65

HEX #185A4B

RGB 24 90 75

HSL 166.36, 0.58%, 0.22%

LAB 34.01, -24.52, 2.73

 

CMYK 90 / 0 / 22 / 72

HEX #074838

RGB 7 72 56

HSL 165.23, 0.82%, 0.15%

LAB 26.64, -23.7, 4.18

 

CMYK 100 / 0 / 31 / 79

HEX #003625

RGB 0 54 37

HSL 161.11, 1%, 0.11%

LAB 19.11, -21.77, 6.07

 

CMYK 100 / 0 / 50 / 86

HEX #002412

RGB 0 36 18

HSL 150, 1%, 0.07%

LAB 11.31, -18.45, 8.27

 

CMYK 62 / 0 / 13 / 58

HEX #296B5D

RGB 41 107 93

HSL 167.27, 0.45%, 0.29%

LAB 40.86, -24.62, 1.62

 

CMYK 62 / 0 / 30 / 58

HEX #296B4B

RGB 41 107 75

HSL 150.91, 0.45%, 0.29%

LAB 40.4, -29.2, 11.82

 

CMYK 62 / 0 / 47 / 58

HEX #296B39

RGB 41 107 57

HSL 134.55, 0.45%, 0.29%

LAB 40.05, -32.91, 21.89

 

CMYK 61 / 0 / 62 / 58

HEX #2A6B29

RGB 42 107 41

HSL 119.09, 0.45%, 0.29%

LAB 39.86, -35.14, 30.36

 

CMYK 44 / 0 / 62 / 58

HEX #3C6B29

RGB 60 107 41

HSL 102.73, 0.45%, 0.29%

LAB 40.63, -29.44, 31.45

 

CMYK 62 / 0 / 13 / 58

HEX #296B5D

RGB 41 107 93

HSL 167.27, 0.45%, 0.29%

LAB 40.86, -24.62, 1.62

 

CMYK 62 / 4 / 0 / 58

HEX #29676B

RGB 41 103 107

HSL 183.64, 0.45%, 0.29%

LAB 39.97, -18.37, -8.23

 

CMYK 62 / 21 / 0 / 58

HEX #29556B

RGB 41 85 107

HSL 200, 0.45%, 0.29%

LAB 34.05, -7.97, -17.24

 

CMYK 62 / 37 / 0 / 58

HEX #29436B

RGB 41 67 107

HSL 216.36, 0.45%, 0.29%

LAB 28.24, 3.58, -26.29

 

CMYK 62 / 54 / 0 / 58

HEX #29316B

RGB 41 49 107

HSL 232.73, 0.45%, 0.29%

LAB 22.76, 16.03, -35.04

 

CMYK 62 / 0 / 13 / 58

HEX #296B5D

RGB 41 107 93

HSL 167.27, 0.45%, 0.29%

LAB 40.86, -24.62, 1.62

 

CMYK 76 / 0 / 16 / 53

HEX #1D7764

RGB 29 119 100

HSL 167.33, 0.61%, 0.29%

LAB 44.77, -30.67, 3.02

 

CMYK 87 / 0 / 18 / 49

HEX #11836B

RGB 17 131 107

HSL 167.37, 0.77%, 0.29%

LAB 48.78, -35.54, 4.65

 

CMYK 97 / 0 / 20 / 44

HEX #058F72

RGB 5 143 114

HSL 167.39, 0.93%, 0.29%

LAB 52.83, -39.59, 6.38

 

CMYK 62 / 0 / 13 / 58

HEX #296B5D

RGB 41 107 93

HSL 167.27, 0.45%, 0.29%

LAB 40.86, -24.62, 1.62

 

CMYK 44 / 0 / 9 / 63

HEX #355F56

RGB 53 95 86

HSL 167.14, 0.28%, 0.29%

LAB 37.14, -17.09, 0.56

 

CMYK 22 / 0 / 5 / 67

HEX #41534F

RGB 65 83 79

HSL 166.67, 0.12%, 0.29%

LAB 33.72, -7.93, 0.03

 

CMYK 0 / 8 / 6 / 70

HEX #4D4748

RGB 77 71 72

HSL 350, 0.04%, 0.29%

LAB 30.76, 2.72, 0.3

 

CMYK 0 / 34 / 27 / 65

HEX #593B41

RGB 89 59 65

HSL 348, 0.2%, 0.29%

LAB 28.47, 14.23, 1.68

 

CMYK 62 / 0 / 47 / 58

HEX #296B39

RGB 41 107 57

HSL 134.55, 0.45%, 0.29%

LAB 40.05, -32.91, 21.89

 

CMYK 62 / 0 / 30 / 58

HEX #296B4B

RGB 41 107 75

HSL 150.91, 0.45%, 0.29%

LAB 40.4, -29.2, 11.82

 

CMYK 62 / 0 / 13 / 58

HEX #296B5D

RGB 41 107 93

HSL 167.27, 0.45%, 0.29%

LAB 40.86, -24.62, 1.62

 

CMYK 62 / 3 / 0 / 58

HEX #29686B

RGB 41 104 107

HSL 182.73, 0.45%, 0.29%

LAB 40.3, -18.92, -7.73

 

CMYK 62 / 20 / 0 / 58

HEX #29566B

RGB 41 86 107

HSL 199.09, 0.45%, 0.29%

LAB 34.37, -8.58, -16.74

 

CMYK 62 / 0 / 13 / 82

HEX #122F29

RGB 18 47 41

HSL 167.59, 0.45%, 0.13%

LAB 17.09, -12.75, 0.53

 

CMYK 62 / 0 / 13 / 70

HEX #1D4D43

RGB 29 77 67

HSL 167.5, 0.45%, 0.21%

LAB 29.35, -19.06, 1.06

 

CMYK 62 / 0 / 13 / 58

HEX #296B5D

RGB 41 107 93

HSL 167.27, 0.45%, 0.29%

LAB 40.86, -24.62, 1.62

 

CMYK 62 / 0 / 13 / 46

HEX #348977

RGB 52 137 119

HSL 167.29, 0.45%, 0.37%

LAB 51.78, -30.07, 2.09

 

CMYK 62 / 0 / 13 / 35

HEX #3FA791

RGB 63 167 145

HSL 167.31, 0.45%, 0.45%

LAB 62.29, -35.27, 2.54

 

CMYK 62 / 0 / 13 / 58

HEX #296C5E

RGB 41 108 94

HSL 167.46, 0.45%, 0.29%

LAB 41.22, -24.85, 1.54

 

CMYK 62 / 61 / 0 / 58

HEX #292A6B

RGB 41 42 107

HSL 239.09, 0.45%, 0.29%

LAB 20.79, 20.92, -38.22

 

CMYK 0 / 38 / 62 / 58

HEX #6B4229

RGB 107 66 41

HSL 22.73, 0.45%, 0.29%

LAB 32.22, 14.98, 22.46

 

CMYK 62 / 0 / 13 / 58

HEX #296C5E

RGB 41 108 94

HSL 167.46, 0.45%, 0.29%

LAB 41.22, -24.85, 1.54

 

CMYK 13 / 62 / 0 / 58

HEX #5D296B

RGB 93 41 107

HSL 287.27, 0.45%, 0.29%

LAB 26.66, 34.88, -28.46

 

CMYK 0 / 13 / 62 / 58

HEX #6B5D29

RGB 107 93 41

HSL 47.27, 0.45%, 0.29%

LAB 39.77, -1.42, 31.4

 

CMYK 62 / 0 / 13 / 58

HEX #296C5E

RGB 41 108 94

HSL 167.46, 0.45%, 0.29%

LAB 41.22, -24.85, 1.54

 

CMYK 62 / 61 / 0 / 58

HEX #292A6B

RGB 41 42 107

HSL 239.09, 0.45%, 0.29%

LAB 20.79, 20.92, -38.22

 

CMYK 0 / 62 / 49 / 58

HEX #6B2937

RGB 107 41 55

HSL 347.27, 0.45%, 0.29%

LAB 26.7, 30.85, 6.15

 

CMYK 0 / 1 / 62 / 58

HEX #6B6A29

RGB 107 106 41

HSL 59.09, 0.45%, 0.29%

LAB 43.64, -8.95, 35.75

 

CMYK 62 / 0 / 13 / 58

HEX #296C5E

RGB 41 108 94

HSL 167.46, 0.45%, 0.29%

LAB 41.22, -24.85, 1.54

 

CMYK 44 / 62 / 0 / 58

HEX #3C296B

RGB 60 41 107

HSL 257.27, 0.45%, 0.29%

LAB 22.33, 25.93, -35.64

 

CMYK 0 / 62 / 49 / 58

HEX #6B2937

RGB 107 41 55

HSL 347.27, 0.45%, 0.29%

LAB 26.7, 30.85, 6.15

 

CMYK 18 / 0 / 62 / 58

HEX #586B29

RGB 88 107 41

HSL 77.27, 0.45%, 0.29%

LAB 42.38, -18.14, 33.91

 

Description

Color code: HEX #296C5E | qconv.com Color code: HEX #296C5E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 108 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 108 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 13 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 13% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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