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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #296404 it is the complementary color #D69BFB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #296404. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #296404 shade: #2E6400, #3F7612, #508825, #619A38 and #72AC4B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #296404. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #296404 shade: #296404, #185200, #074000, #002E00 and #001C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #296404 shade: #286204, #426204, #5B6204, #625004 and #623604

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #296404 shade: #286204, #0F6204, #046213, #04622C and #046245

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #296404 shade matches the following richer shades: #286204

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #296404 shade: #286204, #2A5A0C, #2C5115, #2E491D and #304125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #296404 shade: #5C6204, #436204, #2A6204, #116204 and #046211

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #296404 shade: #081301, #183A02, #286204, #398A06 and #49B107

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #296404 shade: #296404, #04624F and #62044F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #296404 shade: #296404, #042A62 and #62042A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #296404 shade: #296404, #04624F, #3C0462 and #620417

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #296404 shade: #296404, #045962, #3C0462 and #620D04

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 96 / 61

HEX #296404

RGB 41 100 4

HSL 96.88, 0.92%, 0.2%

LAB 37.1, -35.58, 41.8

 

Complementary color

CMYK 15 / 38 / 0 / 2

HEX #D69BFB

RGB 214 155 251

HSL 276.88, 0.92%, 0.8%

LAB 72.7, 39, -39.45

 

CMYK 54 / 0 / 100 / 61

HEX #2E6400

RGB 46 100 0

HSL 92.4, 1%, 0.2%

LAB 37.29, -34.17, 43.18

 

CMYK 47 / 0 / 85 / 54

HEX #3F7612

RGB 63 118 18

HSL 93, 0.74%, 0.27%

LAB 44.31, -35.18, 44.75

 

CMYK 41 / 0 / 73 / 47

HEX #508825

RGB 80 136 37

HSL 93.94, 0.57%, 0.34%

LAB 51.21, -35.78, 44.99

 

CMYK 37 / 0 / 64 / 40

HEX #619A38

RGB 97 154 56

HSL 94.9, 0.47%, 0.41%

LAB 57.98, -36.06, 44.34

 

CMYK 34 / 0 / 56 / 33

HEX #72AC4B

RGB 114 172 75

HSL 95.88, 0.39%, 0.48%

LAB 64.64, -36.16, 43.33

 

CMYK 59 / 0 / 96 / 61

HEX #296404

RGB 41 100 4

HSL 96.88, 0.92%, 0.2%

LAB 37.1, -35.58, 41.8

 

CMYK 71 / 0 / 100 / 68

HEX #185200

RGB 24 82 0

HSL 102.44, 1%, 0.16%

LAB 29.98, -33.55, 37.07

 

CMYK 89 / 0 / 100 / 75

HEX #074000

RGB 7 64 0

HSL 113.44, 1%, 0.13%

LAB 22.7, -30.59, 30.33

 

CMYK 100 / 0 / 100 / 82

HEX #002E00

RGB 0 46 0

HSL 120, 1%, 0.09%

LAB 15.24, -25.96, 21.62

 

CMYK 100 / 0 / 100 / 89

HEX #001C00

RGB 0 28 0

HSL 120, 1%, 0.05%

LAB 7.5, -15.33, 10.95

 

CMYK 59 / 0 / 96 / 62

HEX #286204

RGB 40 98 4

HSL 97.02, 0.92%, 0.2%

LAB 36.36, -35.08, 41.16

 

CMYK 33 / 0 / 96 / 62

HEX #426204

RGB 66 98 4

HSL 80.43, 0.92%, 0.2%

LAB 37.67, -25.43, 42.77

 

CMYK 7 / 0 / 96 / 62

HEX #5B6204

RGB 91 98 4

HSL 64.47, 0.92%, 0.2%

LAB 39.53, -13.97, 45.04

 

CMYK 0 / 18 / 96 / 62

HEX #625004

RGB 98 80 4

HSL 48.51, 0.92%, 0.2%

LAB 34.69, -0.02, 41.59

 

CMYK 0 / 45 / 96 / 62

HEX #623604

RGB 98 54 4

HSL 31.91, 0.92%, 0.2%

LAB 27.42, 16.04, 35.96

 

CMYK 59 / 0 / 96 / 62

HEX #286204

RGB 40 98 4

HSL 97.02, 0.92%, 0.2%

LAB 36.36, -35.08, 41.16

 

CMYK 85 / 0 / 96 / 62

HEX #0F6204

RGB 15 98 4

HSL 112.98, 0.92%, 0.2%

LAB 35.69, -40.75, 40.33

 

CMYK 96 / 0 / 81 / 62

HEX #046213

RGB 4 98 19

HSL 129.57, 0.92%, 0.2%

LAB 35.61, -41.11, 35.55

 

CMYK 96 / 0 / 55 / 62

HEX #04622C

RGB 4 98 44

HSL 145.53, 0.92%, 0.2%

LAB 35.87, -37.86, 23.78

 

CMYK 96 / 0 / 30 / 62

HEX #046245

RGB 4 98 69

HSL 161.49, 0.92%, 0.2%

LAB 36.35, -32.34, 9.7

 

CMYK 59 / 0 / 96 / 62

HEX #286204

RGB 40 98 4

HSL 97.02, 0.92%, 0.2%

LAB 36.36, -35.08, 41.16

 

CMYK 59 / 0 / 96 / 62

HEX #286204

RGB 40 98 4

HSL 97.02, 0.92%, 0.2%

LAB 36.36, -35.08, 41.16

 

CMYK 53 / 0 / 87 / 65

HEX #2A5A0C

RGB 42 90 12

HSL 96.92, 0.76%, 0.2%

LAB 33.63, -30.69, 36.45

 

CMYK 46 / 0 / 74 / 68

HEX #2C5115

RGB 44 81 21

HSL 97, 0.59%, 0.2%

LAB 30.58, -25.18, 29.91

 

CMYK 37 / 0 / 60 / 71

HEX #2E491D

RGB 46 73 29

HSL 96.82, 0.43%, 0.2%

LAB 27.94, -19.46, 22.86

 

CMYK 26 / 0 / 43 / 75

HEX #304125

RGB 48 65 37

HSL 96.43, 0.27%, 0.2%

LAB 25.39, -12.96, 14.93

 

CMYK 6 / 0 / 96 / 62

HEX #5C6204

RGB 92 98 4

HSL 63.83, 0.92%, 0.2%

LAB 39.61, -13.49, 45.15

 

CMYK 32 / 0 / 96 / 62

HEX #436204

RGB 67 98 4

HSL 79.79, 0.92%, 0.2%

LAB 37.73, -25, 42.85

 

CMYK 57 / 0 / 96 / 62

HEX #2A6204

RGB 42 98 4

HSL 95.74, 0.92%, 0.2%

LAB 36.44, -34.46, 41.26

 

CMYK 83 / 0 / 96 / 62

HEX #116204

RGB 17 98 4

HSL 111.7, 0.92%, 0.2%

LAB 35.72, -40.44, 40.37

 

CMYK 96 / 0 / 83 / 62

HEX #046211

RGB 4 98 17

HSL 128.3, 0.92%, 0.2%

LAB 35.6, -41.28, 36.27

 

CMYK 58 / 0 / 95 / 93

HEX #081301

RGB 8 19 1

HSL 96.67, 0.9%, 0.04%

LAB 4.69, -6.36, 6.5

 

CMYK 59 / 0 / 97 / 77

HEX #183A02

RGB 24 58 2

HSL 96.43, 0.93%, 0.12%

LAB 20.92, -23.43, 27.78

 

CMYK 59 / 0 / 96 / 62

HEX #286204

RGB 40 98 4

HSL 97.02, 0.92%, 0.2%

LAB 36.36, -35.08, 41.16

 

CMYK 59 / 0 / 96 / 46

HEX #398A06

RGB 57 138 6

HSL 96.82, 0.92%, 0.28%

LAB 50.76, -45.51, 52.86

 

CMYK 59 / 0 / 96 / 31

HEX #49B107

RGB 73 177 7

HSL 96.71, 0.92%, 0.36%

LAB 64.06, -55.28, 63.79

 

CMYK 59 / 0 / 96 / 61

HEX #296404

RGB 41 100 4

HSL 96.88, 0.92%, 0.2%

LAB 37.1, -35.58, 41.8

 

CMYK 96 / 0 / 19 / 62

HEX #04624F

RGB 4 98 79

HSL 167.87, 0.92%, 0.2%

LAB 36.6, -29.56, 3.93

 

CMYK 0 / 96 / 19 / 62

HEX #62044F

RGB 98 4 79

HSL 312.13, 0.92%, 0.2%

LAB 21.01, 44.85, -18.83

 

CMYK 59 / 0 / 96 / 61

HEX #296404

RGB 41 100 4

HSL 96.88, 0.92%, 0.2%

LAB 37.1, -35.58, 41.8

 

CMYK 96 / 57 / 0 / 62

HEX #042A62

RGB 4 42 98

HSL 215.74, 0.92%, 0.2%

LAB 18.2, 12.02, -36.62

 

CMYK 0 / 96 / 57 / 62

HEX #62042A

RGB 98 4 42

HSL 335.74, 0.92%, 0.2%

LAB 19.44, 40.64, 4.63

 

CMYK 59 / 0 / 96 / 61

HEX #296404

RGB 41 100 4

HSL 96.88, 0.92%, 0.2%

LAB 37.1, -35.58, 41.8

 

CMYK 96 / 0 / 19 / 62

HEX #04624F

RGB 4 98 79

HSL 167.87, 0.92%, 0.2%

LAB 36.6, -29.56, 3.93

 

CMYK 39 / 96 / 0 / 62

HEX #3C0462

RGB 60 4 98

HSL 275.74, 0.92%, 0.2%

LAB 15.11, 41.42, -41.47

 

CMYK 0 / 96 / 77 / 62

HEX #620417

RGB 98 4 23

HSL 347.87, 0.92%, 0.2%

LAB 18.99, 39.4, 17.57

 

CMYK 59 / 0 / 96 / 61

HEX #296404

RGB 41 100 4

HSL 96.88, 0.92%, 0.2%

LAB 37.1, -35.58, 41.8

 

CMYK 96 / 9 / 0 / 62

HEX #045962

RGB 4 89 98

HSL 185.74, 0.92%, 0.2%

LAB 34.09, -18.76, -11.62

 

CMYK 39 / 96 / 0 / 62

HEX #3C0462

RGB 60 4 98

HSL 275.74, 0.92%, 0.2%

LAB 15.11, 41.42, -41.47

 

CMYK 0 / 87 / 96 / 62

HEX #620D04

RGB 98 13 4

HSL 5.74, 0.92%, 0.2%

LAB 19.61, 36.35, 28.1

 

Description

Color code: HEX #296404 | qconv.com Color code: HEX #296404 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 100 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 100 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 96 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 96% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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