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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #296191 it is the complementary color #D69E6E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #296191. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #296191 shade: #2E618C, #3F739F, #5085B2, #6197C5 and #72A9D8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #296191. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #296191 shade: #296191, #184F7E, #073D6B, #002B58 and #001945

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #296191 shade: #28608F, #28448F, #28288F, #44288F and #60288F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #296191 shade: #28608F, #28448F and #28288F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #296191 shade matches the following richer shades: #28608F, #1A619E and #0B62AD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #296191 shade: #28608F, #375F80, #465D72, #555C63 and #645B54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #296191 shade: #288F87, #287C8F, #28618F, #28468F and #282A8F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #296191 shade: #16354F, #1F4A6F, #28608F, #3175AF and #418AC9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #296191 shade: #296191, #6B288F and #8A8F28

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #296191 shade: #296191, #8F2861 and #618F28

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #296191 shade: #296191, #6B288F, #8F5728 and #4C8F28

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #296191 shade: #296191, #8A288F, #8F5728 and #2E8F28

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 33 / 0 / 43

HEX #296191

RGB 41 97 145

HSL 207.69, 0.56%, 0.36%

LAB 39.69, -1.66, -31.74

 

Complementary color

CMYK 0 / 26 / 49 / 16

HEX #D69E6E

RGB 214 158 110

HSL 27.69, 0.56%, 0.64%

LAB 69.38, 15.14, 33.15

 

CMYK 67 / 31 / 0 / 45

HEX #2E618C

RGB 46 97 140

HSL 207.45, 0.51%, 0.36%

LAB 39.62, -2.64, -28.82

 

CMYK 60 / 28 / 0 / 38

HEX #3F739F

RGB 63 115 159

HSL 207.5, 0.43%, 0.44%

LAB 46.74, -3.64, -28.95

 

CMYK 55 / 25 / 0 / 30

HEX #5085B2

RGB 80 133 178

HSL 207.55, 0.39%, 0.51%

LAB 53.7, -4.38, -29.09

 

CMYK 51 / 23 / 0 / 23

HEX #6197C5

RGB 97 151 197

HSL 207.6, 0.46%, 0.58%

LAB 60.52, -4.95, -29.25

 

CMYK 47 / 22 / 0 / 15

HEX #72A9D8

RGB 114 169 216

HSL 207.65, 0.57%, 0.65%

LAB 67.21, -5.4, -29.41

 

CMYK 72 / 33 / 0 / 43

HEX #296191

RGB 41 97 145

HSL 207.69, 0.56%, 0.36%

LAB 39.69, -1.66, -31.74

 

CMYK 81 / 37 / 0 / 51

HEX #184F7E

RGB 24 79 126

HSL 207.65, 0.68%, 0.29%

LAB 32.46, 0.07, -31.59

 

CMYK 93 / 43 / 0 / 58

HEX #073D6B

RGB 7 61 107

HSL 207.6, 0.88%, 0.22%

LAB 25.09, 2.56, -31.37

 

CMYK 100 / 51 / 0 / 65

HEX #002B58

RGB 0 43 88

HSL 210.68, 1%, 0.17%

LAB 17.61, 6.27, -30.96

 

CMYK 100 / 64 / 0 / 73

HEX #001945

RGB 0 25 69

HSL 218.26, 1%, 0.14%

LAB 9.99, 11.17, -30.32

 

CMYK 72 / 33 / 0 / 44

HEX #28608F

RGB 40 96 143

HSL 207.38, 0.56%, 0.36%

LAB 39.24, -1.94, -31.24

 

CMYK 72 / 52 / 0 / 44

HEX #28448F

RGB 40 68 143

HSL 223.69, 0.56%, 0.36%

LAB 30.8, 16.47, -44.7

 

CMYK 72 / 72 / 0 / 44

HEX #28288F

RGB 40 40 143

HSL 240, 0.56%, 0.36%

LAB 23.51, 35.12, -56.59

 

CMYK 52 / 72 / 0 / 44

HEX #44288F

RGB 68 40 143

HSL 256.31, 0.56%, 0.36%

LAB 25.95, 39.22, -52.5

 

CMYK 33 / 72 / 0 / 44

HEX #60288F

RGB 96 40 143

HSL 272.62, 0.56%, 0.36%

LAB 29.38, 44.61, -46.76

 

CMYK 72 / 33 / 0 / 44

HEX #28608F

RGB 40 96 143

HSL 207.38, 0.56%, 0.36%

LAB 39.24, -1.94, -31.24

 

CMYK 72 / 52 / 0 / 44

HEX #28448F

RGB 40 68 143

HSL 223.69, 0.56%, 0.36%

LAB 30.8, 16.47, -44.7

 

CMYK 72 / 72 / 0 / 44

HEX #28288F

RGB 40 40 143

HSL 240, 0.56%, 0.36%

LAB 23.51, 35.12, -56.59

 

CMYK 72 / 33 / 0 / 44

HEX #28608F

RGB 40 96 143

HSL 207.38, 0.56%, 0.36%

LAB 39.24, -1.94, -31.24

 

CMYK 84 / 39 / 0 / 38

HEX #1A619E

RGB 26 97 158

HSL 207.73, 0.72%, 0.36%

LAB 39.98, 1.43, -39.1

 

CMYK 94 / 43 / 0 / 32

HEX #0B62AD

RGB 11 98 173

HSL 207.78, 0.88%, 0.36%

LAB 40.93, 5.76, -46.47

 

CMYK 72 / 33 / 0 / 44

HEX #28608F

RGB 40 96 143

HSL 207.38, 0.56%, 0.36%

LAB 39.24, -1.94, -31.24

 

CMYK 57 / 26 / 0 / 50

HEX #375F80

RGB 55 95 128

HSL 207.12, 0.4%, 0.36%

LAB 38.82, -3.74, -22.76

 

CMYK 39 / 18 / 0 / 55

HEX #465D72

RGB 70 93 114

HSL 208.64, 0.24%, 0.36%

LAB 38.46, -2.87, -14.68

 

CMYK 14 / 7 / 0 / 61

HEX #555C63

RGB 85 92 99

HSL 210, 0.08%, 0.36%

LAB 38.7, -1.12, -4.95

 

CMYK 0 / 9 / 16 / 61

HEX #645B54

RGB 100 91 84

HSL 26.25, 0.09%, 0.36%

LAB 39.3, 2.31, 5.34

 

CMYK 72 / 0 / 6 / 44

HEX #288F87

RGB 40 143 135

HSL 175.34, 0.56%, 0.36%

LAB 53.86, -30.51, -4.17

 

CMYK 72 / 13 / 0 / 44

HEX #287C8F

RGB 40 124 143

HSL 191.07, 0.56%, 0.36%

LAB 48.07, -18.28, -17.55

 

CMYK 72 / 32 / 0 / 44

HEX #28618F

RGB 40 97 143

HSL 206.8, 0.56%, 0.36%

LAB 39.55, -2.57, -30.75

 

CMYK 72 / 51 / 0 / 44

HEX #28468F

RGB 40 70 143

HSL 222.52, 0.56%, 0.36%

LAB 31.38, 15.11, -43.77

 

CMYK 72 / 71 / 0 / 44

HEX #282A8F

RGB 40 42 143

HSL 238.83, 0.56%, 0.36%

LAB 23.97, 33.87, -55.84

 

CMYK 72 / 33 / 0 / 69

HEX #16354F

RGB 22 53 79

HSL 207.37, 0.56%, 0.2%

LAB 21.14, -1.79, -19.29

 

CMYK 72 / 33 / 0 / 56

HEX #1F4A6F

RGB 31 74 111

HSL 207.75, 0.56%, 0.28%

LAB 30.25, -1.55, -25.7

 

CMYK 72 / 33 / 0 / 44

HEX #28608F

RGB 40 96 143

HSL 207.38, 0.56%, 0.36%

LAB 39.24, -1.94, -31.24

 

CMYK 72 / 33 / 0 / 31

HEX #3175AF

RGB 49 117 175

HSL 207.62, 0.56%, 0.44%

LAB 47.59, -1.7, -37.02

 

CMYK 68 / 31 / 0 / 21

HEX #418AC9

RGB 65 138 201

HSL 207.79, 0.56%, 0.52%

LAB 55.6, -2.51, -39.28

 

CMYK 72 / 33 / 0 / 43

HEX #296191

RGB 41 97 145

HSL 207.69, 0.56%, 0.36%

LAB 39.69, -1.66, -31.74

 

CMYK 25 / 72 / 0 / 44

HEX #6B288F

RGB 107 40 143

HSL 279.03, 0.56%, 0.36%

LAB 30.94, 46.96, -44.16

 

CMYK 3 / 0 / 72 / 44

HEX #8A8F28

RGB 138 143 40

HSL 62.91, 0.56%, 0.36%

LAB 57.27, -15.06, 51.16

 

CMYK 72 / 33 / 0 / 43

HEX #296191

RGB 41 97 145

HSL 207.69, 0.56%, 0.36%

LAB 39.69, -1.66, -31.74

 

CMYK 0 / 72 / 32 / 44

HEX #8F2861

RGB 143 40 97

HSL 326.8, 0.56%, 0.36%

LAB 34.44, 48.18, -9.31

 

CMYK 32 / 0 / 72 / 44

HEX #618F28

RGB 97 143 40

HSL 86.8, 0.56%, 0.36%

LAB 54.39, -32.37, 47.33

 

CMYK 72 / 33 / 0 / 43

HEX #296191

RGB 41 97 145

HSL 207.69, 0.56%, 0.36%

LAB 39.69, -1.66, -31.74

 

CMYK 25 / 72 / 0 / 44

HEX #6B288F

RGB 107 40 143

HSL 279.03, 0.56%, 0.36%

LAB 30.94, 46.96, -44.16

 

CMYK 0 / 39 / 72 / 44

HEX #8F5728

RGB 143 87 40

HSL 27.38, 0.56%, 0.36%

LAB 42.47, 18.87, 36.14

 

CMYK 47 / 0 / 72 / 44

HEX #4C8F28

RGB 76 143 40

HSL 99.03, 0.56%, 0.36%

LAB 53.31, -39.93, 45.89

 

CMYK 72 / 33 / 0 / 43

HEX #296191

RGB 41 97 145

HSL 207.69, 0.56%, 0.36%

LAB 39.69, -1.66, -31.74

 

CMYK 3 / 72 / 0 / 44

HEX #8A288F

RGB 138 40 143

HSL 297.09, 0.56%, 0.36%

LAB 35.8, 53.94, -36.11

 

CMYK 0 / 39 / 72 / 44

HEX #8F5728

RGB 143 87 40

HSL 27.38, 0.56%, 0.36%

LAB 42.47, 18.87, 36.14

 

CMYK 68 / 0 / 72 / 44

HEX #2E8F28

RGB 46 143 40

HSL 116.5, 0.56%, 0.36%

LAB 52.26, -48.15, 44.47

 

Description

Color code: HEX #296191 | qconv.com Color code: HEX #296191 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 97 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 97 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 33 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 33% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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