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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #296145 it is the complementary color #D69EBA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #296145. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #296145 shade: #2E6140, #3F7353, #508566, #619779 and #72A98C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #296145. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #296145 shade: #296145, #184F32, #073D1F, #002B0C and #001900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #296145 shade: #296145, #296136, #2B6129, #3A6129 and #496129

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #296145 shade: #296145, #296154, #295F61, #295061 and #294061

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #296145 shade matches the following richer shades: #296145, #1D6C45, #127745 and #078245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #296145 shade: #296145, #345645, #3F4B45, #4A4045 and #553545

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #296145 shade: #2B6129, #296136, #296145, #296154 and #295F61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #296145 shade: #10271C, #1C4430, #296145, #357E59 and #419B6E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #296145 shade: #296145, #293A61 and #612E29

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #296145 shade: #296145, #452961 and #614529

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #296145 shade: #296145, #293A61, #612945 and #615029

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #296145 shade: #296145, #292961, #612945 and #616129

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 29 / 62

HEX #296145

RGB 41 97 69

HSL 150, 0.41%, 0.27%

LAB 36.84, -25.79, 10.51

 

Complementary color

CMYK 0 / 26 / 13 / 16

HEX #D69EBA

RGB 214 158 186

HSL 330, 0.41%, 0.73%

LAB 71.07, 25.11, -6.25

 

CMYK 53 / 0 / 34 / 62

HEX #2E6140

RGB 46 97 64

HSL 141.18, 0.36%, 0.28%

LAB 36.93, -25.51, 13.7

 

CMYK 45 / 0 / 28 / 55

HEX #3F7353

RGB 63 115 83

HSL 143.08, 0.29%, 0.35%

LAB 44.15, -25.28, 12.4

 

CMYK 40 / 0 / 23 / 48

HEX #508566

RGB 80 133 102

HSL 144.91, 0.25%, 0.42%

LAB 51.2, -25, 11.25

 

CMYK 36 / 0 / 20 / 41

HEX #619779

RGB 97 151 121

HSL 146.67, 0.22%, 0.49%

LAB 58.09, -24.72, 10.22

 

CMYK 33 / 0 / 17 / 34

HEX #72A98C

RGB 114 169 140

HSL 148.36, 0.24%, 0.55%

LAB 64.84, -24.46, 9.27

 

CMYK 58 / 0 / 29 / 62

HEX #296145

RGB 41 97 69

HSL 150, 0.41%, 0.27%

LAB 36.84, -25.79, 10.51

 

CMYK 70 / 0 / 37 / 69

HEX #184F32

RGB 24 79 50

HSL 148.36, 0.53%, 0.2%

LAB 29.45, -25.73, 11.99

 

CMYK 89 / 0 / 49 / 76

HEX #073D1F

RGB 7 61 31

HSL 146.67, 0.79%, 0.13%

LAB 21.88, -25.14, 13.77

 

CMYK 100 / 0 / 72 / 83

HEX #002B0C

RGB 0 43 12

HSL 136.74, 1%, 0.08%

LAB 14.14, -22.97, 15.26

 

CMYK 100 / 0 / 100 / 90

HEX #001900

RGB 0 25 0

HSL 120, 1%, 0.05%

LAB 6.28, -12.83, 9.17

 

CMYK 58 / 0 / 29 / 62

HEX #296145

RGB 41 97 69

HSL 150, 0.41%, 0.27%

LAB 36.84, -25.79, 10.51

 

CMYK 58 / 0 / 44 / 62

HEX #296136

RGB 41 97 54

HSL 133.93, 0.41%, 0.27%

LAB 36.53, -28.96, 19.08

 

CMYK 56 / 0 / 58 / 62

HEX #2B6129

RGB 43 97 41

HSL 117.86, 0.41%, 0.27%

LAB 36.41, -30.53, 26.3

 

CMYK 40 / 0 / 58 / 62

HEX #3A6129

RGB 58 97 41

HSL 101.79, 0.41%, 0.27%

LAB 37.13, -25.39, 27.33

 

CMYK 25 / 0 / 58 / 62

HEX #496129

RGB 73 97 41

HSL 85.71, 0.41%, 0.27%

LAB 38.07, -19.33, 28.67

 

CMYK 58 / 0 / 29 / 62

HEX #296145

RGB 41 97 69

HSL 150, 0.41%, 0.27%

LAB 36.84, -25.79, 10.51

 

CMYK 58 / 0 / 13 / 62

HEX #296154

RGB 41 97 84

HSL 166.07, 0.41%, 0.27%

LAB 37.23, -21.97, 1.85

 

CMYK 58 / 2 / 0 / 62

HEX #295F61

RGB 41 95 97

HSL 182.14, 0.41%, 0.27%

LAB 36.96, -17.09, -6.58

 

CMYK 58 / 18 / 0 / 62

HEX #295061

RGB 41 80 97

HSL 198.21, 0.41%, 0.27%

LAB 31.97, -8.34, -14.14

 

CMYK 58 / 34 / 0 / 62

HEX #294061

RGB 41 64 97

HSL 215.36, 0.41%, 0.27%

LAB 26.74, 1.94, -22.25

 

CMYK 58 / 0 / 29 / 62

HEX #296145

RGB 41 97 69

HSL 150, 0.41%, 0.27%

LAB 36.84, -25.79, 10.51

 

CMYK 73 / 0 / 36 / 58

HEX #1D6C45

RGB 29 108 69

HSL 150.38, 0.58%, 0.27%

LAB 40.27, -33.54, 15.15

 

CMYK 85 / 0 / 42 / 53

HEX #127745

RGB 18 119 69

HSL 150.3, 0.74%, 0.27%

LAB 43.88, -39.69, 19.93

 

CMYK 95 / 0 / 47 / 49

HEX #078245

RGB 7 130 69

HSL 150.24, 0.9%, 0.27%

LAB 47.55, -44.8, 24.69

 

CMYK 58 / 0 / 29 / 62

HEX #296145

RGB 41 97 69

HSL 150, 0.41%, 0.27%

LAB 36.84, -25.79, 10.51

 

CMYK 40 / 0 / 20 / 66

HEX #345645

RGB 52 86 69

HSL 150, 0.25%, 0.27%

LAB 33.6, -16.72, 6.03

 

CMYK 16 / 0 / 8 / 71

HEX #3F4B45

RGB 63 75 69

HSL 150, 0.09%, 0.27%

LAB 30.68, -6.2, 1.96

 

CMYK 0 / 14 / 7 / 71

HEX #4A4045

RGB 74 64 69

HSL 330, 0.07%, 0.27%

LAB 28.25, 5.32, -1.46

 

CMYK 0 / 38 / 19 / 67

HEX #553545

RGB 85 53 69

HSL 330, 0.23%, 0.27%

LAB 26.47, 17.06, -3.95

 

CMYK 56 / 0 / 58 / 62

HEX #2B6129

RGB 43 97 41

HSL 117.86, 0.41%, 0.27%

LAB 36.41, -30.53, 26.3

 

CMYK 58 / 0 / 44 / 62

HEX #296136

RGB 41 97 54

HSL 133.93, 0.41%, 0.27%

LAB 36.53, -28.96, 19.08

 

CMYK 58 / 0 / 29 / 62

HEX #296145

RGB 41 97 69

HSL 150, 0.41%, 0.27%

LAB 36.84, -25.79, 10.51

 

CMYK 58 / 0 / 13 / 62

HEX #296154

RGB 41 97 84

HSL 166.07, 0.41%, 0.27%

LAB 37.23, -21.97, 1.85

 

CMYK 58 / 2 / 0 / 62

HEX #295F61

RGB 41 95 97

HSL 182.14, 0.41%, 0.27%

LAB 36.96, -17.09, -6.58

 

CMYK 59 / 0 / 28 / 85

HEX #10271C

RGB 16 39 28

HSL 151.3, 0.42%, 0.11%

LAB 13.5, -12.42, 4.51

 

CMYK 59 / 0 / 29 / 73

HEX #1C4430

RGB 28 68 48

HSL 150, 0.42%, 0.19%

LAB 25.55, -19.68, 7.92

 

CMYK 58 / 0 / 29 / 62

HEX #296145

RGB 41 97 69

HSL 150, 0.41%, 0.27%

LAB 36.84, -25.79, 10.51

 

CMYK 58 / 0 / 29 / 51

HEX #357E59

RGB 53 126 89

HSL 149.59, 0.41%, 0.35%

LAB 47.49, -32.02, 13.45

 

CMYK 58 / 0 / 29 / 39

HEX #419B6E

RGB 65 155 110

HSL 150, 0.41%, 0.43%

LAB 57.74, -37.73, 15.72

 

CMYK 58 / 0 / 29 / 62

HEX #296145

RGB 41 97 69

HSL 150, 0.41%, 0.27%

LAB 36.84, -25.79, 10.51

 

CMYK 58 / 40 / 0 / 62

HEX #293A61

RGB 41 58 97

HSL 221.79, 0.41%, 0.27%

LAB 24.83, 6.03, -25.25

 

CMYK 0 / 53 / 58 / 62

HEX #612E29

RGB 97 46 41

HSL 5.36, 0.41%, 0.27%

LAB 25.73, 22.56, 13.89

 

CMYK 58 / 0 / 29 / 62

HEX #296145

RGB 41 97 69

HSL 150, 0.41%, 0.27%

LAB 36.84, -25.79, 10.51

 

CMYK 29 / 58 / 0 / 62

HEX #452961

RGB 69 41 97

HSL 270, 0.41%, 0.27%

LAB 22.7, 25.45, -28.47

 

CMYK 0 / 29 / 58 / 62

HEX #614529

RGB 97 69 41

HSL 30, 0.41%, 0.27%

LAB 31.71, 8.41, 21.53

 

CMYK 58 / 0 / 29 / 62

HEX #296145

RGB 41 97 69

HSL 150, 0.41%, 0.27%

LAB 36.84, -25.79, 10.51

 

CMYK 58 / 40 / 0 / 62

HEX #293A61

RGB 41 58 97

HSL 221.79, 0.41%, 0.27%

LAB 24.83, 6.03, -25.25

 

CMYK 0 / 58 / 29 / 62

HEX #612945

RGB 97 41 69

HSL 330, 0.41%, 0.27%

LAB 25.43, 28.94, -5.31

 

CMYK 0 / 18 / 58 / 62

HEX #615029

RGB 97 80 41

HSL 41.79, 0.41%, 0.27%

LAB 34.88, 1.61, 25.4

 

CMYK 58 / 0 / 29 / 62

HEX #296145

RGB 41 97 69

HSL 150, 0.41%, 0.27%

LAB 36.84, -25.79, 10.51

 

CMYK 58 / 58 / 0 / 62

HEX #292961

RGB 41 41 97

HSL 240, 0.41%, 0.27%

LAB 19.72, 17.97, -33.41

 

CMYK 0 / 58 / 29 / 62

HEX #612945

RGB 97 41 69

HSL 330, 0.41%, 0.27%

LAB 25.43, 28.94, -5.31

 

CMYK 0 / 0 / 58 / 62

HEX #616129

RGB 97 97 41

HSL 60, 0.41%, 0.27%

LAB 40, -8.49, 31.4

 

Description

Color code: HEX #296145 | qconv.com Color code: HEX #296145 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 97 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 97 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 29 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 29% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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