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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #294EC6 it is the complementary color #D6B139. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #294EC6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #294EC6 shade: #2E4EC1, #3F60D4, #5072E7, #6184FA and #7296FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #294EC6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #294EC6 shade: #294EC6, #183CB3, #072AA0, #00188D and #00067A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #294EC6 shade: #294EC7, #2E29C7, #5929C7, #8329C7 and #AE29C7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #294EC6 shade: #294EC7 and #2929C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #294EC6 shade matches the following richer shades: #294EC7, #1544DA and #023AEE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #294EC6 shade: #294EC7, #3C58B4, #5063A0, #636D8D and #767779

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #294EC6 shade: #29A5C7, #297AC7, #2950C7, #2B29C7 and #5629C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #294EC6 shade: #1B3382, #2241A5, #294EC7, #4165D8 and #6380DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #294EC6 shade: #294EC6, #BF29C7 and #90C729

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #294EC6 shade: #294EC6, #C72950 and #50C729

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #294EC6 shade: #294EC6, #BF29C7, #C79F29 and #31C729

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #294EC6 shade: #294EC6, #C7299F, #C79F29 and #29C750

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 61 / 0 / 22

HEX #294EC6

RGB 41 78 198

HSL 225.86, 0.66%, 0.47%

LAB 37.84, 30.94, -66.1

 

Complementary color

CMYK 0 / 17 / 73 / 16

HEX #D6B139

RGB 214 177 57

HSL 45.86, 0.66%, 0.53%

LAB 73.57, 1.28, 62.93

 

CMYK 76 / 60 / 0 / 24

HEX #2E4EC1

RGB 46 78 193

HSL 226.94, 0.62%, 0.47%

LAB 37.63, 29.58, -63.52

 

CMYK 70 / 55 / 0 / 17

HEX #3F60D4

RGB 63 96 212

HSL 226.71, 0.63%, 0.54%

LAB 44.48, 27.04, -63.31

 

CMYK 65 / 51 / 0 / 9

HEX #5072E7

RGB 80 114 231

HSL 226.49, 0.76%, 0.61%

LAB 51.28, 24.93, -63.05

 

CMYK 61 / 47 / 0 / 2

HEX #6184FA

RGB 97 132 250

HSL 226.27, 0.94%, 0.68%

LAB 57.99, 23.17, -62.77

 

CMYK 55 / 41 / 0 / 0

HEX #7296FF

RGB 114 150 255

HSL 224.68, 1%, 0.72%

LAB 63.84, 17.26, -56.1

 

CMYK 79 / 61 / 0 / 22

HEX #294EC6

RGB 41 78 198

HSL 225.86, 0.66%, 0.47%

LAB 37.84, 30.94, -66.1

 

CMYK 87 / 66 / 0 / 30

HEX #183CB3

RGB 24 60 179

HSL 226.06, 0.76%, 0.4%

LAB 31.07, 34.17, -66.04

 

CMYK 96 / 74 / 0 / 37

HEX #072AA0

RGB 7 42 160

HSL 226.27, 0.92%, 0.33%

LAB 24.45, 37.81, -65.54

 

CMYK 100 / 83 / 0 / 45

HEX #00188D

RGB 0 24 141

HSL 229.79, 1%, 0.28%

LAB 18.26, 41.34, -64.09

 

CMYK 100 / 95 / 0 / 52

HEX #00067A

RGB 0 6 122

HSL 237.05, 1%, 0.24%

LAB 12.83, 43.3, -61.1

 

CMYK 79 / 61 / 0 / 22

HEX #294EC7

RGB 41 78 199

HSL 225.95, 0.66%, 0.47%

LAB 37.92, 31.31, -66.54

 

CMYK 77 / 79 / 0 / 22

HEX #2E29C7

RGB 46 41 199

HSL 241.9, 0.66%, 0.47%

LAB 30.13, 53.56, -79.36

 

CMYK 55 / 79 / 0 / 22

HEX #5929C7

RGB 89 41 199

HSL 258.23, 0.66%, 0.47%

LAB 33.63, 57.59, -73.46

 

CMYK 34 / 79 / 0 / 22

HEX #8329C7

RGB 131 41 199

HSL 274.18, 0.66%, 0.47%

LAB 38.79, 63.52, -64.81

 

CMYK 13 / 79 / 0 / 22

HEX #AE29C7

RGB 174 41 199

HSL 290.51, 0.66%, 0.47%

LAB 45.23, 70.96, -54.06

 

CMYK 79 / 61 / 0 / 22

HEX #294EC7

RGB 41 78 199

HSL 225.95, 0.66%, 0.47%

LAB 37.92, 31.31, -66.54

 

CMYK 79 / 79 / 0 / 22

HEX #2929C7

RGB 41 41 199

HSL 240, 0.66%, 0.47%

LAB 29.86, 53.26, -79.81

 

CMYK 79 / 61 / 0 / 22

HEX #294EC7

RGB 41 78 199

HSL 225.95, 0.66%, 0.47%

LAB 37.92, 31.31, -66.54

 

CMYK 90 / 69 / 0 / 15

HEX #1544DA

RGB 21 68 218

HSL 225.69, 0.82%, 0.47%

LAB 36.66, 43.41, -79.61

 

CMYK 99 / 76 / 0 / 7

HEX #023AEE

RGB 2 58 238

HSL 225.76, 0.98%, 0.47%

LAB 36.39, 55.73, -91.47

 

CMYK 79 / 61 / 0 / 22

HEX #294EC7

RGB 41 78 199

HSL 225.95, 0.66%, 0.47%

LAB 37.92, 31.31, -66.54

 

CMYK 67 / 51 / 0 / 29

HEX #3C58B4

RGB 60 88 180

HSL 226, 0.5%, 0.47%

LAB 39.97, 20.2, -52.06

 

CMYK 50 / 38 / 0 / 37

HEX #5063A0

RGB 80 99 160

HSL 225.75, 0.33%, 0.47%

LAB 43.01, 10.41, -35.33

 

CMYK 30 / 23 / 0 / 45

HEX #636D8D

RGB 99 109 141

HSL 225.71, 0.18%, 0.47%

LAB 46.33, 4.05, -18.77

 

CMYK 2 / 2 / 0 / 53

HEX #767779

RGB 118 119 121

HSL 220, 0.01%, 0.47%

LAB 50.01, 0.03, -1.23

 

CMYK 79 / 17 / 0 / 22

HEX #29A5C7

RGB 41 165 199

HSL 192.91, 0.66%, 0.47%

LAB 62.93, -21.24, -26.79

 

CMYK 79 / 39 / 0 / 22

HEX #297AC7

RGB 41 122 199

HSL 209.24, 0.66%, 0.47%

LAB 50.11, 3.13, -46.87

 

CMYK 79 / 60 / 0 / 22

HEX #2950C7

RGB 41 80 199

HSL 225.19, 0.66%, 0.47%

LAB 38.43, 30.01, -65.71

 

CMYK 78 / 79 / 0 / 22

HEX #2B29C7

RGB 43 41 199

HSL 240.76, 0.66%, 0.47%

LAB 29.97, 53.37, -79.63

 

CMYK 57 / 79 / 0 / 22

HEX #5629C7

RGB 86 41 199

HSL 257.09, 0.66%, 0.47%

LAB 33.32, 57.23, -73.98

 

CMYK 79 / 61 / 0 / 49

HEX #1B3382

RGB 27 51 130

HSL 226.02, 0.66%, 0.31%

LAB 24.36, 21.34, -47.12

 

CMYK 79 / 61 / 0 / 35

HEX #2241A5

RGB 34 65 165

HSL 225.8, 0.66%, 0.39%

LAB 31.43, 26.29, -57.06

 

CMYK 79 / 61 / 0 / 22

HEX #294EC7

RGB 41 78 199

HSL 225.95, 0.66%, 0.47%

LAB 37.92, 31.31, -66.54

 

CMYK 70 / 53 / 0 / 15

HEX #4165D8

RGB 65 101 216

HSL 225.7, 0.66%, 0.55%

LAB 46.16, 25.58, -62.87

 

CMYK 56 / 43 / 0 / 13

HEX #6380DF

RGB 99 128 223

HSL 225.97, 0.66%, 0.63%

LAB 55.5, 17.14, -51.73

 

CMYK 79 / 61 / 0 / 22

HEX #294EC6

RGB 41 78 198

HSL 225.86, 0.66%, 0.47%

LAB 37.84, 30.94, -66.1

 

CMYK 4 / 79 / 0 / 22

HEX #BF29C7

RGB 191 41 199

HSL 296.96, 0.66%, 0.47%

LAB 47.99, 74.14, -49.49

 

CMYK 28 / 0 / 79 / 22

HEX #90C729

RGB 144 199 41

HSL 80.89, 0.66%, 0.47%

LAB 74.15, -39.56, 66.87

 

CMYK 79 / 61 / 0 / 22

HEX #294EC6

RGB 41 78 198

HSL 225.86, 0.66%, 0.47%

LAB 37.84, 30.94, -66.1

 

CMYK 0 / 79 / 60 / 22

HEX #C72950

RGB 199 41 80

HSL 345.19, 0.66%, 0.47%

LAB 44.67, 62.21, 17.51

 

CMYK 60 / 0 / 79 / 22

HEX #50C729

RGB 80 199 41

HSL 105.19, 0.66%, 0.47%

LAB 71.36, -59.94, 63.27

 

CMYK 79 / 61 / 0 / 22

HEX #294EC6

RGB 41 78 198

HSL 225.86, 0.66%, 0.47%

LAB 37.84, 30.94, -66.1

 

CMYK 4 / 79 / 0 / 22

HEX #BF29C7

RGB 191 41 199

HSL 296.96, 0.66%, 0.47%

LAB 47.99, 74.14, -49.49

 

CMYK 0 / 20 / 79 / 22

HEX #C79F29

RGB 199 159 41

HSL 44.81, 0.66%, 0.47%

LAB 67.35, 3.67, 62.3

 

CMYK 75 / 0 / 79 / 22

HEX #31C729

RGB 49 199 41

HSL 116.96, 0.66%, 0.47%

LAB 70.64, -66.02, 62.33

 

CMYK 79 / 61 / 0 / 22

HEX #294EC6

RGB 41 78 198

HSL 225.86, 0.66%, 0.47%

LAB 37.84, 30.94, -66.1

 

CMYK 0 / 79 / 20 / 22

HEX #C7299F

RGB 199 41 159

HSL 315.19, 0.66%, 0.47%

LAB 47.28, 69.96, -27.01

 

CMYK 0 / 20 / 79 / 22

HEX #C79F29

RGB 199 159 41

HSL 44.81, 0.66%, 0.47%

LAB 67.35, 3.67, 62.3

 

CMYK 79 / 0 / 60 / 22

HEX #29C750

RGB 41 199 80

HSL 134.81, 0.66%, 0.47%

LAB 70.8, -63.53, 47.58

 

Description

Color code: HEX #294EC6 | qconv.com Color code: HEX #294EC6 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 78 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 78 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 61 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 61% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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