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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #294BCACE it is the complementary color #D6B435CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #294BCACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #294BCACE shade: #2E4BC5CE, #3F5DD8CE, #506FEBCE, #6181FECE and #7293FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #294BCACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #294BCACE shade: #294BCACE, #1839B7CE, #0727A4CE, #001591CE and #00037ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #294BCACE shade: #2A4CCB, #332ACB, #5F2ACB, #8A2ACB and #B62ACB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #294BCACE shade: #2A4CCB and #2A2ACB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #294BCACE shade matches the following richer shades: #2A4CCB, #1640DF and #0235F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #294BCACE shade: #2A4CCB, #3D57B7, #5163A4, #656E90 and #79797C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #294BCACE shade: #2AA3CB, #2A78CB, #2A4DCB, #322ACB and #5D2ACB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #294BCACE shade: #1C3287, #233FA9, #2A4CCB, #4564D9 and #6781E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #294BCACE shade: #294BCA, #C82ACB and #8DCB2A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #294BCACE shade: #294BCA, #CB2A4D and #4DCB2A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #294BCACE shade: #294BCA, #C82ACB, #CBA82A and #2CCB2A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #294BCACE shade: #294BCA, #CB2A9D, #CBA82A and #2ACB57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 51 / 0 / 17

HEX #294BCACE

RGBA 41 75 202 0.81

HSLA 227.33, 0.66%, 0.48%, 0.81

LABA 37.42, 34.36, -69.1, 0.81

 

Complementary color

CMYK 0 / 13 / 61 / 13

HEX #D6B435CE

RGBA 214 180 53 0.81

HSLA 47.33, 0.66%, 0.52%, 0.81

LABA 74.31, -0.47, 65.11, 0.81

 

CMYK 62 / 50 / 0 / 18

HEX #2E4BC5CE

RGBA 46 75 197 0.81

HSLA 228.48, 0.62%, 0.48%, 0.81

LABA 37.2, 33, -66.55, 0.81

 

CMYK 57 / 46 / 0 / 12

HEX #3F5DD8CE

RGBA 63 93 216 0.81

HSLA 228.24, 0.66%, 0.55%, 0.81

LABA 44.01, 30.38, -66.37, 0.81

 

CMYK 53 / 43 / 0 / 6

HEX #506FEBCE

RGBA 80 111 235 0.81

HSLA 228, 0.79%, 0.62%, 0.81

LABA 50.77, 28.17, -66.11, 0.81

 

CMYK 50 / 40 / 0 / 0

HEX #6181FECE

RGBA 97 129 254 0.81

HSLA 227.77, 0.99%, 0.69%, 0.81

LABA 57.46, 26.3, -65.82, 0.81

 

CMYK 45 / 34 / 0 / 0

HEX #7293FFCE

RGBA 114 147 255 0.81

HSLA 225.96, 1%, 0.72%, 0.81

LABA 63.06, 19.02, -57.34, 0.81

 

CMYK 65 / 51 / 0 / 17

HEX #294BCACE

RGBA 41 75 202 0.81

HSLA 227.33, 0.66%, 0.48%, 0.81

LABA 37.42, 34.36, -69.1, 0.81

 

CMYK 70 / 56 / 0 / 23

HEX #1839B7CE

RGBA 24 57 183 0.81

HSLA 227.55, 0.77%, 0.41%, 0.81

LABA 30.73, 37.61, -68.96, 0.81

 

CMYK 78 / 62 / 0 / 29

HEX #0727A4CE

RGBA 7 39 164 0.81

HSLA 227.77, 0.92%, 0.34%, 0.81

LABA 24.25, 41.11, -68.3, 0.81

 

CMYK 81 / 69 / 0 / 35

HEX #001591CE

RGBA 0 21 145 0.81

HSLA 231.31, 1%, 0.28%, 0.81

LABA 18.28, 44.21, -66.55, 0.81

 

CMYK 81 / 79 / 0 / 41

HEX #00037ECE

RGBA 0 3 126 0.81

HSLA 238.57, 1%, 0.25%, 0.81

LABA 13.06, 45.71, -63.29, 0.81

 

CMYK 79 / 63 / 0 / 20

HEX #2A4CCB

RGB 42 76 203

HSL 227.33, 0.66%, 0.48%

LAB 37.79, 34.18, -69.07

 

CMYK 75 / 79 / 0 / 20

HEX #332ACB

RGB 51 42 203

HSL 243.35, 0.66%, 0.48%

LAB 31.05, 54.65, -80.17

 

CMYK 53 / 79 / 0 / 20

HEX #5F2ACB

RGB 95 42 203

HSL 259.75, 0.66%, 0.48%

LAB 34.8, 58.96, -73.84

 

CMYK 32 / 79 / 0 / 20

HEX #8A2ACB

RGB 138 42 203

HSL 275.78, 0.66%, 0.48%

LAB 40.2, 65.17, -64.79

 

CMYK 10 / 79 / 0 / 20

HEX #B62ACB

RGB 182 42 203

HSL 292.17, 0.66%, 0.48%

LAB 46.86, 72.85, -53.69

 

CMYK 79 / 63 / 0 / 20

HEX #2A4CCB

RGB 42 76 203

HSL 227.33, 0.66%, 0.48%

LAB 37.79, 34.18, -69.07

 

CMYK 79 / 79 / 0 / 20

HEX #2A2ACB

RGB 42 42 203

HSL 240, 0.66%, 0.48%

LAB 30.54, 54.07, -81.02

 

CMYK 79 / 63 / 0 / 20

HEX #2A4CCB

RGB 42 76 203

HSL 227.33, 0.66%, 0.48%

LAB 37.79, 34.18, -69.07

 

CMYK 90 / 71 / 0 / 13

HEX #1640DF

RGB 22 64 223

HSL 227.46, 0.82%, 0.48%

LAB 36.3, 47.64, -83.07

 

CMYK 99 / 78 / 0 / 5

HEX #0235F3

RGB 2 53 243

HSL 227.3, 0.98%, 0.48%

LAB 36.04, 60, -94.87

 

CMYK 79 / 63 / 0 / 20

HEX #2A4CCB

RGB 42 76 203

HSL 227.33, 0.66%, 0.48%

LAB 37.79, 34.18, -69.07

 

CMYK 67 / 52 / 0 / 28

HEX #3D57B7

RGB 61 87 183

HSL 227.21, 0.5%, 0.48%

LAB 39.96, 22.09, -53.84

 

CMYK 51 / 40 / 0 / 36

HEX #5163A4

RGB 81 99 164

HSL 226.99, 0.34%, 0.48%

LAB 43.29, 11.94, -37.25

 

CMYK 30 / 24 / 0 / 44

HEX #656E90

RGB 101 110 144

HSL 227.44, 0.18%, 0.48%

LAB 46.89, 4.89, -19.69

 

CMYK 2 / 2 / 0 / 51

HEX #79797C

RGB 121 121 124

HSL 240, 0.01%, 0.48%

LAB 50.91, 0.61, -1.64

 

CMYK 79 / 20 / 0 / 20

HEX #2AA3CB

RGB 42 163 203

HSL 194.91, 0.66%, 0.48%

LAB 62.51, -18.75, -29.68

 

CMYK 79 / 41 / 0 / 20

HEX #2A78CB

RGB 42 120 203

HSL 210.93, 0.66%, 0.48%

LAB 49.78, 5.96, -49.68

 

CMYK 79 / 62 / 0 / 20

HEX #2A4DCB

RGB 42 77 203

HSL 226.96, 0.66%, 0.48%

LAB 38.04, 33.54, -68.66

 

CMYK 75 / 79 / 0 / 20

HEX #322ACB

RGB 50 42 203

HSL 242.98, 0.66%, 0.48%

LAB 30.99, 54.58, -80.27

 

CMYK 54 / 79 / 0 / 20

HEX #5D2ACB

RGB 93 42 203

HSL 259.01, 0.66%, 0.48%

LAB 34.59, 58.72, -74.2

 

CMYK 79 / 63 / 0 / 47

HEX #1C3287

RGB 28 50 135

HSL 227.66, 0.66%, 0.32%

LAB 24.57, 24.14, -49.91

 

CMYK 79 / 63 / 0 / 34

HEX #233FA9

RGB 35 63 169

HSL 227.46, 0.66%, 0.4%

LAB 31.29, 29.26, -59.69

 

CMYK 79 / 63 / 0 / 20

HEX #2A4CCB

RGB 42 76 203

HSL 227.33, 0.66%, 0.48%

LAB 37.79, 34.18, -69.07

 

CMYK 68 / 54 / 0 / 15

HEX #4564D9

RGB 69 100 217

HSL 227.43, 0.66%, 0.56%

LAB 46.16, 27.13, -63.43

 

CMYK 54 / 42 / 0 / 12

HEX #6781E0

RGB 103 129 224

HSL 227.11, 0.66%, 0.64%

LAB 56.05, 17.69, -51.4

 

CMYK 80 / 63 / 0 / 21

HEX #294BCA

RGB 41 75 202

HSL 227.33, 0.66%, 0.48%

LAB 37.42, 34.36, -69.1

 

CMYK 1 / 79 / 0 / 20

HEX #C82ACB

RGB 200 42 203

HSL 298.88, 0.66%, 0.48%

LAB 49.79, 76.24, -48.83

 

CMYK 31 / 0 / 79 / 20

HEX #8DCB2A

RGB 141 203 42

HSL 83.11, 0.66%, 0.48%

LAB 75.17, -42.39, 67.45

 

CMYK 80 / 63 / 0 / 21

HEX #294BCA

RGB 41 75 202

HSL 227.33, 0.66%, 0.48%

LAB 37.42, 34.36, -69.1

 

CMYK 0 / 79 / 62 / 20

HEX #CB2A4D

RGB 203 42 77

HSL 346.96, 0.66%, 0.48%

LAB 45.48, 62.85, 20.58

 

CMYK 62 / 0 / 79 / 20

HEX #4DCB2A

RGB 77 203 42

HSL 106.96, 0.66%, 0.48%

LAB 72.53, -61.96, 64.05

 

CMYK 80 / 63 / 0 / 21

HEX #294BCA

RGB 41 75 202

HSL 227.33, 0.66%, 0.48%

LAB 37.42, 34.36, -69.1

 

CMYK 1 / 79 / 0 / 20

HEX #C82ACB

RGB 200 42 203

HSL 298.88, 0.66%, 0.48%

LAB 49.79, 76.24, -48.83

 

CMYK 0 / 17 / 79 / 20

HEX #CBA82A

RGB 203 168 42

HSL 46.96, 0.66%, 0.48%

LAB 70.08, 0.65, 64.58

 

CMYK 78 / 0 / 79 / 20

HEX #2CCB2A

RGB 44 203 42

HSL 119.25, 0.66%, 0.48%

LAB 71.84, -67.87, 63.15

 

CMYK 80 / 63 / 0 / 21

HEX #294BCA

RGB 41 75 202

HSL 227.33, 0.66%, 0.48%

LAB 37.42, 34.36, -69.1

 

CMYK 0 / 79 / 23 / 20

HEX #CB2A9D

RGB 203 42 157

HSL 317.14, 0.66%, 0.48%

LAB 47.99, 70.35, -24.66

 

CMYK 0 / 17 / 79 / 20

HEX #CBA82A

RGB 203 168 42

HSL 46.96, 0.66%, 0.48%

LAB 70.08, 0.65, 64.58

 

CMYK 79 / 0 / 57 / 20

HEX #2ACB57

RGB 42 203 87

HSL 136.77, 0.66%, 0.48%

LAB 72.16, -63.82, 45.97

 

Description

Color code: HEX #294BCACE | qconv.com Color code: HEX #294BCACE | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 75 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 75 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 51 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 51% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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