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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #294B8ACE it is the complementary color #D6B475CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #294B8ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #294B8ACE shade: #2E4B85CE, #3F5D98CE, #506FABCE, #6181BECE and #7293D1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #294B8ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #294B8ACE shade: #294B8ACE, #183977CE, #072764CE, #001551CE and #00033ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #294B8ACE shade: #294B89, #293189, #3B2989, #552989 and #6F2989

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #294B8ACE shade: #294B89, #293189 and #292989

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #294B8ACE shade matches the following richer shades: #294B89, #1B4798 and #0C42A6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #294B8ACE shade: #294B89, #374F7B, #46536D, #54585E and #635C50

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #294B8ACE shade: #298089, #296689, #294C89, #293389 and #392989

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #294B8ACE shade: #16284A, #203A6A, #294B89, #335CA9 and #3F6EC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #294B8ACE shade: #294B8A, #792989 and #738929

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #294B8ACE shade: #294B8A, #89294C and #4C8929

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #294B8ACE shade: #294B8A, #792989, #896629 and #398929

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #294B8ACE shade: #294B8A, #89297D, #896629 and #298936

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 37 / 0 / 37

HEX #294B8ACE

RGBA 41 75 138 0.81

HSLA 218.97, 0.54%, 0.35%, 0.81

LABA 32.57, 9.95, -38.8, 0.81

 

Complementary color

CMYK 0 / 13 / 37 / 13

HEX #D6B475CE

RGBA 214 180 117 0.81

HSLA 38.97, 0.54%, 0.65%, 0.81

LABA 74.97, 4.03, 36.62, 0.81

 

CMYK 53 / 35 / 0 / 39

HEX #2E4B85CE

RGBA 46 75 133 0.81

HSLA 220, 0.49%, 0.35%, 0.81

LABA 32.49, 8.96, -35.82, 0.81

 

CMYK 47 / 31 / 0 / 33

HEX #3F5D98CE

RGBA 63 93 152 0.81

HSLA 219.78, 0.41%, 0.42%, 0.81

LABA 39.84, 7.57, -35.65, 0.81

 

CMYK 43 / 28 / 0 / 27

HEX #506FABCE

RGBA 80 111 171 0.81

HSLA 219.56, 0.36%, 0.49%, 0.81

LABA 46.99, 6.51, -35.53, 0.81

 

CMYK 40 / 26 / 0 / 21

HEX #6181BECE

RGBA 97 129 190 0.81

HSLA 219.35, 0.42%, 0.56%, 0.81

LABA 53.98, 5.68, -35.46, 0.81

 

CMYK 37 / 24 / 0 / 15

HEX #7293D1CE

RGBA 114 147 209 0.81

HSLA 219.16, 0.51%, 0.63%, 0.81

LABA 60.82, 5.01, -35.43, 0.81

 

CMYK 57 / 37 / 0 / 37

HEX #294B8ACE

RGBA 41 75 138 0.81

HSLA 218.97, 0.54%, 0.35%, 0.81

LABA 32.57, 9.95, -38.8, 0.81

 

CMYK 65 / 42 / 0 / 43

HEX #183977CE

RGBA 24 57 119 0.81

HSLA 219.16, 0.66%, 0.28%, 0.81

LABA 25.11, 12.23, -38.96, 0.81

 

CMYK 75 / 49 / 0 / 49

HEX #072764CE

RGBA 7 39 100 0.81

HSLA 219.35, 0.87%, 0.21%, 0.81

LABA 17.54, 15.43, -39.02, 0.81

 

CMYK 81 / 60 / 0 / 55

HEX #001551CE

RGBA 0 21 81 0.81

HSLA 224.44, 1%, 0.16%, 0.81

LABA 10.03, 19.9, -38.57, 0.81

 

CMYK 81 / 77 / 0 / 61

HEX #00033ECE

RGBA 0 3 62 0.81

HSLA 237.1, 1%, 0.12%, 0.81

LABA 3.73, 20.82, -35.59, 0.81

 

CMYK 70 / 45 / 0 / 46

HEX #294B89

RGB 41 75 137

HSL 218.75, 0.54%, 0.35%

LAB 32.5, 9.57, -38.29

 

CMYK 70 / 64 / 0 / 46

HEX #293189

RGB 41 49 137

HSL 235, 0.54%, 0.35%

LAB 25.18, 27.26, -50.12

 

CMYK 57 / 70 / 0 / 46

HEX #3B2989

RGB 59 41 137

HSL 251.25, 0.54%, 0.35%

LAB 24.71, 35.23, -50.84

 

CMYK 38 / 70 / 0 / 46

HEX #552989

RGB 85 41 137

HSL 267.5, 0.54%, 0.35%

LAB 27.64, 40.27, -45.94

 

CMYK 19 / 70 / 0 / 46

HEX #6F2989

RGB 111 41 137

HSL 283.75, 0.54%, 0.35%

LAB 31.28, 46.08, -39.88

 

CMYK 70 / 45 / 0 / 46

HEX #294B89

RGB 41 75 137

HSL 218.75, 0.54%, 0.35%

LAB 32.5, 9.57, -38.29

 

CMYK 70 / 64 / 0 / 46

HEX #293189

RGB 41 49 137

HSL 235, 0.54%, 0.35%

LAB 25.18, 27.26, -50.12

 

CMYK 70 / 70 / 0 / 46

HEX #292989

RGB 41 41 137

HSL 240, 0.54%, 0.35%

LAB 23.21, 32.49, -53.34

 

CMYK 70 / 45 / 0 / 46

HEX #294B89

RGB 41 75 137

HSL 218.75, 0.54%, 0.35%

LAB 32.5, 9.57, -38.29

 

CMYK 82 / 53 / 0 / 40

HEX #1B4798

RGB 27 71 152

HSL 218.88, 0.7%, 0.35%

LAB 31.82, 16.35, -48.58

 

CMYK 93 / 60 / 0 / 35

HEX #0C42A6

RGB 12 66 166

HSL 218.96, 0.87%, 0.35%

LAB 31.18, 24.39, -58.1

 

CMYK 70 / 45 / 0 / 46

HEX #294B89

RGB 41 75 137

HSL 218.75, 0.54%, 0.35%

LAB 32.5, 9.57, -38.29

 

CMYK 55 / 36 / 0 / 52

HEX #374F7B

RGB 55 79 123

HSL 218.82, 0.38%, 0.35%

LAB 33.64, 4.69, -27.79

 

CMYK 36 / 24 / 0 / 57

HEX #46536D

RGB 70 83 109

HSL 220, 0.22%, 0.35%

LAB 35.19, 1.89, -16.59

 

CMYK 11 / 6 / 0 / 63

HEX #54585E

RGB 84 88 94

HSL 216, 0.06%, 0.35%

LAB 37.25, -0.23, -4.01

 

CMYK 0 / 7 / 19 / 61

HEX #635C50

RGB 99 92 80

HSL 37.89, 0.11%, 0.35%

LAB 39.39, 0.57, 7.92

 

CMYK 70 / 7 / 0 / 46

HEX #298089

RGB 41 128 137

HSL 185.63, 0.54%, 0.35%

LAB 49.15, -22.22, -12.38

 

CMYK 70 / 26 / 0 / 46

HEX #296689

RGB 41 102 137

HSL 201.88, 0.54%, 0.35%

LAB 40.86, -7.65, -25.08

 

CMYK 70 / 45 / 0 / 46

HEX #294C89

RGB 41 76 137

HSL 218.13, 0.54%, 0.35%

LAB 32.8, 8.9, -37.8

 

CMYK 70 / 63 / 0 / 46

HEX #293389

RGB 41 51 137

HSL 233.75, 0.54%, 0.35%

LAB 25.7, 25.92, -49.28

 

CMYK 58 / 70 / 0 / 46

HEX #392989

RGB 57 41 137

HSL 250, 0.54%, 0.35%

LAB 24.52, 34.89, -51.16

 

CMYK 70 / 46 / 0 / 71

HEX #16284A

RGB 22 40 74

HSL 219.23, 0.54%, 0.19%

LAB 16.42, 5.43, -23.37

 

CMYK 70 / 45 / 0 / 58

HEX #203A6A

RGB 32 58 106

HSL 218.92, 0.54%, 0.27%

LAB 24.87, 7.49, -31.03

 

CMYK 70 / 45 / 0 / 46

HEX #294B89

RGB 41 75 137

HSL 218.75, 0.54%, 0.35%

LAB 32.5, 9.57, -38.29

 

CMYK 70 / 46 / 0 / 34

HEX #335CA9

RGB 51 92 169

HSL 219.15, 0.54%, 0.43%

LAB 39.95, 12.1, -45.63

 

CMYK 68 / 44 / 0 / 22

HEX #3F6EC6

RGB 63 110 198

HSL 219.11, 0.54%, 0.51%

LAB 47.35, 13.12, -50.67

 

CMYK 70 / 46 / 0 / 46

HEX #294B8A

RGB 41 75 138

HSL 218.97, 0.54%, 0.35%

LAB 32.57, 9.95, -38.8

 

CMYK 12 / 70 / 0 / 46

HEX #792989

RGB 121 41 137

HSL 290, 0.54%, 0.35%

LAB 32.83, 48.43, -37.32

 

CMYK 16 / 0 / 70 / 46

HEX #738929

RGB 115 137 41

HSL 73.75, 0.54%, 0.35%

LAB 53.7, -21.99, 46.6

 

CMYK 70 / 46 / 0 / 46

HEX #294B8A

RGB 41 75 138

HSL 218.97, 0.54%, 0.35%

LAB 32.57, 9.95, -38.8

 

CMYK 0 / 70 / 45 / 46

HEX #89294C

RGB 137 41 76

HSL 338.13, 0.54%, 0.35%

LAB 32.76, 43.52, 1.66

 

CMYK 45 / 0 / 70 / 46

HEX #4C8929

RGB 76 137 41

HSL 98.13, 0.54%, 0.35%

LAB 51.37, -37.29, 43.45

 

CMYK 70 / 46 / 0 / 46

HEX #294B8A

RGB 41 75 138

HSL 218.97, 0.54%, 0.35%

LAB 32.57, 9.95, -38.8

 

CMYK 12 / 70 / 0 / 46

HEX #792989

RGB 121 41 137

HSL 290, 0.54%, 0.35%

LAB 32.83, 48.43, -37.32

 

CMYK 0 / 26 / 70 / 46

HEX #896629

RGB 137 102 41

HSL 38.13, 0.54%, 0.35%

LAB 45.61, 7.43, 38.78

 

CMYK 58 / 0 / 70 / 46

HEX #398929

RGB 57 137 41

HSL 110, 0.54%, 0.35%

LAB 50.59, -43.14, 42.4

 

CMYK 70 / 46 / 0 / 46

HEX #294B8A

RGB 41 75 138

HSL 218.97, 0.54%, 0.35%

LAB 32.57, 9.95, -38.8

 

CMYK 0 / 70 / 9 / 46

HEX #89297D

RGB 137 41 125

HSL 307.5, 0.54%, 0.35%

LAB 34.77, 50.22, -26.6

 

CMYK 0 / 26 / 70 / 46

HEX #896629

RGB 137 102 41

HSL 38.13, 0.54%, 0.35%

LAB 45.61, 7.43, 38.78

 

CMYK 70 / 0 / 61 / 46

HEX #298936

RGB 41 137 54

HSL 128.13, 0.54%, 0.35%

LAB 50.25, -45.45, 35.94

 

Description

Color code: HEX #294B8ACE | qconv.com Color code: HEX #294B8ACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 75 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 75 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 37 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 37% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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