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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #293EB0 it is the complementary color #D6C14F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #293EB0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #293EB0 shade: #2E3EAB, #3F50BE, #5062D1, #6174E4 and #7286F7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #293EB0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #293EB0 shade: #293EB0, #182C9D, #071A8A, #000877 and #000064

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #293EB0 shade: #2A3FB2, #392AB2, #5E2AB2, #832AB2 and #A72AB2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #293EB0 shade: #2A3FB2 and #2A2AB2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #293EB0 shade matches the following richer shades: #2A3FB2, #1833C3 and #0626D5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #293EB0 shade: #2A3FB2, #3B4BA0, #4D578E, #5F637C and #71706B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #293EB0 shade: #2A89B2, #2A65B2, #2A40B2, #372AB2 and #5C2AB2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #293EB0 shade: #1A276F, #223390, #2A3FB2, #354DD0 and #566AD7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #293EB0 shade: #293EB0, #B22AAD and #77B22A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #293EB0 shade: #293EB0, #B22A40 and #40B22A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #293EB0 shade: #293EB0, #B22AAD, #B29B2A and #2AB22E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #293EB0 shade: #293EB0, #B22A84, #B29B2A and #2AB257

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 65 / 0 / 31

HEX #293EB0

RGB 41 62 176

HSL 230.67, 0.62%, 0.43%

LAB 31.92, 33.15, -62.83

 

Complementary color

CMYK 0 / 10 / 63 / 16

HEX #D6C14F

RGB 214 193 79

HSL 50.67, 0.62%, 0.57%

LAB 77.88, -5.88, 58.36

 

CMYK 73 / 64 / 0 / 33

HEX #2E3EAB

RGB 46 62 171

HSL 232.32, 0.58%, 0.43%

LAB 31.73, 31.87, -60.15

 

CMYK 67 / 58 / 0 / 25

HEX #3F50BE

RGB 63 80 190

HSL 231.97, 0.5%, 0.5%

LAB 38.75, 29.42, -59.91

 

CMYK 62 / 53 / 0 / 18

HEX #5062D1

RGB 80 98 209

HSL 231.63, 0.58%, 0.57%

LAB 45.69, 27.37, -59.59

 

CMYK 57 / 49 / 0 / 11

HEX #6174E4

RGB 97 116 228

HSL 231.3, 0.71%, 0.64%

LAB 52.55, 25.66, -59.27

 

CMYK 54 / 46 / 0 / 3

HEX #7286F7

RGB 114 134 247

HSL 230.98, 0.89%, 0.71%

LAB 59.29, 24.22, -58.97

 

CMYK 77 / 65 / 0 / 31

HEX #293EB0

RGB 41 62 176

HSL 230.67, 0.62%, 0.43%

LAB 31.92, 33.15, -62.83

 

CMYK 85 / 72 / 0 / 38

HEX #182C9D

RGB 24 44 157

HSL 230.98, 0.73%, 0.35%

LAB 25.04, 36.23, -62.71

 

CMYK 95 / 81 / 0 / 46

HEX #071A8A

RGB 7 26 138

HSL 231.3, 0.9%, 0.28%

LAB 18.45, 39.42, -61.89

 

CMYK 100 / 93 / 0 / 53

HEX #000877

RGB 0 8 119

HSL 235.97, 1%, 0.23%

LAB 12.64, 41.55, -59.49

 

CMYK 100 / 100 / 0 / 61

HEX #000064

RGB 0 0 100

HSL 240, 1%, 0.2%

LAB 8.31, 39.85, -54.28

 

CMYK 76 / 65 / 0 / 30

HEX #2A3FB2

RGB 42 63 178

HSL 230.74, 0.62%, 0.43%

LAB 32.4, 33.34, -63.24

 

CMYK 68 / 76 / 0 / 30

HEX #392AB2

RGB 57 42 178

HSL 246.62, 0.62%, 0.43%

LAB 28.75, 47.43, -69.21

 

CMYK 47 / 76 / 0 / 30

HEX #5E2AB2

RGB 94 42 178

HSL 262.94, 0.62%, 0.43%

LAB 32.37, 52.26, -63.12

 

CMYK 26 / 76 / 0 / 30

HEX #832AB2

RGB 131 42 178

HSL 279.26, 0.62%, 0.43%

LAB 37.29, 58.62, -54.89

 

CMYK 6 / 76 / 0 / 30

HEX #A72AB2

RGB 167 42 178

HSL 295.15, 0.62%, 0.43%

LAB 42.89, 65.66, -45.58

 

CMYK 76 / 65 / 0 / 30

HEX #2A3FB2

RGB 42 63 178

HSL 230.74, 0.62%, 0.43%

LAB 32.4, 33.34, -63.24

 

CMYK 76 / 76 / 0 / 30

HEX #2A2AB2

RGB 42 42 178

HSL 240, 0.62%, 0.43%

LAB 27.74, 46.06, -70.9

 

CMYK 76 / 65 / 0 / 30

HEX #2A3FB2

RGB 42 63 178

HSL 230.74, 0.62%, 0.43%

LAB 32.4, 33.34, -63.24

 

CMYK 88 / 74 / 0 / 24

HEX #1833C3

RGB 24 51 195

HSL 230.53, 0.78%, 0.43%

LAB 30.65, 45.6, -76.19

 

CMYK 97 / 82 / 0 / 16

HEX #0626D5

RGB 6 38 213

HSL 230.72, 0.95%, 0.43%

LAB 29.98, 57.94, -87.8

 

CMYK 76 / 65 / 0 / 30

HEX #2A3FB2

RGB 42 63 178

HSL 230.74, 0.62%, 0.43%

LAB 32.4, 33.34, -63.24

 

CMYK 63 / 53 / 0 / 37

HEX #3B4BA0

RGB 59 75 160

HSL 230.5, 0.46%, 0.43%

LAB 35, 21.32, -48.2

 

CMYK 46 / 39 / 0 / 44

HEX #4D578E

RGB 77 87 142

HSL 230.77, 0.3%, 0.43%

LAB 38.46, 11.49, -31.74

 

CMYK 23 / 20 / 0 / 51

HEX #5F637C

RGB 95 99 124

HSL 231.72, 0.13%, 0.43%

LAB 42.48, 4.35, -14.48

 

CMYK 0 / 1 / 5 / 56

HEX #71706B

RGB 113 112 107

HSL 50, 0.03%, 0.43%

LAB 47.18, -0.6, 2.91

 

CMYK 76 / 23 / 0 / 30

HEX #2A89B2

RGB 42 137 178

HSL 198.09, 0.62%, 0.43%

LAB 53.6, -13.2, -29.36

 

CMYK 76 / 43 / 0 / 30

HEX #2A65B2

RGB 42 101 178

HSL 213.97, 0.62%, 0.43%

LAB 42.78, 8.42, -46.41

 

CMYK 76 / 64 / 0 / 30

HEX #2A40B2

RGB 42 64 178

HSL 230.29, 0.62%, 0.43%

LAB 32.64, 32.69, -62.84

 

CMYK 69 / 76 / 0 / 30

HEX #372AB2

RGB 55 42 178

HSL 245.74, 0.62%, 0.43%

LAB 28.6, 47.22, -69.46

 

CMYK 48 / 76 / 0 / 30

HEX #5C2AB2

RGB 92 42 178

HSL 262.06, 0.62%, 0.43%

LAB 32.14, 51.95, -63.51

 

CMYK 77 / 65 / 0 / 56

HEX #1A276F

RGB 26 39 111

HSL 230.82, 0.62%, 0.27%

LAB 19.3, 22.06, -43.27

 

CMYK 76 / 65 / 0 / 44

HEX #223390

RGB 34 51 144

HSL 230.73, 0.62%, 0.35%

LAB 25.93, 27.64, -53.26

 

CMYK 76 / 65 / 0 / 30

HEX #2A3FB2

RGB 42 63 178

HSL 230.74, 0.62%, 0.43%

LAB 32.4, 33.34, -63.24

 

CMYK 75 / 63 / 0 / 18

HEX #354DD0

RGB 53 77 208

HSL 230.71, 0.62%, 0.51%

LAB 38.93, 36.44, -70.08

 

CMYK 60 / 51 / 0 / 16

HEX #566AD7

RGB 86 106 215

HSL 230.7, 0.62%, 0.59%

LAB 48.5, 25.48, -58.47

 

CMYK 77 / 65 / 0 / 31

HEX #293EB0

RGB 41 62 176

HSL 230.67, 0.62%, 0.43%

LAB 31.92, 33.15, -62.83

 

CMYK 0 / 76 / 3 / 30

HEX #B22AAD

RGB 178 42 173

HSL 302.21, 0.62%, 0.43%

LAB 44.43, 67.11, -40.06

 

CMYK 33 / 0 / 76 / 30

HEX #77B22A

RGB 119 178 42

HSL 86.03, 0.62%, 0.43%

LAB 66.47, -39.67, 58.9

 

CMYK 77 / 65 / 0 / 31

HEX #293EB0

RGB 41 62 176

HSL 230.67, 0.62%, 0.43%

LAB 31.92, 33.15, -62.83

 

CMYK 0 / 76 / 64 / 30

HEX #B22A40

RGB 178 42 64

HSL 350.29, 0.62%, 0.43%

LAB 40.4, 54.87, 21.09

 

CMYK 64 / 0 / 76 / 30

HEX #40B22A

RGB 64 178 42

HSL 110.29, 0.62%, 0.43%

LAB 64.24, -56.34, 55.97

 

CMYK 77 / 65 / 0 / 31

HEX #293EB0

RGB 41 62 176

HSL 230.67, 0.62%, 0.43%

LAB 31.92, 33.15, -62.83

 

CMYK 0 / 76 / 3 / 30

HEX #B22AAD

RGB 178 42 173

HSL 302.21, 0.62%, 0.43%

LAB 44.43, 67.11, -40.06

 

CMYK 0 / 13 / 76 / 30

HEX #B29B2A

RGB 178 155 42

HSL 49.85, 0.62%, 0.43%

LAB 64.22, -3.47, 58.32

 

CMYK 76 / 0 / 74 / 30

HEX #2AB22E

RGB 42 178 46

HSL 121.76, 0.62%, 0.43%

LAB 63.78, -60.14, 53.96

 

CMYK 77 / 65 / 0 / 31

HEX #293EB0

RGB 41 62 176

HSL 230.67, 0.62%, 0.43%

LAB 31.92, 33.15, -62.83

 

CMYK 0 / 76 / 26 / 30

HEX #B22A84

RGB 178 42 132

HSL 320.29, 0.62%, 0.43%

LAB 42.44, 61.27, -18.47

 

CMYK 0 / 13 / 76 / 30

HEX #B29B2A

RGB 178 155 42

HSL 49.85, 0.62%, 0.43%

LAB 64.22, -3.47, 58.32

 

CMYK 76 / 0 / 51 / 30

HEX #2AB257

RGB 42 178 87

HSL 139.85, 0.62%, 0.43%

LAB 64.18, -55.33, 36.32

 

Description

Color code: HEX #293EB0 | qconv.com Color code: HEX #293EB0 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 62 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 62 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 65 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 65% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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