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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #293D24 it is the complementary color #D6C2DB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #293D24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #293D24 shade: #2E3D1F, #3F4F32, #506145, #617358 and #72856B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #293D24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #293D24 shade: #293D24, #182B11, #071900, #000700 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #293D24 shade: #293D24, #303D24, #363D24, #3D3D24 and #3D3624

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #293D24 shade: #293D24, #243D26, #243D2C, #243D33 and #243D3A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #293D24 shade matches the following richer shades: #293D24, #24451C, #1F4D14, #1B550C and #165C04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #293D24 shade: #293D24, #2E352C, #322D34, #37263B and #3C1E43

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #293D24 shade: #363D24, #303D24, #293D24, #243D26 and #243D2C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #293D24 shade: #060905, #172315, #293D24, #3A5733 and #4C7142

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #293D24 shade: #293D24, #243D3D and #3D2433

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #293D24 shade: #293D24, #24293D and #3D2429

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #293D24 shade: #293D24, #243D3D, #38243D and #3D2424

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #293D24 shade: #293D24, #24353D, #38243D and #3D2B24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 41 / 76

HEX #293D24

RGB 41 61 36

HSL 108, 0.26%, 0.19%

LAB 23.46, -13.82, 12.94

 

Complementary color

CMYK 2 / 11 / 0 / 14

HEX #D6C2DB

RGB 214 194 219

HSL 288, 0.26%, 0.81%

LAB 80.74, 11.5, -9.89

 

CMYK 25 / 0 / 49 / 76

HEX #2E3D1F

RGB 46 61 31

HSL 90, 0.33%, 0.18%

LAB 23.73, -12.48, 16.52

 

CMYK 20 / 0 / 37 / 69

HEX #3F4F32

RGB 63 79 50

HSL 93.1, 0.22%, 0.25%

LAB 31.53, -12.4, 15.13

 

CMYK 18 / 0 / 29 / 62

HEX #506145

RGB 80 97 69

HSL 96.43, 0.17%, 0.33%

LAB 39.04, -12.29, 13.89

 

CMYK 16 / 0 / 23 / 55

HEX #617358

RGB 97 115 88

HSL 100, 0.13%, 0.4%

LAB 46.32, -12.19, 12.78

 

CMYK 14 / 0 / 20 / 48

HEX #72856B

RGB 114 133 107

HSL 103.85, 0.11%, 0.47%

LAB 53.4, -12.11, 11.76

 

CMYK 33 / 0 / 41 / 76

HEX #293D24

RGB 41 61 36

HSL 108, 0.26%, 0.19%

LAB 23.46, -13.82, 12.94

 

CMYK 44 / 0 / 60 / 83

HEX #182B11

RGB 24 43 17

HSL 103.85, 0.43%, 0.12%

LAB 15.29, -14.02, 14.37

 

CMYK 72 / 0 / 100 / 90

HEX #071900

RGB 7 25 0

HSL 103.2, 1%, 0.05%

LAB 6.69, -11, 9.82

 

CMYK 100 / 0 / 100 / 97

HEX #000700

RGB 0 7 0

HSL 120, 1%, 0.01%

LAB 1.37, -2.8, 2

 

CMYK 33 / 0 / 41 / 76

HEX #293D24

RGB 41 61 36

HSL 108, 0.26%, 0.19%

LAB 23.46, -13.82, 12.94

 

CMYK 21 / 0 / 41 / 76

HEX #303D24

RGB 48 61 36

HSL 91.2, 0.26%, 0.19%

LAB 23.98, -10.76, 13.72

 

CMYK 11 / 0 / 41 / 76

HEX #363D24

RGB 54 61 36

HSL 76.8, 0.26%, 0.19%

LAB 24.48, -8, 14.47

 

CMYK 0 / 0 / 41 / 76

HEX #3D3D24

RGB 61 61 36

HSL 60, 0.26%, 0.19%

LAB 25.13, -4.65, 15.44

 

CMYK 0 / 11 / 41 / 76

HEX #3D3624

RGB 61 54 36

HSL 43.2, 0.26%, 0.19%

LAB 22.85, -0.15, 12.46

 

CMYK 33 / 0 / 41 / 76

HEX #293D24

RGB 41 61 36

HSL 108, 0.26%, 0.19%

LAB 23.46, -13.82, 12.94

 

CMYK 41 / 0 / 38 / 76

HEX #243D26

RGB 36 61 38

HSL 124.8, 0.26%, 0.19%

LAB 23.18, -15.44, 11.22

 

CMYK 41 / 0 / 28 / 76

HEX #243D2C

RGB 36 61 44

HSL 139.2, 0.26%, 0.19%

LAB 23.32, -14.13, 7.49

 

CMYK 41 / 0 / 16 / 76

HEX #243D33

RGB 36 61 51

HSL 156, 0.26%, 0.19%

LAB 23.51, -12.4, 3.13

 

CMYK 41 / 0 / 5 / 76

HEX #243D3A

RGB 36 61 58

HSL 172.8, 0.26%, 0.19%

LAB 23.73, -10.48, -1.22

 

CMYK 33 / 0 / 41 / 76

HEX #293D24

RGB 41 61 36

HSL 108, 0.26%, 0.19%

LAB 23.46, -13.82, 12.94

 

CMYK 48 / 0 / 59 / 73

HEX #24451C

RGB 36 69 28

HSL 108.29, 0.42%, 0.19%

LAB 25.91, -21.48, 20.86

 

CMYK 60 / 0 / 74 / 70

HEX #1F4D14

RGB 31 77 20

HSL 108.42, 0.59%, 0.19%

LAB 28.51, -28, 28

 

CMYK 68 / 0 / 86 / 67

HEX #1B550C

RGB 27 85 12

HSL 107.67, 0.75%, 0.19%

LAB 31.25, -33.18, 34.02

 

CMYK 76 / 0 / 96 / 64

HEX #165C04

RGB 22 92 4

HSL 107.73, 0.92%, 0.19%

LAB 33.63, -37.45, 38.65

 

CMYK 33 / 0 / 41 / 76

HEX #293D24

RGB 41 61 36

HSL 108, 0.26%, 0.19%

LAB 23.46, -13.82, 12.94

 

CMYK 13 / 0 / 17 / 79

HEX #2E352C

RGB 46 53 44

HSL 106.67, 0.09%, 0.19%

LAB 21.24, -5.1, 4.68

 

CMYK 4 / 13 / 0 / 80

HEX #322D34

RGB 50 45 52

HSL 282.86, 0.07%, 0.19%

LAB 19.24, 3.88, -3.67

 

CMYK 7 / 36 / 0 / 77

HEX #37263B

RGB 55 38 59

HSL 288.57, 0.22%, 0.19%

LAB 17.98, 12.55, -10.36

 

CMYK 10 / 55 / 0 / 74

HEX #3C1E43

RGB 60 30 67

HSL 288.65, 0.38%, 0.19%

LAB 16.96, 21.71, -17.44

 

CMYK 11 / 0 / 41 / 76

HEX #363D24

RGB 54 61 36

HSL 76.8, 0.26%, 0.19%

LAB 24.48, -8, 14.47

 

CMYK 21 / 0 / 41 / 76

HEX #303D24

RGB 48 61 36

HSL 91.2, 0.26%, 0.19%

LAB 23.98, -10.76, 13.72

 

CMYK 33 / 0 / 41 / 76

HEX #293D24

RGB 41 61 36

HSL 108, 0.26%, 0.19%

LAB 23.46, -13.82, 12.94

 

CMYK 41 / 0 / 38 / 76

HEX #243D26

RGB 36 61 38

HSL 124.8, 0.26%, 0.19%

LAB 23.18, -15.44, 11.22

 

CMYK 41 / 0 / 28 / 76

HEX #243D2C

RGB 36 61 44

HSL 139.2, 0.26%, 0.19%

LAB 23.32, -14.13, 7.49

 

CMYK 33 / 0 / 44 / 96

HEX #060905

RGB 6 9 5

HSL 105, 0.29%, 0.03%

LAB 2.21, -1.34, 1.24

 

CMYK 34 / 0 / 40 / 86

HEX #172315

RGB 23 35 21

HSL 111.43, 0.25%, 0.11%

LAB 12.21, -8.85, 7.76

 

CMYK 33 / 0 / 41 / 76

HEX #293D24

RGB 41 61 36

HSL 108, 0.26%, 0.19%

LAB 23.46, -13.82, 12.94

 

CMYK 33 / 0 / 41 / 66

HEX #3A5733

RGB 58 87 51

HSL 108.33, 0.26%, 0.27%

LAB 33.89, -18.75, 17.57

 

CMYK 33 / 0 / 42 / 56

HEX #4C7142

RGB 76 113 66

HSL 107.23, 0.26%, 0.35%

LAB 43.86, -23, 22.01

 

CMYK 33 / 0 / 41 / 76

HEX #293D24

RGB 41 61 36

HSL 108, 0.26%, 0.19%

LAB 23.46, -13.82, 12.94

 

CMYK 41 / 0 / 0 / 76

HEX #243D3D

RGB 36 61 61

HSL 180, 0.26%, 0.19%

LAB 23.83, -9.6, -3.06

 

CMYK 0 / 41 / 16 / 76

HEX #3D2433

RGB 61 36 51

HSL 324, 0.26%, 0.19%

LAB 17.89, 14.59, -4.84

 

CMYK 33 / 0 / 41 / 76

HEX #293D24

RGB 41 61 36

HSL 108, 0.26%, 0.19%

LAB 23.46, -13.82, 12.94

 

CMYK 41 / 33 / 0 / 76

HEX #24293D

RGB 36 41 61

HSL 228, 0.26%, 0.19%

LAB 16.98, 3.78, -13.47

 

CMYK 0 / 41 / 33 / 76

HEX #3D2429

RGB 61 36 41

HSL 348, 0.26%, 0.19%

LAB 17.52, 12.73, 1.66

 

CMYK 33 / 0 / 41 / 76

HEX #293D24

RGB 41 61 36

HSL 108, 0.26%, 0.19%

LAB 23.46, -13.82, 12.94

 

CMYK 41 / 0 / 0 / 76

HEX #243D3D

RGB 36 61 61

HSL 180, 0.26%, 0.19%

LAB 23.83, -9.6, -3.06

 

CMYK 8 / 41 / 0 / 76

HEX #38243D

RGB 56 36 61

HSL 288, 0.26%, 0.19%

LAB 17.64, 14.81, -12.26

 

CMYK 0 / 41 / 41 / 76

HEX #3D2424

RGB 61 36 36

HSL 0, 0.26%, 0.19%

LAB 17.37, 11.92, 4.97

 

CMYK 33 / 0 / 41 / 76

HEX #293D24

RGB 41 61 36

HSL 108, 0.26%, 0.19%

LAB 23.46, -13.82, 12.94

 

CMYK 41 / 13 / 0 / 76

HEX #24353D

RGB 36 53 61

HSL 199.2, 0.26%, 0.19%

LAB 21.05, -4.49, -7.23

 

CMYK 8 / 41 / 0 / 76

HEX #38243D

RGB 56 36 61

HSL 288, 0.26%, 0.19%

LAB 17.64, 14.81, -12.26

 

CMYK 0 / 30 / 41 / 76

HEX #3D2B24

RGB 61 43 36

HSL 16.8, 0.26%, 0.19%

LAB 19.42, 7.19, 7.82

 

Description

Color code: HEX #293D24 | qconv.com Color code: HEX #293D24 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 61 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 61 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 41 yellow and 76 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 41% 76% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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