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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #292BD9 it is the complementary color #D6D426. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #292BD9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #292BD9 shade: #2E2BD4, #3F3DE7, #504FFA, #6161FF and #7273FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #292BD9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #292BD9 shade: #292BD9, #1819C6, #0707B3, #0000A0 and #00008D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #292BD9 shade: #2B2DDA, #582BDA, #872BDA, #B62BDA and #DA2BCE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #292BD9 shade: #2B2DDA and #2B2BDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #292BD9 shade matches the following richer shades: #2B2DDA and #1619EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #292BD9 shade: #2B2DDA, #3F40C5, #5354B1, #67689D and #7B7C89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #292BD9 shade: #2B8BDA, #2B5CDA, #2B2EDA, #562BDA and #852BDA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #292BD9 shade: #1B1C97, #2123BA, #2B2DDA, #4E4FE0 and #7172E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #292BD9 shade: #292BD9, #DA2BB9 and #73DA2B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #292BD9 shade: #292BD9, #DA2B2E and #2EDA2B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #292BD9 shade: #292BD9, #DA2BB9, #DAD72B and #2BDA4B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #292BD9 shade: #292BD9, #DA2B85, #DAD72B and #2BDA7F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 80 / 0 / 15

HEX #292BD9

RGB 41 43 217

HSL 239.32, 0.7%, 0.51%

LAB 32.28, 57.85, -86.27

 

Complementary color

CMYK 0 / 1 / 82 / 16

HEX #D6D426

RGB 214 212 38

HSL 59.32, 0.7%, 0.49%

LAB 82.66, -17.3, 76.99

 

CMYK 78 / 80 / 0 / 17

HEX #2E2BD4

RGB 46 43 212

HSL 241.07, 0.66%, 0.5%

LAB 31.95, 56.59, -83.92

 

CMYK 73 / 74 / 0 / 9

HEX #3F3DE7

RGB 63 61 231

HSL 240.71, 0.78%, 0.57%

LAB 38.13, 54.55, -84.55

 

CMYK 68 / 68 / 0 / 2

HEX #504FFA

RGB 80 79 250

HSL 240.35, 0.94%, 0.65%

LAB 44.52, 52.34, -84.7

 

CMYK 62 / 62 / 0 / 0

HEX #6161FF

RGB 97 97 255

HSL 240, 1%, 0.69%

LAB 49.87, 45.79, -78.68

 

CMYK 55 / 55 / 0 / 0

HEX #7273FF

RGB 114 115 255

HSL 239.57, 1%, 0.72%

LAB 55.13, 38.01, -70.08

 

CMYK 81 / 80 / 0 / 15

HEX #292BD9

RGB 41 43 217

HSL 239.32, 0.7%, 0.51%

LAB 32.28, 57.85, -86.27

 

CMYK 88 / 87 / 0 / 22

HEX #1819C6

RGB 24 25 198

HSL 239.66, 0.78%, 0.44%

LAB 26.64, 59.26, -84.61

 

CMYK 96 / 96 / 0 / 30

HEX #0707B3

RGB 7 7 179

HSL 240, 0.92%, 0.36%

LAB 21.77, 59.03, -81.47

 

CMYK 100 / 100 / 0 / 37

HEX #0000A0

RGB 0 0 160

HSL 240, 1%, 0.31%

LAB 18.09, 55.89, -76.13

 

CMYK 100 / 100 / 0 / 45

HEX #00008D

RGB 0 0 141

HSL 240, 1%, 0.28%

LAB 15.08, 50.96, -69.4

 

CMYK 80 / 79 / 0 / 15

HEX #2B2DDA

RGB 43 45 218

HSL 239.31, 0.7%, 0.51%

LAB 32.82, 57.3, -85.95

 

CMYK 60 / 80 / 0 / 15

HEX #582BDA

RGB 88 43 218

HSL 255.43, 0.7%, 0.51%

LAB 35.72, 61.74, -81.03

 

CMYK 38 / 80 / 0 / 15

HEX #872BDA

RGB 135 43 218

HSL 271.54, 0.7%, 0.51%

LAB 41.12, 67.65, -71.96

 

CMYK 17 / 80 / 0 / 15

HEX #B62BDA

RGB 182 43 218

HSL 287.66, 0.7%, 0.51%

LAB 47.92, 75.21, -60.6

 

CMYK 0 / 80 / 6 / 15

HEX #DA2BCE

RGB 218 43 206

HSL 304.11, 0.7%, 0.51%

LAB 53.05, 79.92, -45.2

 

CMYK 80 / 79 / 0 / 15

HEX #2B2DDA

RGB 43 45 218

HSL 239.31, 0.7%, 0.51%

LAB 32.82, 57.3, -85.95

 

CMYK 80 / 80 / 0 / 15

HEX #2B2BDA

RGB 43 43 218

HSL 240, 0.7%, 0.51%

LAB 32.49, 58.26, -86.49

 

CMYK 80 / 79 / 0 / 15

HEX #2B2DDA

RGB 43 45 218

HSL 239.31, 0.7%, 0.51%

LAB 32.82, 57.3, -85.95

 

CMYK 91 / 89 / 0 / 7

HEX #1619EE

RGB 22 25 238

HSL 239.17, 0.86%, 0.51%

LAB 31.9, 70.27, -98.94

 

CMYK 80 / 79 / 0 / 15

HEX #2B2DDA

RGB 43 45 218

HSL 239.31, 0.7%, 0.51%

LAB 32.82, 57.3, -85.95

 

CMYK 68 / 68 / 0 / 23

HEX #3F40C5

RGB 63 64 197

HSL 239.55, 0.54%, 0.51%

LAB 35.51, 41.8, -69.29

 

CMYK 53 / 53 / 0 / 31

HEX #5354B1

RGB 83 84 177

HSL 239.36, 0.38%, 0.51%

LAB 40.17, 26.11, -49.9

 

CMYK 34 / 34 / 0 / 38

HEX #67689D

RGB 103 104 157

HSL 238.89, 0.22%, 0.51%

LAB 45.93, 12.7, -28.85

 

CMYK 10 / 9 / 0 / 46

HEX #7B7C89

RGB 123 124 137

HSL 235.71, 0.06%, 0.51%

LAB 52.32, 2.36, -7.17

 

CMYK 80 / 36 / 0 / 15

HEX #2B8BDA

RGB 43 139 218

HSL 207.09, 0.7%, 0.51%

LAB 56.13, 0.15, -48.06

 

CMYK 80 / 58 / 0 / 15

HEX #2B5CDA

RGB 43 92 218

HSL 223.2, 0.7%, 0.51%

LAB 43.11, 29.56, -69.01

 

CMYK 80 / 79 / 0 / 15

HEX #2B2EDA

RGB 43 46 218

HSL 238.97, 0.7%, 0.51%

LAB 32.98, 56.82, -85.67

 

CMYK 61 / 80 / 0 / 15

HEX #562BDA

RGB 86 43 218

HSL 254.74, 0.7%, 0.51%

LAB 35.53, 61.54, -81.35

 

CMYK 39 / 80 / 0 / 15

HEX #852BDA

RGB 133 43 218

HSL 270.86, 0.7%, 0.51%

LAB 40.86, 67.36, -72.4

 

CMYK 82 / 81 / 0 / 41

HEX #1B1C97

RGB 27 28 151

HSL 239.52, 0.7%, 0.35%

LAB 21.2, 43.63, -65.39

 

CMYK 82 / 81 / 0 / 27

HEX #2123BA

RGB 33 35 186

HSL 239.22, 0.7%, 0.43%

LAB 26.93, 51.69, -77.02

 

CMYK 80 / 79 / 0 / 15

HEX #2B2DDA

RGB 43 45 218

HSL 239.31, 0.7%, 0.51%

LAB 32.82, 57.3, -85.95

 

CMYK 65 / 65 / 0 / 12

HEX #4E4FE0

RGB 78 79 224

HSL 239.59, 0.7%, 0.59%

LAB 42.14, 43.73, -73.94

 

CMYK 51 / 50 / 0 / 10

HEX #7172E6

RGB 113 114 230

HSL 239.49, 0.7%, 0.67%

LAB 53.23, 30.72, -59.24

 

CMYK 81 / 80 / 0 / 15

HEX #292BD9

RGB 41 43 217

HSL 239.32, 0.7%, 0.51%

LAB 32.28, 57.85, -86.27

 

CMYK 0 / 80 / 15 / 15

HEX #DA2BB9

RGB 218 43 185

HSL 311.31, 0.7%, 0.51%

LAB 51.99, 77, -34.73

 

CMYK 47 / 0 / 80 / 15

HEX #73DA2B

RGB 115 218 43

HSL 95.31, 0.7%, 0.51%

LAB 78.44, -57.15, 69.72

 

CMYK 81 / 80 / 0 / 15

HEX #292BD9

RGB 41 43 217

HSL 239.32, 0.7%, 0.51%

LAB 32.28, 57.85, -86.27

 

CMYK 0 / 80 / 79 / 15

HEX #DA2B2E

RGB 218 43 46

HSL 358.97, 0.7%, 0.51%

LAB 48.05, 65.39, 42.64

 

CMYK 79 / 0 / 80 / 15

HEX #2EDA2B

RGB 46 218 43

HSL 118.97, 0.7%, 0.51%

LAB 76.62, -72.02, 67.37

 

CMYK 81 / 80 / 0 / 15

HEX #292BD9

RGB 41 43 217

HSL 239.32, 0.7%, 0.51%

LAB 32.28, 57.85, -86.27

 

CMYK 0 / 80 / 15 / 15

HEX #DA2BB9

RGB 218 43 185

HSL 311.31, 0.7%, 0.51%

LAB 51.99, 77, -34.73

 

CMYK 0 / 1 / 80 / 15

HEX #DAD72B

RGB 218 215 43

HSL 58.97, 0.7%, 0.51%

LAB 83.8, -16.95, 76.85

 

CMYK 80 / 0 / 66 / 15

HEX #2BDA4B

RGB 43 218 75

HSL 130.97, 0.7%, 0.51%

LAB 76.78, -69.86, 56.46

 

CMYK 81 / 80 / 0 / 15

HEX #292BD9

RGB 41 43 217

HSL 239.32, 0.7%, 0.51%

LAB 32.28, 57.85, -86.27

 

CMYK 0 / 80 / 39 / 15

HEX #DA2B85

RGB 218 43 133

HSL 329.14, 0.7%, 0.51%

LAB 49.89, 70.97, -7.1

 

CMYK 0 / 1 / 80 / 15

HEX #DAD72B

RGB 218 215 43

HSL 58.97, 0.7%, 0.51%

LAB 83.8, -16.95, 76.85

 

CMYK 80 / 0 / 42 / 15

HEX #2BDA7F

RGB 43 218 127

HSL 148.8, 0.7%, 0.51%

LAB 77.39, -62.51, 32.97

 

Description

Color code: HEX #292BD9 | qconv.com Color code: HEX #292BD9 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 43 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 43 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, 80 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 80% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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