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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #292ADD it is the complementary color #D6D522. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #292ADD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #292ADD shade: #2E2AD8, #3F3CEB, #504EFE, #6160FF and #7272FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #292ADD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #292ADD shade: #292ADD, #1818CA, #0706B7, #0000A4 and #000091

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #292ADD shade: #2728DD, #5727DD, #8827DD, #B927DD and #DD27D0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #292ADD shade: #2728DD and #2727DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #292ADD shade matches the following richer shades: #2728DD and #1314F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #292ADD shade: #2728DD, #3B3CC9, #4F50B5, #6364A1 and #78788C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #292ADD shade: #278BDD, #275BDD, #272ADD, #5427DD and #8527DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #292ADD shade: #18199A, #1E1EBD, #2728DD, #4B4BE3 and #6E6FE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #292ADD shade: #292ADD, #DD27BC and #73DD27

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #292ADD shade: #292ADD, #DD272A and #2ADD27

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #292ADD shade: #292ADD, #DD27BC, #DDDA27 and #27DD48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #292ADD shade: #292ADD, #DD2785, #DDDA27 and #27DD7F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 81 / 0 / 13

HEX #292ADD

RGB 41 42 221

HSL 239.67, 0.73%, 0.51%

LAB 32.59, 59.53, -88.06

 

Complementary color

CMYK 0 / 0 / 84 / 16

HEX #D6D522

RGB 214 213 34

HSL 59.67, 0.73%, 0.49%

LAB 82.91, -17.9, 78.1

 

CMYK 79 / 81 / 0 / 15

HEX #2E2AD8

RGB 46 42 216

HSL 241.38, 0.69%, 0.51%

LAB 32.25, 58.28, -85.73

 

CMYK 73 / 74 / 0 / 8

HEX #3F3CEB

RGB 63 60 235

HSL 241.03, 0.81%, 0.58%

LAB 38.35, 56.33, -86.46

 

CMYK 69 / 69 / 0 / 0

HEX #504EFE

RGB 80 78 254

HSL 240.68, 0.99%, 0.65%

LAB 44.67, 54.16, -86.68

 

CMYK 62 / 62 / 0 / 0

HEX #6160FF

RGB 97 96 255

HSL 240.38, 1%, 0.69%

LAB 49.65, 46.37, -79.04

 

CMYK 55 / 55 / 0 / 0

HEX #7272FF

RGB 114 114 255

HSL 240, 1%, 0.72%

LAB 54.9, 38.6, -70.45

 

CMYK 81 / 81 / 0 / 13

HEX #292ADD

RGB 41 42 221

HSL 239.67, 0.73%, 0.51%

LAB 32.59, 59.53, -88.06

 

CMYK 88 / 88 / 0 / 21

HEX #1818CA

RGB 24 24 202

HSL 240, 0.79%, 0.44%

LAB 27.05, 60.76, -86.27

 

CMYK 96 / 97 / 0 / 28

HEX #0706B7

RGB 7 6 183

HSL 240.34, 0.94%, 0.37%

LAB 22.28, 60.33, -83.01

 

CMYK 100 / 100 / 0 / 36

HEX #0000A4

RGB 0 0 164

HSL 240, 1%, 0.32%

LAB 18.72, 56.92, -77.52

 

CMYK 100 / 100 / 0 / 43

HEX #000091

RGB 0 0 145

HSL 240, 1%, 0.28%

LAB 15.72, 52, -70.83

 

CMYK 82 / 82 / 0 / 13

HEX #2728DD

RGB 39 40 221

HSL 239.67, 0.73%, 0.51%

LAB 32.19, 60.35, -88.72

 

CMYK 61 / 82 / 0 / 13

HEX #5727DD

RGB 87 39 221

HSL 255.82, 0.73%, 0.51%

LAB 35.4, 64.03, -83.3

 

CMYK 38 / 82 / 0 / 13

HEX #8827DD

RGB 136 39 221

HSL 271.98, 0.73%, 0.51%

LAB 41.07, 69.75, -73.77

 

CMYK 16 / 82 / 0 / 13

HEX #B927DD

RGB 185 39 221

HSL 288.13, 0.73%, 0.51%

LAB 48.24, 77.28, -61.77

 

CMYK 0 / 82 / 6 / 13

HEX #DD27D0

RGB 221 39 208

HSL 304.29, 0.73%, 0.51%

LAB 53.36, 81.66, -45.82

 

CMYK 82 / 82 / 0 / 13

HEX #2728DD

RGB 39 40 221

HSL 239.67, 0.73%, 0.51%

LAB 32.19, 60.35, -88.72

 

CMYK 82 / 82 / 0 / 13

HEX #2727DD

RGB 39 39 221

HSL 240, 0.73%, 0.51%

LAB 32.04, 60.79, -88.97

 

CMYK 82 / 82 / 0 / 13

HEX #2728DD

RGB 39 40 221

HSL 239.67, 0.73%, 0.51%

LAB 32.19, 60.35, -88.72

 

CMYK 92 / 92 / 0 / 5

HEX #1314F1

RGB 19 20 241

HSL 239.73, 0.89%, 0.51%

LAB 31.78, 72.37, -100.83

 

CMYK 82 / 82 / 0 / 13

HEX #2728DD

RGB 39 40 221

HSL 239.67, 0.73%, 0.51%

LAB 32.19, 60.35, -88.72

 

CMYK 71 / 70 / 0 / 21

HEX #3B3CC9

RGB 59 60 201

HSL 239.58, 0.57%, 0.51%

LAB 34.76, 45.03, -72.86

 

CMYK 56 / 56 / 0 / 29

HEX #4F50B5

RGB 79 80 181

HSL 239.41, 0.41%, 0.51%

LAB 39.13, 29.12, -53.95

 

CMYK 39 / 38 / 0 / 37

HEX #6364A1

RGB 99 100 161

HSL 239.03, 0.25%, 0.51%

LAB 44.72, 15.15, -33.14

 

CMYK 14 / 14 / 0 / 45

HEX #78788C

RGB 120 120 140

HSL 240, 0.08%, 0.51%

LAB 51.06, 4.31, -10.85

 

CMYK 82 / 37 / 0 / 13

HEX #278BDD

RGB 39 139 221

HSL 207.03, 0.73%, 0.51%

LAB 56.2, 0.89, -49.62

 

CMYK 82 / 59 / 0 / 13

HEX #275BDD

RGB 39 91 221

HSL 222.86, 0.73%, 0.51%

LAB 42.96, 30.99, -70.96

 

CMYK 82 / 81 / 0 / 13

HEX #272ADD

RGB 39 42 221

HSL 239.01, 0.73%, 0.51%

LAB 32.5, 59.44, -88.21

 

CMYK 62 / 82 / 0 / 13

HEX #5427DD

RGB 84 39 221

HSL 254.84, 0.73%, 0.51%

LAB 35.12, 63.76, -83.77

 

CMYK 40 / 82 / 0 / 13

HEX #8527DD

RGB 133 39 221

HSL 270.99, 0.73%, 0.51%

LAB 40.67, 69.34, -74.43

 

CMYK 84 / 84 / 0 / 40

HEX #18199A

RGB 24 25 154

HSL 239.54, 0.73%, 0.35%

LAB 20.91, 45.95, -67.71

 

CMYK 84 / 84 / 0 / 26

HEX #1E1EBD

RGB 30 30 189

HSL 240, 0.73%, 0.43%

LAB 26.39, 54.79, -79.71

 

CMYK 82 / 82 / 0 / 13

HEX #2728DD

RGB 39 40 221

HSL 239.67, 0.73%, 0.51%

LAB 32.19, 60.35, -88.72

 

CMYK 67 / 67 / 0 / 11

HEX #4B4BE3

RGB 75 75 227

HSL 240, 0.73%, 0.59%

LAB 41.33, 46.67, -76.98

 

CMYK 53 / 52 / 0 / 9

HEX #6E6FE8

RGB 110 111 232

HSL 239.51, 0.73%, 0.67%

LAB 52.41, 32.51, -61.69

 

CMYK 81 / 81 / 0 / 13

HEX #292ADD

RGB 41 42 221

HSL 239.67, 0.73%, 0.51%

LAB 32.59, 59.53, -88.06

 

CMYK 0 / 82 / 15 / 13

HEX #DD27BC

RGB 221 39 188

HSL 310.88, 0.73%, 0.51%

LAB 52.35, 78.91, -35.88

 

CMYK 48 / 0 / 82 / 13

HEX #73DD27

RGB 115 221 39

HSL 94.95, 0.73%, 0.51%

LAB 79.33, -58.45, 71.56

 

CMYK 81 / 81 / 0 / 13

HEX #292ADD

RGB 41 42 221

HSL 239.67, 0.73%, 0.51%

LAB 32.59, 59.53, -88.06

 

CMYK 0 / 82 / 81 / 13

HEX #DD272A

RGB 221 39 42

HSL 359.01, 0.73%, 0.51%

LAB 48.25, 67.1, 45.2

 

CMYK 81 / 0 / 82 / 13

HEX #2ADD27

RGB 42 221 39

HSL 119.01, 0.73%, 0.51%

LAB 77.49, -73.57, 69.21

 

CMYK 81 / 81 / 0 / 13

HEX #292ADD

RGB 41 42 221

HSL 239.67, 0.73%, 0.51%

LAB 32.59, 59.53, -88.06

 

CMYK 0 / 82 / 15 / 13

HEX #DD27BC

RGB 221 39 188

HSL 310.88, 0.73%, 0.51%

LAB 52.35, 78.91, -35.88

 

CMYK 0 / 1 / 82 / 13

HEX #DDDA27

RGB 221 218 39

HSL 59.01, 0.73%, 0.51%

LAB 84.82, -17.28, 78.8

 

CMYK 82 / 0 / 67 / 13

HEX #27DD48

RGB 39 221 72

HSL 130.88, 0.73%, 0.51%

LAB 77.65, -71.5, 58.58

 

CMYK 81 / 81 / 0 / 13

HEX #292ADD

RGB 41 42 221

HSL 239.67, 0.73%, 0.51%

LAB 32.59, 59.53, -88.06

 

CMYK 0 / 82 / 40 / 13

HEX #DD2785

RGB 221 39 133

HSL 329.01, 0.73%, 0.51%

LAB 50.12, 72.64, -6.7

 

CMYK 0 / 1 / 82 / 13

HEX #DDDA27

RGB 221 218 39

HSL 59.01, 0.73%, 0.51%

LAB 84.82, -17.28, 78.8

 

CMYK 82 / 0 / 43 / 13

HEX #27DD7F

RGB 39 221 127

HSL 149.01, 0.73%, 0.51%

LAB 78.27, -63.95, 34.11

 

Description

Color code: HEX #292ADD | qconv.com Color code: HEX #292ADD | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 42 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 42 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, 81 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 81% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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