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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #29286E it is the complementary color #D6D791. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #29286E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #29286E shade: #2E2869, #3F3A7C, #504C8F, #615EA2 and #7270B5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #29286E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #29286E shade: #29286E, #18165B, #070448, #000035 and #000022

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #29286E shade: #28276D, #3B276D, #4E276D, #60276D and #6D2766

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #29286E shade: #28276D and #27276D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #29286E shade matches the following richer shades: #28276D, #1D1B79, #110F85 and #050391

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #29286E shade: #28276D, #343361, #3F3F55, #4B4B49 and #57573D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #29286E shade: #274C6D, #273A6D, #27276D, #3A276D and #4C276D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #29286E shade: #121130, #1D1C4E, #28276D, #33328B and #3F3DA9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #29286E shade: #29286E, #6D275F and #436D27

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #29286E shade: #29286E, #6D2727 and #276D27

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #29286E shade: #29286E, #6D275F, #6D6D27 and #276D35

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #29286E shade: #29286E, #6D274A, #6D6D27 and #276D4A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 64 / 0 / 57

HEX #29286E

RGB 41 40 110

HSL 240.86, 0.47%, 0.29%

LAB 20.5, 23.4, -40.63

 

Complementary color

CMYK 0 / 0 / 33 / 16

HEX #D6D791

RGB 214 215 145

HSL 60.86, 0.47%, 0.71%

LAB 84.45, -10.99, 34.5

 

CMYK 56 / 62 / 0 / 59

HEX #2E2869

RGB 46 40 105

HSL 245.54, 0.45%, 0.28%

LAB 20.51, 22.63, -37.35

 

CMYK 49 / 53 / 0 / 51

HEX #3F3A7C

RGB 63 58 124

HSL 244.55, 0.36%, 0.36%

LAB 28.22, 20.98, -37

 

CMYK 44 / 47 / 0 / 44

HEX #504C8F

RGB 80 76 143

HSL 243.58, 0.31%, 0.43%

LAB 35.71, 19.67, -36.69

 

CMYK 40 / 42 / 0 / 36

HEX #615EA2

RGB 97 94 162

HSL 242.65, 0.27%, 0.5%

LAB 43, 18.61, -36.46

 

CMYK 37 / 38 / 0 / 29

HEX #7270B5

RGB 114 112 181

HSL 241.74, 0.32%, 0.57%

LAB 50.1, 17.72, -36.3

 

CMYK 63 / 64 / 0 / 57

HEX #29286E

RGB 41 40 110

HSL 240.86, 0.47%, 0.29%

LAB 20.5, 23.4, -40.63

 

CMYK 74 / 76 / 0 / 64

HEX #18165B

RGB 24 22 91

HSL 241.74, 0.61%, 0.22%

LAB 12.76, 25.77, -40.83

 

CMYK 90 / 94 / 0 / 72

HEX #070448

RGB 7 4 72

HSL 242.65, 0.89%, 0.15%

LAB 5.42, 27.28, -39.92

 

CMYK 100 / 100 / 0 / 79

HEX #000035

RGB 0 0 53

HSL 240, 1%, 0.1%

LAB 2.32, 16.32, -31.29

 

CMYK 100 / 100 / 0 / 87

HEX #000022

RGB 0 0 34

HSL 240, 1%, 0.07%

LAB 1.04, 7.33, -18.78

 

CMYK 63 / 64 / 0 / 57

HEX #28276D

RGB 40 39 109

HSL 240.86, 0.47%, 0.29%

LAB 20.07, 23.53, -40.69

 

CMYK 46 / 64 / 0 / 57

HEX #3B276D

RGB 59 39 109

HSL 257.14, 0.47%, 0.29%

LAB 21.89, 27.58, -37.65

 

CMYK 28 / 64 / 0 / 57

HEX #4E276D

RGB 78 39 109

HSL 273.43, 0.47%, 0.29%

LAB 24.24, 32.35, -33.74

 

CMYK 12 / 64 / 0 / 57

HEX #60276D

RGB 96 39 109

HSL 288.86, 0.47%, 0.29%

LAB 26.85, 37.2, -29.41

 

CMYK 0 / 64 / 6 / 57

HEX #6D2766

RGB 109 39 102

HSL 306, 0.47%, 0.29%

LAB 28.54, 39.48, -22.1

 

CMYK 63 / 64 / 0 / 57

HEX #28276D

RGB 40 39 109

HSL 240.86, 0.47%, 0.29%

LAB 20.07, 23.53, -40.69

 

CMYK 64 / 64 / 0 / 57

HEX #27276D

RGB 39 39 109

HSL 240, 0.47%, 0.29%

LAB 19.99, 23.34, -40.82

 

CMYK 63 / 64 / 0 / 57

HEX #28276D

RGB 40 39 109

HSL 240.86, 0.47%, 0.29%

LAB 20.07, 23.53, -40.69

 

CMYK 76 / 78 / 0 / 53

HEX #1D1B79

RGB 29 27 121

HSL 241.28, 0.64%, 0.29%

LAB 17.58, 34.11, -52.53

 

CMYK 87 / 89 / 0 / 48

HEX #110F85

RGB 17 15 133

HSL 241.02, 0.8%, 0.29%

LAB 16.28, 43.56, -62.35

 

CMYK 97 / 98 / 0 / 43

HEX #050391

RGB 5 3 145

HSL 240.85, 0.96%, 0.29%

LAB 16.21, 51.03, -70

 

CMYK 63 / 64 / 0 / 57

HEX #28276D

RGB 40 39 109

HSL 240.86, 0.47%, 0.29%

LAB 20.07, 23.53, -40.69

 

CMYK 46 / 47 / 0 / 62

HEX #343361

RGB 52 51 97

HSL 241.3, 0.31%, 0.29%

LAB 23.54, 13.83, -27.24

 

CMYK 26 / 26 / 0 / 67

HEX #3F3F55

RGB 63 63 85

HSL 240, 0.15%, 0.29%

LAB 27.48, 5.58, -13.18

 

CMYK 0 / 0 / 3 / 71

HEX #4B4B49

RGB 75 75 73

HSL 60, 0.01%, 0.29%

LAB 31.83, -0.43, 1.19

 

CMYK 0 / 0 / 30 / 66

HEX #57573D

RGB 87 87 61

HSL 60, 0.18%, 0.29%

LAB 36.33, -4.79, 15.16

 

CMYK 64 / 30 / 0 / 57

HEX #274C6D

RGB 39 76 109

HSL 208.29, 0.47%, 0.29%

LAB 31.12, -2.05, -23.04

 

CMYK 64 / 47 / 0 / 57

HEX #273A6D

RGB 39 58 109

HSL 223.71, 0.47%, 0.29%

LAB 25.45, 10.06, -32.01

 

CMYK 64 / 64 / 0 / 57

HEX #27276D

RGB 39 39 109

HSL 240, 0.47%, 0.29%

LAB 19.99, 23.34, -40.82

 

CMYK 47 / 64 / 0 / 57

HEX #3A276D

RGB 58 39 109

HSL 256.29, 0.47%, 0.29%

LAB 21.78, 27.34, -37.83

 

CMYK 30 / 64 / 0 / 57

HEX #4C276D

RGB 76 39 109

HSL 271.71, 0.47%, 0.29%

LAB 23.97, 31.82, -34.19

 

CMYK 63 / 65 / 0 / 81

HEX #121130

RGB 18 17 48

HSL 241.94, 0.48%, 0.13%

LAB 6.71, 11.06, -20.49

 

CMYK 63 / 64 / 0 / 69

HEX #1D1C4E

RGB 29 28 78

HSL 241.2, 0.47%, 0.21%

LAB 13.48, 17.48, -30.8

 

CMYK 63 / 64 / 0 / 57

HEX #28276D

RGB 40 39 109

HSL 240.86, 0.47%, 0.29%

LAB 20.07, 23.53, -40.69

 

CMYK 63 / 64 / 0 / 45

HEX #33328B

RGB 51 50 139

HSL 240.67, 0.47%, 0.37%

LAB 26.3, 28.9, -49.51

 

CMYK 63 / 64 / 0 / 34

HEX #3F3DA9

RGB 63 61 169

HSL 241.11, 0.47%, 0.45%

LAB 32.39, 34.2, -57.83

 

CMYK 63 / 64 / 0 / 57

HEX #29286E

RGB 41 40 110

HSL 240.86, 0.47%, 0.29%

LAB 20.5, 23.4, -40.63

 

CMYK 0 / 64 / 13 / 57

HEX #6D275F

RGB 109 39 95

HSL 312, 0.47%, 0.29%

LAB 28.19, 38.24, -18.11

 

CMYK 39 / 0 / 64 / 57

HEX #436D27

RGB 67 109 39

HSL 96, 0.47%, 0.29%

LAB 41.65, -28.02, 33.7

 

CMYK 63 / 64 / 0 / 57

HEX #29286E

RGB 41 40 110

HSL 240.86, 0.47%, 0.29%

LAB 20.5, 23.4, -40.63

 

CMYK 0 / 64 / 64 / 57

HEX #6D2727

RGB 109 39 39

HSL 0, 0.47%, 0.29%

LAB 26.3, 31.16, 16.35

 

CMYK 64 / 0 / 64 / 57

HEX #276D27

RGB 39 109 39

HSL 120, 0.47%, 0.29%

LAB 40.43, -37, 32

 

CMYK 63 / 64 / 0 / 57

HEX #29286E

RGB 41 40 110

HSL 240.86, 0.47%, 0.29%

LAB 20.5, 23.4, -40.63

 

CMYK 0 / 64 / 13 / 57

HEX #6D275F

RGB 109 39 95

HSL 312, 0.47%, 0.29%

LAB 28.19, 38.24, -18.11

 

CMYK 0 / 0 / 64 / 57

HEX #6D6D27

RGB 109 109 39

HSL 60, 0.47%, 0.29%

LAB 44.71, -9.86, 37.93

 

CMYK 64 / 0 / 51 / 57

HEX #276D35

RGB 39 109 53

HSL 132, 0.47%, 0.29%

LAB 40.61, -34.97, 24.84

 

CMYK 63 / 64 / 0 / 57

HEX #29286E

RGB 41 40 110

HSL 240.86, 0.47%, 0.29%

LAB 20.5, 23.4, -40.63

 

CMYK 0 / 64 / 32 / 57

HEX #6D274A

RGB 109 39 74

HSL 330, 0.47%, 0.29%

LAB 27.29, 34.96, -5.66

 

CMYK 0 / 0 / 64 / 57

HEX #6D6D27

RGB 109 109 39

HSL 60, 0.47%, 0.29%

LAB 44.71, -9.86, 37.93

 

CMYK 64 / 0 / 32 / 57

HEX #276D4A

RGB 39 109 74

HSL 150, 0.47%, 0.29%

LAB 41, -30.83, 13.23

 

Description

Color code: HEX #29286E | qconv.com Color code: HEX #29286E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 40 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 40 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 64 magenta, none yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 64% 0% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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