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Color name
HEX #291E233F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #291E233F it is the complementary color #D6E1DC3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #291E233F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #291E233F shade: #2E1E1E3F, #3F30313F, #5042443F, #6154573F and #72666A3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #291E233F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #291E233F shade: #291E233F, #180C103F, #0700003F and #0000003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #291E233F shade: #291E23, #291E20 and #291E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #291E233F shade: #291E23, #291E26, #291E29, #261E29 and #231E29

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #291E233F shade matches the following richer shades: #291E23, #2F1923, #351322, #3A0D22 and #400721

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #291E233F shade: #291E23, #232424, #1E2A24, #183025 and #123525

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #291E233F shade: #291E29, #291E26, #291E23, #291E20 and #291F1E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #291E233F shade: #000000, #110D0F, #291E23, #413038 and #59414C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #291E233F shade: #291E23, #29261E and #1E2829

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #291E233F shade: #291E23, #23291E and #1E2329

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #291E233F shade: #291E23, #29261E, #1E2924 and #1E2129

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #291E233F shade: #291E23, #29291E, #1E2924 and #1F1E29

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 4 / 21

HEX #291E233F

RGBA 41 30 35 0.25

HSLA 332.73, 0.15%, 0.14%, 0.25

LABA 12.74, 6.41, -1.35, 0.25

 

Complementary color

CMYK 1 / 0 / 1 / 3

HEX #D6E1DC3F

RGBA 214 225 220 0.25

HSLA 152.73, 0.15%, 0.86%, 0.25

LABA 88.6, -4.59, 1.16, 0.25

 

CMYK 0 / 9 / 9 / 20

HEX #2E1E1E3F

RGBA 46 30 30 0.25

HSLA 0, 0.21%, 0.15%, 0.25

LABA 13.25, 7.82, 3.12, 0.25

 

CMYK 0 / 6 / 6 / 19

HEX #3F30313F

RGBA 63 48 49 0.25

HSLA 356, 0.14%, 0.22%, 0.25

LABA 21.55, 7, 1.96, 0.25

 

CMYK 0 / 4 / 4 / 17

HEX #5042443F

RGBA 80 66 68 0.25

HSLA 351.43, 0.1%, 0.29%, 0.25

LABA 29.46, 6.4, 1.03, 0.25

 

CMYK 0 / 3 / 3 / 15

HEX #6154573F

RGBA 97 84 87 0.25

HSLA 346.15, 0.07%, 0.35%, 0.25

LABA 37.06, 5.92, 0.22, 0.25

 

CMYK 0 / 3 / 2 / 14

HEX #72666A3F

RGBA 114 102 106 0.25

HSLA 340, 0.06%, 0.42%, 0.25

LABA 44.41, 5.51, -0.52, 0.25

 

CMYK 0 / 7 / 4 / 21

HEX #291E233F

RGBA 41 30 35 0.25

HSLA 332.73, 0.15%, 0.14%, 0.25

LABA 12.74, 6.41, -1.35, 0.25

 

CMYK 0 / 13 / 8 / 23

HEX #180C103F

RGBA 24 12 16 0.25

HSLA 340, 0.33%, 0.07%, 0.25

LABA 4.47, 5.39, -0.22, 0.25

 

CMYK 0 / 25 / 25 / 24

HEX #0700003F

RGBA 7 0 0 0.25

HSLA 0, 1%, 0.01%, 0.25

LABA 0.41, 1.83, 0.64, 0.25

 

CMYK 0 / 0 / 0 / 100

HEX #0000003F

RGBA 0 0 0 0.25

HSLA 0, 0%, 0%, 0.25

LABA 0, 0, 0, 0.25

 

CMYK 0 / 27 / 15 / 84

HEX #291E23

RGB 41 30 35

HSL 332.73, 0.15%, 0.14%

LAB 12.74, 6.41, -1.35

 

CMYK 0 / 27 / 22 / 84

HEX #291E20

RGB 41 30 32

HSL 349.09, 0.15%, 0.14%

LAB 12.64, 5.76, 0.69

 

CMYK 0 / 27 / 27 / 84

HEX #291E1E

RGB 41 30 30

HSL 0, 0.15%, 0.14%

LAB 12.57, 5.35, 2.05

 

CMYK 0 / 27 / 15 / 84

HEX #291E23

RGB 41 30 35

HSL 332.73, 0.15%, 0.14%

LAB 12.74, 6.41, -1.35

 

CMYK 0 / 27 / 7 / 84

HEX #291E26

RGB 41 30 38

HSL 316.36, 0.15%, 0.14%

LAB 12.86, 7.09, -3.36

 

CMYK 0 / 27 / 0 / 84

HEX #291E29

RGB 41 30 41

HSL 300, 0.15%, 0.14%

LAB 12.98, 7.82, -5.35

 

CMYK 7 / 27 / 0 / 84

HEX #261E29

RGB 38 30 41

HSL 283.64, 0.15%, 0.14%

LAB 12.61, 6.5, -5.95

 

CMYK 15 / 27 / 0 / 84

HEX #231E29

RGB 35 30 41

HSL 267.27, 0.15%, 0.14%

LAB 12.26, 5.19, -6.52

 

CMYK 0 / 27 / 15 / 84

HEX #291E23

RGB 41 30 35

HSL 332.73, 0.15%, 0.14%

LAB 12.74, 6.41, -1.35

 

CMYK 0 / 47 / 26 / 82

HEX #2F1923

RGB 47 25 35

HSL 332.73, 0.31%, 0.14%

LAB 12.1, 12.74, -2.21

 

CMYK 0 / 64 / 36 / 79

HEX #351322

RGB 53 19 34

HSL 333.53, 0.47%, 0.14%

LAB 11.54, 19.1, -2.18

 

CMYK 0 / 78 / 41 / 77

HEX #3A0D22

RGB 58 13 34

HSL 332, 0.63%, 0.14%

LAB 11.3, 24.36, -2.43

 

CMYK 0 / 89 / 48 / 75

HEX #400721

RGB 64 7 33

HSL 332.63, 0.8%, 0.14%

LAB 11.63, 28.89, -1.03

 

CMYK 0 / 27 / 15 / 84

HEX #291E23

RGB 41 30 35

HSL 332.73, 0.15%, 0.14%

LAB 12.74, 6.41, -1.35

 

CMYK 3 / 0 / 0 / 86

HEX #232424

RGB 35 36 36

HSL 180, 0.01%, 0.14%

LAB 14.1, -0.46, -0.16

 

CMYK 29 / 0 / 14 / 84

HEX #1E2A24

RGB 30 42 36

HSL 150, 0.17%, 0.14%

LAB 15.8, -6.76, 2.24

 

CMYK 50 / 0 / 23 / 81

HEX #183025

RGB 24 48 37

HSL 152.5, 0.33%, 0.14%

LAB 17.65, -12.59, 4.15

 

CMYK 66 / 0 / 30 / 79

HEX #123525

RGB 18 53 37

HSL 152.57, 0.49%, 0.14%

LAB 19.26, -17.33, 6.36

 

CMYK 0 / 27 / 0 / 84

HEX #291E29

RGB 41 30 41

HSL 300, 0.15%, 0.14%

LAB 12.98, 7.82, -5.35

 

CMYK 0 / 27 / 7 / 84

HEX #291E26

RGB 41 30 38

HSL 316.36, 0.15%, 0.14%

LAB 12.86, 7.09, -3.36

 

CMYK 0 / 27 / 15 / 84

HEX #291E23

RGB 41 30 35

HSL 332.73, 0.15%, 0.14%

LAB 12.74, 6.41, -1.35

 

CMYK 0 / 27 / 22 / 84

HEX #291E20

RGB 41 30 32

HSL 349.09, 0.15%, 0.14%

LAB 12.64, 5.76, 0.69

 

CMYK 0 / 24 / 27 / 84

HEX #291F1E

RGB 41 31 30

HSL 5.45, 0.15%, 0.14%

LAB 12.89, 4.64, 2.52

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 0 / 24 / 12 / 93

HEX #110D0F

RGB 17 13 15

HSL 330, 0.13%, 0.06%

LAB 3.99, 1.71, -0.46

 

CMYK 0 / 27 / 15 / 84

HEX #291E23

RGB 41 30 35

HSL 332.73, 0.15%, 0.14%

LAB 12.74, 6.41, -1.35

 

CMYK 0 / 26 / 14 / 75

HEX #413038

RGB 65 48 56

HSL 331.76, 0.15%, 0.22%

LAB 22.03, 9.29, -2.08

 

CMYK 0 / 27 / 15 / 65

HEX #59414C

RGB 89 65 76

HSL 332.5, 0.16%, 0.3%

LAB 30.46, 12.4, -2.57

 

CMYK 0 / 27 / 15 / 84

HEX #291E23

RGB 41 30 35

HSL 332.73, 0.15%, 0.14%

LAB 12.74, 6.41, -1.35

 

CMYK 0 / 7 / 27 / 84

HEX #29261E

RGB 41 38 30

HSL 43.64, 0.15%, 0.14%

LAB 15.23, -0.31, 5.82

 

CMYK 27 / 2 / 0 / 84

HEX #1E2829

RGB 30 40 41

HSL 185.45, 0.15%, 0.14%

LAB 15.24, -4.05, -2.1

 

CMYK 0 / 27 / 15 / 84

HEX #291E23

RGB 41 30 35

HSL 332.73, 0.15%, 0.14%

LAB 12.74, 6.41, -1.35

 

CMYK 15 / 0 / 27 / 84

HEX #23291E

RGB 35 41 30

HSL 92.73, 0.15%, 0.14%

LAB 15.68, -5.27, 6.35

 

CMYK 27 / 15 / 0 / 84

HEX #1E2329

RGB 30 35 41

HSL 212.73, 0.15%, 0.14%

LAB 13.46, -0.56, -4.76

 

CMYK 0 / 27 / 15 / 84

HEX #291E23

RGB 41 30 35

HSL 332.73, 0.15%, 0.14%

LAB 12.74, 6.41, -1.35

 

CMYK 0 / 7 / 27 / 84

HEX #29261E

RGB 41 38 30

HSL 43.64, 0.15%, 0.14%

LAB 15.23, -0.31, 5.82

 

CMYK 27 / 0 / 12 / 84

HEX #1E2924

RGB 30 41 36

HSL 152.73, 0.15%, 0.14%

LAB 15.43, -6.1, 1.72

 

CMYK 27 / 20 / 0 / 84

HEX #1E2129

RGB 30 33 41

HSL 223.64, 0.15%, 0.14%

LAB 12.76, 0.88, -5.81

 

CMYK 0 / 27 / 15 / 84

HEX #291E23

RGB 41 30 35

HSL 332.73, 0.15%, 0.14%

LAB 12.74, 6.41, -1.35

 

CMYK 0 / 0 / 27 / 84

HEX #29291E

RGB 41 41 30

HSL 60, 0.15%, 0.14%

LAB 16.26, -2.37, 7.24

 

CMYK 27 / 0 / 12 / 84

HEX #1E2924

RGB 30 41 36

HSL 152.73, 0.15%, 0.14%

LAB 15.43, -6.1, 1.72

 

CMYK 24 / 27 / 0 / 84

HEX #1F1E29

RGB 31 30 41

HSL 245.45, 0.15%, 0.14%

LAB 11.82, 3.49, -7.23

 

Description

Color code: HEX #291E233F | qconv.com Color code: HEX #291E233F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 30 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 30 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 4 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 4% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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