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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2912CB it is the complementary color #D6ED34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2912CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2912CB shade: #2E12C6, #3F24D9, #5036EC, #6148FF and #725AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2912CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2912CB shade: #2912CB, #1800B8, #0700A5, #000092 and #00007F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2912CB shade: #2812CA, #5A12CA, #8C12CA, #BD12CA and #CA12A4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2912CB shade: #2812CA and #1212CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2912CB shade matches the following richer shades: #2812CA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2912CB shade: #2812CA, #3623B8, #4335A6, #504795 and #5E5983

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2912CB shade: #125ECA, #122DCA, #2712CA, #5812CA and #8912CA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2912CB shade: #190B7E, #210EA4, #2812CA, #341AEB and #553FEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2912CB shade: #2912CB, #CA128F and #46CA12

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2912CB shade: #2912CB, #CA2712 and #12CA27

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2912CB shade: #2912CB, #CA128F, #B4CA12 and #12CA4C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2912CB shade: #2912CB, #CA1258, #B4CA12 and #12CA83

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 91 / 0 / 20

HEX #2912CB

RGB 41 18 203

HSL 247.46, 0.84%, 0.43%

LAB 27.34, 63.39, -86.35

 

Complementary color

CMYK 10 / 0 / 78 / 7

HEX #D6ED34

RGB 214 237 52

HSL 67.46, 0.84%, 0.57%

LAB 89.45, -28.87, 79.3

 

CMYK 77 / 91 / 0 / 22

HEX #2E12C6

RGB 46 18 198

HSL 249.33, 0.83%, 0.42%

LAB 26.99, 62.25, -83.99

 

CMYK 71 / 83 / 0 / 15

HEX #3F24D9

RGB 63 36 217

HSL 248.95, 0.72%, 0.5%

LAB 32.54, 62.19, -85.79

 

CMYK 66 / 77 / 0 / 7

HEX #5036EC

RGB 80 54 236

HSL 248.57, 0.83%, 0.57%

LAB 38.55, 61.11, -86.66

 

CMYK 62 / 72 / 0 / 0

HEX #6148FF

RGB 97 72 255

HSL 248.2, 1%, 0.64%

LAB 44.8, 59.57, -86.99

 

CMYK 55 / 65 / 0 / 0

HEX #725AFF

RGB 114 90 255

HSL 248.73, 1%, 0.68%

LAB 49.63, 52.35, -79.02

 

CMYK 80 / 91 / 0 / 20

HEX #2912CB

RGB 41 18 203

HSL 247.46, 0.84%, 0.43%

LAB 27.34, 63.39, -86.35

 

CMYK 87 / 100 / 0 / 28

HEX #1800B8

RGB 24 0 184

HSL 247.83, 1%, 0.36%

LAB 22.5, 62.21, -83.24

 

CMYK 96 / 100 / 0 / 35

HEX #0700A5

RGB 7 0 165

HSL 242.55, 1%, 0.32%

LAB 19.06, 57.23, -77.54

 

CMYK 100 / 100 / 0 / 43

HEX #000092

RGB 0 0 146

HSL 240, 1%, 0.29%

LAB 15.88, 52.27, -71.19

 

CMYK 100 / 100 / 0 / 50

HEX #00007F

RGB 0 0 127

HSL 240, 1%, 0.25%

LAB 12.81, 47.24, -64.34

 

CMYK 80 / 91 / 0 / 21

HEX #2812CA

RGB 40 18 202

HSL 247.17, 0.84%, 0.43%

LAB 27.15, 63.09, -86.08

 

CMYK 55 / 91 / 0 / 21

HEX #5A12CA

RGB 90 18 202

HSL 263.48, 0.84%, 0.43%

LAB 31.51, 65.98, -78.71

 

CMYK 31 / 91 / 0 / 21

HEX #8C12CA

RGB 140 18 202

HSL 279.78, 0.84%, 0.43%

LAB 38.33, 71.39, -67.25

 

CMYK 6 / 91 / 0 / 21

HEX #BD12CA

RGB 189 18 202

HSL 295.76, 0.84%, 0.43%

LAB 46.33, 78.66, -53.9

 

CMYK 0 / 91 / 19 / 21

HEX #CA12A4

RGB 202 18 164

HSL 312.39, 0.84%, 0.43%

LAB 46.54, 75.63, -31.11

 

CMYK 80 / 91 / 0 / 21

HEX #2812CA

RGB 40 18 202

HSL 247.17, 0.84%, 0.43%

LAB 27.15, 63.09, -86.08

 

CMYK 91 / 91 / 0 / 21

HEX #1212CA

RGB 18 18 202

HSL 240, 0.84%, 0.43%

LAB 26.23, 62.56, -87.64

 

CMYK 80 / 91 / 0 / 21

HEX #2812CA

RGB 40 18 202

HSL 247.17, 0.84%, 0.43%

LAB 27.15, 63.09, -86.08

 

CMYK 80 / 91 / 0 / 21

HEX #2812CA

RGB 40 18 202

HSL 247.17, 0.84%, 0.43%

LAB 27.15, 63.09, -86.08

 

CMYK 71 / 81 / 0 / 28

HEX #3623B8

RGB 54 35 184

HSL 247.65, 0.68%, 0.43%

LAB 27.97, 52.45, -74.07

 

CMYK 60 / 68 / 0 / 35

HEX #4335A6

RGB 67 53 166

HSL 247.43, 0.52%, 0.43%

LAB 30.62, 38.73, -58.9

 

CMYK 46 / 52 / 0 / 42

HEX #504795

RGB 80 71 149

HSL 246.92, 0.35%, 0.43%

LAB 34.77, 24.74, -41.85

 

CMYK 28 / 32 / 0 / 49

HEX #5E5983

RGB 94 89 131

HSL 247.14, 0.19%, 0.43%

LAB 39.85, 12.05, -22.78

 

CMYK 91 / 53 / 0 / 21

HEX #125ECA

RGB 18 94 202

HSL 215.22, 0.84%, 0.43%

LAB 41.84, 20.36, -61.92

 

CMYK 91 / 78 / 0 / 21

HEX #122DCA

RGB 18 45 202

HSL 231.2, 0.84%, 0.43%

LAB 30.08, 51.14, -81.23

 

CMYK 81 / 91 / 0 / 21

HEX #2712CA

RGB 39 18 202

HSL 246.85, 0.84%, 0.43%

LAB 27.1, 63.06, -86.17

 

CMYK 56 / 91 / 0 / 21

HEX #5812CA

RGB 88 18 202

HSL 262.83, 0.84%, 0.43%

LAB 31.28, 65.81, -79.1

 

CMYK 32 / 91 / 0 / 21

HEX #8912CA

RGB 137 18 202

HSL 278.8, 0.84%, 0.43%

LAB 37.87, 71, -68.02

 

CMYK 80 / 91 / 0 / 51

HEX #190B7E

RGB 25 11 126

HSL 247.3, 0.84%, 0.27%

LAB 15.24, 43.34, -59.63

 

CMYK 80 / 91 / 0 / 36

HEX #210EA4

RGB 33 14 164

HSL 247.6, 0.84%, 0.35%

LAB 21.27, 53.65, -73.22

 

CMYK 80 / 91 / 0 / 21

HEX #2812CA

RGB 40 18 202

HSL 247.17, 0.84%, 0.43%

LAB 27.15, 63.09, -86.08

 

CMYK 78 / 89 / 0 / 8

HEX #341AEB

RGB 52 26 235

HSL 247.46, 0.84%, 0.51%

LAB 32.85, 69.95, -95.61

 

CMYK 64 / 74 / 0 / 7

HEX #553FEE

RGB 85 63 238

HSL 247.54, 0.84%, 0.59%

LAB 40.67, 57.8, -84.28

 

CMYK 80 / 91 / 0 / 20

HEX #2912CB

RGB 41 18 203

HSL 247.46, 0.84%, 0.43%

LAB 27.34, 63.39, -86.35

 

CMYK 0 / 91 / 29 / 21

HEX #CA128F

RGB 202 18 143

HSL 319.24, 0.84%, 0.43%

LAB 45.6, 73.15, -19.94

 

CMYK 65 / 0 / 91 / 21

HEX #46CA12

RGB 70 202 18

HSL 103.04, 0.84%, 0.43%

LAB 71.95, -64.15, 68.81

 

CMYK 80 / 91 / 0 / 20

HEX #2912CB

RGB 41 18 203

HSL 247.46, 0.84%, 0.43%

LAB 27.34, 63.39, -86.35

 

CMYK 0 / 81 / 91 / 21

HEX #CA2712

RGB 202 39 18

HSL 6.85, 0.84%, 0.43%

LAB 44.31, 61.24, 51.59

 

CMYK 91 / 0 / 81 / 21

HEX #12CA27

RGB 18 202 39

HSL 126.85, 0.84%, 0.43%

LAB 71.23, -70.21, 63.33

 

CMYK 80 / 91 / 0 / 20

HEX #2912CB

RGB 41 18 203

HSL 247.46, 0.84%, 0.43%

LAB 27.34, 63.39, -86.35

 

CMYK 0 / 91 / 29 / 21

HEX #CA128F

RGB 202 18 143

HSL 319.24, 0.84%, 0.43%

LAB 45.6, 73.15, -19.94

 

CMYK 11 / 0 / 91 / 21

HEX #B4CA12

RGB 180 202 18

HSL 67.17, 0.84%, 0.43%

LAB 77.27, -27.18, 75.35

 

CMYK 91 / 0 / 62 / 21

HEX #12CA4C

RGB 18 202 76

HSL 138.91, 0.84%, 0.43%

LAB 71.48, -66.97, 50.07

 

CMYK 80 / 91 / 0 / 20

HEX #2912CB

RGB 41 18 203

HSL 247.46, 0.84%, 0.43%

LAB 27.34, 63.39, -86.35

 

CMYK 0 / 91 / 56 / 21

HEX #CA1258

RGB 202 18 88

HSL 337.17, 0.84%, 0.43%

LAB 43.79, 68.24, 11.41

 

CMYK 11 / 0 / 91 / 21

HEX #B4CA12

RGB 180 202 18

HSL 67.17, 0.84%, 0.43%

LAB 77.27, -27.18, 75.35

 

CMYK 91 / 0 / 35 / 21

HEX #12CA83

RGB 18 202 131

HSL 156.85, 0.84%, 0.43%

LAB 72.23, -57.98, 24.01

 

Description

Color code: HEX #2912CB | qconv.com Color code: HEX #2912CB | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 18 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 18 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 91 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 91% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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