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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #291291CE it is the complementary color #D6ED6ECE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #291291CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #291291CE shade: #2E128CCE, #3F249FCE, #5036B2CE, #6148C5CE and #725AD8CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #291291CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #291291CE shade: #291291CE, #18007ECE, #07006BCE, #000058CE and #000045CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #291291CE shade: #291291, #4B1291, #6E1291, #901291 and #911270

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #291291CE shade: #291291 and #121291

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #291291CE shade matches the following richer shades: #291291 and #21059E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #291291CE shade: #291291, #311F84, #3A2C77, #423A6A and #4B475C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #291291CE shade: #124191, #121F91, #271291, #491291 and #6B1291

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #291291CE shade: #140948, #1F0D6D, #291291, #3316B6 and #3E1BDB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #291291CE shade: #291291, #911263 and #309112

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #291291CE shade: #291291, #912712 and #129127

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #291291CE shade: #291291, #911263, #7C9112 and #129141

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #291291CE shade: #291291, #91123C, #7C9112 and #129167

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 71 / 0 / 35

HEX #291291CE

RGBA 41 18 145 0.81

HSLA 250.87, 0.78%, 0.32%, 0.81

LABA 19.84, 47.26, -63.91, 0.81

 

Complementary color

CMYK 8 / 0 / 43 / 6

HEX #D6ED6ECE

RGBA 214 237 110 0.81

HSLA 70.87, 0.78%, 0.68%, 0.81

LABA 89.85, -25.38, 58.09, 0.81

 

CMYK 54 / 71 / 0 / 37

HEX #2E128CCE

RGBA 46 18 140 0.81

HSLA 253.77, 0.77%, 0.31%, 0.81

LABA 19.67, 46.19, -61.06, 0.81

 

CMYK 49 / 63 / 0 / 30

HEX #3F249FCE

RGBA 63 36 159 0.81

HSLA 253.17, 0.63%, 0.38%, 0.81

LABA 26.22, 45.39, -61.9, 0.81

 

CMYK 45 / 56 / 0 / 24

HEX #5036B2CE

RGBA 80 54 178 0.81

HSLA 252.58, 0.53%, 0.45%, 0.81

LABA 33.05, 43.97, -62.07, 0.81

 

CMYK 41 / 51 / 0 / 18

HEX #6148C5CE

RGBA 97 72 197 0.81

HSLA 252, 0.52%, 0.53%, 0.81

LABA 39.93, 42.43, -61.95, 0.81

 

CMYK 38 / 47 / 0 / 12

HEX #725AD8CE

RGBA 114 90 216 0.81

HSLA 251.43, 0.62%, 0.6%, 0.81

LABA 46.77, 40.96, -61.72, 0.81

 

CMYK 58 / 71 / 0 / 35

HEX #291291CE

RGBA 41 18 145 0.81

HSLA 250.87, 0.78%, 0.32%, 0.81

LABA 19.84, 47.26, -63.91, 0.81

 

CMYK 66 / 81 / 0 / 41

HEX #18007ECE

RGBA 24 0 126 0.81

HSLA 251.43, 1%, 0.25%, 0.81

LABA 13.83, 47.38, -61.97, 0.81

 

CMYK 76 / 81 / 0 / 47

HEX #07006BCE

RGBA 7 0 107 0.81

HSLA 243.93, 1%, 0.21%, 0.81

LABA 9.85, 41.91, -56.33, 0.81

 

CMYK 81 / 81 / 0 / 53

HEX #000058CE

RGBA 0 0 88 0.81

HSLA 240, 1%, 0.17%, 0.81

LABA 6.36, 35.92, -49.44, 0.81

 

CMYK 81 / 81 / 0 / 59

HEX #000045CE

RGBA 0 0 69 0.81

HSLA 240, 1%, 0.14%, 0.81

LABA 3.88, 26.51, -40.35, 0.81

 

CMYK 72 / 88 / 0 / 43

HEX #291291

RGB 41 18 145

HSL 250.87, 0.78%, 0.32%

LAB 19.84, 47.26, -63.91

 

CMYK 48 / 88 / 0 / 43

HEX #4B1291

RGB 75 18 145

HSL 266.93, 0.78%, 0.32%

LAB 23.58, 50.58, -57.59

 

CMYK 24 / 88 / 0 / 43

HEX #6E1291

RGB 110 18 145

HSL 283.46, 0.78%, 0.32%

LAB 28.88, 55.68, -48.71

 

CMYK 1 / 88 / 0 / 43

HEX #901291

RGB 144 18 145

HSL 299.53, 0.78%, 0.32%

LAB 34.81, 61.73, -38.85

 

CMYK 0 / 88 / 23 / 43

HEX #911270

RGB 145 18 112

HSL 315.59, 0.78%, 0.32%

LAB 33.18, 57.11, -20.78

 

CMYK 72 / 88 / 0 / 43

HEX #291291

RGB 41 18 145

HSL 250.87, 0.78%, 0.32%

LAB 19.84, 47.26, -63.91

 

CMYK 88 / 88 / 0 / 43

HEX #121291

RGB 18 18 145

HSL 240, 0.78%, 0.32%

LAB 18.39, 46.06, -66.35

 

CMYK 72 / 88 / 0 / 43

HEX #291291

RGB 41 18 145

HSL 250.87, 0.78%, 0.32%

LAB 19.84, 47.26, -63.91

 

CMYK 79 / 97 / 0 / 38

HEX #21059E

RGB 33 5 158

HSL 250.98, 0.94%, 0.32%

LAB 19.64, 54.48, -72.27

 

CMYK 72 / 88 / 0 / 43

HEX #291291

RGB 41 18 145

HSL 250.87, 0.78%, 0.32%

LAB 19.84, 47.26, -63.91

 

CMYK 63 / 77 / 0 / 48

HEX #311F84

RGB 49 31 132

HSL 250.69, 0.62%, 0.32%

LAB 21.2, 37.86, -53.49

 

CMYK 51 / 63 / 0 / 53

HEX #3A2C77

RGB 58 44 119

HSL 251.2, 0.46%, 0.32%

LAB 23.78, 27.35, -41.01

 

CMYK 38 / 45 / 0 / 58

HEX #423A6A

RGB 66 58 106

HSL 250, 0.29%, 0.32%

LAB 27.37, 16.08, -26.91

 

CMYK 18 / 23 / 0 / 64

HEX #4B475C

RGB 75 71 92

HSL 251.43, 0.13%, 0.32%

LAB 31.29, 6.61, -11.78

 

CMYK 88 / 55 / 0 / 43

HEX #124191

RGB 18 65 145

HSL 217.8, 0.78%, 0.32%

LAB 29.29, 16.82, -48.41

 

CMYK 88 / 79 / 0 / 43

HEX #121F91

RGB 18 31 145

HSL 233.86, 0.78%, 0.32%

LAB 20.65, 39.46, -62.6

 

CMYK 73 / 88 / 0 / 43

HEX #271291

RGB 39 18 145

HSL 249.92, 0.78%, 0.32%

LAB 19.67, 47.12, -64.18

 

CMYK 50 / 88 / 0 / 43

HEX #491291

RGB 73 18 145

HSL 265.98, 0.78%, 0.32%

LAB 23.32, 50.34, -58.04

 

CMYK 26 / 88 / 0 / 43

HEX #6B1291

RGB 107 18 145

HSL 282.05, 0.78%, 0.32%

LAB 28.39, 55.19, -49.54

 

CMYK 72 / 88 / 0 / 72

HEX #140948

RGB 20 9 72

HSL 250.48, 0.78%, 0.16%

LAB 7.33, 26.37, -36.74

 

CMYK 72 / 88 / 0 / 57

HEX #1F0D6D

RGB 31 13 109

HSL 251.25, 0.79%, 0.24%

LAB 13.73, 37.72, -51.13

 

CMYK 72 / 88 / 0 / 43

HEX #291291

RGB 41 18 145

HSL 250.87, 0.78%, 0.32%

LAB 19.84, 47.26, -63.91

 

CMYK 72 / 88 / 0 / 29

HEX #3316B6

RGB 51 22 182

HSL 250.88, 0.78%, 0.4%

LAB 25.73, 56.93, -76.61

 

CMYK 72 / 88 / 0 / 14

HEX #3E1BDB

RGB 62 27 219

HSL 250.94, 0.78%, 0.48%

LAB 31.63, 65.89, -88.46

 

CMYK 72 / 88 / 0 / 43

HEX #291291

RGB 41 18 145

HSL 250.87, 0.78%, 0.32%

LAB 19.84, 47.26, -63.91

 

CMYK 0 / 88 / 32 / 43

HEX #911263

RGB 145 18 99

HSL 321.73, 0.78%, 0.32%

LAB 32.6, 55.5, -13.36

 

CMYK 67 / 0 / 88 / 43

HEX #309112

RGB 48 145 18

HSL 105.83, 0.78%, 0.32%

LAB 52.86, -49.87, 52.21

 

CMYK 72 / 88 / 0 / 43

HEX #291291

RGB 41 18 145

HSL 250.87, 0.78%, 0.32%

LAB 19.84, 47.26, -63.91

 

CMYK 0 / 73 / 88 / 43

HEX #912712

RGB 145 39 18

HSL 9.92, 0.78%, 0.32%

LAB 32.95, 43.36, 37.96

 

CMYK 88 / 0 / 73 / 43

HEX #129127

RGB 18 145 39

HSL 129.92, 0.78%, 0.32%

LAB 52.43, -53.21, 44.88

 

CMYK 72 / 88 / 0 / 43

HEX #291291

RGB 41 18 145

HSL 250.87, 0.78%, 0.32%

LAB 19.84, 47.26, -63.91

 

CMYK 0 / 88 / 32 / 43

HEX #911263

RGB 145 18 99

HSL 321.73, 0.78%, 0.32%

LAB 32.6, 55.5, -13.36

 

CMYK 14 / 0 / 88 / 43

HEX #7C9112

RGB 124 145 18

HSL 69.92, 0.78%, 0.32%

LAB 56.66, -23.19, 56.97

 

CMYK 88 / 0 / 55 / 43

HEX #129141

RGB 18 145 65

HSL 142.2, 0.78%, 0.32%

LAB 52.69, -50, 33.25

 

CMYK 72 / 88 / 0 / 43

HEX #291291

RGB 41 18 145

HSL 250.87, 0.78%, 0.32%

LAB 19.84, 47.26, -63.91

 

CMYK 0 / 88 / 59 / 43

HEX #91123C

RGB 145 18 60

HSL 340.16, 0.78%, 0.32%

LAB 31.3, 51.81, 10.34

 

CMYK 14 / 0 / 88 / 43

HEX #7C9112

RGB 124 145 18

HSL 69.92, 0.78%, 0.32%

LAB 56.66, -23.19, 56.97

 

CMYK 88 / 0 / 29 / 43

HEX #129167

RGB 18 145 103

HSL 160.16, 0.78%, 0.32%

LAB 53.34, -42.44, 13.4

 

Description

Color code: HEX #291291CE | qconv.com Color code: HEX #291291CE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 18 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 18 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 71 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 71% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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