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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #28F60F it is the complementary color #D709F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #28F60F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #28F60F shade: #2DF60A, #3EFF1D, #4FFF30, #60FF43 and #71FF56

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #28F60F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #28F60F shade: #28F60F, #17E400, #06D200, #00C000 and #00AE00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #28F60F shade: #27F60E, #66F60E, #A4F60E, #E3F60E and #F6CB0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #28F60F shade: #27F60E, #0EF633, #0EF672, #0EF6B1 and #0EF6EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #28F60F shade matches the following richer shades: #27F60E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #28F60F shade: #27F60E, #37E222, #47CE36, #57BA4A and #66A55F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #28F60F shade: #A5F60E, #67F60E, #29F60E, #0EF631 and #0EF66F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #28F60F shade: #18AB06, #1ED308, #27F60E, #4BF836 and #6EF95D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #28F60F shade: #28F60F, #0EE3F6 and #F60E86

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #28F60F shade: #28F60F, #0E29F6 and #F60E29

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #28F60F shade: #28F60F, #0EE3F6, #DB0EF6 and #F6210E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #28F60F shade: #28F60F, #0E9DF6, #DB0EF6 and #F6670E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 94 / 4

HEX #28F60F

RGB 40 246 15

HSL 113.51, 0.93%, 0.51%

LAB 85.2, -81.55, 80

 

Complementary color

CMYK 10 / 96 / 0 / 6

HEX #D709F0

RGB 215 9 240

HSL 293.51, 0.93%, 0.49%

LAB 52.88, 89.47, -64.8

 

CMYK 82 / 0 / 96 / 4

HEX #2DF60A

RGB 45 246 10

HSL 111.1, 0.93%, 0.5%

LAB 85.25, -81.15, 80.51

 

CMYK 76 / 0 / 89 / 0

HEX #3EFF1D

RGB 62 255 29

HSL 111.24, 1%, 0.56%

LAB 88.27, -81.21, 80.84

 

CMYK 69 / 0 / 81 / 0

HEX #4FFF30

RGB 79 255 48

HSL 111.01, 1%, 0.59%

LAB 88.64, -77.83, 77.39

 

CMYK 62 / 0 / 74 / 0

HEX #60FF43

RGB 96 255 67

HSL 110.74, 1%, 0.63%

LAB 89.12, -73.47, 72.54

 

CMYK 56 / 0 / 66 / 0

HEX #71FF56

RGB 113 255 86

HSL 110.41, 1%, 0.67%

LAB 89.72, -68.17, 66.57

 

CMYK 84 / 0 / 94 / 4

HEX #28F60F

RGB 40 246 15

HSL 113.51, 0.93%, 0.51%

LAB 85.2, -81.55, 80

 

CMYK 90 / 0 / 100 / 11

HEX #17E400

RGB 23 228 0

HSL 113.95, 1%, 0.45%

LAB 79.43, -78.24, 76.56

 

CMYK 97 / 0 / 100 / 18

HEX #06D200

RGB 6 210 0

HSL 118.29, 1%, 0.41%

LAB 73.63, -74.21, 71.88

 

CMYK 100 / 0 / 100 / 25

HEX #00C000

RGB 0 192 0

HSL 120, 1%, 0.38%

LAB 67.8, -69.62, 67.19

 

CMYK 100 / 0 / 100 / 32

HEX #00AE00

RGB 0 174 0

HSL 120, 1%, 0.34%

LAB 61.89, -64.71, 62.45

 

CMYK 84 / 0 / 94 / 4

HEX #27F60E

RGB 39 246 14

HSL 113.53, 0.93%, 0.51%

LAB 85.19, -81.66, 80.08

 

CMYK 59 / 0 / 94 / 4

HEX #66F60E

RGB 102 246 14

HSL 97.24, 0.93%, 0.51%

LAB 86.39, -71.33, 81.56

 

CMYK 33 / 0 / 94 / 4

HEX #A4F60E

RGB 164 246 14

HSL 81.21, 0.93%, 0.51%

LAB 88.84, -52.79, 84.56

 

CMYK 8 / 0 / 94 / 4

HEX #E3F60E

RGB 227 246 14

HSL 64.91, 0.93%, 0.51%

LAB 92.7, -28.65, 89.21

 

CMYK 0 / 17 / 94 / 4

HEX #F6CB0E

RGB 246 203 14

HSL 48.88, 0.93%, 0.51%

LAB 83.09, 0.46, 82.72

 

CMYK 84 / 0 / 94 / 4

HEX #27F60E

RGB 39 246 14

HSL 113.53, 0.93%, 0.51%

LAB 85.19, -81.66, 80.08

 

CMYK 94 / 0 / 79 / 4

HEX #0EF633

RGB 14 246 51

HSL 129.57, 0.93%, 0.51%

LAB 85.12, -81.86, 73.06

 

CMYK 94 / 0 / 54 / 4

HEX #0EF672

RGB 14 246 114

HSL 145.86, 0.93%, 0.51%

LAB 85.61, -75.65, 49.57

 

CMYK 94 / 0 / 28 / 4

HEX #0EF6B1

RGB 14 246 177

HSL 162.16, 0.93%, 0.51%

LAB 86.59, -64.2, 19.77

 

CMYK 94 / 0 / 3 / 4

HEX #0EF6EF

RGB 14 246 239

HSL 178.19, 0.93%, 0.51%

LAB 88.08, -48.49, -10.33

 

CMYK 84 / 0 / 94 / 4

HEX #27F60E

RGB 39 246 14

HSL 113.53, 0.93%, 0.51%

LAB 85.19, -81.66, 80.08

 

CMYK 84 / 0 / 94 / 4

HEX #27F60E

RGB 39 246 14

HSL 113.53, 0.93%, 0.51%

LAB 85.19, -81.66, 80.08

 

CMYK 76 / 0 / 85 / 11

HEX #37E222

RGB 55 226 34

HSL 113.44, 0.77%, 0.51%

LAB 79.23, -73.61, 72

 

CMYK 66 / 0 / 74 / 19

HEX #47CE36

RGB 71 206 54

HSL 113.29, 0.61%, 0.51%

LAB 73.38, -63.48, 61

 

CMYK 53 / 0 / 60 / 27

HEX #57BA4A

RGB 87 186 74

HSL 113.04, 0.45%, 0.51%

LAB 67.75, -50.67, 47.08

 

CMYK 38 / 0 / 42 / 35

HEX #66A55F

RGB 102 165 95

HSL 114, 0.28%, 0.51%

LAB 62.14, -34.52, 30.02

 

CMYK 33 / 0 / 94 / 4

HEX #A5F60E

RGB 165 246 14

HSL 80.95, 0.93%, 0.51%

LAB 88.9, -52.44, 84.62

 

CMYK 58 / 0 / 94 / 4

HEX #67F60E

RGB 103 246 14

HSL 96.98, 0.93%, 0.51%

LAB 86.42, -71.1, 81.6

 

CMYK 83 / 0 / 94 / 4

HEX #29F60E

RGB 41 246 14

HSL 113.02, 0.93%, 0.51%

LAB 85.21, -81.48, 80.11

 

CMYK 94 / 0 / 80 / 4

HEX #0EF631

RGB 14 246 49

HSL 129.05, 0.93%, 0.51%

LAB 85.11, -81.97, 73.6

 

CMYK 94 / 0 / 55 / 4

HEX #0EF66F

RGB 14 246 111

HSL 145.09, 0.93%, 0.51%

LAB 85.58, -76.06, 50.9

 

CMYK 86 / 0 / 96 / 33

HEX #18AB06

RGB 24 171 6

HSL 113.45, 0.93%, 0.35%

LAB 61.07, -62.18, 61.05

 

CMYK 86 / 0 / 96 / 17

HEX #1ED308

RGB 30 211 8

HSL 113.5, 0.93%, 0.43%

LAB 74.11, -72.95, 71.53

 

CMYK 84 / 0 / 94 / 4

HEX #27F60E

RGB 39 246 14

HSL 113.53, 0.93%, 0.51%

LAB 85.19, -81.66, 80.08

 

CMYK 70 / 0 / 78 / 3

HEX #4BF836

RGB 75 248 54

HSL 113.51, 0.93%, 0.59%

LAB 86.45, -76.08, 73.74

 

CMYK 56 / 0 / 63 / 2

HEX #6EF95D

RGB 110 249 93

HSL 113.46, 0.93%, 0.67%

LAB 87.9, -66.15, 61.78

 

CMYK 84 / 0 / 94 / 4

HEX #28F60F

RGB 40 246 15

HSL 113.51, 0.93%, 0.51%

LAB 85.2, -81.55, 80

 

CMYK 94 / 8 / 0 / 4

HEX #0EE3F6

RGB 14 227 246

HSL 184.91, 0.93%, 0.51%

LAB 82.75, -38.01, -22.03

 

CMYK 0 / 94 / 46 / 4

HEX #F60E86

RGB 246 14 134

HSL 328.97, 0.93%, 0.51%

LAB 53.63, 82.11, -1.58

 

CMYK 84 / 0 / 94 / 4

HEX #28F60F

RGB 40 246 15

HSL 113.51, 0.93%, 0.51%

LAB 85.2, -81.55, 80

 

CMYK 94 / 83 / 0 / 4

HEX #0E29F6

RGB 14 41 246

HSL 233.02, 0.93%, 0.51%

LAB 34.67, 66.64, -98.85

 

CMYK 0 / 94 / 83 / 4

HEX #F60E29

RGB 246 14 41

HSL 353.02, 0.93%, 0.51%

LAB 51.91, 77.43, 50.95

 

CMYK 84 / 0 / 94 / 4

HEX #28F60F

RGB 40 246 15

HSL 113.51, 0.93%, 0.51%

LAB 85.2, -81.55, 80

 

CMYK 94 / 8 / 0 / 4

HEX #0EE3F6

RGB 14 227 246

HSL 184.91, 0.93%, 0.51%

LAB 82.75, -38.01, -22.03

 

CMYK 11 / 94 / 0 / 4

HEX #DB0EF6

RGB 219 14 246

HSL 293.02, 0.93%, 0.51%

LAB 54.06, 90.61, -66.22

 

CMYK 0 / 87 / 94 / 4

HEX #F6210E

RGB 246 33 14

HSL 4.91, 0.93%, 0.51%

LAB 52.63, 74.53, 62.43

 

CMYK 84 / 0 / 94 / 4

HEX #28F60F

RGB 40 246 15

HSL 113.51, 0.93%, 0.51%

LAB 85.2, -81.55, 80

 

CMYK 94 / 36 / 0 / 4

HEX #0E9DF6

RGB 14 157 246

HSL 203.02, 0.93%, 0.51%

LAB 62.39, -1.78, -53.66

 

CMYK 11 / 94 / 0 / 4

HEX #DB0EF6

RGB 219 14 246

HSL 293.02, 0.93%, 0.51%

LAB 54.06, 90.61, -66.22

 

CMYK 0 / 58 / 94 / 4

HEX #F6670E

RGB 246 103 14

HSL 23.02, 0.93%, 0.51%

LAB 61.07, 51.46, 67.44

 

Description

Color code: HEX #28F60F | qconv.com Color code: HEX #28F60F | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 246 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 246 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 94 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 94% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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