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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #28E16B it is the complementary color #D71E94. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #28E16B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #28E16B shade: #2DE166, #3EF379, #4FFF8C, #60FF9F and #71FFB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #28E16B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #28E16B shade: #28E16B, #17CF58, #06BD45, #00AB32 and #00991F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #28E16B shade: #28E26B, #28E239, #49E228, #7BE228 and #ADE228

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #28E16B shade: #28E26B, #28E29D, #28E2CF, #28C2E2 and #2890E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #28E16B shade matches the following richer shades: #28E26B and #14F565

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #28E16B shade: #28E26B, #3BCE70, #4FBA76, #63A67B and #779281

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #28E16B shade: #4AE228, #28E237, #28E269, #28E29A and #28E2CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #28E16B shade: #16A148, #1BC559, #28E26B, #4CE784 and #70EC9D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #28E16B shade: #28E16B, #287BE2 and #E22831

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #28E16B shade: #28E16B, #6928E2 and #E26928

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #28E16B shade: #28E16B, #287BE2, #E228A1 and #E28E28

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #28E16B shade: #28E16B, #2843E2, #E228A1 and #E2C628

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 52 / 12

HEX #28E16B

RGB 40 225 107

HSL 141.73, 0.76%, 0.52%

LAB 79.25, -68.42, 45.13

 

Complementary color

CMYK 0 / 86 / 31 / 16

HEX #D71E94

RGB 215 30 148

HSL 321.73, 0.76%, 0.48%

LAB 48.9, 74.61, -17.68

 

CMYK 80 / 0 / 55 / 12

HEX #2DE166

RGB 45 225 102

HSL 139, 0.75%, 0.53%

LAB 79.25, -68.61, 47.49

 

CMYK 74 / 0 / 50 / 5

HEX #3EF379

RGB 62 243 121

HSL 139.56, 0.88%, 0.6%

LAB 85.25, -69.76, 45.97

 

CMYK 69 / 0 / 45 / 0

HEX #4FFF8C

RGB 79 255 140

HSL 140.8, 1%, 0.65%

LAB 89.43, -68.47, 42.21

 

CMYK 62 / 0 / 38 / 0

HEX #60FF9F

RGB 96 255 159

HSL 143.77, 1%, 0.69%

LAB 90.1, -62.36, 33.84

 

CMYK 56 / 0 / 30 / 0

HEX #71FFB2

RGB 113 255 178

HSL 147.46, 1%, 0.72%

LAB 90.89, -55.49, 25.45

 

CMYK 82 / 0 / 52 / 12

HEX #28E16B

RGB 40 225 107

HSL 141.73, 0.76%, 0.52%

LAB 79.25, -68.42, 45.13

 

CMYK 89 / 0 / 57 / 19

HEX #17CF58

RGB 23 207 88

HSL 141.2, 0.8%, 0.45%

LAB 73.23, -66.71, 46.72

 

CMYK 97 / 0 / 63 / 26

HEX #06BD45

RGB 6 189 69

HSL 140.66, 0.94%, 0.38%

LAB 67.17, -64.39, 48.25

 

CMYK 100 / 0 / 71 / 33

HEX #00AB32

RGB 0 171 50

HSL 137.54, 1%, 0.34%

LAB 61.09, -61.27, 49.55

 

CMYK 100 / 0 / 80 / 40

HEX #00991F

RGB 0 153 31

HSL 132.16, 1%, 0.3%

LAB 54.95, -57.53, 50.24

 

CMYK 82 / 0 / 53 / 11

HEX #28E26B

RGB 40 226 107

HSL 141.61, 0.76%, 0.52%

LAB 79.56, -68.74, 45.51

 

CMYK 82 / 0 / 75 / 11

HEX #28E239

RGB 40 226 57

HSL 125.48, 0.76%, 0.52%

LAB 79.12, -74.14, 65.53

 

CMYK 68 / 0 / 82 / 11

HEX #49E228

RGB 73 226 40

HSL 109.35, 0.76%, 0.52%

LAB 79.59, -70.37, 71.07

 

CMYK 46 / 0 / 82 / 11

HEX #7BE228

RGB 123 226 40

HSL 93.23, 0.76%, 0.52%

LAB 81.16, -57.87, 73.07

 

CMYK 23 / 0 / 82 / 11

HEX #ADE228

RGB 173 226 40

HSL 77.1, 0.76%, 0.52%

LAB 83.67, -40.45, 76.25

 

CMYK 82 / 0 / 53 / 11

HEX #28E26B

RGB 40 226 107

HSL 141.61, 0.76%, 0.52%

LAB 79.56, -68.74, 45.51

 

CMYK 82 / 0 / 31 / 11

HEX #28E29D

RGB 40 226 157

HSL 157.74, 0.76%, 0.52%

LAB 80.34, -59.76, 21.49

 

CMYK 82 / 0 / 8 / 11

HEX #28E2CF

RGB 40 226 207

HSL 173.87, 0.76%, 0.52%

LAB 81.48, -47.58, -3.23

 

CMYK 82 / 14 / 0 / 11

HEX #28C2E2

RGB 40 194 226

HSL 190.32, 0.76%, 0.52%

LAB 72.58, -27.24, -26.81

 

CMYK 82 / 36 / 0 / 11

HEX #2890E2

RGB 40 144 226

HSL 206.45, 0.76%, 0.52%

LAB 57.93, -0.13, -49.67

 

CMYK 82 / 0 / 53 / 11

HEX #28E26B

RGB 40 226 107

HSL 141.61, 0.76%, 0.52%

LAB 79.56, -68.74, 45.51

 

CMYK 92 / 0 / 59 / 4

HEX #14F565

RGB 20 245 101

HSL 141.6, 0.92%, 0.52%

LAB 85.2, -76.82, 54.91

 

CMYK 82 / 0 / 53 / 11

HEX #28E26B

RGB 40 226 107

HSL 141.61, 0.76%, 0.52%

LAB 79.56, -68.74, 45.51

 

CMYK 71 / 0 / 46 / 19

HEX #3BCE70

RGB 59 206 112

HSL 141.63, 0.6%, 0.52%

LAB 73.7, -58.78, 35.82

 

CMYK 58 / 0 / 37 / 27

HEX #4FBA76

RGB 79 186 118

HSL 141.87, 0.44%, 0.52%

LAB 68.09, -46.17, 25.48

 

CMYK 40 / 0 / 26 / 35

HEX #63A67B

RGB 99 166 123

HSL 141.49, 0.27%, 0.52%

LAB 62.81, -31.04, 15.71

 

CMYK 18 / 0 / 12 / 43

HEX #779281

RGB 119 146 129

HSL 142.22, 0.11%, 0.52%

LAB 58.1, -13.1, 5.86

 

CMYK 67 / 0 / 82 / 11

HEX #4AE228

RGB 74 226 40

HSL 109.03, 0.76%, 0.52%

LAB 79.61, -70.18, 71.1

 

CMYK 82 / 0 / 76 / 11

HEX #28E237

RGB 40 226 55

HSL 124.84, 0.76%, 0.52%

LAB 79.11, -74.28, 66.17

 

CMYK 82 / 0 / 54 / 11

HEX #28E269

RGB 40 226 105

HSL 140.97, 0.76%, 0.52%

LAB 79.54, -69.03, 46.42

 

CMYK 82 / 0 / 32 / 11

HEX #28E29A

RGB 40 226 154

HSL 156.77, 0.76%, 0.52%

LAB 80.28, -60.39, 22.97

 

CMYK 82 / 0 / 10 / 11

HEX #28E2CC

RGB 40 226 204

HSL 172.9, 0.76%, 0.52%

LAB 81.4, -48.39, -1.75

 

CMYK 86 / 0 / 55 / 37

HEX #16A148

RGB 22 161 72

HSL 141.58, 0.76%, 0.36%

LAB 58.16, -54.06, 36.37

 

CMYK 86 / 0 / 55 / 23

HEX #1BC559

RGB 27 197 89

HSL 141.88, 0.76%, 0.44%

LAB 70.1, -63.08, 42.53

 

CMYK 82 / 0 / 53 / 11

HEX #28E26B

RGB 40 226 107

HSL 141.61, 0.76%, 0.52%

LAB 79.56, -68.74, 45.51

 

CMYK 67 / 0 / 43 / 9

HEX #4CE784

RGB 76 231 132

HSL 141.68, 0.76%, 0.6%

LAB 82.03, -61.72, 36.61

 

CMYK 53 / 0 / 33 / 7

HEX #70EC9D

RGB 112 236 157

HSL 141.77, 0.77%, 0.68%

LAB 84.93, -51.91, 28.02

 

CMYK 82 / 0 / 52 / 12

HEX #28E16B

RGB 40 225 107

HSL 141.73, 0.76%, 0.52%

LAB 79.25, -68.42, 45.13

 

CMYK 82 / 46 / 0 / 11

HEX #287BE2

RGB 40 123 226

HSL 213.23, 0.76%, 0.52%

LAB 51.96, 12.6, -59.21

 

CMYK 0 / 82 / 78 / 11

HEX #E22831

RGB 226 40 49

HSL 357.1, 0.76%, 0.52%

LAB 49.38, 68.44, 42.87

 

CMYK 82 / 0 / 52 / 12

HEX #28E16B

RGB 40 225 107

HSL 141.73, 0.76%, 0.52%

LAB 79.25, -68.42, 45.13

 

CMYK 54 / 82 / 0 / 11

HEX #6928E2

RGB 105 40 226

HSL 260.97, 0.76%, 0.52%

LAB 37.86, 66.76, -82.03

 

CMYK 0 / 54 / 82 / 11

HEX #E26928

RGB 226 105 40

HSL 20.97, 0.76%, 0.52%

LAB 58.44, 43.56, 55.93

 

CMYK 82 / 0 / 52 / 12

HEX #28E16B

RGB 40 225 107

HSL 141.73, 0.76%, 0.52%

LAB 79.25, -68.42, 45.13

 

CMYK 82 / 46 / 0 / 11

HEX #287BE2

RGB 40 123 226

HSL 213.23, 0.76%, 0.52%

LAB 51.96, 12.6, -59.21

 

CMYK 0 / 82 / 29 / 11

HEX #E228A1

RGB 226 40 161

HSL 320.97, 0.76%, 0.52%

LAB 52.13, 76.47, -20.31

 

CMYK 0 / 37 / 82 / 11

HEX #E28E28

RGB 226 142 40

HSL 32.9, 0.76%, 0.52%

LAB 66.27, 24.48, 62.84

 

CMYK 82 / 0 / 52 / 12

HEX #28E16B

RGB 40 225 107

HSL 141.73, 0.76%, 0.52%

LAB 79.25, -68.42, 45.13

 

CMYK 82 / 70 / 0 / 11

HEX #2843E2

RGB 40 67 226

HSL 231.29, 0.76%, 0.52%

LAB 37.76, 47.8, -82.35

 

CMYK 0 / 82 / 29 / 11

HEX #E228A1

RGB 226 40 161

HSL 320.97, 0.76%, 0.52%

LAB 52.13, 76.47, -20.31

 

CMYK 0 / 12 / 82 / 11

HEX #E2C628

RGB 226 198 40

HSL 50.97, 0.76%, 0.52%

LAB 80.02, -5.08, 74.66

 

Description

Color code: HEX #28E16B | qconv.com Color code: HEX #28E16B | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 225 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 225 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 52 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 52% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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