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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #28DF76 it is the complementary color #D72089. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #28DF76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #28DF76 shade: #2DDF71, #3EF184, #4FFF97, #60FFAA and #71FFBD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #28DF76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #28DF76 shade: #28DF76, #17CD63, #06BB50, #00A93D and #00972A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #28DF76 shade: #2ADF77, #2ADF46, #3FDF2A, #6FDF2A and #A0DF2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #28DF76 shade: #2ADF77, #2ADFA8, #2ADFD9, #2AB5DF and #2A84DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #28DF76 shade matches the following richer shades: #2ADF77 and #16F374

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #28DF76 shade: #2ADF77, #3ECB7A, #52B87D, #65A480 and #799083

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #28DF76 shade: #3FDF2A, #2ADF45, #2ADF76, #2ADFA6 and #2ADFD6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #28DF76 shade: #189F51, #1DC364, #2ADF77, #4EE58E and #72EAA5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #28DF76 shade: #28DF76, #2A6FDF and #DF2D2A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #28DF76 shade: #28DF76, #762ADF and #DF762A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #28DF76 shade: #28DF76, #2A6FDF, #DF2A94 and #DF9A2A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #28DF76 shade: #28DF76, #2A39DF, #DF2A94 and #DFD02A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 47 / 13

HEX #28DF76

RGB 40 223 118

HSL 145.57, 0.74%, 0.52%

LAB 78.77, -66.07, 39.23

 

Complementary color

CMYK 0 / 85 / 36 / 16

HEX #D72089

RGB 215 32 137

HSL 325.57, 0.74%, 0.48%

LAB 48.62, 73.09, -11.48

 

CMYK 80 / 0 / 49 / 13

HEX #2DDF71

RGB 45 223 113

HSL 142.92, 0.74%, 0.53%

LAB 78.77, -66.35, 41.68

 

CMYK 74 / 0 / 45 / 5

HEX #3EF184

RGB 62 241 132

HSL 143.46, 0.86%, 0.59%

LAB 84.79, -67.38, 40.11

 

CMYK 69 / 0 / 41 / 0

HEX #4FFF97

RGB 79 255 151

HSL 144.55, 1%, 0.65%

LAB 89.59, -66.67, 37.06

 

CMYK 62 / 0 / 33 / 0

HEX #60FFAA

RGB 96 255 170

HSL 147.92, 1%, 0.69%

LAB 90.28, -60.37, 28.58

 

CMYK 56 / 0 / 26 / 0

HEX #71FFBD

RGB 113 255 189

HSL 152.11, 1%, 0.72%

LAB 91.1, -53.34, 20.14

 

CMYK 82 / 0 / 47 / 13

HEX #28DF76

RGB 40 223 118

HSL 145.57, 0.74%, 0.52%

LAB 78.77, -66.07, 39.23

 

CMYK 89 / 0 / 52 / 20

HEX #17CD63

RGB 23 205 99

HSL 145.05, 0.8%, 0.45%

LAB 72.72, -64.5, 40.91

 

CMYK 97 / 0 / 57 / 27

HEX #06BB50

RGB 6 187 80

HSL 144.53, 0.94%, 0.38%

LAB 66.64, -62.36, 42.63

 

CMYK 100 / 0 / 64 / 34

HEX #00A93D

RGB 0 169 61

HSL 141.66, 1%, 0.33%

LAB 60.53, -59.48, 44.29

 

CMYK 100 / 0 / 72 / 41

HEX #00972A

RGB 0 151 42

HSL 136.69, 1%, 0.3%

LAB 54.34, -56.02, 45.65

 

CMYK 81 / 0 / 47 / 13

HEX #2ADF77

RGB 42 223 119

HSL 145.52, 0.74%, 0.52%

LAB 78.81, -65.71, 38.79

 

CMYK 81 / 0 / 69 / 13

HEX #2ADF46

RGB 42 223 70

HSL 129.28, 0.74%, 0.52%

LAB 78.29, -71.97, 60.06

 

CMYK 72 / 0 / 81 / 13

HEX #3FDF2A

RGB 63 223 42

HSL 113.04, 0.74%, 0.52%

LAB 78.46, -71.11, 69.46

 

CMYK 50 / 0 / 81 / 13

HEX #6FDF2A

RGB 111 223 42

HSL 97.13, 0.74%, 0.52%

LAB 79.8, -60.22, 71.17

 

CMYK 28 / 0 / 81 / 13

HEX #A0DF2A

RGB 160 223 42

HSL 80.88, 0.74%, 0.52%

LAB 82.06, -43.97, 74.06

 

CMYK 81 / 0 / 47 / 13

HEX #2ADF77

RGB 42 223 119

HSL 145.52, 0.74%, 0.52%

LAB 78.81, -65.71, 38.79

 

CMYK 81 / 0 / 25 / 13

HEX #2ADFA8

RGB 42 223 168

HSL 161.77, 0.74%, 0.52%

LAB 79.67, -56, 14.81

 

CMYK 81 / 0 / 3 / 13

HEX #2ADFD9

RGB 42 223 217

HSL 178.01, 0.74%, 0.52%

LAB 80.89, -43.36, -9.41

 

CMYK 81 / 19 / 0 / 13

HEX #2AB5DF

RGB 42 181 223

HSL 193.92, 0.74%, 0.52%

LAB 68.66, -21.47, -31.21

 

CMYK 81 / 41 / 0 / 13

HEX #2A84DF

RGB 42 132 223

HSL 210.17, 0.74%, 0.52%

LAB 54.37, 6.11, -53.67

 

CMYK 81 / 0 / 47 / 13

HEX #2ADF77

RGB 42 223 119

HSL 145.52, 0.74%, 0.52%

LAB 78.81, -65.71, 38.79

 

CMYK 91 / 0 / 52 / 5

HEX #16F374

RGB 22 243 116

HSL 145.52, 0.9%, 0.52%

LAB 84.76, -74.1, 47.61

 

CMYK 81 / 0 / 47 / 13

HEX #2ADF77

RGB 42 223 119

HSL 145.52, 0.74%, 0.52%

LAB 78.81, -65.71, 38.79

 

CMYK 69 / 0 / 40 / 20

HEX #3ECB7A

RGB 62 203 122

HSL 145.53, 0.58%, 0.52%

LAB 72.98, -55.46, 29.81

 

CMYK 55 / 0 / 32 / 28

HEX #52B87D

RGB 82 184 125

HSL 145.29, 0.42%, 0.52%

LAB 67.69, -43.3, 21.23

 

CMYK 38 / 0 / 22 / 36

HEX #65A480

RGB 101 164 128

HSL 145.71, 0.26%, 0.52%

LAB 62.4, -28.46, 12.39

 

CMYK 16 / 0 / 9 / 44

HEX #799083

RGB 121 144 131

HSL 146.09, 0.09%, 0.52%

LAB 57.7, -10.9, 4.17

 

CMYK 72 / 0 / 81 / 13

HEX #3FDF2A

RGB 63 223 42

HSL 113.04, 0.74%, 0.52%

LAB 78.46, -71.11, 69.46

 

CMYK 81 / 0 / 69 / 13

HEX #2ADF45

RGB 42 223 69

HSL 128.95, 0.74%, 0.52%

LAB 78.28, -72.07, 60.43

 

CMYK 81 / 0 / 47 / 13

HEX #2ADF76

RGB 42 223 118

HSL 145.19, 0.74%, 0.52%

LAB 78.8, -65.87, 39.27

 

CMYK 81 / 0 / 26 / 13

HEX #2ADFA6

RGB 42 223 166

HSL 161.1, 0.74%, 0.52%

LAB 79.63, -56.46, 15.8

 

CMYK 81 / 0 / 4 / 13

HEX #2ADFD6

RGB 42 223 214

HSL 177.02, 0.74%, 0.52%

LAB 80.81, -44.21, -7.94

 

CMYK 85 / 0 / 49 / 38

HEX #189F51

RGB 24 159 81

HSL 145.33, 0.74%, 0.36%

LAB 57.64, -51.73, 31.15

 

CMYK 85 / 0 / 49 / 24

HEX #1DC364

RGB 29 195 100

HSL 145.66, 0.74%, 0.44%

LAB 69.62, -60.57, 36.57

 

CMYK 81 / 0 / 47 / 13

HEX #2ADF77

RGB 42 223 119

HSL 145.52, 0.74%, 0.52%

LAB 78.81, -65.71, 38.79

 

CMYK 66 / 0 / 38 / 10

HEX #4EE58E

RGB 78 229 142

HSL 145.43, 0.74%, 0.6%

LAB 81.63, -58.89, 31.06

 

CMYK 51 / 0 / 29 / 8

HEX #72EAA5

RGB 114 234 165

HSL 145.5, 0.74%, 0.68%

LAB 84.56, -49.14, 23.41

 

CMYK 82 / 0 / 47 / 13

HEX #28DF76

RGB 40 223 118

HSL 145.57, 0.74%, 0.52%

LAB 78.77, -66.07, 39.23

 

CMYK 81 / 50 / 0 / 13

HEX #2A6FDF

RGB 42 111 223

HSL 217.13, 0.74%, 0.52%

LAB 48.5, 19.18, -63.1

 

CMYK 0 / 80 / 81 / 13

HEX #DF2D2A

RGB 223 45 42

HSL 0.99, 0.74%, 0.52%

LAB 49.17, 66.16, 46.22

 

CMYK 82 / 0 / 47 / 13

HEX #28DF76

RGB 40 223 118

HSL 145.57, 0.74%, 0.52%

LAB 78.77, -66.07, 39.23

 

CMYK 47 / 81 / 0 / 13

HEX #762ADF

RGB 118 42 223

HSL 265.19, 0.74%, 0.52%

LAB 39.3, 66.84, -77.89

 

CMYK 0 / 47 / 81 / 13

HEX #DF762A

RGB 223 118 42

HSL 25.19, 0.74%, 0.52%

LAB 60.62, 35.92, 56.91

 

CMYK 82 / 0 / 47 / 13

HEX #28DF76

RGB 40 223 118

HSL 145.57, 0.74%, 0.52%

LAB 78.77, -66.07, 39.23

 

CMYK 81 / 50 / 0 / 13

HEX #2A6FDF

RGB 42 111 223

HSL 217.13, 0.74%, 0.52%

LAB 48.5, 19.18, -63.1

 

CMYK 0 / 81 / 34 / 13

HEX #DF2A94

RGB 223 42 148

HSL 324.86, 0.74%, 0.52%

LAB 51.25, 73.92, -13.98

 

CMYK 0 / 31 / 81 / 13

HEX #DF9A2A

RGB 223 154 42

HSL 37.13, 0.74%, 0.52%

LAB 68.73, 16.86, 64.18

 

CMYK 82 / 0 / 47 / 13

HEX #28DF76

RGB 40 223 118

HSL 145.57, 0.74%, 0.52%

LAB 78.77, -66.07, 39.23

 

CMYK 81 / 74 / 0 / 13

HEX #2A39DF

RGB 42 57 223

HSL 235.03, 0.74%, 0.52%

LAB 35.49, 52.61, -84.39

 

CMYK 0 / 81 / 34 / 13

HEX #DF2A94

RGB 223 42 148

HSL 324.86, 0.74%, 0.52%

LAB 51.25, 73.92, -13.98

 

CMYK 0 / 7 / 81 / 13

HEX #DFD02A

RGB 223 208 42

HSL 55.03, 0.74%, 0.52%

LAB 82.36, -11.38, 76.04

 

Description

Color code: HEX #28DF76 | qconv.com Color code: HEX #28DF76 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 223 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 223 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 47 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 47% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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