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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #28DBFF00 it is the complementary color #D7240000. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #28DBFF00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #28DBFF00 shade: #2DDBFA00, #3EEDFF00, #4FFFFF00, #60FFFF00 and #71FFFF00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #28DBFF00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #28DBFF00 shade: #28DBFF00, #17C9EC00, #06B7D900, #00A5C600 and #0093B300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #28DBFF00 shade: #29DBFF, #29A1FF, #2968FF, #292EFF and #5E29FF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #28DBFF00 shade: #29DBFF, #29A1FF, #2968FF, #292EFF and #2929FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #28DBFF00 shade matches the following richer shades: #29DBFF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #28DBFF00 shade: #29DBFF, #3AD0EE, #4BC4DC, #5DB9CB and #6EADBA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #28DBFF00 shade: #29FFB0, #29FFEA, #29DBFF, #29A2FF and #2969FF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #28DBFF00 shade: #00B2D5, #00D4FF, #29DBFF, #52E2FF and #7BE9FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #28DBFF00 shade: #28DBFF, #7729FF and #FFCD29

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #28DBFF00 shade: #28DBFF, #FF29DB and #DBFF29

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #28DBFF00 shade: #28DBFF, #7729FF, #FF4D29 and #B0FF29

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #28DBFF00 shade: #28DBFF, #B829FF, #FF4D29 and #70FF29

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #28DBFF00

RGBA 40 219 255 0

HSLA 190.05, 1%, 0.58%, 0

LABA 80.92, -30.24, -29.56, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #D7240000

RGBA 215 36 0 0

HSLA 10.05, 1%, 0.42%, 0

LABA 46.59, 65.48, 59.74, 0

 

CMYK 0 / 0 / 0 / 0

HEX #2DDBFA00

RGBA 45 219 250 0

HSLA 189.07, 0.95%, 0.58%, 0

LABA 80.81, -31.45, -27.08, 0

 

CMYK 0 / 0 / 0 / 0

HEX #3EEDFF00

RGBA 62 237 255 0

HSLA 185.6, 1%, 0.62%, 0

LABA 86.41, -36.94, -21.17, 0

 

CMYK 0 / 0 / 0 / 0

HEX #4FFFFF00

RGBA 79 255 255 0

HSLA 180, 1%, 0.65%, 0

LABA 91.87, -43.2, -12.94, 0

 

CMYK 0 / 0 / 0 / 0

HEX #60FFFF00

RGBA 96 255 255 0

HSLA 180, 1%, 0.69%, 0

LABA 92.23, -40.88, -12.35, 0

 

CMYK 0 / 0 / 0 / 0

HEX #71FFFF00

RGBA 113 255 255 0

HSLA 180, 1%, 0.72%, 0

LABA 92.69, -38.08, -11.63, 0

 

CMYK 0 / 0 / 0 / 0

HEX #28DBFF00

RGBA 40 219 255 0

HSLA 190.05, 1%, 0.58%, 0

LABA 80.92, -30.24, -29.56, 0

 

CMYK 0 / 0 / 0 / 0

HEX #17C9EC00

RGBA 23 201 236 0

HSLA 189.86, 0.85%, 0.51%, 0

LABA 74.83, -28.49, -28.77, 0

 

CMYK 0 / 0 / 0 / 0

HEX #06B7D900

RGBA 6 183 217 0

HSLA 189.67, 0.95%, 0.44%, 0

LABA 68.69, -26.39, -27.9, 0

 

CMYK 0 / 0 / 0 / 0

HEX #00A5C600

RGBA 0 165 198 0

HSLA 190, 1%, 0.39%, 0

LABA 62.5, -23.87, -26.94, 0

 

CMYK 0 / 0 / 0 / 0

HEX #0093B300

RGBA 0 147 179 0

HSLA 190.73, 1%, 0.35%, 0

LABA 56.21, -21.12, -25.92, 0

 

CMYK 84 / 14 / 0 / 0

HEX #29DBFF

RGB 41 219 255

HSL 190.09, 1%, 0.58%

LAB 80.94, -30.17, -29.54

 

CMYK 84 / 37 / 0 / 0

HEX #29A1FF

RGB 41 161 255

HSL 206.36, 1%, 0.58%

LAB 64.31, 0.63, -55.52

 

CMYK 84 / 59 / 0 / 0

HEX #2968FF

RGB 41 104 255

HSL 222.34, 1%, 0.58%

LAB 49, 35.49, -80.21

 

CMYK 84 / 82 / 0 / 0

HEX #292EFF

RGB 41 46 255

HSL 238.6, 1%, 0.58%

LAB 37.2, 67.8, -99.67

 

CMYK 63 / 84 / 0 / 0

HEX #5E29FF

RGB 94 41 255

HSL 254.86, 1%, 0.58%

LAB 39.89, 72.73, -95.1

 

CMYK 84 / 14 / 0 / 0

HEX #29DBFF

RGB 41 219 255

HSL 190.09, 1%, 0.58%

LAB 80.94, -30.17, -29.54

 

CMYK 84 / 37 / 0 / 0

HEX #29A1FF

RGB 41 161 255

HSL 206.36, 1%, 0.58%

LAB 64.31, 0.63, -55.52

 

CMYK 84 / 59 / 0 / 0

HEX #2968FF

RGB 41 104 255

HSL 222.34, 1%, 0.58%

LAB 49, 35.49, -80.21

 

CMYK 84 / 82 / 0 / 0

HEX #292EFF

RGB 41 46 255

HSL 238.6, 1%, 0.58%

LAB 37.2, 67.8, -99.67

 

CMYK 84 / 84 / 0 / 0

HEX #2929FF

RGB 41 41 255

HSL 240, 1%, 0.58%

LAB 36.51, 69.84, -100.81

 

CMYK 84 / 14 / 0 / 0

HEX #29DBFF

RGB 41 219 255

HSL 190.09, 1%, 0.58%

LAB 80.94, -30.17, -29.54

 

CMYK 84 / 14 / 0 / 0

HEX #29DBFF

RGB 41 219 255

HSL 190.09, 1%, 0.58%

LAB 80.94, -30.17, -29.54

 

CMYK 76 / 13 / 0 / 7

HEX #3AD0EE

RGB 58 208 238

HSL 190, 0.84%, 0.58%

LAB 77.39, -28.69, -25.89

 

CMYK 66 / 11 / 0 / 14

HEX #4BC4DC

RGB 75 196 220

HSL 189.93, 0.67%, 0.58%

LAB 73.64, -26.09, -21.88

 

CMYK 54 / 9 / 0 / 20

HEX #5DB9CB

RGB 93 185 203

HSL 189.82, 0.51%, 0.58%

LAB 70.41, -22.31, -17.46

 

CMYK 41 / 7 / 0 / 27

HEX #6EADBA

RGB 110 173 186

HSL 190.26, 0.36%, 0.58%

LAB 67.09, -16.81, -13.03

 

CMYK 84 / 0 / 31 / 0

HEX #29FFB0

RGB 41 255 176

HSL 157.85, 1%, 0.58%

LAB 89.45, -66.25, 24.26

 

CMYK 84 / 0 / 8 / 0

HEX #29FFEA

RGB 41 255 234

HSL 174.11, 1%, 0.58%

LAB 90.75, -52.43, -3.76

 

CMYK 84 / 14 / 0 / 0

HEX #29DBFF

RGB 41 219 255

HSL 190.09, 1%, 0.58%

LAB 80.94, -30.17, -29.54

 

CMYK 84 / 36 / 0 / 0

HEX #29A2FF

RGB 41 162 255

HSL 206.07, 1%, 0.58%

LAB 64.59, 0.05, -55.07

 

CMYK 84 / 59 / 0 / 0

HEX #2969FF

RGB 41 105 255

HSL 222.06, 1%, 0.58%

LAB 49.25, 34.87, -79.8

 

CMYK 100 / 16 / 0 / 16

HEX #00B2D5

RGB 0 178 213

HSL 189.86, 1%, 0.42%

LAB 67.01, -25.38, -28.3

 

CMYK 100 / 17 / 0 / 0

HEX #00D4FF

RGB 0 212 255

HSL 190.12, 1%, 0.5%

LAB 78.64, -28.33, -33.09

 

CMYK 84 / 14 / 0 / 0

HEX #29DBFF

RGB 41 219 255

HSL 190.09, 1%, 0.58%

LAB 80.94, -30.17, -29.54

 

CMYK 68 / 11 / 0 / 0

HEX #52E2FF

RGB 82 226 255

HSL 190.06, 1%, 0.66%

LAB 83.66, -29.38, -25.32

 

CMYK 52 / 9 / 0 / 0

HEX #7BE9FF

RGB 123 233 255

HSL 190, 1%, 0.74%

LAB 86.85, -25.78, -20.35

 

CMYK 84 / 14 / 0 / 0

HEX #28DBFF

RGB 40 219 255

HSL 190.05, 1%, 0.58%

LAB 80.92, -30.24, -29.56

 

CMYK 53 / 84 / 0 / 0

HEX #7729FF

RGB 119 41 255

HSL 261.87, 1%, 0.58%

LAB 42.35, 74.93, -90.96

 

CMYK 0 / 20 / 84 / 0

HEX #FFCD29

RGB 255 205 41

HSL 45.98, 1%, 0.58%

LAB 84.53, 3.73, 79.29

 

CMYK 84 / 14 / 0 / 0

HEX #28DBFF

RGB 40 219 255

HSL 190.05, 1%, 0.58%

LAB 80.92, -30.24, -29.56

 

CMYK 0 / 84 / 14 / 0

HEX #FF29DB

RGB 255 41 219

HSL 310.09, 1%, 0.58%

LAB 59.85, 89.25, -41.44

 

CMYK 14 / 0 / 84 / 0

HEX #DBFF29

RGB 219 255 41

HSL 70.09, 1%, 0.58%

LAB 94.63, -35.49, 86.55

 

CMYK 84 / 14 / 0 / 0

HEX #28DBFF

RGB 40 219 255

HSL 190.05, 1%, 0.58%

LAB 80.92, -30.24, -29.56

 

CMYK 53 / 84 / 0 / 0

HEX #7729FF

RGB 119 41 255

HSL 261.87, 1%, 0.58%

LAB 42.35, 74.93, -90.96

 

CMYK 0 / 70 / 84 / 0

HEX #FF4D29

RGB 255 77 41

HSL 10.09, 1%, 0.58%

LAB 58.72, 65.57, 57.58

 

CMYK 31 / 0 / 84 / 0

HEX #B0FF29

RGB 176 255 41

HSL 82.15, 1%, 0.58%

LAB 92.09, -51.63, 83.38

 

CMYK 84 / 14 / 0 / 0

HEX #28DBFF

RGB 40 219 255

HSL 190.05, 1%, 0.58%

LAB 80.92, -30.24, -29.56

 

CMYK 28 / 84 / 0 / 0

HEX #B829FF

RGB 184 41 255

HSL 280.09, 1%, 0.58%

LAB 50.68, 82.88, -76.97

 

CMYK 0 / 70 / 84 / 0

HEX #FF4D29

RGB 255 77 41

HSL 10.09, 1%, 0.58%

LAB 58.72, 65.57, 57.58

 

CMYK 56 / 0 / 84 / 0

HEX #70FF29

RGB 112 255 41

HSL 100.09, 1%, 0.58%

LAB 89.45, -71.16, 80.06

 

Description

Color code: HEX #28DBFF00 | qconv.com Color code: HEX #28DBFF00 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 219 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 219 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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