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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #28DB7E it is the complementary color #D72481. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #28DB7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #28DB7E shade: #2DDB79, #3EED8C, #4FFF9F, #60FFB2 and #71FFC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #28DB7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #28DB7E shade: #28DB7E, #17C96B, #06B758, #00A545 and #009332

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #28DB7E shade: #29DB7F, #29DB4F, #34DB29, #64DB29 and #93DB29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #28DB7E shade: #29DB7F, #29DBAE, #29D7DB, #29A7DB and #2978DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #28DB7E shade matches the following richer shades: #29DB7F and #15EF7E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #28DB7E shade: #29DB7F, #3EC77F, #52B280, #669E81 and #7A8A82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #28DB7E shade: #35DB29, #29DB4D, #29DB7C, #29DBAB and #29DBDB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #28DB7E shade: #1A9856, #20BB6A, #29DB7F, #4DE194 and #70E7A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #28DB7E shade: #28DB7E, #2964DB and #DB3529

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #28DB7E shade: #28DB7E, #7C29DB and #DB7C29

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #28DB7E shade: #28DB7E, #2964DB, #DB2988 and #DBA029

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #28DB7E shade: #28DB7E, #292FDB, #DB2988 and #DBD529

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 42 / 14

HEX #28DB7E

RGB 40 219 126

HSL 148.83, 0.71%, 0.51%

LAB 77.65, -63.34, 33.81

 

Complementary color

CMYK 0 / 83 / 40 / 16

HEX #D72481

RGB 215 36 129

HSL 328.83, 0.71%, 0.49%

LAB 48.63, 71.49, -6.62

 

CMYK 79 / 0 / 45 / 14

HEX #2DDB79

RGB 45 219 121

HSL 146.21, 0.71%, 0.52%

LAB 77.64, -63.7, 36.31

 

CMYK 74 / 0 / 41 / 7

HEX #3EED8C

RGB 62 237 140

HSL 146.74, 0.83%, 0.59%

LAB 83.7, -64.63, 34.74

 

CMYK 69 / 0 / 38 / 0

HEX #4FFF9F

RGB 79 255 159

HSL 147.27, 1%, 0.65%

LAB 89.71, -65.26, 33.26

 

CMYK 62 / 0 / 30 / 0

HEX #60FFB2

RGB 96 255 178

HSL 150.94, 1%, 0.69%

LAB 90.42, -58.84, 24.73

 

CMYK 56 / 0 / 23 / 0

HEX #71FFC5

RGB 113 255 197

HSL 155.49, 1%, 0.72%

LAB 91.26, -51.71, 16.27

 

CMYK 82 / 0 / 42 / 14

HEX #28DB7E

RGB 40 219 126

HSL 148.83, 0.71%, 0.51%

LAB 77.65, -63.34, 33.81

 

CMYK 89 / 0 / 47 / 21

HEX #17C96B

RGB 23 201 107

HSL 148.31, 0.79%, 0.44%

LAB 71.57, -61.88, 35.51

 

CMYK 97 / 0 / 52 / 28

HEX #06B758

RGB 6 183 88

HSL 147.8, 0.94%, 0.37%

LAB 65.44, -59.88, 37.3

 

CMYK 100 / 0 / 58 / 35

HEX #00A545

RGB 0 165 69

HSL 145.09, 1%, 0.32%

LAB 59.29, -57.17, 39.15

 

CMYK 100 / 0 / 66 / 42

HEX #009332

RGB 0 147 50

HSL 140.41, 1%, 0.29%

LAB 53.06, -53.92, 40.86

 

CMYK 81 / 0 / 42 / 14

HEX #29DB7F

RGB 41 219 127

HSL 148.99, 0.71%, 0.51%

LAB 77.68, -63.06, 33.34

 

CMYK 81 / 0 / 64 / 14

HEX #29DB4F

RGB 41 219 79

HSL 132.81, 0.71%, 0.51%

LAB 77.1, -69.97, 55.16

 

CMYK 76 / 0 / 81 / 14

HEX #34DB29

RGB 52 219 41

HSL 116.29, 0.71%, 0.51%

LAB 77.01, -71.63, 68.31

 

CMYK 54 / 0 / 81 / 14

HEX #64DB29

RGB 100 219 41

HSL 100.11, 0.71%, 0.51%

LAB 78.19, -61.86, 69.82

 

CMYK 33 / 0 / 81 / 14

HEX #93DB29

RGB 147 219 41

HSL 84.27, 0.71%, 0.51%

LAB 80.19, -47.05, 72.38

 

CMYK 81 / 0 / 42 / 14

HEX #29DB7F

RGB 41 219 127

HSL 148.99, 0.71%, 0.51%

LAB 77.68, -63.06, 33.34

 

CMYK 81 / 0 / 21 / 14

HEX #29DBAE

RGB 41 219 174

HSL 164.83, 0.71%, 0.51%

LAB 78.57, -53.1, 10.09

 

CMYK 81 / 2 / 0 / 14

HEX #29D7DB

RGB 41 215 219

HSL 181.35, 0.71%, 0.51%

LAB 78.57, -39.29, -13.95

 

CMYK 81 / 24 / 0 / 14

HEX #29A7DB

RGB 41 167 219

HSL 197.53, 0.71%, 0.51%

LAB 64.34, -15.52, -35.71

 

CMYK 81 / 45 / 0 / 14

HEX #2978DB

RGB 41 120 219

HSL 213.37, 0.71%, 0.51%

LAB 50.71, 11.91, -57.28

 

CMYK 81 / 0 / 42 / 14

HEX #29DB7F

RGB 41 219 127

HSL 148.99, 0.71%, 0.51%

LAB 77.68, -63.06, 33.34

 

CMYK 91 / 0 / 47 / 6

HEX #15EF7E

RGB 21 239 126

HSL 148.9, 0.87%, 0.51%

LAB 83.65, -71.35, 41.48

 

CMYK 81 / 0 / 42 / 14

HEX #29DB7F

RGB 41 219 127

HSL 148.99, 0.71%, 0.51%

LAB 77.68, -63.06, 33.34

 

CMYK 69 / 0 / 36 / 22

HEX #3EC77F

RGB 62 199 127

HSL 148.47, 0.55%, 0.51%

LAB 71.83, -52.99, 25.66

 

CMYK 54 / 0 / 28 / 30

HEX #52B280

RGB 82 178 128

HSL 148.75, 0.38%, 0.51%

LAB 65.9, -40.1, 17.15

 

CMYK 35 / 0 / 18 / 38

HEX #669E81

RGB 102 158 129

HSL 148.93, 0.22%, 0.51%

LAB 60.66, -24.99, 9.38

 

CMYK 12 / 0 / 6 / 46

HEX #7A8A82

RGB 122 138 130

HSL 150, 0.06%, 0.51%

LAB 56.01, -7.44, 2.31

 

CMYK 76 / 0 / 81 / 14

HEX #35DB29

RGB 53 219 41

HSL 115.96, 0.71%, 0.51%

LAB 77.03, -71.49, 68.33

 

CMYK 81 / 0 / 65 / 14

HEX #29DB4D

RGB 41 219 77

HSL 132.13, 0.71%, 0.51%

LAB 77.08, -70.18, 55.97

 

CMYK 81 / 0 / 43 / 14

HEX #29DB7C

RGB 41 219 124

HSL 147.98, 0.71%, 0.51%

LAB 77.63, -63.59, 34.79

 

CMYK 81 / 0 / 22 / 14

HEX #29DBAB

RGB 41 219 171

HSL 163.82, 0.71%, 0.51%

LAB 78.51, -53.82, 11.58

 

CMYK 81 / 0 / 0 / 14

HEX #29DBDB

RGB 41 219 219

HSL 180, 0.71%, 0.51%

LAB 79.76, -41.09, -12.17

 

CMYK 83 / 0 / 43 / 40

HEX #1A9856

RGB 26 152 86

HSL 148.57, 0.71%, 0.35%

LAB 55.43, -48.08, 25.67

 

CMYK 83 / 0 / 43 / 27

HEX #20BB6A

RGB 32 187 106

HSL 148.65, 0.71%, 0.43%

LAB 67.19, -56.48, 30.41

 

CMYK 81 / 0 / 42 / 14

HEX #29DB7F

RGB 41 219 127

HSL 148.99, 0.71%, 0.51%

LAB 77.68, -63.06, 33.34

 

CMYK 66 / 0 / 34 / 12

HEX #4DE194

RGB 77 225 148

HSL 148.78, 0.71%, 0.59%

LAB 80.5, -56.43, 26.48

 

CMYK 52 / 0 / 27 / 9

HEX #70E7A9

RGB 112 231 169

HSL 148.74, 0.71%, 0.67%

LAB 83.68, -47.57, 20.13

 

CMYK 82 / 0 / 42 / 14

HEX #28DB7E

RGB 40 219 126

HSL 148.83, 0.71%, 0.51%

LAB 77.65, -63.34, 33.81

 

CMYK 81 / 54 / 0 / 14

HEX #2964DB

RGB 41 100 219

HSL 220.11, 0.71%, 0.51%

LAB 45.22, 24.61, -66.15

 

CMYK 0 / 76 / 81 / 14

HEX #DB3529

RGB 219 53 41

HSL 4.04, 0.71%, 0.51%

LAB 49.21, 62.67, 46.51

 

CMYK 82 / 0 / 42 / 14

HEX #28DB7E

RGB 40 219 126

HSL 148.83, 0.71%, 0.51%

LAB 77.65, -63.34, 33.81

 

CMYK 43 / 81 / 0 / 14

HEX #7C29DB

RGB 124 41 219

HSL 267.98, 0.71%, 0.51%

LAB 39.56, 67.02, -75.16

 

CMYK 0 / 43 / 81 / 14

HEX #DB7C29

RGB 219 124 41

HSL 27.98, 0.71%, 0.51%

LAB 61.34, 31.14, 57.76

 

CMYK 82 / 0 / 42 / 14

HEX #28DB7E

RGB 40 219 126

HSL 148.83, 0.71%, 0.51%

LAB 77.65, -63.34, 33.81

 

CMYK 81 / 54 / 0 / 14

HEX #2964DB

RGB 41 100 219

HSL 220.11, 0.71%, 0.51%

LAB 45.22, 24.61, -66.15

 

CMYK 0 / 81 / 38 / 14

HEX #DB2988

RGB 219 41 136

HSL 327.98, 0.71%, 0.51%

LAB 50.01, 71.99, -8.72

 

CMYK 0 / 27 / 81 / 14

HEX #DBA029

RGB 219 160 41

HSL 40.11, 0.71%, 0.51%

LAB 69.73, 11.88, 65.22

 

CMYK 82 / 0 / 42 / 14

HEX #28DB7E

RGB 40 219 126

HSL 148.83, 0.71%, 0.51%

LAB 77.65, -63.34, 33.81

 

CMYK 81 / 79 / 0 / 14

HEX #292FDB

RGB 41 47 219

HSL 237.98, 0.71%, 0.51%

LAB 33.18, 56.53, -85.93

 

CMYK 0 / 81 / 38 / 14

HEX #DB2988

RGB 219 41 136

HSL 327.98, 0.71%, 0.51%

LAB 50.01, 71.99, -8.72

 

CMYK 0 / 3 / 81 / 14

HEX #DBD529

RGB 219 213 41

HSL 57.98, 0.71%, 0.51%

LAB 83.34, -15.6, 77

 

Description

Color code: HEX #28DB7E | qconv.com Color code: HEX #28DB7E | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 219 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 219 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 42 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 42% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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