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Color name
HEX #28C965

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #28C965 it is the complementary color #D7369A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #28C965. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #28C965 shade: #2DC960, #3EDB73, #4FED86, #60FF99 and #71FFAC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #28C965. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #28C965 shade: #28C965, #17B752, #06A53F, #00932C and #008119

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #28C965 shade: #28C864, #28C839, #41C828, #6DC828 and #98C828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #28C965 shade: #28C864, #28C890, #28C8BB, #28AAC8 and #287FC8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #28C965 shade matches the following richer shades: #28C864, #14DC60 and #01EF5B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #28C965 shade: #28C864, #3BB569, #4EA16E, #628E72 and #757B77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #28C965 shade: #42C828, #28C838, #28C862, #28C88D and #28C8B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #28C965 shade: #1A8342, #21A653, #28C864, #40D97A and #62E092

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #28C965 shade: #28C965, #286DC8 and #C8282D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #28C965 shade: #28C965, #6228C8 and #C86228

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #28C965 shade: #28C965, #286DC8, #C8288D and #C88328

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #28C965 shade: #28C965, #283DC8, #C8288D and #C8B328

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 50 / 21

HEX #28C965

RGB 40 201 101

HSL 142.73, 0.67%, 0.47%

LAB 71.67, -61.36, 38.66

 

Complementary color

CMYK 0 / 75 / 28 / 16

HEX #D7369A

RGB 215 54 154

HSL 322.73, 0.67%, 0.53%

LAB 51.17, 69.44, -17.8

 

CMYK 78 / 0 / 52 / 21

HEX #2DC960

RGB 45 201 96

HSL 139.62, 0.63%, 0.48%

LAB 71.67, -61.52, 41.13

 

CMYK 72 / 0 / 47 / 14

HEX #3EDB73

RGB 62 219 115

HSL 140.25, 0.69%, 0.55%

LAB 77.83, -62.46, 39.58

 

CMYK 67 / 0 / 43 / 7

HEX #4FED86

RGB 79 237 134

HSL 140.89, 0.81%, 0.62%

LAB 83.94, -63.05, 38.1

 

CMYK 62 / 0 / 40 / 0

HEX #60FF99

RGB 96 255 153

HSL 141.51, 1%, 0.69%

LAB 90, -63.39, 36.69

 

CMYK 56 / 0 / 33 / 0

HEX #71FFAC

RGB 113 255 172

HSL 144.93, 1%, 0.72%

LAB 90.78, -56.6, 28.33

 

CMYK 80 / 0 / 50 / 21

HEX #28C965

RGB 40 201 101

HSL 142.73, 0.67%, 0.47%

LAB 71.67, -61.36, 38.66

 

CMYK 87 / 0 / 55 / 28

HEX #17B752

RGB 23 183 82

HSL 142.13, 0.78%, 0.4%

LAB 65.48, -59.84, 40.31

 

CMYK 96 / 0 / 62 / 35

HEX #06A53F

RGB 6 165 63

HSL 141.51, 0.93%, 0.34%

LAB 59.26, -57.67, 41.95

 

CMYK 100 / 0 / 70 / 42

HEX #00932C

RGB 0 147 44

HSL 137.96, 1%, 0.29%

LAB 53, -54.59, 43.41

 

CMYK 100 / 0 / 81 / 49

HEX #008119

RGB 0 129 25

HSL 131.63, 1%, 0.25%

LAB 46.67, -50.78, 44.22

 

CMYK 80 / 0 / 50 / 22

HEX #28C864

RGB 40 200 100

HSL 142.5, 0.67%, 0.47%

LAB 71.34, -61.17, 38.74

 

CMYK 80 / 0 / 72 / 22

HEX #28C839

RGB 40 200 57

HSL 126.38, 0.67%, 0.47%

LAB 70.91, -66.37, 57.22

 

CMYK 68 / 0 / 80 / 22

HEX #41C828

RGB 65 200 40

HSL 110.63, 0.67%, 0.47%

LAB 71.27, -63.62, 63.34

 

CMYK 46 / 0 / 80 / 22

HEX #6DC828

RGB 109 200 40

HSL 94.13, 0.67%, 0.47%

LAB 72.7, -52.26, 65.18

 

CMYK 24 / 0 / 80 / 22

HEX #98C828

RGB 152 200 40

HSL 78, 0.67%, 0.47%

LAB 74.91, -36.97, 68.01

 

CMYK 80 / 0 / 50 / 22

HEX #28C864

RGB 40 200 100

HSL 142.5, 0.67%, 0.47%

LAB 71.34, -61.17, 38.74

 

CMYK 80 / 0 / 28 / 22

HEX #28C890

RGB 40 200 144

HSL 159, 0.67%, 0.47%

LAB 72.08, -52.74, 16.93

 

CMYK 80 / 0 / 7 / 22

HEX #28C8BB

RGB 40 200 187

HSL 175.13, 0.67%, 0.47%

LAB 73.12, -41.83, -4.81

 

CMYK 80 / 15 / 0 / 22

HEX #28AAC8

RGB 40 170 200

HSL 191.25, 0.67%, 0.47%

LAB 64.46, -23.59, -25

 

CMYK 80 / 37 / 0 / 22

HEX #287FC8

RGB 40 127 200

HSL 207.38, 0.67%, 0.47%

LAB 51.61, 0.36, -45.06

 

CMYK 80 / 0 / 50 / 22

HEX #28C864

RGB 40 200 100

HSL 142.5, 0.67%, 0.47%

LAB 71.34, -61.17, 38.74

 

CMYK 91 / 0 / 56 / 14

HEX #14DC60

RGB 20 220 96

HSL 142.8, 0.83%, 0.47%

LAB 77.39, -69.87, 47.97

 

CMYK 100 / 0 / 62 / 6

HEX #01EF5B

RGB 1 239 91

HSL 142.69, 0.99%, 0.47%

LAB 83.18, -76.89, 56.86

 

CMYK 80 / 0 / 50 / 22

HEX #28C864

RGB 40 200 100

HSL 142.5, 0.67%, 0.47%

LAB 71.34, -61.17, 38.74

 

CMYK 67 / 0 / 42 / 29

HEX #3BB569

RGB 59 181 105

HSL 142.62, 0.51%, 0.47%

LAB 65.75, -50.67, 29.14

 

CMYK 52 / 0 / 32 / 37

HEX #4EA16E

RGB 78 161 110

HSL 143.13, 0.35%, 0.47%

LAB 60.1, -37.21, 19.02

 

CMYK 31 / 0 / 20 / 44

HEX #628E72

RGB 98 142 114

HSL 141.82, 0.18%, 0.47%

LAB 55.23, -21.26, 10.17

 

CMYK 5 / 0 / 3 / 52

HEX #757B77

RGB 117 123 119

HSL 140, 0.03%, 0.47%

LAB 51.01, -3.06, 1.4

 

CMYK 67 / 0 / 80 / 22

HEX #42C828

RGB 66 200 40

HSL 110.25, 0.67%, 0.47%

LAB 71.3, -63.42, 63.37

 

CMYK 80 / 0 / 72 / 22

HEX #28C838

RGB 40 200 56

HSL 126, 0.67%, 0.47%

LAB 70.9, -66.46, 57.58

 

CMYK 80 / 0 / 51 / 22

HEX #28C862

RGB 40 200 98

HSL 141.75, 0.67%, 0.47%

LAB 71.31, -61.48, 39.69

 

CMYK 80 / 0 / 30 / 22

HEX #28C88D

RGB 40 200 141

HSL 157.88, 0.67%, 0.47%

LAB 72.02, -53.41, 18.44

 

CMYK 80 / 0 / 8 / 22

HEX #28C8B8

RGB 40 200 184

HSL 174, 0.67%, 0.47%

LAB 73.04, -42.66, -3.3

 

CMYK 80 / 0 / 50 / 49

HEX #1A8342

RGB 26 131 66

HSL 142.86, 0.67%, 0.31%

LAB 48.06, -43.89, 27.03

 

CMYK 80 / 0 / 50 / 35

HEX #21A653

RGB 33 166 83

HSL 142.56, 0.67%, 0.39%

LAB 60.09, -52.9, 33.22

 

CMYK 80 / 0 / 50 / 22

HEX #28C864

RGB 40 200 100

HSL 142.5, 0.67%, 0.47%

LAB 71.34, -61.17, 38.74

 

CMYK 71 / 0 / 44 / 15

HEX #40D97A

RGB 64 217 122

HSL 142.75, 0.67%, 0.55%

LAB 77.35, -60.29, 35.51

 

CMYK 56 / 0 / 35 / 12

HEX #62E092

RGB 98 224 146

HSL 142.86, 0.67%, 0.63%

LAB 80.73, -52.25, 27.91

 

CMYK 80 / 0 / 50 / 21

HEX #28C965

RGB 40 201 101

HSL 142.73, 0.67%, 0.47%

LAB 71.67, -61.36, 38.66

 

CMYK 80 / 46 / 0 / 22

HEX #286DC8

RGB 40 109 200

HSL 214.13, 0.67%, 0.47%

LAB 46.39, 11.51, -53.4

 

CMYK 0 / 80 / 78 / 22

HEX #C8282D

RGB 200 40 45

HSL 358.13, 0.67%, 0.47%

LAB 44.21, 61.04, 38.1

 

CMYK 80 / 0 / 50 / 21

HEX #28C965

RGB 40 201 101

HSL 142.73, 0.67%, 0.47%

LAB 71.67, -61.36, 38.66

 

CMYK 51 / 80 / 0 / 22

HEX #6228C8

RGB 98 40 200

HSL 261.75, 0.67%, 0.47%

LAB 34.57, 59.38, -72.47

 

CMYK 0 / 51 / 80 / 22

HEX #C86228

RGB 200 98 40

HSL 21.75, 0.67%, 0.47%

LAB 53.13, 36.95, 49.6

 

CMYK 80 / 0 / 50 / 21

HEX #28C965

RGB 40 201 101

HSL 142.73, 0.67%, 0.47%

LAB 71.67, -61.36, 38.66

 

CMYK 80 / 46 / 0 / 22

HEX #286DC8

RGB 40 109 200

HSL 214.13, 0.67%, 0.47%

LAB 46.39, 11.51, -53.4

 

CMYK 0 / 80 / 30 / 22

HEX #C8288D

RGB 200 40 141

HSL 322.13, 0.67%, 0.47%

LAB 46.61, 68.24, -17.22

 

CMYK 0 / 35 / 80 / 22

HEX #C88328

RGB 200 131 40

HSL 34.13, 0.67%, 0.47%

LAB 60.48, 19.31, 56.46

 

CMYK 80 / 0 / 50 / 21

HEX #28C965

RGB 40 201 101

HSL 142.73, 0.67%, 0.47%

LAB 71.67, -61.36, 38.66

 

CMYK 80 / 70 / 0 / 22

HEX #283DC8

RGB 40 61 200

HSL 232.13, 0.67%, 0.47%

LAB 33.9, 42.34, -73.73

 

CMYK 0 / 80 / 30 / 22

HEX #C8288D

RGB 200 40 141

HSL 322.13, 0.67%, 0.47%

LAB 46.61, 68.24, -17.22

 

CMYK 0 / 11 / 80 / 22

HEX #C8B328

RGB 200 179 40

HSL 52.13, 0.67%, 0.47%

LAB 72.68, -6.52, 67.4

 

Description

Color code: HEX #28C965 | qconv.com Color code: HEX #28C965 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 201 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 201 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 50 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 50% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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