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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #28C76B it is the complementary color #D73894. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #28C76B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #28C76B shade: #2DC766, #3ED979, #4FEB8C, #60FD9F and #71FFB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #28C76B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #28C76B shade: #28C76B, #17B558, #06A345, #009132 and #007F1F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #28C76B shade: #28C86B, #28C840, #3BC828, #66C828 and #91C828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #28C76B shade: #28C86B, #28C897, #28C8C2, #28A3C8 and #2878C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #28C76B shade matches the following richer shades: #28C86B, #14DC68 and #01EF65

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #28C76B shade: #28C86B, #3BB56E, #4EA171, #628E74 and #757B77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #28C76B shade: #3AC828, #28C840, #28C86A, #28C895 and #28C8C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #28C76B shade: #1A8346, #21A659, #28C86B, #40D980 and #62E097

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #28C76B shade: #28C76B, #2865C8 and #C82A28

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #28C76B shade: #28C76B, #6A28C8 and #C86A28

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #28C76B shade: #28C76B, #2865C8, #C82885 and #C88B28

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #28C76B shade: #28C76B, #2835C8, #C82885 and #C8BB28

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 46 / 22

HEX #28C76B

RGB 40 199 107

HSL 145.28, 0.67%, 0.47%

LAB 71.12, -59.69, 34.97

 

Complementary color

CMYK 0 / 74 / 31 / 16

HEX #D73894

RGB 215 56 148

HSL 325.28, 0.67%, 0.53%

LAB 51.17, 68.13, -14.24

 

CMYK 77 / 0 / 49 / 22

HEX #2DC766

RGB 45 199 102

HSL 142.21, 0.63%, 0.48%

LAB 71.12, -59.92, 37.5

 

CMYK 71 / 0 / 44 / 15

HEX #3ED979

RGB 62 217 121

HSL 142.84, 0.67%, 0.55%

LAB 77.3, -60.77, 35.93

 

CMYK 66 / 0 / 40 / 8

HEX #4FEB8C

RGB 79 235 140

HSL 143.46, 0.8%, 0.62%

LAB 83.43, -61.31, 34.45

 

CMYK 62 / 0 / 37 / 1

HEX #60FD9F

RGB 96 253 159

HSL 144.08, 0.98%, 0.68%

LAB 89.51, -61.61, 33.05

 

CMYK 56 / 0 / 30 / 0

HEX #71FFB2

RGB 113 255 178

HSL 147.46, 1%, 0.72%

LAB 90.89, -55.49, 25.45

 

CMYK 80 / 0 / 46 / 22

HEX #28C76B

RGB 40 199 107

HSL 145.28, 0.67%, 0.47%

LAB 71.12, -59.69, 34.97

 

CMYK 87 / 0 / 51 / 29

HEX #17B558

RGB 23 181 88

HSL 144.68, 0.77%, 0.4%

LAB 64.91, -58.26, 36.67

 

CMYK 96 / 0 / 58 / 36

HEX #06A345

RGB 6 163 69

HSL 144.08, 0.93%, 0.33%

LAB 58.66, -56.22, 38.41

 

CMYK 100 / 0 / 66 / 43

HEX #009132

RGB 0 145 50

HSL 140.69, 1%, 0.28%

LAB 52.38, -53.29, 40.1

 

CMYK 100 / 0 / 76 / 50

HEX #007F1F

RGB 0 127 31

HSL 134.65, 1%, 0.25%

LAB 46.01, -49.67, 41.37

 

CMYK 80 / 0 / 47 / 22

HEX #28C86B

RGB 40 200 107

HSL 145.13, 0.67%, 0.47%

LAB 71.43, -60.04, 35.38

 

CMYK 80 / 0 / 68 / 22

HEX #28C840

RGB 40 200 64

HSL 129, 0.67%, 0.47%

LAB 70.96, -65.73, 54.58

 

CMYK 71 / 0 / 80 / 22

HEX #3BC828

RGB 59 200 40

HSL 112.88, 0.67%, 0.47%

LAB 71.14, -64.75, 63.17

 

CMYK 49 / 0 / 80 / 22

HEX #66C828

RGB 102 200 40

HSL 96.75, 0.67%, 0.47%

LAB 72.42, -54.41, 64.82

 

CMYK 28 / 0 / 80 / 22

HEX #91C828

RGB 145 200 40

HSL 80.63, 0.67%, 0.47%

LAB 74.5, -39.67, 67.49

 

CMYK 80 / 0 / 47 / 22

HEX #28C86B

RGB 40 200 107

HSL 145.13, 0.67%, 0.47%

LAB 71.43, -60.04, 35.38

 

CMYK 80 / 0 / 25 / 22

HEX #28C897

RGB 40 200 151

HSL 161.63, 0.67%, 0.47%

LAB 72.22, -51.13, 13.38

 

CMYK 80 / 0 / 3 / 22

HEX #28C8C2

RGB 40 200 194

HSL 177.75, 0.67%, 0.47%

LAB 73.32, -39.85, -8.31

 

CMYK 80 / 19 / 0 / 22

HEX #28A3C8

RGB 40 163 200

HSL 193.88, 0.67%, 0.47%

LAB 62.35, -19.96, -28.24

 

CMYK 80 / 40 / 0 / 22

HEX #2878C8

RGB 40 120 200

HSL 210, 0.67%, 0.47%

LAB 49.56, 4.63, -48.32

 

CMYK 80 / 0 / 47 / 22

HEX #28C86B

RGB 40 200 107

HSL 145.13, 0.67%, 0.47%

LAB 71.43, -60.04, 35.38

 

CMYK 91 / 0 / 53 / 14

HEX #14DC68

RGB 20 220 104

HSL 145.2, 0.83%, 0.47%

LAB 77.48, -68.74, 44.35

 

CMYK 100 / 0 / 58 / 6

HEX #01EF65

RGB 1 239 101

HSL 145.21, 0.99%, 0.47%

LAB 83.27, -75.67, 52.64

 

CMYK 80 / 0 / 47 / 22

HEX #28C86B

RGB 40 200 107

HSL 145.13, 0.67%, 0.47%

LAB 71.43, -60.04, 35.38

 

CMYK 67 / 0 / 39 / 29

HEX #3BB56E

RGB 59 181 110

HSL 145.08, 0.51%, 0.47%

LAB 65.83, -49.76, 26.62

 

CMYK 52 / 0 / 30 / 37

HEX #4EA171

RGB 78 161 113

HSL 145.3, 0.35%, 0.47%

LAB 60.16, -36.61, 17.45

 

CMYK 31 / 0 / 18 / 44

HEX #628E74

RGB 98 142 116

HSL 144.55, 0.18%, 0.47%

LAB 55.28, -20.85, 9.1

 

CMYK 5 / 0 / 3 / 52

HEX #757B77

RGB 117 123 119

HSL 140, 0.03%, 0.47%

LAB 51.01, -3.06, 1.4

 

CMYK 71 / 0 / 80 / 22

HEX #3AC828

RGB 58 200 40

HSL 113.25, 0.67%, 0.47%

LAB 71.12, -64.92, 63.14

 

CMYK 80 / 0 / 68 / 22

HEX #28C840

RGB 40 200 64

HSL 129, 0.67%, 0.47%

LAB 70.96, -65.73, 54.58

 

CMYK 80 / 0 / 47 / 22

HEX #28C86A

RGB 40 200 106

HSL 144.75, 0.67%, 0.47%

LAB 71.42, -60.2, 35.86

 

CMYK 80 / 0 / 26 / 22

HEX #28C895

RGB 40 200 149

HSL 160.88, 0.67%, 0.47%

LAB 72.18, -51.59, 14.39

 

CMYK 80 / 0 / 4 / 22

HEX #28C8C0

RGB 40 200 192

HSL 177, 0.67%, 0.47%

LAB 73.26, -40.42, -7.31

 

CMYK 80 / 0 / 47 / 49

HEX #1A8346

RGB 26 131 70

HSL 145.14, 0.67%, 0.31%

LAB 48.13, -43.17, 24.93

 

CMYK 80 / 0 / 46 / 35

HEX #21A659

RGB 33 166 89

HSL 145.26, 0.67%, 0.39%

LAB 60.17, -51.88, 30.22

 

CMYK 80 / 0 / 47 / 22

HEX #28C86B

RGB 40 200 107

HSL 145.13, 0.67%, 0.47%

LAB 71.43, -60.04, 35.38

 

CMYK 71 / 0 / 41 / 15

HEX #40D980

RGB 64 217 128

HSL 145.1, 0.67%, 0.55%

LAB 77.44, -59.26, 32.6

 

CMYK 56 / 0 / 33 / 12

HEX #62E097

RGB 98 224 151

HSL 145.24, 0.67%, 0.63%

LAB 80.82, -51.32, 25.46

 

CMYK 80 / 0 / 46 / 22

HEX #28C76B

RGB 40 199 107

HSL 145.28, 0.67%, 0.47%

LAB 71.12, -59.69, 34.97

 

CMYK 80 / 50 / 0 / 22

HEX #2865C8

RGB 40 101 200

HSL 217.13, 0.67%, 0.47%

LAB 44.13, 16.63, -57.03

 

CMYK 0 / 79 / 80 / 22

HEX #C82A28

RGB 200 42 40

HSL 0.75, 0.67%, 0.47%

LAB 44.36, 60.32, 41.04

 

CMYK 80 / 0 / 46 / 22

HEX #28C76B

RGB 40 199 107

HSL 145.28, 0.67%, 0.47%

LAB 71.12, -59.69, 34.97

 

CMYK 47 / 80 / 0 / 22

HEX #6A28C8

RGB 106 40 200

HSL 264.75, 0.67%, 0.47%

LAB 35.5, 60.43, -70.9

 

CMYK 0 / 47 / 80 / 22

HEX #C86A28

RGB 200 106 40

HSL 24.75, 0.67%, 0.47%

LAB 54.8, 32.79, 51.18

 

CMYK 80 / 0 / 46 / 22

HEX #28C76B

RGB 40 199 107

HSL 145.28, 0.67%, 0.47%

LAB 71.12, -59.69, 34.97

 

CMYK 80 / 50 / 0 / 22

HEX #2865C8

RGB 40 101 200

HSL 217.13, 0.67%, 0.47%

LAB 44.13, 16.63, -57.03

 

CMYK 0 / 80 / 34 / 22

HEX #C82885

RGB 200 40 133

HSL 325.13, 0.67%, 0.47%

LAB 46.3, 67.35, -12.83

 

CMYK 0 / 31 / 80 / 22

HEX #C88B28

RGB 200 139 40

HSL 37.13, 0.67%, 0.47%

LAB 62.42, 14.94, 58.23

 

CMYK 80 / 0 / 46 / 22

HEX #28C76B

RGB 40 199 107

HSL 145.28, 0.67%, 0.47%

LAB 71.12, -59.69, 34.97

 

CMYK 80 / 74 / 0 / 22

HEX #2835C8

RGB 40 53 200

HSL 235.13, 0.67%, 0.47%

LAB 32.19, 47.07, -76.55

 

CMYK 0 / 80 / 34 / 22

HEX #C82885

RGB 200 40 133

HSL 325.13, 0.67%, 0.47%

LAB 46.3, 67.35, -12.83

 

CMYK 0 / 7 / 80 / 22

HEX #C8BB28

RGB 200 187 40

HSL 55.13, 0.67%, 0.47%

LAB 74.81, -10.66, 69.27

 

Description

Color code: HEX #28C76B | qconv.com Color code: HEX #28C76B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 199 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 199 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 46 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 46% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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