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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #28C383 it is the complementary color #D73C7C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #28C383. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #28C383 shade: #2DC37E, #3ED591, #4FE7A4, #60F9B7 and #71FFCA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #28C383. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #28C383 shade: #28C383, #17B170, #069F5D, #008D4A and #007B37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #28C383 shade: #28C383, #28C359, #28C32F, #4AC328 and #74C328

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #28C383 shade: #28C383, #28C3AD, #28AFC3, #2885C3 and #285CC3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #28C383 shade matches the following richer shades: #28C383, #15D686 and #02E989

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #28C383 shade: #28C383, #3BB07F, #4E9D7C, #618A79 and #747776

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #28C383 shade: #28C330, #28C359, #28C382, #28C3AB and #28B1C3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #28C383 shade: #1A7E55, #21A06C, #28C383, #3DD797 and #5FDEAA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #28C383 shade: #28C383, #2849C3 and #C34428

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #28C383 shade: #28C383, #8228C3 and #C38228

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #28C383 shade: #28C383, #2849C3, #C32868 and #C3A128

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #28C383 shade: #28C383, #3528C3, #C32868 and #B6C328

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 33 / 24

HEX #28C383

RGB 40 195 131

HSL 155.23, 0.66%, 0.46%

LAB 70.26, -53.66, 21.36

 

Complementary color

CMYK 0 / 72 / 42 / 16

HEX #D73C7C

RGB 215 60 124

HSL 335.23, 0.66%, 0.54%

LAB 50.84, 64.29, -0.32

 

CMYK 77 / 0 / 35 / 24

HEX #2DC37E

RGB 45 195 126

HSL 152.4, 0.63%, 0.47%

LAB 70.24, -54.12, 24

 

CMYK 71 / 0 / 32 / 16

HEX #3ED591

RGB 62 213 145

HSL 152.98, 0.64%, 0.54%

LAB 76.47, -54.81, 22.51

 

CMYK 66 / 0 / 29 / 9

HEX #4FE7A4

RGB 79 231 164

HSL 153.55, 0.76%, 0.61%

LAB 82.64, -55.23, 21.14

 

CMYK 61 / 0 / 27 / 2

HEX #60F9B7

RGB 96 249 183

HSL 154.12, 0.93%, 0.68%

LAB 88.76, -55.47, 19.88

 

CMYK 56 / 0 / 21 / 0

HEX #71FFCA

RGB 113 255 202

HSL 157.61, 1%, 0.72%

LAB 91.37, -50.65, 13.85

 

CMYK 79 / 0 / 33 / 24

HEX #28C383

RGB 40 195 131

HSL 155.23, 0.66%, 0.46%

LAB 70.26, -53.66, 21.36

 

CMYK 87 / 0 / 37 / 31

HEX #17B170

RGB 23 177 112

HSL 154.68, 0.77%, 0.39%

LAB 64, -52.45, 23

 

CMYK 96 / 0 / 42 / 38

HEX #069F5D

RGB 6 159 93

HSL 154.12, 0.93%, 0.32%

LAB 57.68, -50.73, 24.81

 

CMYK 100 / 0 / 48 / 45

HEX #008D4A

RGB 0 141 74

HSL 151.49, 1%, 0.28%

LAB 51.32, -48.28, 26.79

 

CMYK 100 / 0 / 55 / 52

HEX #007B37

RGB 0 123 55

HSL 146.83, 1%, 0.24%

LAB 44.86, -45.3, 28.86

 

CMYK 79 / 0 / 33 / 24

HEX #28C383

RGB 40 195 131

HSL 155.23, 0.66%, 0.46%

LAB 70.26, -53.66, 21.36

 

CMYK 79 / 0 / 54 / 24

HEX #28C359

RGB 40 195 89

HSL 138.97, 0.66%, 0.46%

LAB 69.61, -61.13, 41.98

 

CMYK 79 / 0 / 76 / 24

HEX #28C32F

RGB 40 195 47

HSL 122.71, 0.66%, 0.46%

LAB 69.25, -65.63, 59.06

 

CMYK 62 / 0 / 79 / 24

HEX #4AC328

RGB 74 195 40

HSL 106.84, 0.66%, 0.46%

LAB 69.92, -60.04, 62.15

 

CMYK 41 / 0 / 79 / 24

HEX #74C328

RGB 116 195 40

HSL 90.58, 0.66%, 0.46%

LAB 71.48, -48, 64.17

 

CMYK 79 / 0 / 33 / 24

HEX #28C383

RGB 40 195 131

HSL 155.23, 0.66%, 0.46%

LAB 70.26, -53.66, 21.36

 

CMYK 79 / 0 / 11 / 24

HEX #28C3AD

RGB 40 195 173

HSL 171.48, 0.66%, 0.46%

LAB 71.21, -43.49, 0.01

 

CMYK 79 / 10 / 0 / 24

HEX #28AFC3

RGB 40 175 195

HSL 187.74, 0.66%, 0.46%

LAB 65.79, -27.73, -20.19

 

CMYK 79 / 32 / 0 / 24

HEX #2885C3

RGB 40 133 195

HSL 204, 0.66%, 0.46%

LAB 53.13, -5.05, -39.81

 

CMYK 79 / 53 / 0 / 24

HEX #285CC3

RGB 40 92 195

HSL 219.87, 0.66%, 0.46%

LAB 41.29, 20.55, -58.74

 

CMYK 79 / 0 / 33 / 24

HEX #28C383

RGB 40 195 131

HSL 155.23, 0.66%, 0.46%

LAB 70.26, -53.66, 21.36

 

CMYK 90 / 0 / 37 / 16

HEX #15D686

RGB 21 214 134

HSL 155.13, 0.82%, 0.46%

LAB 76.05, -61.5, 27.58

 

CMYK 99 / 0 / 41 / 9

HEX #02E989

RGB 2 233 137

HSL 155.06, 0.98%, 0.46%

LAB 81.89, -68.13, 33.77

 

CMYK 79 / 0 / 33 / 24

HEX #28C383

RGB 40 195 131

HSL 155.23, 0.66%, 0.46%

LAB 70.26, -53.66, 21.36

 

CMYK 66 / 0 / 28 / 31

HEX #3BB07F

RGB 59 176 127

HSL 154.87, 0.5%, 0.46%

LAB 64.57, -44.27, 15.75

 

CMYK 50 / 0 / 21 / 38

HEX #4E9D7C

RGB 78 157 124

HSL 154.94, 0.34%, 0.46%

LAB 59.15, -32.4, 9.9

 

CMYK 30 / 0 / 12 / 46

HEX #618A79

RGB 97 138 121

HSL 155.12, 0.17%, 0.46%

LAB 54.13, -18.01, 4.57

 

CMYK 3 / 0 / 1 / 53

HEX #747776

RGB 116 119 118

HSL 160, 0.01%, 0.46%

LAB 49.76, -1.33, 0.15

 

CMYK 79 / 0 / 75 / 24

HEX #28C330

RGB 40 195 48

HSL 123.1, 0.66%, 0.46%

LAB 69.25, -65.56, 58.73

 

CMYK 79 / 0 / 54 / 24

HEX #28C359

RGB 40 195 89

HSL 138.97, 0.66%, 0.46%

LAB 69.61, -61.13, 41.98

 

CMYK 79 / 0 / 33 / 24

HEX #28C382

RGB 40 195 130

HSL 154.84, 0.66%, 0.46%

LAB 70.24, -53.87, 21.87

 

CMYK 79 / 0 / 12 / 24

HEX #28C3AB

RGB 40 195 171

HSL 170.71, 0.66%, 0.46%

LAB 71.16, -44.03, 1.02

 

CMYK 79 / 9 / 0 / 24

HEX #28B1C3

RGB 40 177 195

HSL 186.97, 0.66%, 0.46%

LAB 66.39, -28.72, -19.27

 

CMYK 79 / 0 / 33 / 51

HEX #1A7E55

RGB 26 126 85

HSL 155.4, 0.66%, 0.3%

LAB 46.71, -38.03, 14.57

 

CMYK 79 / 0 / 33 / 37

HEX #21A06C

RGB 33 160 108

HSL 155.43, 0.66%, 0.38%

LAB 58.55, -45.82, 17.82

 

CMYK 79 / 0 / 33 / 24

HEX #28C383

RGB 40 195 131

HSL 155.23, 0.66%, 0.46%

LAB 70.26, -53.66, 21.36

 

CMYK 72 / 0 / 30 / 16

HEX #3DD797

RGB 61 215 151

HSL 155.06, 0.66%, 0.54%

LAB 77.18, -54.48, 20.33

 

CMYK 57 / 0 / 23 / 13

HEX #5FDEAA

RGB 95 222 170

HSL 155.43, 0.66%, 0.62%

LAB 80.5, -47.31, 15.09

 

CMYK 79 / 0 / 33 / 24

HEX #28C383

RGB 40 195 131

HSL 155.23, 0.66%, 0.46%

LAB 70.26, -53.66, 21.36

 

CMYK 79 / 63 / 0 / 24

HEX #2849C3

RGB 40 73 195

HSL 227.23, 0.66%, 0.46%

LAB 36.28, 32.97, -66.89

 

CMYK 0 / 65 / 79 / 24

HEX #C34428

RGB 195 68 40

HSL 10.84, 0.66%, 0.46%

LAB 46.83, 49.35, 43.2

 

CMYK 79 / 0 / 33 / 24

HEX #28C383

RGB 40 195 131

HSL 155.23, 0.66%, 0.46%

LAB 70.26, -53.66, 21.36

 

CMYK 33 / 79 / 0 / 24

HEX #8228C3

RGB 130 40 195

HSL 274.84, 0.66%, 0.46%

LAB 38.21, 62.83, -63.43

 

CMYK 0 / 33 / 79 / 24

HEX #C38228

RGB 195 130 40

HSL 34.84, 0.66%, 0.46%

LAB 59.64, 17.68, 55.45

 

CMYK 79 / 0 / 33 / 24

HEX #28C383

RGB 40 195 131

HSL 155.23, 0.66%, 0.46%

LAB 70.26, -53.66, 21.36

 

CMYK 79 / 63 / 0 / 24

HEX #2849C3

RGB 40 73 195

HSL 227.23, 0.66%, 0.46%

LAB 36.28, 32.97, -66.89

 

CMYK 0 / 79 / 47 / 24

HEX #C32868

RGB 195 40 104

HSL 335.23, 0.66%, 0.46%

LAB 44.4, 63.23, 2.1

 

CMYK 0 / 17 / 79 / 24

HEX #C3A128

RGB 195 161 40

HSL 46.84, 0.66%, 0.46%

LAB 67.46, 0.79, 62.58

 

CMYK 79 / 0 / 33 / 24

HEX #28C383

RGB 40 195 131

HSL 155.23, 0.66%, 0.46%

LAB 70.26, -53.66, 21.36

 

CMYK 73 / 79 / 0 / 24

HEX #3528C3

RGB 53 40 195

HSL 245.03, 0.66%, 0.46%

LAB 29.95, 53.32, -77.3

 

CMYK 0 / 79 / 47 / 24

HEX #C32868

RGB 195 40 104

HSL 335.23, 0.66%, 0.46%

LAB 44.4, 63.23, 2.1

 

CMYK 7 / 0 / 79 / 24

HEX #B6C328

RGB 182 195 40

HSL 65.03, 0.66%, 0.46%

LAB 75.53, -22.38, 69.34

 

Description

Color code: HEX #28C383 | qconv.com Color code: HEX #28C383 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 195 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 195 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 33 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 33% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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