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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #28C36B it is the complementary color #D73C94. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #28C36B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #28C36B shade: #2DC366, #3ED579, #4FE78C, #60F99F and #71FFB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #28C36B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #28C36B shade: #28C36B, #17B158, #069F45, #008D32 and #007B1F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #28C36B shade: #28C36B, #28C341, #38C328, #62C328 and #8CC328

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #28C36B shade: #28C36B, #28C395, #28C3BE, #289DC3 and #2874C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #28C36B shade matches the following richer shades: #28C36B, #15D668 and #02E966

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #28C36B shade: #28C36B, #3BB06D, #4E9D70, #618A73 and #747775

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #28C36B shade: #3AC328, #28C33F, #28C368, #28C392 and #28C3BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #28C36B shade: #1A7E45, #21A058, #28C36B, #3DD77F and #5FDE96

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #28C36B shade: #28C36B, #2863C3 and #C32A28

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #28C36B shade: #28C36B, #6828C3 and #C36828

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #28C36B shade: #28C36B, #2863C3, #C32882 and #C38728

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #28C36B shade: #28C36B, #2835C3, #C32882 and #C3B628

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 45 / 24

HEX #28C36B

RGB 40 195 107

HSL 145.94, 0.66%, 0.46%

LAB 69.85, -58.29, 33.36

 

Complementary color

CMYK 0 / 72 / 31 / 16

HEX #D73C94

RGB 215 60 148

HSL 325.94, 0.66%, 0.54%

LAB 51.63, 66.83, -13.54

 

CMYK 77 / 0 / 48 / 24

HEX #2DC366

RGB 45 195 102

HSL 142.8, 0.63%, 0.47%

LAB 69.86, -58.52, 35.91

 

CMYK 71 / 0 / 43 / 16

HEX #3ED579

RGB 62 213 121

HSL 143.44, 0.64%, 0.54%

LAB 76.07, -59.33, 34.34

 

CMYK 66 / 0 / 39 / 9

HEX #4FE78C

RGB 79 231 140

HSL 144.08, 0.76%, 0.61%

LAB 82.22, -59.82, 32.86

 

CMYK 61 / 0 / 36 / 2

HEX #60F99F

RGB 96 249 159

HSL 144.71, 0.93%, 0.68%

LAB 88.32, -60.1, 31.48

 

CMYK 56 / 0 / 30 / 0

HEX #71FFB2

RGB 113 255 178

HSL 147.46, 1%, 0.72%

LAB 90.89, -55.49, 25.45

 

CMYK 79 / 0 / 45 / 24

HEX #28C36B

RGB 40 195 107

HSL 145.94, 0.66%, 0.46%

LAB 69.85, -58.29, 33.36

 

CMYK 87 / 0 / 50 / 31

HEX #17B158

RGB 23 177 88

HSL 145.32, 0.77%, 0.39%

LAB 63.62, -56.91, 35.06

 

CMYK 96 / 0 / 57 / 38

HEX #069F45

RGB 6 159 69

HSL 144.71, 0.93%, 0.32%

LAB 57.33, -54.91, 36.83

 

CMYK 100 / 0 / 65 / 45

HEX #008D32

RGB 0 141 50

HSL 141.28, 1%, 0.28%

LAB 51.01, -52.02, 38.57

 

CMYK 100 / 0 / 75 / 52

HEX #007B1F

RGB 0 123 31

HSL 135.12, 1%, 0.24%

LAB 44.61, -48.42, 39.93

 

CMYK 79 / 0 / 45 / 24

HEX #28C36B

RGB 40 195 107

HSL 145.94, 0.66%, 0.46%

LAB 69.85, -58.29, 33.36

 

CMYK 79 / 0 / 67 / 24

HEX #28C341

RGB 40 195 65

HSL 129.68, 0.66%, 0.46%

LAB 69.37, -64.07, 52.46

 

CMYK 71 / 0 / 79 / 24

HEX #38C328

RGB 56 195 40

HSL 113.81, 0.66%, 0.46%

LAB 69.49, -63.69, 61.59

 

CMYK 50 / 0 / 79 / 24

HEX #62C328

RGB 98 195 40

HSL 97.55, 0.66%, 0.46%

LAB 70.72, -53.71, 63.18

 

CMYK 28 / 0 / 79 / 24

HEX #8CC328

RGB 140 195 40

HSL 81.29, 0.66%, 0.46%

LAB 72.73, -39.36, 65.78

 

CMYK 79 / 0 / 45 / 24

HEX #28C36B

RGB 40 195 107

HSL 145.94, 0.66%, 0.46%

LAB 69.85, -58.29, 33.36

 

CMYK 79 / 0 / 24 / 24

HEX #28C395

RGB 40 195 149

HSL 162.19, 0.66%, 0.46%

LAB 70.63, -49.6, 12.21

 

CMYK 79 / 0 / 3 / 24

HEX #28C3BE

RGB 40 195 190

HSL 178.06, 0.66%, 0.46%

LAB 71.69, -38.74, -8.56

 

CMYK 79 / 19 / 0 / 24

HEX #289DC3

RGB 40 157 195

HSL 194.71, 0.66%, 0.46%

LAB 60.34, -18.47, -28.55

 

CMYK 79 / 41 / 0 / 24

HEX #2874C3

RGB 40 116 195

HSL 210.58, 0.66%, 0.46%

LAB 48.11, 5.21, -47.77

 

CMYK 79 / 0 / 45 / 24

HEX #28C36B

RGB 40 195 107

HSL 145.94, 0.66%, 0.46%

LAB 69.85, -58.29, 33.36

 

CMYK 90 / 0 / 51 / 16

HEX #15D668

RGB 21 214 104

HSL 145.8, 0.82%, 0.46%

LAB 75.61, -66.77, 42.05

 

CMYK 99 / 0 / 56 / 9

HEX #02E966

RGB 2 233 102

HSL 145.97, 0.98%, 0.46%

LAB 81.43, -73.71, 50.01

 

CMYK 79 / 0 / 45 / 24

HEX #28C36B

RGB 40 195 107

HSL 145.94, 0.66%, 0.46%

LAB 69.85, -58.29, 33.36

 

CMYK 66 / 0 / 38 / 31

HEX #3BB06D

RGB 59 176 109

HSL 145.64, 0.5%, 0.46%

LAB 64.23, -47.98, 25.03

 

CMYK 50 / 0 / 29 / 38

HEX #4E9D70

RGB 78 157 112

HSL 145.82, 0.34%, 0.46%

LAB 58.88, -34.99, 16.25

 

CMYK 30 / 0 / 17 / 46

HEX #618A73

RGB 97 138 115

HSL 146.34, 0.17%, 0.46%

LAB 53.98, -19.31, 7.81

 

CMYK 3 / 0 / 2 / 53

HEX #747775

RGB 116 119 117

HSL 140, 0.01%, 0.46%

LAB 49.73, -1.54, 0.7

 

CMYK 70 / 0 / 79 / 24

HEX #3AC328

RGB 58 195 40

HSL 113.03, 0.66%, 0.46%

LAB 69.53, -63.33, 61.64

 

CMYK 79 / 0 / 68 / 24

HEX #28C33F

RGB 40 195 63

HSL 128.9, 0.66%, 0.46%

LAB 69.36, -64.27, 53.26

 

CMYK 79 / 0 / 47 / 24

HEX #28C368

RGB 40 195 104

HSL 144.77, 0.66%, 0.46%

LAB 69.81, -58.8, 34.82

 

CMYK 79 / 0 / 25 / 24

HEX #28C392

RGB 40 195 146

HSL 161.03, 0.66%, 0.46%

LAB 70.56, -50.31, 13.74

 

CMYK 79 / 0 / 4 / 24

HEX #28C3BB

RGB 40 195 187

HSL 176.9, 0.66%, 0.46%

LAB 71.6, -39.6, -7.06

 

CMYK 79 / 0 / 45 / 51

HEX #1A7E45

RGB 26 126 69

HSL 145.8, 0.66%, 0.3%

LAB 46.41, -41.43, 23.26

 

CMYK 79 / 0 / 45 / 37

HEX #21A058

RGB 33 160 88

HSL 145.98, 0.66%, 0.38%

LAB 58.2, -49.86, 28.21

 

CMYK 79 / 0 / 45 / 24

HEX #28C36B

RGB 40 195 107

HSL 145.94, 0.66%, 0.46%

LAB 69.85, -58.29, 33.36

 

CMYK 72 / 0 / 41 / 16

HEX #3DD77F

RGB 61 215 127

HSL 145.71, 0.66%, 0.54%

LAB 76.75, -59.16, 32.19

 

CMYK 57 / 0 / 32 / 13

HEX #5FDE96

RGB 95 222 150

HSL 145.98, 0.66%, 0.62%

LAB 80.11, -51.35, 25

 

CMYK 79 / 0 / 45 / 24

HEX #28C36B

RGB 40 195 107

HSL 145.94, 0.66%, 0.46%

LAB 69.85, -58.29, 33.36

 

CMYK 79 / 49 / 0 / 24

HEX #2863C3

RGB 40 99 195

HSL 217.16, 0.66%, 0.46%

LAB 43.23, 16, -55.59

 

CMYK 0 / 78 / 79 / 24

HEX #C32A28

RGB 195 42 40

HSL 0.77, 0.66%, 0.46%

LAB 43.38, 58.85, 39.73

 

CMYK 79 / 0 / 45 / 24

HEX #28C36B

RGB 40 195 107

HSL 145.94, 0.66%, 0.46%

LAB 69.85, -58.29, 33.36

 

CMYK 47 / 79 / 0 / 24

HEX #6828C3

RGB 104 40 195

HSL 264.77, 0.66%, 0.46%

LAB 34.8, 58.91, -69.13

 

CMYK 0 / 47 / 79 / 24

HEX #C36828

RGB 195 104 40

HSL 24.77, 0.66%, 0.46%

LAB 53.66, 31.8, 49.85

 

CMYK 79 / 0 / 45 / 24

HEX #28C36B

RGB 40 195 107

HSL 145.94, 0.66%, 0.46%

LAB 69.85, -58.29, 33.36

 

CMYK 79 / 49 / 0 / 24

HEX #2863C3

RGB 40 99 195

HSL 217.16, 0.66%, 0.46%

LAB 43.23, 16, -55.59

 

CMYK 0 / 79 / 33 / 24

HEX #C32882

RGB 195 40 130

HSL 325.16, 0.66%, 0.46%

LAB 45.26, 65.8, -12.66

 

CMYK 0 / 31 / 79 / 24

HEX #C38728

RGB 195 135 40

HSL 36.77, 0.66%, 0.46%

LAB 60.86, 14.94, 56.58

 

CMYK 79 / 0 / 45 / 24

HEX #28C36B

RGB 40 195 107

HSL 145.94, 0.66%, 0.46%

LAB 69.85, -58.29, 33.36

 

CMYK 79 / 73 / 0 / 24

HEX #2835C3

RGB 40 53 195

HSL 234.97, 0.66%, 0.46%

LAB 31.66, 45.37, -74.49

 

CMYK 0 / 79 / 33 / 24

HEX #C32882

RGB 195 40 130

HSL 325.16, 0.66%, 0.46%

LAB 45.26, 65.8, -12.66

 

CMYK 0 / 7 / 79 / 24

HEX #C3B628

RGB 195 182 40

HSL 54.97, 0.66%, 0.46%

LAB 73.03, -10.26, 67.54

 

Description

Color code: HEX #28C36B | qconv.com Color code: HEX #28C36B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 195 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 195 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 45 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 45% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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