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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #28A254 it is the complementary color #D75DAB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #28A254. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #28A254 shade: #2DA24F, #3EB462, #4FC675, #60D888 and #71EA9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #28A254. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #28A254 shade: #28A254, #179041, #067E2E, #006C1B and #005A08

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #28A254 shade: #29A355, #29A334, #3FA329, #60A329 and #81A329

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #28A254 shade: #29A355, #29A376, #29A397, #298EA3 and #296DA3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #28A254 shade matches the following richer shades: #29A355, #18B450 and #08C44C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #28A254 shade: #29A355, #39935A, #4A825E, #5A7263 and #6B6167

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #28A254 shade: #3FA329, #29A333, #29A354, #29A374 and #29A395

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #28A254 shade: #186133, #218244, #29A355, #31C466 and #4CD27D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #28A254 shade: #28A254, #2960A3 and #A3292F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #28A254 shade: #28A254, #5429A3 and #A35429

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #28A254 shade: #28A254, #2960A3, #A32978 and #A36C29

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #28A254 shade: #28A254, #293BA3, #A32978 and #A39129

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 48 / 36

HEX #28A254

RGB 40 162 84

HSL 141.64, 0.6%, 0.4%

LAB 58.91, -50.34, 31.25

 

Complementary color

CMYK 0 / 57 / 20 / 16

HEX #D75DAB

RGB 215 93 171

HSL 321.64, 0.6%, 0.6%

LAB 57.29, 56.58, -18.45

 

CMYK 72 / 0 / 51 / 36

HEX #2DA24F

RGB 45 162 79

HSL 137.44, 0.57%, 0.41%

LAB 58.94, -50.35, 33.88

 

CMYK 66 / 0 / 46 / 29

HEX #3EB462

RGB 62 180 98

HSL 138.31, 0.49%, 0.47%

LAB 65.4, -50.93, 32.34

 

CMYK 60 / 0 / 41 / 22

HEX #4FC675

RGB 79 198 117

HSL 139.16, 0.51%, 0.54%

LAB 71.78, -51.2, 30.89

 

CMYK 56 / 0 / 37 / 15

HEX #60D888

RGB 96 216 136

HSL 140, 0.61%, 0.61%

LAB 78.1, -51.27, 29.52

 

CMYK 52 / 0 / 34 / 8

HEX #71EA9B

RGB 113 234 155

HSL 140.83, 0.74%, 0.68%

LAB 84.34, -51.21, 28.25

 

CMYK 75 / 0 / 48 / 36

HEX #28A254

RGB 40 162 84

HSL 141.64, 0.6%, 0.4%

LAB 58.91, -50.34, 31.25

 

CMYK 84 / 0 / 55 / 44

HEX #179041

RGB 23 144 65

HSL 140.83, 0.72%, 0.33%

LAB 52.41, -49.15, 32.92

 

CMYK 95 / 0 / 63 / 51

HEX #067E2E

RGB 6 126 46

HSL 140, 0.91%, 0.26%

LAB 45.85, -47.2, 34.6

 

CMYK 100 / 0 / 75 / 58

HEX #006C1B

RGB 0 108 27

HSL 135, 1%, 0.21%

LAB 39.25, -44.04, 36.02

 

CMYK 100 / 0 / 91 / 65

HEX #005A08

RGB 0 90 8

HSL 125.33, 1%, 0.18%

LAB 32.55, -39.8, 36.3

 

CMYK 75 / 0 / 48 / 36

HEX #29A355

RGB 41 163 85

HSL 141.64, 0.6%, 0.4%

LAB 59.27, -50.39, 31.19

 

CMYK 75 / 0 / 68 / 36

HEX #29A334

RGB 41 163 52

HSL 125.41, 0.6%, 0.4%

LAB 58.89, -54.85, 46.52

 

CMYK 61 / 0 / 75 / 36

HEX #3FA329

RGB 63 163 41

HSL 109.18, 0.6%, 0.4%

LAB 59.35, -51.35, 51.48

 

CMYK 41 / 0 / 75 / 36

HEX #60A329

RGB 96 163 41

HSL 92.95, 0.6%, 0.4%

LAB 60.64, -41.52, 53.18

 

CMYK 21 / 0 / 75 / 36

HEX #81A329

RGB 129 163 41

HSL 76.72, 0.6%, 0.4%

LAB 62.53, -28.94, 55.66

 

CMYK 75 / 0 / 48 / 36

HEX #29A355

RGB 41 163 85

HSL 141.64, 0.6%, 0.4%

LAB 59.27, -50.39, 31.19

 

CMYK 75 / 0 / 28 / 36

HEX #29A376

RGB 41 163 118

HSL 157.87, 0.6%, 0.4%

LAB 59.87, -43.74, 14.11

 

CMYK 75 / 0 / 7 / 36

HEX #29A397

RGB 41 163 151

HSL 174.1, 0.6%, 0.4%

LAB 60.69, -35.19, -3.22

 

CMYK 75 / 13 / 0 / 36

HEX #298EA3

RGB 41 142 163

HSL 190.33, 0.6%, 0.4%

LAB 54.51, -21.13, -19.33

 

CMYK 75 / 33 / 0 / 36

HEX #296DA3

RGB 41 109 163

HSL 206.56, 0.6%, 0.4%

LAB 44.31, -2.38, -35.18

 

CMYK 75 / 0 / 48 / 36

HEX #29A355

RGB 41 163 85

HSL 141.64, 0.6%, 0.4%

LAB 59.27, -50.39, 31.19

 

CMYK 87 / 0 / 56 / 29

HEX #18B450

RGB 24 180 80

HSL 141.54, 0.76%, 0.4%

LAB 64.5, -59.06, 40.1

 

CMYK 96 / 0 / 61 / 23

HEX #08C44C

RGB 8 196 76

HSL 141.7, 0.92%, 0.4%

LAB 69.51, -65.6, 47.81

 

CMYK 75 / 0 / 48 / 36

HEX #29A355

RGB 41 163 85

HSL 141.64, 0.6%, 0.4%

LAB 59.27, -50.39, 31.19

 

CMYK 61 / 0 / 39 / 42

HEX #39935A

RGB 57 147 90

HSL 142, 0.44%, 0.4%

LAB 54.53, -40.15, 22.43

 

CMYK 43 / 0 / 28 / 49

HEX #4A825E

RGB 74 130 94

HSL 141.43, 0.27%, 0.4%

LAB 49.77, -27.04, 13.84

 

CMYK 21 / 0 / 13 / 55

HEX #5A7263

RGB 90 114 99

HSL 142.5, 0.12%, 0.4%

LAB 45.78, -12.13, 5.43

 

CMYK 0 / 9 / 4 / 58

HEX #6B6167

RGB 107 97 103

HSL 324, 0.05%, 0.4%

LAB 42.24, 5.17, -1.96

 

CMYK 61 / 0 / 75 / 36

HEX #3FA329

RGB 63 163 41

HSL 109.18, 0.6%, 0.4%

LAB 59.35, -51.35, 51.48

 

CMYK 75 / 0 / 69 / 36

HEX #29A333

RGB 41 163 51

HSL 124.92, 0.6%, 0.4%

LAB 58.89, -54.95, 46.93

 

CMYK 75 / 0 / 48 / 36

HEX #29A354

RGB 41 163 84

HSL 141.15, 0.6%, 0.4%

LAB 59.26, -50.55, 31.69

 

CMYK 75 / 0 / 29 / 36

HEX #29A374

RGB 41 163 116

HSL 156.89, 0.6%, 0.4%

LAB 59.82, -44.21, 15.16

 

CMYK 75 / 0 / 9 / 36

HEX #29A395

RGB 41 163 149

HSL 173.11, 0.6%, 0.4%

LAB 60.64, -35.75, -2.18

 

CMYK 75 / 0 / 47 / 62

HEX #186133

RGB 24 97 51

HSL 142.19, 0.6%, 0.24%

LAB 35.95, -33.52, 19.97

 

CMYK 75 / 0 / 48 / 49

HEX #218244

RGB 33 130 68

HSL 141.65, 0.6%, 0.32%

LAB 47.89, -42.09, 25.74

 

CMYK 75 / 0 / 48 / 36

HEX #29A355

RGB 41 163 85

HSL 141.64, 0.6%, 0.4%

LAB 59.27, -50.39, 31.19

 

CMYK 75 / 0 / 48 / 23

HEX #31C466

RGB 49 196 102

HSL 141.63, 0.6%, 0.48%

LAB 70.24, -58.33, 36.4

 

CMYK 64 / 0 / 40 / 18

HEX #4CD27D

RGB 76 210 125

HSL 141.94, 0.6%, 0.56%

LAB 75.52, -55.08, 31.66

 

CMYK 75 / 0 / 48 / 36

HEX #28A254

RGB 40 162 84

HSL 141.64, 0.6%, 0.4%

LAB 58.91, -50.34, 31.25

 

CMYK 75 / 41 / 0 / 36

HEX #2960A3

RGB 41 96 163

HSL 212.95, 0.6%, 0.4%

LAB 40.38, 5.77, -41.41

 

CMYK 0 / 75 / 71 / 36

HEX #A3292F

RGB 163 41 47

HSL 357.05, 0.6%, 0.4%

LAB 37.07, 49.65, 26.88

 

CMYK 75 / 0 / 48 / 36

HEX #28A254

RGB 40 162 84

HSL 141.64, 0.6%, 0.4%

LAB 58.91, -50.34, 31.25

 

CMYK 48 / 75 / 0 / 36

HEX #5429A3

RGB 84 41 163

HSL 261.15, 0.6%, 0.4%

LAB 29.7, 47.12, -58.53

 

CMYK 0 / 48 / 75 / 36

HEX #A35429

RGB 163 84 41

HSL 21.15, 0.6%, 0.4%

LAB 44.64, 29.29, 38.79

 

CMYK 75 / 0 / 48 / 36

HEX #28A254

RGB 40 162 84

HSL 141.64, 0.6%, 0.4%

LAB 58.91, -50.34, 31.25

 

CMYK 75 / 41 / 0 / 36

HEX #2960A3

RGB 41 96 163

HSL 212.95, 0.6%, 0.4%

LAB 40.38, 5.77, -41.41

 

CMYK 0 / 75 / 26 / 36

HEX #A32978

RGB 163 41 120

HSL 321.15, 0.6%, 0.4%

LAB 39.12, 56.24, -16.38

 

CMYK 0 / 34 / 75 / 36

HEX #A36C29

RGB 163 108 41

HSL 32.95, 0.6%, 0.4%

LAB 50.3, 15.85, 44.65

 

CMYK 75 / 0 / 48 / 36

HEX #28A254

RGB 40 162 84

HSL 141.64, 0.6%, 0.4%

LAB 58.91, -50.34, 31.25

 

CMYK 75 / 64 / 0 / 36

HEX #293BA3

RGB 41 59 163

HSL 231.15, 0.6%, 0.4%

LAB 30.02, 30.29, -58.15

 

CMYK 0 / 75 / 26 / 36

HEX #A32978

RGB 163 41 120

HSL 321.15, 0.6%, 0.4%

LAB 39.12, 56.24, -16.38

 

CMYK 0 / 11 / 75 / 36

HEX #A39129

RGB 163 145 41

HSL 51.15, 0.6%, 0.4%

LAB 60.07, -4.85, 54.25

 

Description

Color code: HEX #28A254 | qconv.com Color code: HEX #28A254 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 162 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 162 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 48 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 48% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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