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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #288D65 it is the complementary color #D7729A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #288D65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #288D65 shade: #2D8D60, #3E9F73, #4FB186, #60C399 and #71D5AC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #288D65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #288D65 shade: #288D65, #177B52, #06693F, #00572C and #004519

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #288D65 shade: #278B64, #278B49, #278B2E, #3C8B27 and #578B27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #288D65 shade: #278B64, #278B7F, #277D8B, #27628B and #27478B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #288D65 shade matches the following richer shades: #278B64, #199A67 and #0AA86A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #288D65 shade: #278B64, #367D61, #446E5E, #53605B and #615158

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #288D65 shade: #278B2E, #278B49, #278B63, #278B7E and #277E8B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #288D65 shade: #154B36, #1E6B4D, #278B64, #30AB7B and #3DC891

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #288D65 shade: #288D65, #273B8B and #8B3B27

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #288D65 shade: #288D65, #63278B and #8B6327

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #288D65 shade: #288D65, #273B8B, #8B274F and #8B7727

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #288D65 shade: #288D65, #31278B, #8B274F and #818B27

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 28 / 45

HEX #288D65

RGB 40 141 101

HSL 156.24, 0.56%, 0.35%

LAB 52.33, -38.59, 13.19

 

Complementary color

CMYK 0 / 47 / 28 / 16

HEX #D7729A

RGB 215 114 154

HSL 336.24, 0.56%, 0.65%

LAB 60.62, 44.05, -3.63

 

CMYK 68 / 0 / 32 / 45

HEX #2D8D60

RGB 45 141 96

HSL 151.88, 0.52%, 0.36%

LAB 52.34, -38.85, 16.07

 

CMYK 61 / 0 / 28 / 38

HEX #3E9F73

RGB 62 159 115

HSL 152.78, 0.44%, 0.43%

LAB 59.03, -39.06, 14.69

 

CMYK 55 / 0 / 24 / 31

HEX #4FB186

RGB 79 177 134

HSL 153.67, 0.39%, 0.5%

LAB 65.61, -39.08, 13.45

 

CMYK 51 / 0 / 22 / 24

HEX #60C399

RGB 96 195 153

HSL 154.55, 0.45%, 0.57%

LAB 72.11, -39, 12.33

 

CMYK 47 / 0 / 19 / 16

HEX #71D5AC

RGB 113 213 172

HSL 155.4, 0.54%, 0.64%

LAB 78.51, -38.85, 11.3

 

CMYK 72 / 0 / 28 / 45

HEX #288D65

RGB 40 141 101

HSL 156.24, 0.56%, 0.35%

LAB 52.33, -38.59, 13.19

 

CMYK 81 / 0 / 33 / 52

HEX #177B52

RGB 23 123 82

HSL 155.4, 0.68%, 0.29%

LAB 45.58, -37.86, 14.75

 

CMYK 94 / 0 / 40 / 59

HEX #06693F

RGB 6 105 63

HSL 154.55, 0.89%, 0.22%

LAB 38.73, -36.54, 16.55

 

CMYK 100 / 0 / 49 / 66

HEX #00572C

RGB 0 87 44

HSL 150.34, 1%, 0.17%

LAB 31.8, -34.14, 18.65

 

CMYK 100 / 0 / 64 / 73

HEX #004519

RGB 0 69 25

HSL 141.74, 1%, 0.14%

LAB 24.72, -30.83, 20.89

 

CMYK 72 / 0 / 28 / 45

HEX #278B64

RGB 39 139 100

HSL 156.6, 0.56%, 0.35%

LAB 51.63, -38.12, 12.78

 

CMYK 72 / 0 / 47 / 45

HEX #278B49

RGB 39 139 73

HSL 140.4, 0.56%, 0.35%

LAB 51.13, -43.68, 27.19

 

CMYK 72 / 0 / 67 / 45

HEX #278B2E

RGB 39 139 46

HSL 124.2, 0.56%, 0.35%

LAB 50.8, -47.53, 40.29

 

CMYK 57 / 0 / 72 / 45

HEX #3C8B27

RGB 60 139 39

HSL 107.4, 0.56%, 0.35%

LAB 51.35, -43.27, 44.06

 

CMYK 37 / 0 / 72 / 45

HEX #578B27

RGB 87 139 39

HSL 91.2, 0.56%, 0.35%

LAB 52.55, -34.41, 45.68

 

CMYK 72 / 0 / 28 / 45

HEX #278B64

RGB 39 139 100

HSL 156.6, 0.56%, 0.35%

LAB 51.63, -38.12, 12.78

 

CMYK 72 / 0 / 9 / 45

HEX #278B7F

RGB 39 139 127

HSL 172.8, 0.56%, 0.35%

LAB 52.32, -31.05, -1.82

 

CMYK 72 / 10 / 0 / 45

HEX #277D8B

RGB 39 125 139

HSL 188.4, 0.56%, 0.35%

LAB 48.21, -20.29, -14.98

 

CMYK 72 / 29 / 0 / 45

HEX #27628B

RGB 39 98 139

HSL 204.6, 0.56%, 0.35%

LAB 39.63, -4.82, -28.22

 

CMYK 72 / 49 / 0 / 45

HEX #27478B

RGB 39 71 139

HSL 220.8, 0.56%, 0.35%

LAB 31.35, 12.72, -41.36

 

CMYK 72 / 0 / 28 / 45

HEX #278B64

RGB 39 139 100

HSL 156.6, 0.56%, 0.35%

LAB 51.63, -38.12, 12.78

 

CMYK 84 / 0 / 33 / 40

HEX #199A67

RGB 25 154 103

HSL 156.28, 0.72%, 0.35%

LAB 56.38, -45.42, 17.61

 

CMYK 94 / 0 / 37 / 34

HEX #0AA86A

RGB 10 168 106

HSL 156.46, 0.89%, 0.35%

LAB 60.88, -51.16, 22.03

 

CMYK 72 / 0 / 28 / 45

HEX #278B64

RGB 39 139 100

HSL 156.6, 0.56%, 0.35%

LAB 51.63, -38.12, 12.78

 

CMYK 57 / 0 / 22 / 51

HEX #367D61

RGB 54 125 97

HSL 156.34, 0.4%, 0.35%

LAB 47.38, -29.45, 8.63

 

CMYK 38 / 0 / 15 / 57

HEX #446E5E

RGB 68 110 94

HSL 157.14, 0.24%, 0.35%

LAB 43.05, -18.62, 4.32

 

CMYK 14 / 0 / 5 / 62

HEX #53605B

RGB 83 96 91

HSL 156.92, 0.07%, 0.35%

LAB 39.51, -6.12, 1.16

 

CMYK 0 / 16 / 9 / 62

HEX #615158

RGB 97 81 88

HSL 333.75, 0.09%, 0.35%

LAB 36.23, 7.97, -1.62

 

CMYK 72 / 0 / 67 / 45

HEX #278B2E

RGB 39 139 46

HSL 124.2, 0.56%, 0.35%

LAB 50.8, -47.53, 40.29

 

CMYK 72 / 0 / 47 / 45

HEX #278B49

RGB 39 139 73

HSL 140.4, 0.56%, 0.35%

LAB 51.13, -43.68, 27.19

 

CMYK 72 / 0 / 29 / 45

HEX #278B63

RGB 39 139 99

HSL 156, 0.56%, 0.35%

LAB 51.61, -38.36, 13.33

 

CMYK 72 / 0 / 9 / 45

HEX #278B7E

RGB 39 139 126

HSL 172.2, 0.56%, 0.35%

LAB 52.29, -31.33, -1.28

 

CMYK 72 / 9 / 0 / 45

HEX #277E8B

RGB 39 126 139

HSL 187.8, 0.56%, 0.35%

LAB 48.53, -20.82, -14.49

 

CMYK 72 / 0 / 28 / 71

HEX #154B36

RGB 21 75 54

HSL 156.67, 0.56%, 0.19%

LAB 28, -23.45, 7.44

 

CMYK 72 / 0 / 28 / 58

HEX #1E6B4D

RGB 30 107 77

HSL 156.62, 0.56%, 0.27%

LAB 40.13, -31.02, 10.19

 

CMYK 72 / 0 / 28 / 45

HEX #278B64

RGB 39 139 100

HSL 156.6, 0.56%, 0.35%

LAB 51.63, -38.12, 12.78

 

CMYK 72 / 0 / 28 / 33

HEX #30AB7B

RGB 48 171 123

HSL 156.59, 0.56%, 0.43%

LAB 62.66, -44.89, 15.25

 

CMYK 70 / 0 / 28 / 22

HEX #3DC891

RGB 61 200 145

HSL 156.26, 0.56%, 0.51%

LAB 72.46, -49.83, 16.98

 

CMYK 72 / 0 / 28 / 45

HEX #288D65

RGB 40 141 101

HSL 156.24, 0.56%, 0.35%

LAB 52.33, -38.59, 13.19

 

CMYK 72 / 58 / 0 / 45

HEX #273B8B

RGB 39 59 139

HSL 228, 0.56%, 0.35%

LAB 27.91, 20.93, -46.93

 

CMYK 0 / 58 / 72 / 45

HEX #8B3B27

RGB 139 59 39

HSL 12, 0.56%, 0.35%

LAB 35.52, 32.71, 28.78

 

CMYK 72 / 0 / 28 / 45

HEX #288D65

RGB 40 141 101

HSL 156.24, 0.56%, 0.35%

LAB 52.33, -38.59, 13.19

 

CMYK 29 / 72 / 0 / 45

HEX #63278B

RGB 99 39 139

HSL 276, 0.56%, 0.35%

LAB 29.33, 44.76, -44.35

 

CMYK 0 / 29 / 72 / 45

HEX #8B6327

RGB 139 99 39

HSL 36, 0.56%, 0.35%

LAB 45.02, 9.99, 39.21

 

CMYK 72 / 0 / 28 / 45

HEX #288D65

RGB 40 141 101

HSL 156.24, 0.56%, 0.35%

LAB 52.33, -38.59, 13.19

 

CMYK 72 / 58 / 0 / 45

HEX #273B8B

RGB 39 59 139

HSL 228, 0.56%, 0.35%

LAB 27.91, 20.93, -46.93

 

CMYK 0 / 72 / 43 / 45

HEX #8B274F

RGB 139 39 79

HSL 336, 0.56%, 0.35%

LAB 32.93, 45.28, -0

 

CMYK 0 / 14 / 72 / 45

HEX #8B7727

RGB 139 119 39

HSL 48, 0.56%, 0.35%

LAB 50.49, -1.53, 44.85

 

CMYK 72 / 0 / 28 / 45

HEX #288D65

RGB 40 141 101

HSL 156.24, 0.56%, 0.35%

LAB 52.33, -38.59, 13.19

 

CMYK 65 / 72 / 0 / 45

HEX #31278B

RGB 49 39 139

HSL 246, 0.56%, 0.35%

LAB 23.57, 35.51, -53.99

 

CMYK 0 / 72 / 43 / 45

HEX #8B274F

RGB 139 39 79

HSL 336, 0.56%, 0.35%

LAB 32.93, 45.28, -0

 

CMYK 7 / 0 / 72 / 45

HEX #818B27

RGB 129 139 39

HSL 66, 0.56%, 0.35%

LAB 55.36, -17.02, 49.42

 

Description

Color code: HEX #288D65 | qconv.com Color code: HEX #288D65 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 141 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 141 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 28 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 28% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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