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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #288D4E it is the complementary color #D772B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #288D4E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #288D4E shade: #2D8D49, #3E9F5C, #4FB16F, #60C382 and #71D595

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #288D4E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #288D4E shade: #288D4E, #177B3B, #066928, #005715 and #004502

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #288D4E shade: #278B4D, #278B32, #388B27, #538B27 and #6D8B27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #288D4E shade: #278B4D, #278B68, #278B83, #27798B and #275E8B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #288D4E shade matches the following richer shades: #278B4D, #199A49 and #0AA846

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #288D4E shade: #278B4D, #367D50, #446E54, #536058 and #61515B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #288D4E shade: #388B27, #278B31, #278B4C, #278B67 and #278B81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #288D4E shade: #154B29, #1E6B3B, #278B4D, #30AB5F and #3DC871

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #288D4E shade: #288D4E, #27538B and #8B272B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #288D4E shade: #288D4E, #4C278B and #8B4C27

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #288D4E shade: #288D4E, #27538B, #8B2767 and #8B6027

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #288D4E shade: #288D4E, #27358B, #8B2767 and #8B7E27

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 45 / 45

HEX #288D4E

RGB 40 141 78

HSL 142.57, 0.56%, 0.35%

LAB 51.89, -43.39, 25.47

 

Complementary color

CMYK 0 / 47 / 18 / 16

HEX #D772B1

RGB 215 114 177

HSL 322.57, 0.56%, 0.65%

LAB 61.36, 47.34, -15.72

 

CMYK 68 / 0 / 48 / 45

HEX #2D8D49

RGB 45 141 73

HSL 137.5, 0.52%, 0.36%

LAB 51.94, -43.33, 28.25

 

CMYK 61 / 0 / 42 / 38

HEX #3E9F5C

RGB 62 159 92

HSL 138.56, 0.44%, 0.43%

LAB 58.6, -43.65, 26.72

 

CMYK 55 / 0 / 37 / 31

HEX #4FB16F

RGB 79 177 111

HSL 139.59, 0.39%, 0.5%

LAB 65.16, -43.71, 25.31

 

CMYK 51 / 0 / 33 / 24

HEX #60C382

RGB 96 195 130

HSL 140.61, 0.45%, 0.57%

LAB 71.64, -43.62, 24

 

CMYK 47 / 0 / 30 / 16

HEX #71D595

RGB 113 213 149

HSL 141.6, 0.54%, 0.64%

LAB 78.03, -43.46, 22.79

 

CMYK 72 / 0 / 45 / 45

HEX #288D4E

RGB 40 141 78

HSL 142.57, 0.56%, 0.35%

LAB 51.89, -43.39, 25.47

 

CMYK 81 / 0 / 52 / 52

HEX #177B3B

RGB 23 123 59

HSL 141.6, 0.68%, 0.29%

LAB 45.17, -42.5, 27.16

 

CMYK 94 / 0 / 62 / 59

HEX #066928

RGB 6 105 40

HSL 140.61, 0.89%, 0.22%

LAB 38.37, -40.83, 28.93

 

CMYK 100 / 0 / 76 / 66

HEX #005715

RGB 0 87 21

HSL 134.48, 1%, 0.17%

LAB 31.51, -37.75, 30.51

 

CMYK 100 / 0 / 97 / 73

HEX #004502

RGB 0 69 2

HSL 121.74, 1%, 0.14%

LAB 24.51, -33.47, 31.3

 

CMYK 72 / 0 / 45 / 45

HEX #278B4D

RGB 39 139 77

HSL 142.8, 0.56%, 0.35%

LAB 51.19, -42.96, 25.1

 

CMYK 72 / 0 / 64 / 45

HEX #278B32

RGB 39 139 50

HSL 126.6, 0.56%, 0.35%

LAB 50.84, -47.07, 38.5

 

CMYK 60 / 0 / 72 / 45

HEX #388B27

RGB 56 139 39

HSL 109.8, 0.56%, 0.35%

LAB 51.21, -44.36, 43.87

 

CMYK 40 / 0 / 72 / 45

HEX #538B27

RGB 83 139 39

HSL 93.6, 0.56%, 0.35%

LAB 52.34, -35.87, 45.4

 

CMYK 22 / 0 / 72 / 45

HEX #6D8B27

RGB 109 139 39

HSL 78, 0.56%, 0.35%

LAB 53.88, -25.68, 47.46

 

CMYK 72 / 0 / 45 / 45

HEX #278B4D

RGB 39 139 77

HSL 142.8, 0.56%, 0.35%

LAB 51.19, -42.96, 25.1

 

CMYK 72 / 0 / 25 / 45

HEX #278B68

RGB 39 139 104

HSL 159, 0.56%, 0.35%

LAB 51.72, -37.16, 10.62

 

CMYK 72 / 0 / 6 / 45

HEX #278B83

RGB 39 139 131

HSL 175.2, 0.56%, 0.35%

LAB 52.44, -29.89, -3.96

 

CMYK 72 / 13 / 0 / 45

HEX #27798B

RGB 39 121 139

HSL 190.8, 0.56%, 0.35%

LAB 46.94, -18.13, -16.92

 

CMYK 72 / 32 / 0 / 45

HEX #275E8B

RGB 39 94 139

HSL 207, 0.56%, 0.35%

LAB 38.38, -2.35, -30.19

 

CMYK 72 / 0 / 45 / 45

HEX #278B4D

RGB 39 139 77

HSL 142.8, 0.56%, 0.35%

LAB 51.19, -42.96, 25.1

 

CMYK 84 / 0 / 53 / 40

HEX #199A49

RGB 25 154 73

HSL 142.33, 0.72%, 0.35%

LAB 55.89, -51.19, 33.1

 

CMYK 94 / 0 / 58 / 34

HEX #0AA846

RGB 10 168 70

HSL 142.78, 0.89%, 0.35%

LAB 60.35, -57.49, 39.94

 

CMYK 72 / 0 / 45 / 45

HEX #278B4D

RGB 39 139 77

HSL 142.8, 0.56%, 0.35%

LAB 51.19, -42.96, 25.1

 

CMYK 57 / 0 / 36 / 51

HEX #367D50

RGB 54 125 80

HSL 141.97, 0.4%, 0.35%

LAB 47.01, -33.21, 17.99

 

CMYK 38 / 0 / 24 / 57

HEX #446E54

RGB 68 110 84

HSL 142.86, 0.24%, 0.35%

LAB 42.79, -20.9, 9.96

 

CMYK 14 / 0 / 8 / 62

HEX #536058

RGB 83 96 88

HSL 143.08, 0.07%, 0.35%

LAB 39.43, -6.78, 2.88

 

CMYK 0 / 16 / 6 / 62

HEX #61515B

RGB 97 81 91

HSL 322.5, 0.09%, 0.35%

LAB 36.33, 8.58, -3.36

 

CMYK 60 / 0 / 72 / 45

HEX #388B27

RGB 56 139 39

HSL 109.8, 0.56%, 0.35%

LAB 51.21, -44.36, 43.87

 

CMYK 72 / 0 / 65 / 45

HEX #278B31

RGB 39 139 49

HSL 126, 0.56%, 0.35%

LAB 50.83, -47.19, 38.96

 

CMYK 72 / 0 / 45 / 45

HEX #278B4C

RGB 39 139 76

HSL 142.2, 0.56%, 0.35%

LAB 51.17, -43.15, 25.62

 

CMYK 72 / 0 / 26 / 45

HEX #278B67

RGB 39 139 103

HSL 158.4, 0.56%, 0.35%

LAB 51.7, -37.41, 11.16

 

CMYK 72 / 0 / 7 / 45

HEX #278B81

RGB 39 139 129

HSL 174, 0.56%, 0.35%

LAB 52.38, -30.47, -2.89

 

CMYK 72 / 0 / 45 / 71

HEX #154B29

RGB 21 75 41

HSL 142.22, 0.56%, 0.19%

LAB 27.71, -26.54, 15.23

 

CMYK 72 / 0 / 45 / 58

HEX #1E6B3B

RGB 30 107 59

HSL 142.6, 0.56%, 0.27%

LAB 39.76, -35.02, 20.31

 

CMYK 72 / 0 / 45 / 45

HEX #278B4D

RGB 39 139 77

HSL 142.8, 0.56%, 0.35%

LAB 51.19, -42.96, 25.1

 

CMYK 72 / 0 / 44 / 33

HEX #30AB5F

RGB 48 171 95

HSL 142.93, 0.56%, 0.43%

LAB 62.15, -50.54, 29.67

 

CMYK 70 / 0 / 44 / 22

HEX #3DC871

RGB 61 200 113

HSL 142.45, 0.56%, 0.51%

LAB 71.89, -56.1, 32.99

 

CMYK 72 / 0 / 45 / 45

HEX #288D4E

RGB 40 141 78

HSL 142.57, 0.56%, 0.35%

LAB 51.89, -43.39, 25.47

 

CMYK 72 / 40 / 0 / 45

HEX #27538B

RGB 39 83 139

HSL 213.6, 0.56%, 0.35%

LAB 34.97, 4.7, -35.58

 

CMYK 0 / 72 / 69 / 45

HEX #8B272B

RGB 139 39 43

HSL 357.6, 0.56%, 0.35%

LAB 32.07, 42.31, 22.22

 

CMYK 72 / 0 / 45 / 45

HEX #288D4E

RGB 40 141 78

HSL 142.57, 0.56%, 0.35%

LAB 51.89, -43.39, 25.47

 

CMYK 45 / 72 / 0 / 45

HEX #4C278B

RGB 76 39 139

HSL 262.2, 0.56%, 0.35%

LAB 26.31, 40.06, -49.4

 

CMYK 0 / 45 / 72 / 45

HEX #8B4C27

RGB 139 76 39

HSL 22.2, 0.56%, 0.35%

LAB 39.25, 23.37, 32.97

 

CMYK 72 / 0 / 45 / 45

HEX #288D4E

RGB 40 141 78

HSL 142.57, 0.56%, 0.35%

LAB 51.89, -43.39, 25.47

 

CMYK 72 / 40 / 0 / 45

HEX #27538B

RGB 39 83 139

HSL 213.6, 0.56%, 0.35%

LAB 34.97, 4.7, -35.58

 

CMYK 0 / 72 / 26 / 45

HEX #8B2767

RGB 139 39 103

HSL 321.6, 0.56%, 0.35%

LAB 33.81, 48.21, -14.17

 

CMYK 0 / 31 / 72 / 45

HEX #8B6027

RGB 139 96 39

HSL 34.2, 0.56%, 0.35%

LAB 44.23, 11.74, 38.37

 

CMYK 72 / 0 / 45 / 45

HEX #288D4E

RGB 40 141 78

HSL 142.57, 0.56%, 0.35%

LAB 51.89, -43.39, 25.47

 

CMYK 72 / 62 / 0 / 45

HEX #27358B

RGB 39 53 139

HSL 231.6, 0.56%, 0.35%

LAB 26.28, 25.03, -49.58

 

CMYK 0 / 72 / 26 / 45

HEX #8B2767

RGB 139 39 103

HSL 321.6, 0.56%, 0.35%

LAB 33.81, 48.21, -14.17

 

CMYK 0 / 9 / 72 / 45

HEX #8B7E27

RGB 139 126 39

HSL 52.2, 0.56%, 0.35%

LAB 52.46, -5.46, 46.83

 

Description

Color code: HEX #288D4E | qconv.com Color code: HEX #288D4E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 141 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 141 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 45 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 45% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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