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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #288AF93F it is the complementary color #D775063F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #288AF93F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #288AF93F shade: #2D8AF43F, #3E9CFF3F, #4FAEFF3F, #60C0FF3F and #71D2FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #288AF93F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #288AF93F shade: #288AF93F, #1778E63F, #0666D33F, #0054C03F and #0042AD3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #288AF93F shade: #298BFA, #2953FA, #3829FA, #7029FA and #A829FA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #288AF93F shade: #298BFA, #2953FA and #2929FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #288AF93F shade matches the following richer shades: #298BFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #288AF93F shade: #298BFA, #3B8CE8, #4D8DD6, #5E8EC4 and #708FB3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #288AF93F shade: #29FAF6, #29C5FA, #298EFA, #2956FA and #3429FA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #288AF93F shade: #0562CB, #0675F3, #298BFA, #51A1FB and #7AB7FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #288AF93F shade: #288AF9, #BE29FA and #E1FA29

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #288AF93F shade: #288AF9, #FA298E and #8EFA29

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #288AF93F shade: #288AF9, #BE29FA, #FA9529 and #64FA29

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #288AF93F shade: #288AF9, #FA29F6, #FA9529 and #29FA2D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 11 / 0 / 1

HEX #288AF93F

RGBA 40 138 249 0.25

HSLA 211.87, 0.95%, 0.57%, 0.25

LABA 57.53, 12.01, -63.06, 0.25

 

Complementary color

CMYK 0 / 11 / 24 / 4

HEX #D775063F

RGBA 215 117 6 0.25

HSLA 31.87, 0.95%, 0.43%, 0.25

LABA 59.14, 32.49, 65.34, 0.25

 

CMYK 20 / 11 / 0 / 1

HEX #2D8AF43F

RGBA 45 138 244 0.25

HSLA 211.96, 0.9%, 0.57%, 0.25

LABA 57.33, 10.55, -60.61, 0.25

 

CMYK 19 / 10 / 0 / 0

HEX #3E9CFF3F

RGBA 62 156 255 0.25

HSLA 210.78, 1%, 0.62%, 0.25

LABA 63.36, 5.49, -57, 0.25

 

CMYK 17 / 8 / 0 / 0

HEX #4FAEFF3F

RGBA 79 174 255 0.25

HSLA 207.61, 1%, 0.65%, 0.25

LABA 68.86, -2.66, -48.25, 0.25

 

CMYK 16 / 6 / 0 / 0

HEX #60C0FF3F

RGBA 96 192 255 0.25

HSLA 203.77, 1%, 0.69%, 0.25

LABA 74.45, -9.86, -39.47, 0.25

 

CMYK 14 / 4 / 0 / 0

HEX #71D2FF3F

RGBA 113 210 255 0.25

HSLA 199.01, 1%, 0.72%, 0.25

LABA 80.08, -16.23, -30.71, 0.25

 

CMYK 21 / 11 / 0 / 1

HEX #288AF93F

RGBA 40 138 249 0.25

HSLA 211.87, 0.95%, 0.57%, 0.25

LABA 57.53, 12.01, -63.06, 0.25

 

CMYK 23 / 12 / 0 / 2

HEX #1778E63F

RGBA 23 120 230 0.25

HSLA 211.88, 0.82%, 0.5%, 0.25

LABA 51.07, 14.86, -62.91, 0.25

 

CMYK 24 / 13 / 0 / 4

HEX #0666D33F

RGBA 6 102 211 0.25

HSLA 211.9, 0.94%, 0.43%, 0.25

LABA 44.58, 18.27, -62.65, 0.25

 

CMYK 25 / 14 / 0 / 6

HEX #0054C03F

RGBA 0 84 192 0.25

HSLA 213.75, 1%, 0.38%, 0.25

LABA 38.1, 22.31, -62.2, 0.25

 

CMYK 25 / 15 / 0 / 8

HEX #0042AD3F

RGBA 0 66 173 0.25

HSLA 217.11, 1%, 0.34%, 0.25

LABA 31.61, 26.76, -61.59, 0.25

 

CMYK 84 / 44 / 0 / 2

HEX #298BFA

RGB 41 139 250

HSL 211.87, 0.95%, 0.57%

LAB 57.88, 11.84, -63.04

 

CMYK 84 / 67 / 0 / 2

HEX #2953FA

RGB 41 83 250

HSL 227.94, 0.95%, 0.57%

LAB 43.6, 46.65, -86.29

 

CMYK 78 / 84 / 0 / 2

HEX #3829FA

RGB 56 41 250

HSL 244.31, 0.95%, 0.57%

LAB 36.61, 69.03, -97.83

 

CMYK 55 / 84 / 0 / 2

HEX #7029FA

RGB 112 41 250

HSL 260.38, 0.95%, 0.57%

LAB 41.11, 73.04, -90.23

 

CMYK 33 / 84 / 0 / 2

HEX #A829FA

RGB 168 41 250

HSL 276.46, 0.95%, 0.57%

LAB 48.02, 79.66, -78.61

 

CMYK 84 / 44 / 0 / 2

HEX #298BFA

RGB 41 139 250

HSL 211.87, 0.95%, 0.57%

LAB 57.88, 11.84, -63.04

 

CMYK 84 / 67 / 0 / 2

HEX #2953FA

RGB 41 83 250

HSL 227.94, 0.95%, 0.57%

LAB 43.6, 46.65, -86.29

 

CMYK 84 / 84 / 0 / 2

HEX #2929FA

RGB 41 41 250

HSL 240, 0.95%, 0.57%

LAB 35.91, 68.43, -99.02

 

CMYK 84 / 44 / 0 / 2

HEX #298BFA

RGB 41 139 250

HSL 211.87, 0.95%, 0.57%

LAB 57.88, 11.84, -63.04

 

CMYK 84 / 44 / 0 / 2

HEX #298BFA

RGB 41 139 250

HSL 211.87, 0.95%, 0.57%

LAB 57.88, 11.84, -63.04

 

CMYK 75 / 40 / 0 / 9

HEX #3B8CE8

RGB 59 140 232

HSL 211.91, 0.79%, 0.57%

LAB 57.57, 6.4, -53.56

 

CMYK 64 / 34 / 0 / 16

HEX #4D8DD6

RGB 77 141 214

HSL 211.97, 0.63%, 0.57%

LAB 57.54, 2.18, -43.51

 

CMYK 52 / 28 / 0 / 23

HEX #5E8EC4

RGB 94 142 196

HSL 211.76, 0.46%, 0.57%

LAB 57.76, -0.8, -32.98

 

CMYK 37 / 20 / 0 / 30

HEX #708FB3

RGB 112 143 179

HSL 212.24, 0.31%, 0.57%

LAB 58.36, -1.71, -22.33

 

CMYK 84 / 0 / 2 / 2

HEX #29FAF6

RGB 41 250 246

HSL 178.85, 0.95%, 0.57%

LAB 89.63, -47.04, -11.67

 

CMYK 84 / 21 / 0 / 2

HEX #29C5FA

RGB 41 197 250

HSL 195.22, 0.95%, 0.57%

LAB 74.39, -20.81, -36.98

 

CMYK 84 / 43 / 0 / 2

HEX #298EFA

RGB 41 142 250

HSL 211, 0.95%, 0.57%

LAB 58.71, 10.03, -61.71

 

CMYK 84 / 66 / 0 / 2

HEX #2956FA

RGB 41 86 250

HSL 227.08, 0.95%, 0.57%

LAB 44.27, 44.84, -85.17

 

CMYK 79 / 84 / 0 / 2

HEX #3429FA

RGB 52 41 250

HSL 243.16, 0.95%, 0.57%

LAB 36.4, 68.85, -98.18

 

CMYK 98 / 52 / 0 / 20

HEX #0562CB

RGB 5 98 203

HSL 211.82, 0.95%, 0.41%

LAB 42.88, 17.65, -60.81

 

CMYK 98 / 52 / 0 / 5

HEX #0675F3

RGB 6 117 243

HSL 211.9, 0.95%, 0.49%

LAB 50.96, 21.21, -70.37

 

CMYK 84 / 44 / 0 / 2

HEX #298BFA

RGB 41 139 250

HSL 211.87, 0.95%, 0.57%

LAB 57.88, 11.84, -63.04

 

CMYK 68 / 36 / 0 / 2

HEX #51A1FB

RGB 81 161 251

HSL 211.76, 0.96%, 0.65%

LAB 65.12, 3.69, -51.98

 

CMYK 52 / 27 / 0 / 1

HEX #7AB7FC

RGB 122 183 252

HSL 211.85, 0.96%, 0.73%

LAB 72.91, -0.81, -40.16

 

CMYK 84 / 45 / 0 / 2

HEX #288AF9

RGB 40 138 249

HSL 211.87, 0.95%, 0.57%

LAB 57.53, 12.01, -63.06

 

CMYK 24 / 84 / 0 / 2

HEX #BE29FA

RGB 190 41 250

HSL 282.78, 0.95%, 0.57%

LAB 51.19, 82.82, -73.31

 

CMYK 10 / 0 / 84 / 2

HEX #E1FA29

RGB 225 250 41

HSL 67.18, 0.95%, 0.57%

LAB 93.68, -30.83, 85.92

 

CMYK 84 / 45 / 0 / 2

HEX #288AF9

RGB 40 138 249

HSL 211.87, 0.95%, 0.57%

LAB 57.53, 12.01, -63.06

 

CMYK 0 / 84 / 43 / 2

HEX #FA298E

RGB 250 41 142

HSL 331, 0.95%, 0.57%

LAB 55.95, 79.86, -2.86

 

CMYK 43 / 0 / 84 / 2

HEX #8EFA29

RGB 142 250 41

HSL 91, 0.95%, 0.57%

LAB 89.06, -61, 80.13

 

CMYK 84 / 45 / 0 / 2

HEX #288AF9

RGB 40 138 249

HSL 211.87, 0.95%, 0.57%

LAB 57.53, 12.01, -63.06

 

CMYK 24 / 84 / 0 / 2

HEX #BE29FA

RGB 190 41 250

HSL 282.78, 0.95%, 0.57%

LAB 51.19, 82.82, -73.31

 

CMYK 0 / 40 / 84 / 2

HEX #FA9529

RGB 250 149 41

HSL 31, 0.95%, 0.57%

LAB 70.86, 30.78, 67.64

 

CMYK 60 / 0 / 84 / 2

HEX #64FA29

RGB 100 250 41

HSL 103.06, 0.95%, 0.57%

LAB 87.6, -72.36, 78.29

 

CMYK 84 / 45 / 0 / 2

HEX #288AF9

RGB 40 138 249

HSL 211.87, 0.95%, 0.57%

LAB 57.53, 12.01, -63.06

 

CMYK 0 / 84 / 2 / 2

HEX #FA29F6

RGB 250 41 246

HSL 301.15, 0.95%, 0.57%

LAB 60.39, 91.99, -55.78

 

CMYK 0 / 40 / 84 / 2

HEX #FA9529

RGB 250 149 41

HSL 31, 0.95%, 0.57%

LAB 70.86, 30.78, 67.64

 

CMYK 84 / 0 / 82 / 2

HEX #29FA2D

RGB 41 250 45

HSL 121.15, 0.95%, 0.57%

LAB 86.52, -81.57, 75.98

 

Description

Color code: HEX #288AF93F | qconv.com Color code: HEX #288AF93F | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 138 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 138 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 11 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 11% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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