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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #288113 it is the complementary color #D77EEC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #288113. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #288113 shade: #2D810E, #3E9321, #4FA534, #60B747 and #71C95A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #288113. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #288113 shade: #288113, #176F00, #065D00, #004B00 and #003900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #288113 shade: #288113, #468113, #638113, #818113 and #816313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #288113 shade: #288113, #13811C, #138139, #138157 and #138174

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #288113 shade matches the following richer shades: #288113 and #218D07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #288113 shade: #288113, #30751F, #37692B, #3E5D37 and #465143

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #288113 shade: #638113, #468113, #298113, #13811B and #138138

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #288113 shade: #123908, #1D5D0E, #288113, #33A519 and #3EC81E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #288113 shade: #288113, #138181 and #811355

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #288113 shade: #288113, #132981 and #811329

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #288113 shade: #288113, #138181, #6B1381 and #811313

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #288113 shade: #288113, #136081, #6B1381 and #813413

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 85 / 49

HEX #288113

RGB 40 129 19

HSL 108.55, 0.74%, 0.29%

LAB 47.23, -46, 46.82

 

Complementary color

CMYK 9 / 47 / 0 / 7

HEX #D77EEC

RGB 215 126 236

HSL 288.55, 0.74%, 0.71%

LAB 66.08, 51.52, -41.57

 

CMYK 65 / 0 / 89 / 49

HEX #2D810E

RGB 45 129 14

HSL 103.83, 0.8%, 0.28%

LAB 47.35, -45.08, 48.26

 

CMYK 58 / 0 / 78 / 42

HEX #3E9321

RGB 62 147 33

HSL 104.74, 0.63%, 0.35%

LAB 54.03, -46.26, 49.04

 

CMYK 52 / 0 / 68 / 35

HEX #4FA534

RGB 79 165 52

HSL 105.66, 0.52%, 0.43%

LAB 60.62, -46.91, 48.69

 

CMYK 48 / 0 / 61 / 28

HEX #60B747

RGB 96 183 71

HSL 106.61, 0.44%, 0.5%

LAB 67.13, -47.23, 47.82

 

CMYK 44 / 0 / 55 / 21

HEX #71C95A

RGB 113 201 90

HSL 107.57, 0.51%, 0.57%

LAB 73.56, -47.34, 46.72

 

CMYK 69 / 0 / 85 / 49

HEX #288113

RGB 40 129 19

HSL 108.55, 0.74%, 0.29%

LAB 47.23, -46, 46.82

 

CMYK 79 / 0 / 100 / 56

HEX #176F00

RGB 23 111 0

HSL 107.57, 1%, 0.22%

LAB 40.49, -44, 45.42

 

CMYK 94 / 0 / 100 / 64

HEX #065D00

RGB 6 93 0

HSL 116.13, 1%, 0.18%

LAB 33.71, -40.48, 39.89

 

CMYK 100 / 0 / 100 / 71

HEX #004B00

RGB 0 75 0

HSL 120, 1%, 0.15%

LAB 26.83, -35.58, 34.26

 

CMYK 100 / 0 / 100 / 78

HEX #003900

RGB 0 57 0

HSL 120, 1%, 0.11%

LAB 19.75, -29.7, 27.07

 

CMYK 69 / 0 / 85 / 49

HEX #288113

RGB 40 129 19

HSL 108.55, 0.74%, 0.29%

LAB 47.23, -46, 46.82

 

CMYK 46 / 0 / 85 / 49

HEX #468113

RGB 70 129 19

HSL 92.18, 0.74%, 0.29%

LAB 48.32, -37.39, 48.21

 

CMYK 23 / 0 / 85 / 49

HEX #638113

RGB 99 129 19

HSL 76.36, 0.74%, 0.29%

LAB 49.98, -26.03, 50.31

 

CMYK 0 / 0 / 85 / 49

HEX #818113

RGB 129 129 19

HSL 60, 0.74%, 0.29%

LAB 52.3, -12.58, 53.22

 

CMYK 0 / 23 / 85 / 49

HEX #816313

RGB 129 99 19

HSL 43.64, 0.74%, 0.29%

LAB 43.71, 4.36, 45.88

 

CMYK 69 / 0 / 85 / 49

HEX #288113

RGB 40 129 19

HSL 108.55, 0.74%, 0.29%

LAB 47.23, -46, 46.82

 

CMYK 85 / 0 / 78 / 49

HEX #13811C

RGB 19 129 28

HSL 124.91, 0.74%, 0.29%

LAB 46.87, -48.92, 43.43

 

CMYK 85 / 0 / 56 / 49

HEX #138139

RGB 19 129 57

HSL 140.73, 0.74%, 0.29%

LAB 47.15, -45.51, 30.64

 

CMYK 85 / 0 / 33 / 49

HEX #138157

RGB 19 129 87

HSL 157.09, 0.74%, 0.29%

LAB 47.66, -39.62, 14.7

 

CMYK 85 / 0 / 10 / 49

HEX #138174

RGB 19 129 116

HSL 172.91, 0.74%, 0.29%

LAB 48.39, -31.88, -1.2

 

CMYK 69 / 0 / 85 / 49

HEX #288113

RGB 40 129 19

HSL 108.55, 0.74%, 0.29%

LAB 47.23, -46, 46.82

 

CMYK 77 / 0 / 95 / 45

HEX #218D07

RGB 33 141 7

HSL 108.36, 0.91%, 0.29%

LAB 51.14, -51.86, 52.74

 

CMYK 69 / 0 / 85 / 49

HEX #288113

RGB 40 129 19

HSL 108.55, 0.74%, 0.29%

LAB 47.23, -46, 46.82

 

CMYK 59 / 0 / 74 / 54

HEX #30751F

RGB 48 117 31

HSL 108.14, 0.58%, 0.29%

LAB 43.43, -38.64, 39

 

CMYK 48 / 0 / 59 / 59

HEX #37692B

RGB 55 105 43

HSL 108.39, 0.42%, 0.29%

LAB 39.73, -30.01, 29.31

 

CMYK 33 / 0 / 41 / 64

HEX #3E5D37

RGB 62 93 55

HSL 108.95, 0.26%, 0.29%

LAB 36.23, -19.72, 18.29

 

CMYK 14 / 0 / 17 / 68

HEX #465143

RGB 70 81 67

HSL 107.14, 0.09%, 0.29%

LAB 33.12, -7.45, 6.79

 

CMYK 23 / 0 / 85 / 49

HEX #638113

RGB 99 129 19

HSL 76.36, 0.74%, 0.29%

LAB 49.98, -26.03, 50.31

 

CMYK 46 / 0 / 85 / 49

HEX #468113

RGB 70 129 19

HSL 92.18, 0.74%, 0.29%

LAB 48.32, -37.39, 48.21

 

CMYK 68 / 0 / 85 / 49

HEX #298113

RGB 41 129 19

HSL 108, 0.74%, 0.29%

LAB 47.26, -45.78, 46.85

 

CMYK 85 / 0 / 79 / 49

HEX #13811B

RGB 19 129 27

HSL 124.36, 0.74%, 0.29%

LAB 46.87, -49, 43.78

 

CMYK 85 / 0 / 57 / 49

HEX #138138

RGB 19 129 56

HSL 140.18, 0.74%, 0.29%

LAB 47.14, -45.67, 31.14

 

CMYK 68 / 0 / 86 / 78

HEX #123908

RGB 18 57 8

HSL 107.76, 0.75%, 0.13%

LAB 20.33, -24.41, 24.61

 

CMYK 69 / 0 / 85 / 64

HEX #1D5D0E

RGB 29 93 14

HSL 108.61, 0.74%, 0.21%

LAB 34.23, -35.64, 36.18

 

CMYK 69 / 0 / 85 / 49

HEX #288113

RGB 40 129 19

HSL 108.55, 0.74%, 0.29%

LAB 47.23, -46, 46.82

 

CMYK 69 / 0 / 85 / 35

HEX #33A519

RGB 51 165 25

HSL 108.86, 0.74%, 0.37%

LAB 59.6, -55.7, 56.54

 

CMYK 69 / 0 / 85 / 22

HEX #3EC81E

RGB 62 200 30

HSL 108.71, 0.74%, 0.45%

LAB 71.16, -64.69, 65.78

 

CMYK 69 / 0 / 85 / 49

HEX #288113

RGB 40 129 19

HSL 108.55, 0.74%, 0.29%

LAB 47.23, -46, 46.82

 

CMYK 85 / 0 / 0 / 49

HEX #138181

RGB 19 129 129

HSL 180, 0.74%, 0.29%

LAB 48.79, -27.87, -8.25

 

CMYK 0 / 85 / 34 / 49

HEX #811355

RGB 129 19 85

HSL 324, 0.74%, 0.29%

LAB 28.87, 49.69, -10.19

 

CMYK 69 / 0 / 85 / 49

HEX #288113

RGB 40 129 19

HSL 108.55, 0.74%, 0.29%

LAB 47.23, -46, 46.82

 

CMYK 85 / 68 / 0 / 49

HEX #132981

RGB 19 41 129

HSL 228, 0.74%, 0.29%

LAB 21.24, 27.12, -51.6

 

CMYK 0 / 85 / 68 / 49

HEX #811329

RGB 129 19 41

HSL 348, 0.74%, 0.29%

LAB 27.55, 45.82, 17.43

 

CMYK 69 / 0 / 85 / 49

HEX #288113

RGB 40 129 19

HSL 108.55, 0.74%, 0.29%

LAB 47.23, -46, 46.82

 

CMYK 85 / 0 / 0 / 49

HEX #138181

RGB 19 129 129

HSL 180, 0.74%, 0.29%

LAB 48.79, -27.87, -8.25

 

CMYK 17 / 85 / 0 / 49

HEX #6B1381

RGB 107 19 129

HSL 288, 0.74%, 0.29%

LAB 27.23, 51.72, -41.43

 

CMYK 0 / 85 / 85 / 49

HEX #811313

RGB 129 19 19

HSL 0, 0.74%, 0.29%

LAB 27.24, 44.87, 31.05

 

CMYK 69 / 0 / 85 / 49

HEX #288113

RGB 40 129 19

HSL 108.55, 0.74%, 0.29%

LAB 47.23, -46, 46.82

 

CMYK 85 / 26 / 0 / 49

HEX #136081

RGB 19 96 129

HSL 198, 0.74%, 0.29%

LAB 38, -9.93, -24.74

 

CMYK 17 / 85 / 0 / 49

HEX #6B1381

RGB 107 19 129

HSL 288, 0.74%, 0.29%

LAB 27.23, 51.72, -41.43

 

CMYK 0 / 60 / 85 / 49

HEX #813413

RGB 129 52 19

HSL 18, 0.74%, 0.29%

LAB 32.19, 31.42, 35.66

 

Description

Color code: HEX #288113 | qconv.com Color code: HEX #288113 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 129 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 129 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 85 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 85% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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