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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #287ECE it is the complementary color #D78131. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #287ECE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #287ECE shade: #2D7EC9, #3E90DC, #4FA2EF, #60B4FF and #71C6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #287ECE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #287ECE shade: #287ECE, #176CBB, #065AA8, #004895 and #003682

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #287ECE shade: #287DCC, #2851CC, #2C28CC, #5828CC and #8428CC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #287ECE shade: #287DCC, #2851CC and #2828CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #287ECE shade matches the following richer shades: #287DCC, #157EE0 and #017FF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #287ECE shade: #287DCC, #3C7DB9, #507CA5, #647B91 and #787B7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #287ECE shade: #28CCC1, #28ACCC, #2880CC, #2854CC and #2828CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #287ECE shade: #1B5388, #2268AA, #287DCC, #4492DA and #66A6E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #287ECE shade: #287ECE, #9628CC and #C1CC28

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #287ECE shade: #287ECE, #CC2880 and #80CC28

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #287ECE shade: #287ECE, #9628CC, #CC7528 and #5FCC28

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #287ECE shade: #287ECE, #C728CC, #CC7528 and #2ECC28

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 39 / 0 / 19

HEX #287ECE

RGB 40 126 206

HSL 208.92, 0.67%, 0.48%

LAB 51.64, 3.21, -48.42

 

Complementary color

CMYK 0 / 40 / 77 / 16

HEX #D78131

RGB 215 129 49

HSL 28.92, 0.67%, 0.52%

LAB 61.97, 27.11, 54.9

 

CMYK 78 / 37 / 0 / 21

HEX #2D7EC9

RGB 45 126 201

HSL 208.85, 0.63%, 0.48%

LAB 51.49, 1.88, -45.81

 

CMYK 72 / 35 / 0 / 14

HEX #3E90DC

RGB 62 144 220

HSL 208.86, 0.69%, 0.55%

LAB 58.17, 0.15, -45.92

 

CMYK 67 / 32 / 0 / 6

HEX #4FA2EF

RGB 79 162 239

HSL 208.88, 0.83%, 0.62%

LAB 64.75, -1.23, -46.01

 

CMYK 62 / 29 / 0 / 0

HEX #60B4FF

RGB 96 180 255

HSL 208.3, 1%, 0.69%

LAB 71.11, -3.31, -44.68

 

CMYK 56 / 22 / 0 / 0

HEX #71C6FF

RGB 113 198 255

HSL 204.08, 1%, 0.72%

LAB 76.75, -9.93, -35.84

 

CMYK 81 / 39 / 0 / 19

HEX #287ECE

RGB 40 126 206

HSL 208.92, 0.67%, 0.48%

LAB 51.64, 3.21, -48.42

 

CMYK 88 / 42 / 0 / 27

HEX #176CBB

RGB 23 108 187

HSL 208.9, 0.78%, 0.41%

LAB 44.93, 5.65, -48.24

 

CMYK 96 / 46 / 0 / 34

HEX #065AA8

RGB 6 90 168

HSL 208.89, 0.93%, 0.34%

LAB 38.16, 8.72, -47.97

 

CMYK 100 / 52 / 0 / 42

HEX #004895

RGB 0 72 149

HSL 211.01, 1%, 0.29%

LAB 31.36, 12.61, -47.53

 

CMYK 100 / 58 / 0 / 49

HEX #003682

RGB 0 54 130

HSL 215.08, 1%, 0.25%

LAB 24.48, 17.11, -46.95

 

CMYK 80 / 39 / 0 / 20

HEX #287DCC

RGB 40 125 204

HSL 208.9, 0.67%, 0.48%

LAB 51.24, 3.07, -47.92

 

CMYK 80 / 60 / 0 / 20

HEX #2851CC

RGB 40 81 204

HSL 225, 0.67%, 0.48%

LAB 39.06, 31.15, -67.58

 

CMYK 78 / 80 / 0 / 20

HEX #2C28CC

RGB 44 40 204

HSL 241.46, 0.67%, 0.48%

LAB 30.43, 55.46, -81.79

 

CMYK 57 / 80 / 0 / 20

HEX #5828CC

RGB 88 40 204

HSL 257.56, 0.67%, 0.48%

LAB 33.88, 59.23, -75.97

 

CMYK 35 / 80 / 0 / 20

HEX #8428CC

RGB 132 40 204

HSL 273.66, 0.67%, 0.48%

LAB 39.21, 65.12, -67.02

 

CMYK 80 / 39 / 0 / 20

HEX #287DCC

RGB 40 125 204

HSL 208.9, 0.67%, 0.48%

LAB 51.24, 3.07, -47.92

 

CMYK 80 / 60 / 0 / 20

HEX #2851CC

RGB 40 81 204

HSL 225, 0.67%, 0.48%

LAB 39.06, 31.15, -67.58

 

CMYK 80 / 80 / 0 / 20

HEX #2828CC

RGB 40 40 204

HSL 240, 0.67%, 0.48%

LAB 30.23, 55.24, -82.13

 

CMYK 80 / 39 / 0 / 20

HEX #287DCC

RGB 40 125 204

HSL 208.9, 0.67%, 0.48%

LAB 51.24, 3.07, -47.92

 

CMYK 91 / 44 / 0 / 12

HEX #157EE0

RGB 21 126 224

HSL 208.97, 0.83%, 0.48%

LAB 52.36, 8.7, -57.47

 

CMYK 100 / 48 / 0 / 4

HEX #017FF4

RGB 1 127 244

HSL 208.89, 0.99%, 0.48%

LAB 53.73, 15.19, -66.45

 

CMYK 80 / 39 / 0 / 20

HEX #287DCC

RGB 40 125 204

HSL 208.9, 0.67%, 0.48%

LAB 51.24, 3.07, -47.92

 

CMYK 68 / 32 / 0 / 27

HEX #3C7DB9

RGB 60 125 185

HSL 208.8, 0.51%, 0.48%

LAB 50.84, -1.21, -37.65

 

CMYK 52 / 25 / 0 / 35

HEX #507CA5

RGB 80 124 165

HSL 208.94, 0.35%, 0.48%

LAB 50.5, -3.22, -26.56

 

CMYK 31 / 15 / 0 / 43

HEX #647B91

RGB 100 123 145

HSL 209.33, 0.18%, 0.48%

LAB 50.59, -2.87, -14.63

 

CMYK 4 / 2 / 0 / 51

HEX #787B7D

RGB 120 123 125

HSL 204, 0.02%, 0.48%

LAB 51.43, -0.71, -1.49

 

CMYK 80 / 0 / 5 / 20

HEX #28CCC1

RGB 40 204 193

HSL 175.98, 0.67%, 0.48%

LAB 74.5, -41.91, -6.02

 

CMYK 80 / 16 / 0 / 20

HEX #28ACCC

RGB 40 172 204

HSL 191.71, 0.67%, 0.48%

LAB 65.21, -23.3, -26.06

 

CMYK 80 / 37 / 0 / 20

HEX #2880CC

RGB 40 128 204

HSL 207.8, 0.67%, 0.48%

LAB 52.12, 1.25, -46.53

 

CMYK 80 / 59 / 0 / 20

HEX #2854CC

RGB 40 84 204

HSL 223.9, 0.67%, 0.48%

LAB 39.83, 29.2, -66.32

 

CMYK 80 / 80 / 0 / 20

HEX #2828CC

RGB 40 40 204

HSL 240, 0.67%, 0.48%

LAB 30.23, 55.24, -82.13

 

CMYK 80 / 39 / 0 / 47

HEX #1B5388

RGB 27 83 136

HSL 209.17, 0.67%, 0.32%

LAB 34.39, 1.83, -34.69

 

CMYK 80 / 39 / 0 / 33

HEX #2268AA

RGB 34 104 170

HSL 209.12, 0.67%, 0.4%

LAB 42.98, 2.51, -41.42

 

CMYK 80 / 39 / 0 / 20

HEX #287DCC

RGB 40 125 204

HSL 208.9, 0.67%, 0.48%

LAB 51.24, 3.07, -47.92

 

CMYK 69 / 33 / 0 / 15

HEX #4492DA

RGB 68 146 218

HSL 208.8, 0.67%, 0.56%

LAB 58.83, -0.85, -43.74

 

CMYK 55 / 26 / 0 / 12

HEX #66A6E1

RGB 102 166 225

HSL 208.78, 0.67%, 0.64%

LAB 66.16, -3.77, -36.04

 

CMYK 81 / 39 / 0 / 19

HEX #287ECE

RGB 40 126 206

HSL 208.92, 0.67%, 0.48%

LAB 51.64, 3.21, -48.42

 

CMYK 26 / 80 / 0 / 20

HEX #9628CC

RGB 150 40 204

HSL 280.24, 0.67%, 0.48%

LAB 41.78, 67.99, -62.72

 

CMYK 5 / 0 / 80 / 20

HEX #C1CC28

RGB 193 204 40

HSL 64.02, 0.67%, 0.48%

LAB 78.85, -22.16, 72.58

 

CMYK 81 / 39 / 0 / 19

HEX #287ECE

RGB 40 126 206

HSL 208.92, 0.67%, 0.48%

LAB 51.64, 3.21, -48.42

 

CMYK 0 / 80 / 37 / 20

HEX #CC2880

RGB 204 40 128

HSL 327.8, 0.67%, 0.48%

LAB 46.86, 67.8, -8.86

 

CMYK 37 / 0 / 80 / 20

HEX #80CC28

RGB 128 204 40

HSL 87.8, 0.67%, 0.48%

LAB 74.78, -47.57, 67.4

 

CMYK 81 / 39 / 0 / 19

HEX #287ECE

RGB 40 126 206

HSL 208.92, 0.67%, 0.48%

LAB 51.64, 3.21, -48.42

 

CMYK 26 / 80 / 0 / 20

HEX #9628CC

RGB 150 40 204

HSL 280.24, 0.67%, 0.48%

LAB 41.78, 67.99, -62.72

 

CMYK 0 / 43 / 80 / 20

HEX #CC7528

RGB 204 117 40

HSL 28.17, 0.67%, 0.48%

LAB 57.76, 28.6, 54.14

 

CMYK 53 / 0 / 80 / 20

HEX #5FCC28

RGB 95 204 40

HSL 99.88, 0.67%, 0.48%

LAB 73.4, -57.89, 65.63

 

CMYK 81 / 39 / 0 / 19

HEX #287ECE

RGB 40 126 206

HSL 208.92, 0.67%, 0.48%

LAB 51.64, 3.21, -48.42

 

CMYK 2 / 80 / 0 / 20

HEX #C728CC

RGB 199 40 204

HSL 298.17, 0.67%, 0.48%

LAB 49.52, 76.69, -49.86

 

CMYK 0 / 43 / 80 / 20

HEX #CC7528

RGB 204 117 40

HSL 28.17, 0.67%, 0.48%

LAB 57.76, 28.6, 54.14

 

CMYK 77 / 0 / 80 / 20

HEX #2ECC28

RGB 46 204 40

HSL 117.8, 0.67%, 0.48%

LAB 72.17, -68.02, 64.05

 

Description

Color code: HEX #287ECE | qconv.com Color code: HEX #287ECE | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 126 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 126 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, 39 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 39% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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