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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #287B47 it is the complementary color #D784B8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #287B47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #287B47 shade: #2D7B42, #3E8D55, #4F9F68, #60B17B and #71C38E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #287B47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #287B47 shade: #287B47, #176934, #065721, #00450E and #003300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #287B47 shade: #287B47, #287B31, #367B28, #4C7B28 and #637B28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #287B47 shade: #287B47, #287B5E, #287B74, #286C7B and #28567B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #287B47 shade matches the following richer shades: #287B47, #1B8844, #0E9640 and #00A33D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #287B47 shade: #287B47, #356E4A, #42614E, #505451 and #5D4654

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #287B47 shade: #367B28, #287B30, #287B47, #287B5D and #287B73

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #287B47 shade: #143D23, #1E5C35, #287B47, #329A59 and #3CBA6B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #287B47 shade: #287B47, #284C7B and #7B282B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #287B47 shade: #287B47, #47287B and #7B4728

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #287B47 shade: #287B47, #284C7B, #7B285D and #7B5728

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #287B47 shade: #287B47, #28337B, #7B285D and #7B7028

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 42 / 52

HEX #287B47

RGB 40 123 71

HSL 142.41, 0.51%, 0.32%

LAB 45.73, -37.39, 21.33

 

Complementary color

CMYK 0 / 39 / 14 / 16

HEX #D784B8

RGB 215 132 184

HSL 322.41, 0.51%, 0.68%

LAB 65.29, 39.11, -13.76

 

CMYK 63 / 0 / 46 / 52

HEX #2D7B42

RGB 45 123 66

HSL 136.15, 0.46%, 0.33%

LAB 45.79, -37.21, 24.23

 

CMYK 56 / 0 / 40 / 45

HEX #3E8D55

RGB 62 141 85

HSL 137.47, 0.39%, 0.4%

LAB 52.65, -37.31, 22.74

 

CMYK 50 / 0 / 35 / 38

HEX #4F9F68

RGB 79 159 104

HSL 138.75, 0.34%, 0.47%

LAB 59.4, -37.21, 21.37

 

CMYK 46 / 0 / 31 / 31

HEX #60B17B

RGB 96 177 123

HSL 140, 0.34%, 0.54%

LAB 66.03, -37.01, 20.13

 

CMYK 42 / 0 / 27 / 24

HEX #71C38E

RGB 113 195 142

HSL 141.22, 0.41%, 0.6%

LAB 72.56, -36.77, 18.98

 

CMYK 67 / 0 / 42 / 52

HEX #287B47

RGB 40 123 71

HSL 142.41, 0.51%, 0.32%

LAB 45.73, -37.39, 21.33

 

CMYK 78 / 0 / 50 / 59

HEX #176934

RGB 23 105 52

HSL 141.22, 0.64%, 0.25%

LAB 38.78, -36.77, 23

 

CMYK 93 / 0 / 62 / 66

HEX #065721

RGB 6 87 33

HSL 140, 0.87%, 0.18%

LAB 31.73, -35.39, 24.8

 

CMYK 100 / 0 / 80 / 73

HEX #00450E

RGB 0 69 14

HSL 132.17, 1%, 0.14%

LAB 24.6, -32.35, 26.42

 

CMYK 100 / 0 / 100 / 80

HEX #003300

RGB 0 51 0

HSL 120, 1%, 0.1%

LAB 17.31, -27.67, 24.2

 

CMYK 67 / 0 / 42 / 52

HEX #287B47

RGB 40 123 71

HSL 142.41, 0.51%, 0.32%

LAB 45.73, -37.39, 21.33

 

CMYK 67 / 0 / 60 / 52

HEX #287B31

RGB 40 123 49

HSL 126.51, 0.51%, 0.32%

LAB 45.41, -41, 32.76

 

CMYK 56 / 0 / 67 / 52

HEX #367B28

RGB 54 123 40

HSL 109.88, 0.51%, 0.32%

LAB 45.78, -38.48, 37.62

 

CMYK 38 / 0 / 67 / 52

HEX #4C7B28

RGB 76 123 40

HSL 93.98, 0.51%, 0.32%

LAB 46.78, -31.12, 39.01

 

CMYK 20 / 0 / 67 / 52

HEX #637B28

RGB 99 123 40

HSL 77.35, 0.51%, 0.32%

LAB 48.22, -21.81, 40.98

 

CMYK 67 / 0 / 42 / 52

HEX #287B47

RGB 40 123 71

HSL 142.41, 0.51%, 0.32%

LAB 45.73, -37.39, 21.33

 

CMYK 67 / 0 / 24 / 52

HEX #287B5E

RGB 40 123 94

HSL 159.04, 0.51%, 0.32%

LAB 46.21, -32.28, 8.67

 

CMYK 67 / 0 / 6 / 52

HEX #287B74

RGB 40 123 116

HSL 174.94, 0.51%, 0.32%

LAB 46.81, -26.28, -3.47

 

CMYK 67 / 12 / 0 / 52

HEX #286C7B

RGB 40 108 123

HSL 190.84, 0.51%, 0.32%

LAB 42.16, -16.15, -14.63

 

CMYK 67 / 30 / 0 / 52

HEX #28567B

RGB 40 86 123

HSL 206.75, 0.51%, 0.32%

LAB 35.08, -3.08, -25.58

 

CMYK 67 / 0 / 42 / 52

HEX #287B47

RGB 40 123 71

HSL 142.41, 0.51%, 0.32%

LAB 45.73, -37.39, 21.33

 

CMYK 80 / 0 / 50 / 47

HEX #1B8844

RGB 27 136 68

HSL 142.57, 0.67%, 0.32%

LAB 49.81, -45.28, 28.15

 

CMYK 91 / 0 / 57 / 41

HEX #0E9640

RGB 14 150 64

HSL 142.06, 0.83%, 0.32%

LAB 54.32, -52.18, 35.71

 

CMYK 100 / 0 / 63 / 36

HEX #00A33D

RGB 0 163 61

HSL 142.45, 1%, 0.32%

LAB 58.54, -57.61, 42.04

 

CMYK 67 / 0 / 42 / 52

HEX #287B47

RGB 40 123 71

HSL 142.41, 0.51%, 0.32%

LAB 45.73, -37.39, 21.33

 

CMYK 52 / 0 / 33 / 57

HEX #356E4A

RGB 53 110 74

HSL 142.11, 0.35%, 0.32%

LAB 41.85, -27.7, 14.48

 

CMYK 32 / 0 / 20 / 62

HEX #42614E

RGB 66 97 78

HSL 143.23, 0.19%, 0.32%

LAB 38.3, -15.88, 7.24

 

CMYK 5 / 0 / 4 / 67

HEX #505451

RGB 80 84 81

HSL 135, 0.02%, 0.32%

LAB 35.28, -2.25, 1.19

 

CMYK 0 / 25 / 10 / 64

HEX #5D4654

RGB 93 70 84

HSL 323.48, 0.14%, 0.32%

LAB 32.59, 12.45, -4.53

 

CMYK 56 / 0 / 67 / 52

HEX #367B28

RGB 54 123 40

HSL 109.88, 0.51%, 0.32%

LAB 45.78, -38.48, 37.62

 

CMYK 67 / 0 / 61 / 52

HEX #287B30

RGB 40 123 48

HSL 125.78, 0.51%, 0.32%

LAB 45.4, -41.14, 33.25

 

CMYK 67 / 0 / 42 / 52

HEX #287B47

RGB 40 123 71

HSL 142.41, 0.51%, 0.32%

LAB 45.73, -37.39, 21.33

 

CMYK 67 / 0 / 24 / 52

HEX #287B5D

RGB 40 123 93

HSL 158.31, 0.51%, 0.32%

LAB 46.19, -32.53, 9.23

 

CMYK 67 / 0 / 7 / 52

HEX #287B73

RGB 40 123 115

HSL 174.22, 0.51%, 0.32%

LAB 46.78, -26.57, -2.92

 

CMYK 67 / 0 / 43 / 76

HEX #143D23

RGB 20 61 35

HSL 141.95, 0.51%, 0.16%

LAB 22.33, -21.42, 11.88

 

CMYK 67 / 0 / 42 / 64

HEX #1E5C35

RGB 30 92 53

HSL 142.26, 0.51%, 0.24%

LAB 34.37, -29.7, 16.76

 

CMYK 67 / 0 / 42 / 52

HEX #287B47

RGB 40 123 71

HSL 142.41, 0.51%, 0.32%

LAB 45.73, -37.39, 21.33

 

CMYK 68 / 0 / 42 / 40

HEX #329A59

RGB 50 154 89

HSL 142.5, 0.51%, 0.4%

LAB 56.6, -44.68, 25.66

 

CMYK 68 / 0 / 42 / 27

HEX #3CBA6B

RGB 60 186 107

HSL 142.38, 0.51%, 0.48%

LAB 67.38, -52.06, 30.23

 

CMYK 67 / 0 / 42 / 52

HEX #287B47

RGB 40 123 71

HSL 142.41, 0.51%, 0.32%

LAB 45.73, -37.39, 21.33

 

CMYK 67 / 38 / 0 / 52

HEX #284C7B

RGB 40 76 123

HSL 213.98, 0.51%, 0.32%

LAB 31.92, 3.37, -30.55

 

CMYK 0 / 67 / 65 / 52

HEX #7B282B

RGB 123 40 43

HSL 357.83, 0.51%, 0.32%

LAB 29.17, 36.24, 17.93

 

CMYK 67 / 0 / 42 / 52

HEX #287B47

RGB 40 123 71

HSL 142.41, 0.51%, 0.32%

LAB 45.73, -37.39, 21.33

 

CMYK 42 / 67 / 0 / 52

HEX #47287B

RGB 71 40 123

HSL 262.41, 0.51%, 0.32%

LAB 24.6, 33.91, -42.16

 

CMYK 0 / 42 / 67 / 52

HEX #7B4728

RGB 123 71 40

HSL 22.41, 0.51%, 0.32%

LAB 35.73, 19.22, 27.8

 

CMYK 67 / 0 / 42 / 52

HEX #287B47

RGB 40 123 71

HSL 142.41, 0.51%, 0.32%

LAB 45.73, -37.39, 21.33

 

CMYK 67 / 38 / 0 / 52

HEX #284C7B

RGB 40 76 123

HSL 213.98, 0.51%, 0.32%

LAB 31.92, 3.37, -30.55

 

CMYK 0 / 67 / 24 / 52

HEX #7B285D

RGB 123 40 93

HSL 321.69, 0.51%, 0.32%

LAB 30.69, 41.71, -12.77

 

CMYK 0 / 29 / 67 / 52

HEX #7B5728

RGB 123 87 40

HSL 33.98, 0.51%, 0.32%

LAB 39.88, 9.68, 32.55

 

CMYK 67 / 0 / 42 / 52

HEX #287B47

RGB 40 123 71

HSL 142.41, 0.51%, 0.32%

LAB 45.73, -37.39, 21.33

 

CMYK 67 / 59 / 0 / 52

HEX #28337B

RGB 40 51 123

HSL 232.05, 0.51%, 0.32%

LAB 24.48, 20.48, -42.48

 

CMYK 0 / 67 / 24 / 52

HEX #7B285D

RGB 123 40 93

HSL 321.69, 0.51%, 0.32%

LAB 30.69, 41.71, -12.77

 

CMYK 0 / 9 / 67 / 52

HEX #7B7028

RGB 123 112 40

HSL 52.05, 0.51%, 0.32%

LAB 46.91, -4.96, 40.2

 

Description

Color code: HEX #287B47 | qconv.com Color code: HEX #287B47 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 123 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 123 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 42 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 42% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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