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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #28785A it is the complementary color #D787A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #28785A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #28785A shade: #2D7855, #3E8A68, #4F9C7B, #60AE8E and #71C0A1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #28785A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #28785A shade: #28785A, #176647, #065434, #004221 and #00300E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #28785A shade: #287759, #287744, #28772E, #367728 and #4B7728

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #28785A shade: #287759, #28776E, #286A77, #285477 and #283F77

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #28785A shade matches the following richer shades: #287759, #1B835C, #0E905F and #019D63

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #28785A shade: #287759, #346A56, #415D53, #4E504F and #5B434C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #28785A shade: #28772E, #287743, #287758, #28776D and #286B77

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #28785A shade: #13392B, #1D5842, #287759, #329670 and #3CB487

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #28785A shade: #28785A, #283677 and #773928

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #28785A shade: #28785A, #582877 and #775828

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #28785A shade: #28785A, #283677, #772846 and #776828

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #28785A shade: #28785A, #312877, #772846 and #6D7728

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 25 / 53

HEX #28785A

RGB 40 120 90

HSL 157.5, 0.5%, 0.31%

LAB 45.11, -31.89, 9.48

 

Complementary color

CMYK 0 / 37 / 23 / 16

HEX #D787A5

RGB 215 135 165

HSL 337.5, 0.5%, 0.69%

LAB 65.35, 34.61, -2.94

 

CMYK 63 / 0 / 29 / 53

HEX #2D7855

RGB 45 120 85

HSL 152, 0.45%, 0.32%

LAB 45.15, -32.02, 12.49

 

CMYK 55 / 0 / 25 / 46

HEX #3E8A68

RGB 62 138 104

HSL 153.16, 0.38%, 0.39%

LAB 52.06, -32.03, 11.2

 

CMYK 49 / 0 / 21 / 39

HEX #4F9C7B

RGB 79 156 123

HSL 154.29, 0.33%, 0.46%

LAB 58.85, -31.9, 10.05

 

CMYK 45 / 0 / 18 / 32

HEX #60AE8E

RGB 96 174 142

HSL 155.38, 0.33%, 0.53%

LAB 65.52, -31.71, 9.01

 

CMYK 41 / 0 / 16 / 25

HEX #71C0A1

RGB 113 192 161

HSL 156.46, 0.39%, 0.6%

LAB 72.08, -31.5, 8.06

 

CMYK 67 / 0 / 25 / 53

HEX #28785A

RGB 40 120 90

HSL 157.5, 0.5%, 0.31%

LAB 45.11, -31.89, 9.48

 

CMYK 77 / 0 / 30 / 60

HEX #176647

RGB 23 102 71

HSL 156.46, 0.63%, 0.25%

LAB 38.09, -31.43, 10.95

 

CMYK 93 / 0 / 38 / 67

HEX #065434

RGB 6 84 52

HSL 155.38, 0.87%, 0.18%

LAB 30.94, -30.4, 12.7

 

CMYK 100 / 0 / 50 / 74

HEX #004221

RGB 0 66 33

HSL 150, 1%, 0.13%

LAB 23.69, -28.1, 14.84

 

CMYK 100 / 0 / 71 / 81

HEX #00300E

RGB 0 48 14

HSL 137.5, 1%, 0.09%

LAB 16.23, -24.61, 16.98

 

CMYK 66 / 0 / 25 / 53

HEX #287759

RGB 40 119 89

HSL 157.22, 0.5%, 0.31%

LAB 44.75, -31.67, 9.57

 

CMYK 66 / 0 / 43 / 53

HEX #287744

RGB 40 119 68

HSL 141.27, 0.5%, 0.31%

LAB 44.32, -36.28, 21.17

 

CMYK 66 / 0 / 61 / 53

HEX #28772E

RGB 40 119 46

HSL 124.56, 0.5%, 0.31%

LAB 44.01, -39.84, 32.63

 

CMYK 55 / 0 / 66 / 53

HEX #367728

RGB 54 119 40

HSL 109.37, 0.5%, 0.31%

LAB 44.42, -36.83, 36.13

 

CMYK 37 / 0 / 66 / 53

HEX #4B7728

RGB 75 119 40

HSL 93.42, 0.5%, 0.31%

LAB 45.42, -29.63, 37.51

 

CMYK 66 / 0 / 25 / 53

HEX #287759

RGB 40 119 89

HSL 157.22, 0.5%, 0.31%

LAB 44.75, -31.67, 9.57

 

CMYK 66 / 0 / 8 / 53

HEX #28776E

RGB 40 119 110

HSL 173.16, 0.5%, 0.31%

LAB 45.32, -26.03, -2.1

 

CMYK 66 / 11 / 0 / 53

HEX #286A77

RGB 40 106 119

HSL 189.87, 0.5%, 0.31%

LAB 41.36, -16.36, -13.44

 

CMYK 66 / 29 / 0 / 53

HEX #285477

RGB 40 84 119

HSL 206.58, 0.5%, 0.31%

LAB 34.24, -3.29, -24.42

 

CMYK 66 / 47 / 0 / 53

HEX #283F77

RGB 40 63 119

HSL 222.53, 0.5%, 0.31%

LAB 27.68, 10.63, -34.8

 

CMYK 66 / 0 / 25 / 53

HEX #287759

RGB 40 119 89

HSL 157.22, 0.5%, 0.31%

LAB 44.75, -31.67, 9.57

 

CMYK 79 / 0 / 30 / 49

HEX #1B835C

RGB 27 131 92

HSL 157.5, 0.66%, 0.31%

LAB 48.56, -38.36, 13.08

 

CMYK 90 / 0 / 34 / 44

HEX #0E905F

RGB 14 144 95

HSL 157.38, 0.82%, 0.31%

LAB 52.8, -44.21, 17.18

 

CMYK 99 / 0 / 37 / 38

HEX #019D63

RGB 1 157 99

HSL 157.69, 0.99%, 0.31%

LAB 57.1, -49, 20.75

 

CMYK 66 / 0 / 25 / 53

HEX #287759

RGB 40 119 89

HSL 157.22, 0.5%, 0.31%

LAB 44.75, -31.67, 9.57

 

CMYK 51 / 0 / 19 / 58

HEX #346A56

RGB 52 106 86

HSL 157.78, 0.34%, 0.31%

LAB 40.75, -23.24, 5.76

 

CMYK 30 / 0 / 11 / 64

HEX #415D53

RGB 65 93 83

HSL 158.57, 0.18%, 0.31%

LAB 37.07, -12.83, 2.4

 

CMYK 2 / 0 / 1 / 69

HEX #4E504F

RGB 78 80 79

HSL 150, 0.01%, 0.31%

LAB 33.82, -1.03, 0.3

 

CMYK 0 / 26 / 16 / 64

HEX #5B434C

RGB 91 67 76

HSL 337.5, 0.15%, 0.31%

LAB 31.25, 11.97, -1.38

 

CMYK 66 / 0 / 61 / 53

HEX #28772E

RGB 40 119 46

HSL 124.56, 0.5%, 0.31%

LAB 44.01, -39.84, 32.63

 

CMYK 66 / 0 / 44 / 53

HEX #287743

RGB 40 119 67

HSL 140.51, 0.5%, 0.31%

LAB 44.3, -36.47, 21.72

 

CMYK 66 / 0 / 26 / 53

HEX #287758

RGB 40 119 88

HSL 156.46, 0.5%, 0.31%

LAB 44.73, -31.92, 10.13

 

CMYK 66 / 0 / 8 / 53

HEX #28776D

RGB 40 119 109

HSL 172.41, 0.5%, 0.31%

LAB 45.29, -26.32, -1.55

 

CMYK 66 / 10 / 0 / 53

HEX #286B77

RGB 40 107 119

HSL 189.11, 0.5%, 0.31%

LAB 41.69, -16.91, -12.94

 

CMYK 67 / 0 / 25 / 78

HEX #13392B

RGB 19 57 43

HSL 157.89, 0.5%, 0.15%

LAB 20.98, -17.59, 4.75

 

CMYK 67 / 0 / 25 / 65

HEX #1D5842

RGB 29 88 66

HSL 157.63, 0.5%, 0.23%

LAB 33.21, -25.01, 7.22

 

CMYK 66 / 0 / 25 / 53

HEX #287759

RGB 40 119 89

HSL 157.22, 0.5%, 0.31%

LAB 44.75, -31.67, 9.57

 

CMYK 67 / 0 / 25 / 41

HEX #329670

RGB 50 150 112

HSL 157.2, 0.5%, 0.39%

LAB 55.75, -38.17, 11.75

 

CMYK 67 / 0 / 25 / 29

HEX #3CB487

RGB 60 180 135

HSL 157.5, 0.5%, 0.47%

LAB 66.02, -43.98, 13.4

 

CMYK 67 / 0 / 25 / 53

HEX #28785A

RGB 40 120 90

HSL 157.5, 0.5%, 0.31%

LAB 45.11, -31.89, 9.48

 

CMYK 66 / 55 / 0 / 53

HEX #283677

RGB 40 54 119

HSL 229.37, 0.5%, 0.31%

LAB 25.02, 16.87, -39.08

 

CMYK 0 / 52 / 66 / 53

HEX #773928

RGB 119 57 40

HSL 12.91, 0.5%, 0.31%

LAB 31.81, 25.59, 22.98

 

CMYK 67 / 0 / 25 / 53

HEX #28785A

RGB 40 120 90

HSL 157.5, 0.5%, 0.31%

LAB 45.11, -31.89, 9.48

 

CMYK 26 / 66 / 0 / 53

HEX #582877

RGB 88 40 119

HSL 276.46, 0.5%, 0.31%

LAB 26.52, 36.88, -36.41

 

CMYK 0 / 26 / 66 / 53

HEX #775828

RGB 119 88 40

HSL 36.46, 0.5%, 0.31%

LAB 39.67, 7.19, 32.18

 

CMYK 67 / 0 / 25 / 53

HEX #28785A

RGB 40 120 90

HSL 157.5, 0.5%, 0.31%

LAB 45.11, -31.89, 9.48

 

CMYK 66 / 55 / 0 / 53

HEX #283677

RGB 40 54 119

HSL 229.37, 0.5%, 0.31%

LAB 25.02, 16.87, -39.08

 

CMYK 0 / 66 / 41 / 53

HEX #772846

RGB 119 40 70

HSL 337.22, 0.5%, 0.31%

LAB 29.11, 37.36, -0.11

 

CMYK 0 / 13 / 66 / 53

HEX #776828

RGB 119 104 40

HSL 48.61, 0.5%, 0.31%

LAB 44.2, -2.25, 37.18

 

CMYK 67 / 0 / 25 / 53

HEX #28785A

RGB 40 120 90

HSL 157.5, 0.5%, 0.31%

LAB 45.11, -31.89, 9.48

 

CMYK 59 / 66 / 0 / 53

HEX #312877

RGB 49 40 119

HSL 246.84, 0.5%, 0.31%

LAB 21.95, 28.09, -44.02

 

CMYK 0 / 66 / 41 / 53

HEX #772846

RGB 119 40 70

HSL 337.22, 0.5%, 0.31%

LAB 29.11, 37.36, -0.11

 

CMYK 8 / 0 / 66 / 53

HEX #6D7728

RGB 109 119 40

HSL 67.59, 0.5%, 0.31%

LAB 47.75, -15.29, 40.71

 

Description

Color code: HEX #28785A | qconv.com Color code: HEX #28785A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 120 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 120 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 25 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 25% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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