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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #287578 it is the complementary color #D78A87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #287578. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #287578 shade: #2D7573, #3E8786, #4F9999, #60ABAC and #71BDBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #287578. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #287578 shade: #287578, #176365, #065152, #003F3F and #002D2C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #287578 shade: #287477, #285E77, #284977, #283477 and #312877

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #287578 shade: #287477, #285E77, #284977, #283477 and #282877

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #287578 shade matches the following richer shades: #287477, #1B7F83, #0E8B90 and #01979D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #287578 shade: #287477, #34686A, #415C5D, #4E5050 and #5B4443

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #287578 shade: #28774F, #287764, #287477, #285F77 and #284A77

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #287578 shade: #133739, #1D5558, #287477, #329296 and #3CB0B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #287578 shade: #287578, #3A2877 and #775A28

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #287578 shade: #287578, #772874 and #747728

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #287578 shade: #287578, #3A2877, #772A28 and #647728

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #287578 shade: #287578, #522877, #772A28 and #4C7728

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 3 / 0 / 53

HEX #287578

RGB 40 117 120

HSL 182.25, 0.5%, 0.31%

LAB 44.98, -21.99, -8.57

 

Complementary color

CMYK 0 / 36 / 37 / 16

HEX #D78A87

RGB 215 138 135

HSL 2.25, 0.5%, 0.69%

LAB 65.26, 29.03, 13.88

 

CMYK 62 / 0 / 2 / 54

HEX #2D7573

RGB 45 117 115

HSL 178.33, 0.44%, 0.32%

LAB 44.97, -22.59, -5.59

 

CMYK 54 / 0 / 1 / 47

HEX #3E8786

RGB 62 135 134

HSL 179.18, 0.37%, 0.39%

LAB 51.92, -22.84, -6.4

 

CMYK 48 / 0 / 0 / 40

HEX #4F9999

RGB 79 153 153

HSL 180, 0.32%, 0.45%

LAB 58.74, -22.95, -7.13

 

CMYK 44 / 1 / 0 / 33

HEX #60ABAC

RGB 96 171 172

HSL 180.79, 0.31%, 0.53%

LAB 65.43, -22.98, -7.8

 

CMYK 41 / 1 / 0 / 25

HEX #71BDBF

RGB 113 189 191

HSL 181.54, 0.38%, 0.6%

LAB 72.01, -22.97, -8.42

 

CMYK 67 / 3 / 0 / 53

HEX #287578

RGB 40 117 120

HSL 182.25, 0.5%, 0.31%

LAB 44.98, -21.99, -8.57

 

CMYK 77 / 2 / 0 / 60

HEX #176365

RGB 23 99 101

HSL 181.54, 0.63%, 0.24%

LAB 37.92, -21.22, -7.67

 

CMYK 93 / 1 / 0 / 68

HEX #065152

RGB 6 81 82

HSL 180.79, 0.86%, 0.17%

LAB 30.72, -19.95, -6.59

 

CMYK 100 / 0 / 0 / 75

HEX #003F3F

RGB 0 63 63

HSL 180, 1%, 0.12%

LAB 23.38, -17.68, -5.2

 

CMYK 100 / 0 / 2 / 82

HEX #002D2C

RGB 0 45 44

HSL 178.67, 1%, 0.09%

LAB 15.79, -14.67, -3.56

 

CMYK 66 / 3 / 0 / 53

HEX #287477

RGB 40 116 119

HSL 182.28, 0.5%, 0.31%

LAB 44.62, -21.77, -8.51

 

CMYK 66 / 21 / 0 / 53

HEX #285E77

RGB 40 94 119

HSL 198.99, 0.5%, 0.31%

LAB 37.46, -9.43, -19.41

 

CMYK 66 / 39 / 0 / 53

HEX #284977

RGB 40 73 119

HSL 214.94, 0.5%, 0.31%

LAB 30.76, 3.85, -29.9

 

CMYK 66 / 56 / 0 / 53

HEX #283477

RGB 40 52 119

HSL 230.89, 0.5%, 0.31%

LAB 24.45, 18.27, -40

 

CMYK 59 / 66 / 0 / 53

HEX #312877

RGB 49 40 119

HSL 246.84, 0.5%, 0.31%

LAB 21.95, 28.09, -44.02

 

CMYK 66 / 3 / 0 / 53

HEX #287477

RGB 40 116 119

HSL 182.28, 0.5%, 0.31%

LAB 44.62, -21.77, -8.51

 

CMYK 66 / 21 / 0 / 53

HEX #285E77

RGB 40 94 119

HSL 198.99, 0.5%, 0.31%

LAB 37.46, -9.43, -19.41

 

CMYK 66 / 39 / 0 / 53

HEX #284977

RGB 40 73 119

HSL 214.94, 0.5%, 0.31%

LAB 30.76, 3.85, -29.9

 

CMYK 66 / 56 / 0 / 53

HEX #283477

RGB 40 52 119

HSL 230.89, 0.5%, 0.31%

LAB 24.45, 18.27, -40

 

CMYK 66 / 66 / 0 / 53

HEX #282877

RGB 40 40 119

HSL 240, 0.5%, 0.31%

LAB 21.21, 26.51, -45.26

 

CMYK 66 / 3 / 0 / 53

HEX #287477

RGB 40 116 119

HSL 182.28, 0.5%, 0.31%

LAB 44.62, -21.77, -8.51

 

CMYK 79 / 3 / 0 / 49

HEX #1B7F83

RGB 27 127 131

HSL 182.31, 0.66%, 0.31%

LAB 48.32, -25.47, -10.12

 

CMYK 90 / 3 / 0 / 44

HEX #0E8B90

RGB 14 139 144

HSL 182.31, 0.82%, 0.31%

LAB 52.48, -28.32, -11.49

 

CMYK 99 / 4 / 0 / 38

HEX #01979D

RGB 1 151 157

HSL 182.31, 0.99%, 0.31%

LAB 56.66, -30.56, -12.69

 

CMYK 66 / 3 / 0 / 53

HEX #287477

RGB 40 116 119

HSL 182.28, 0.5%, 0.31%

LAB 44.62, -21.77, -8.51

 

CMYK 51 / 2 / 0 / 58

HEX #34686A

RGB 52 104 106

HSL 182.22, 0.34%, 0.31%

LAB 40.69, -16.72, -6.5

 

CMYK 30 / 1 / 0 / 64

HEX #415C5D

RGB 65 92 93

HSL 182.14, 0.18%, 0.31%

LAB 37.06, -9.73, -3.83

 

CMYK 2 / 0 / 0 / 69

HEX #4E5050

RGB 78 80 80

HSL 180, 0.01%, 0.31%

LAB 33.85, -0.81, -0.29

 

CMYK 0 / 25 / 26 / 64

HEX #5B4443

RGB 91 68 67

HSL 2.5, 0.15%, 0.31%

LAB 31.26, 9.73, 4.44

 

CMYK 66 / 0 / 34 / 53

HEX #28774F

RGB 40 119 79

HSL 149.62, 0.5%, 0.31%

LAB 44.53, -34.01, 15.13

 

CMYK 66 / 0 / 16 / 53

HEX #287764

RGB 40 119 100

HSL 165.57, 0.5%, 0.31%

LAB 45.03, -28.83, 3.44

 

CMYK 66 / 3 / 0 / 53

HEX #287477

RGB 40 116 119

HSL 182.28, 0.5%, 0.31%

LAB 44.62, -21.77, -8.51

 

CMYK 66 / 20 / 0 / 53

HEX #285F77

RGB 40 95 119

HSL 198.23, 0.5%, 0.31%

LAB 37.78, -10.03, -18.91

 

CMYK 66 / 38 / 0 / 53

HEX #284A77

RGB 40 74 119

HSL 214.18, 0.5%, 0.31%

LAB 31.07, 3.19, -29.4

 

CMYK 67 / 4 / 0 / 78

HEX #133739

RGB 19 55 57

HSL 183.16, 0.5%, 0.15%

LAB 20.7, -12.04, -5.14

 

CMYK 67 / 3 / 0 / 65

HEX #1D5558

RGB 29 85 88

HSL 183.05, 0.5%, 0.23%

LAB 32.84, -16.92, -7.17

 

CMYK 66 / 3 / 0 / 53

HEX #287477

RGB 40 116 119

HSL 182.28, 0.5%, 0.31%

LAB 44.62, -21.77, -8.51

 

CMYK 67 / 3 / 0 / 41

HEX #329296

RGB 50 146 150

HSL 182.4, 0.5%, 0.39%

LAB 55.52, -26.02, -10.32

 

CMYK 67 / 2 / 0 / 29

HEX #3CB0B4

RGB 60 176 180

HSL 182, 0.5%, 0.47%

LAB 65.99, -30.38, -11.54

 

CMYK 67 / 3 / 0 / 53

HEX #287578

RGB 40 117 120

HSL 182.25, 0.5%, 0.31%

LAB 44.98, -21.99, -8.57

 

CMYK 51 / 66 / 0 / 53

HEX #3A2877

RGB 58 40 119

HSL 253.67, 0.5%, 0.31%

LAB 22.82, 29.88, -42.56

 

CMYK 0 / 24 / 66 / 53

HEX #775A28

RGB 119 90 40

HSL 37.97, 0.5%, 0.31%

LAB 40.23, 6, 32.8

 

CMYK 67 / 3 / 0 / 53

HEX #287578

RGB 40 117 120

HSL 182.25, 0.5%, 0.31%

LAB 44.98, -21.99, -8.57

 

CMYK 0 / 66 / 3 / 53

HEX #772874

RGB 119 40 116

HSL 302.28, 0.5%, 0.31%

LAB 31.12, 44.35, -26.9

 

CMYK 3 / 0 / 66 / 53

HEX #747728

RGB 116 119 40

HSL 62.28, 0.5%, 0.31%

LAB 48.34, -12.11, 41.51

 

CMYK 67 / 3 / 0 / 53

HEX #287578

RGB 40 117 120

HSL 182.25, 0.5%, 0.31%

LAB 44.98, -21.99, -8.57

 

CMYK 51 / 66 / 0 / 53

HEX #3A2877

RGB 58 40 119

HSL 253.67, 0.5%, 0.31%

LAB 22.82, 29.88, -42.56

 

CMYK 0 / 65 / 66 / 53

HEX #772A28

RGB 119 42 40

HSL 1.52, 0.5%, 0.31%

LAB 28.72, 33.58, 19.16

 

CMYK 16 / 0 / 66 / 53

HEX #647728

RGB 100 119 40

HSL 74.43, 0.5%, 0.31%

LAB 47.05, -19.3, 39.75

 

CMYK 67 / 3 / 0 / 53

HEX #287578

RGB 40 117 120

HSL 182.25, 0.5%, 0.31%

LAB 44.98, -21.99, -8.57

 

CMYK 31 / 66 / 0 / 53

HEX #522877

RGB 82 40 119

HSL 271.9, 0.5%, 0.31%

LAB 25.69, 35.39, -37.78

 

CMYK 0 / 65 / 66 / 53

HEX #772A28

RGB 119 42 40

HSL 1.52, 0.5%, 0.31%

LAB 28.72, 33.58, 19.16

 

CMYK 36 / 0 / 66 / 53

HEX #4C7728

RGB 76 119 40

HSL 92.66, 0.5%, 0.31%

LAB 45.47, -29.24, 37.59

 

Description

Color code: HEX #287578 | qconv.com Color code: HEX #287578 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 117 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 117 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 3 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 3% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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