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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2872D6 it is the complementary color #D78D29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2872D6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2872D6 shade: #2D72D1, #3E84E4, #4F96F7, #60A8FF and #71BAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2872D6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2872D6 shade: #2872D6, #1760C3, #064EB0, #003C9D and #002A8A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2872D6 shade: #2872D7, #2843D7, #3C28D7, #6B28D7 and #9A28D7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2872D6 shade: #2872D7, #2843D7 and #2828D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2872D6 shade matches the following richer shades: #2872D7 and #136FEC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2872D6 shade: #2872D7, #3C75C3, #5179AE, #657C9A and #7A7F85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2872D6 shade: #28D2D7, #28A3D7, #2874D7, #2845D7 and #3928D7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2872D6 shade: #1B4D92, #2160B5, #2872D7, #4A89DE and #6DA0E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2872D6 shade: #2872D6, #AE28D7 and #BAD728

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2872D6 shade: #2872D6, #D72874 and #74D728

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2872D6 shade: #2872D6, #AE28D7, #D78B28 and #51D728

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2872D6 shade: #2872D6, #D728CC, #D78B28 and #28D733

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 47 / 0 / 16

HEX #2872D6

RGB 40 114 214

HSL 214.48, 0.69%, 0.5%

LAB 48.69, 13.69, -57.7

 

Complementary color

CMYK 0 / 34 / 81 / 16

HEX #D78D29

RGB 215 141 41

HSL 34.48, 0.69%, 0.5%

LAB 64.69, 20.38, 60.58

 

CMYK 78 / 45 / 0 / 18

HEX #2D72D1

RGB 45 114 209

HSL 214.76, 0.65%, 0.5%

LAB 48.51, 12.29, -55.14

 

CMYK 73 / 42 / 0 / 11

HEX #3E84E4

RGB 62 132 228

HSL 214.7, 0.75%, 0.57%

LAB 55.2, 10.17, -55.1

 

CMYK 68 / 39 / 0 / 3

HEX #4F96F7

RGB 79 150 247

HSL 214.64, 0.91%, 0.64%

LAB 61.82, 8.45, -55.04

 

CMYK 62 / 34 / 0 / 0

HEX #60A8FF

RGB 96 168 255

HSL 212.83, 1%, 0.69%

LAB 67.81, 3.44, -49.87

 

CMYK 56 / 27 / 0 / 0

HEX #71BAFF

RGB 113 186 255

HSL 209.15, 1%, 0.72%

LAB 73.45, -3.45, -40.98

 

CMYK 81 / 47 / 0 / 16

HEX #2872D6

RGB 40 114 214

HSL 214.48, 0.69%, 0.5%

LAB 48.69, 13.69, -57.7

 

CMYK 88 / 51 / 0 / 24

HEX #1760C3

RGB 23 96 195

HSL 214.53, 0.79%, 0.43%

LAB 41.98, 16.55, -57.64

 

CMYK 97 / 56 / 0 / 31

HEX #064EB0

RGB 6 78 176

HSL 214.59, 0.93%, 0.36%

LAB 35.25, 20.06, -57.44

 

CMYK 100 / 62 / 0 / 38

HEX #003C9D

RGB 0 60 157

HSL 217.07, 1%, 0.31%

LAB 28.55, 24.32, -56.96

 

CMYK 100 / 70 / 0 / 46

HEX #002A8A

RGB 0 42 138

HSL 221.74, 1%, 0.27%

LAB 21.91, 28.99, -56.17

 

CMYK 81 / 47 / 0 / 16

HEX #2872D7

RGB 40 114 215

HSL 214.63, 0.69%, 0.5%

LAB 48.75, 14.07, -58.17

 

CMYK 81 / 69 / 0 / 16

HEX #2843D7

RGB 40 67 215

HSL 230.74, 0.69%, 0.5%

LAB 36.69, 43.97, -77.82

 

CMYK 72 / 81 / 0 / 16

HEX #3C28D7

RGB 60 40 215

HSL 246.86, 0.69%, 0.5%

LAB 32.67, 59.76, -84.43

 

CMYK 50 / 81 / 0 / 16

HEX #6B28D7

RGB 107 40 215

HSL 262.97, 0.69%, 0.5%

LAB 37.02, 64.26, -77.1

 

CMYK 28 / 81 / 0 / 16

HEX #9A28D7

RGB 154 40 215

HSL 279.09, 0.69%, 0.5%

LAB 43.2, 70.84, -66.73

 

CMYK 81 / 47 / 0 / 16

HEX #2872D7

RGB 40 114 215

HSL 214.63, 0.69%, 0.5%

LAB 48.75, 14.07, -58.17

 

CMYK 81 / 69 / 0 / 16

HEX #2843D7

RGB 40 67 215

HSL 230.74, 0.69%, 0.5%

LAB 36.69, 43.97, -77.82

 

CMYK 81 / 81 / 0 / 16

HEX #2828D7

RGB 40 40 215

HSL 240, 0.69%, 0.5%

LAB 31.52, 58.6, -86.37

 

CMYK 81 / 47 / 0 / 16

HEX #2872D7

RGB 40 114 215

HSL 214.63, 0.69%, 0.5%

LAB 48.75, 14.07, -58.17

 

CMYK 92 / 53 / 0 / 7

HEX #136FEC

RGB 19 111 236

HSL 214.56, 0.85%, 0.5%

LAB 48.96, 22.71, -69.69

 

CMYK 81 / 47 / 0 / 16

HEX #2872D7

RGB 40 114 215

HSL 214.63, 0.69%, 0.5%

LAB 48.75, 14.07, -58.17

 

CMYK 69 / 40 / 0 / 24

HEX #3C75C3

RGB 60 117 195

HSL 214.67, 0.53%, 0.5%

LAB 49.04, 7.2, -46.26

 

CMYK 53 / 30 / 0 / 32

HEX #5179AE

RGB 81 121 174

HSL 214.19, 0.36%, 0.5%

LAB 50.07, 1.64, -32.44

 

CMYK 34 / 19 / 0 / 40

HEX #657C9A

RGB 101 124 154

HSL 213.96, 0.21%, 0.5%

LAB 51.28, -0.74, -18.83

 

CMYK 8 / 5 / 0 / 48

HEX #7A7F85

RGB 122 127 133

HSL 212.73, 0.04%, 0.5%

LAB 52.96, -0.6, -3.9

 

CMYK 81 / 2 / 0 / 16

HEX #28D2D7

RGB 40 210 215

HSL 181.71, 0.69%, 0.5%

LAB 76.95, -38.26, -14.23

 

CMYK 81 / 24 / 0 / 16

HEX #28A3D7

RGB 40 163 215

HSL 197.83, 0.69%, 0.5%

LAB 62.97, -14.83, -35.63

 

CMYK 81 / 46 / 0 / 16

HEX #2874D7

RGB 40 116 215

HSL 213.94, 0.69%, 0.5%

LAB 49.31, 12.81, -57.26

 

CMYK 81 / 68 / 0 / 16

HEX #2845D7

RGB 40 69 215

HSL 230.06, 0.69%, 0.5%

LAB 37.14, 42.76, -77.08

 

CMYK 73 / 81 / 0 / 16

HEX #3928D7

RGB 57 40 215

HSL 245.83, 0.69%, 0.5%

LAB 32.47, 59.55, -84.77

 

CMYK 82 / 47 / 0 / 43

HEX #1B4D92

RGB 27 77 146

HSL 214.79, 0.69%, 0.34%

LAB 33.17, 9.84, -42.75

 

CMYK 82 / 47 / 0 / 29

HEX #2160B5

RGB 33 96 181

HSL 214.46, 0.69%, 0.42%

LAB 41.26, 11.81, -50.64

 

CMYK 81 / 47 / 0 / 16

HEX #2872D7

RGB 40 114 215

HSL 214.63, 0.69%, 0.5%

LAB 48.75, 14.07, -58.17

 

CMYK 67 / 38 / 0 / 13

HEX #4A89DE

RGB 74 137 222

HSL 214.46, 0.69%, 0.58%

LAB 56.7, 6.78, -49.33

 

CMYK 52 / 30 / 0 / 11

HEX #6DA0E4

RGB 109 160 228

HSL 214.29, 0.69%, 0.66%

LAB 64.96, 2.04, -39.54

 

CMYK 81 / 47 / 0 / 16

HEX #2872D6

RGB 40 114 214

HSL 214.48, 0.69%, 0.5%

LAB 48.69, 13.69, -57.7

 

CMYK 19 / 81 / 0 / 16

HEX #AE28D7

RGB 174 40 215

HSL 285.94, 0.69%, 0.5%

LAB 46.21, 74.1, -61.72

 

CMYK 13 / 0 / 81 / 16

HEX #BAD728

RGB 186 215 40

HSL 69.94, 0.69%, 0.5%

LAB 81.4, -30.31, 74.6

 

CMYK 81 / 47 / 0 / 16

HEX #2872D6

RGB 40 114 214

HSL 214.48, 0.69%, 0.5%

LAB 48.69, 13.69, -57.7

 

CMYK 0 / 81 / 46 / 16

HEX #D72874

RGB 215 40 116

HSL 333.94, 0.69%, 0.5%

LAB 48.54, 69.4, 1.18

 

CMYK 46 / 0 / 81 / 16

HEX #74D728

RGB 116 215 40

HSL 93.94, 0.69%, 0.5%

LAB 77.56, -55.85, 69.73

 

CMYK 81 / 47 / 0 / 16

HEX #2872D6

RGB 40 114 214

HSL 214.48, 0.69%, 0.5%

LAB 48.69, 13.69, -57.7

 

CMYK 19 / 81 / 0 / 16

HEX #AE28D7

RGB 174 40 215

HSL 285.94, 0.69%, 0.5%

LAB 46.21, 74.1, -61.72

 

CMYK 0 / 35 / 81 / 16

HEX #D78B28

RGB 215 139 40

HSL 33.94, 0.69%, 0.5%

LAB 64.21, 21.43, 60.51

 

CMYK 62 / 0 / 81 / 16

HEX #51D728

RGB 81 215 40

HSL 105.94, 0.69%, 0.5%

LAB 76.38, -65.18, 68.21

 

CMYK 81 / 47 / 0 / 16

HEX #2872D6

RGB 40 114 214

HSL 214.48, 0.69%, 0.5%

LAB 48.69, 13.69, -57.7

 

CMYK 0 / 81 / 5 / 16

HEX #D728CC

RGB 215 40 204

HSL 303.77, 0.69%, 0.5%

LAB 52.2, 79.73, -45.42

 

CMYK 0 / 35 / 81 / 16

HEX #D78B28

RGB 215 139 40

HSL 33.94, 0.69%, 0.5%

LAB 64.21, 21.43, 60.51

 

CMYK 81 / 0 / 76 / 16

HEX #28D733

RGB 40 215 51

HSL 123.77, 0.69%, 0.5%

LAB 75.63, -71.34, 64.03

 

Description

Color code: HEX #2872D6 | qconv.com Color code: HEX #2872D6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 114 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 114 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, 47 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 47% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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