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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #286ACA it is the complementary color #D79535. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #286ACA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #286ACA shade: #2D6AC5, #3E7CD8, #4F8EEB, #60A0FE and #71B2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #286ACA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #286ACA shade: #286ACA, #1758B7, #0646A4, #003491 and #00227E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #286ACA shade: #2869C8, #283EC8, #3D28C8, #6828C8 and #9328C8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #286ACA shade: #2869C8, #283EC8 and #2828C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #286ACA shade matches the following richer shades: #2869C8, #1465DC and #0162EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #286ACA shade: #2869C8, #3B6DB5, #4E70A1, #62748E and #75777B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #286ACA shade: #28C0C8, #2895C8, #286AC8, #2840C8 and #3A28C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #286ACA shade: #1A4583, #2157A6, #2869C8, #407ED9 and #6295E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #286ACA shade: #286ACA, #A528C8 and #ABC828

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #286ACA shade: #286ACA, #C8286A and #6AC828

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #286ACA shade: #286ACA, #A528C8, #C88528 and #4AC828

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #286ACA shade: #286ACA, #C828BB, #C88528 and #28C835

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 48 / 0 / 21

HEX #286ACA

RGB 40 106 202

HSL 215.56, 0.67%, 0.47%

LAB 45.67, 14.19, -55.71

 

Complementary color

CMYK 0 / 31 / 75 / 16

HEX #D79535

RGB 215 149 53

HSL 35.56, 0.67%, 0.53%

LAB 66.67, 16.51, 57.81

 

CMYK 77 / 46 / 0 / 23

HEX #2D6AC5

RGB 45 106 197

HSL 215.92, 0.63%, 0.47%

LAB 45.49, 12.82, -53.1

 

CMYK 71 / 43 / 0 / 15

HEX #3E7CD8

RGB 62 124 216

HSL 215.84, 0.66%, 0.55%

LAB 52.28, 10.75, -53.03

 

CMYK 66 / 40 / 0 / 8

HEX #4F8EEB

RGB 79 142 235

HSL 215.77, 0.8%, 0.62%

LAB 58.98, 9.08, -52.94

 

CMYK 62 / 37 / 0 / 0

HEX #60A0FE

RGB 96 160 254

HSL 215.7, 0.99%, 0.69%

LAB 65.58, 7.71, -52.85

 

CMYK 56 / 30 / 0 / 0

HEX #71B2FF

RGB 113 178 255

HSL 212.54, 1%, 0.72%

LAB 71.26, 0.98, -44.39

 

CMYK 80 / 48 / 0 / 21

HEX #286ACA

RGB 40 106 202

HSL 215.56, 0.67%, 0.47%

LAB 45.67, 14.19, -55.71

 

CMYK 87 / 52 / 0 / 28

HEX #1758B7

RGB 23 88 183

HSL 215.63, 0.78%, 0.4%

LAB 38.86, 17.04, -55.68

 

CMYK 96 / 57 / 0 / 36

HEX #0646A4

RGB 6 70 164

HSL 215.7, 0.93%, 0.33%

LAB 32.03, 20.58, -55.51

 

CMYK 100 / 64 / 0 / 43

HEX #003491

RGB 0 52 145

HSL 218.48, 1%, 0.28%

LAB 25.26, 24.92, -55.01

 

CMYK 100 / 73 / 0 / 51

HEX #00227E

RGB 0 34 126

HSL 223.81, 1%, 0.25%

LAB 18.59, 29.61, -54.1

 

CMYK 80 / 48 / 0 / 22

HEX #2869C8

RGB 40 105 200

HSL 215.63, 0.67%, 0.47%

LAB 45.25, 14.06, -55.22

 

CMYK 80 / 69 / 0 / 22

HEX #283EC8

RGB 40 62 200

HSL 231.75, 0.67%, 0.47%

LAB 34.12, 41.73, -73.36

 

CMYK 70 / 80 / 0 / 22

HEX #3D28C8

RGB 61 40 200

HSL 247.88, 0.67%, 0.47%

LAB 31.07, 55.46, -78.37

 

CMYK 48 / 80 / 0 / 22

HEX #6828C8

RGB 104 40 200

HSL 264, 0.67%, 0.47%

LAB 35.26, 60.16, -71.3

 

CMYK 27 / 80 / 0 / 22

HEX #9328C8

RGB 147 40 200

HSL 280.13, 0.67%, 0.47%

LAB 41.04, 66.68, -61.62

 

CMYK 80 / 48 / 0 / 22

HEX #2869C8

RGB 40 105 200

HSL 215.63, 0.67%, 0.47%

LAB 45.25, 14.06, -55.22

 

CMYK 80 / 69 / 0 / 22

HEX #283EC8

RGB 40 62 200

HSL 231.75, 0.67%, 0.47%

LAB 34.12, 41.73, -73.36

 

CMYK 80 / 80 / 0 / 22

HEX #2828C8

RGB 40 40 200

HSL 240, 0.67%, 0.47%

LAB 29.76, 54, -80.57

 

CMYK 80 / 48 / 0 / 22

HEX #2869C8

RGB 40 105 200

HSL 215.63, 0.67%, 0.47%

LAB 45.25, 14.06, -55.22

 

CMYK 91 / 54 / 0 / 14

HEX #1465DC

RGB 20 101 220

HSL 215.7, 0.83%, 0.47%

LAB 45.11, 22.97, -66.91

 

CMYK 100 / 59 / 0 / 6

HEX #0162EF

RGB 1 98 239

HSL 215.55, 0.99%, 0.47%

LAB 45.6, 31.69, -76.86

 

CMYK 80 / 48 / 0 / 22

HEX #2869C8

RGB 40 105 200

HSL 215.63, 0.67%, 0.47%

LAB 45.25, 14.06, -55.22

 

CMYK 67 / 40 / 0 / 29

HEX #3B6DB5

RGB 59 109 181

HSL 215.41, 0.51%, 0.47%

LAB 45.91, 6.97, -43.14

 

CMYK 52 / 30 / 0 / 37

HEX #4E70A1

RGB 78 112 161

HSL 215.42, 0.35%, 0.47%

LAB 46.69, 2.2, -30.16

 

CMYK 31 / 18 / 0 / 44

HEX #62748E

RGB 98 116 142

HSL 215.45, 0.18%, 0.47%

LAB 48.31, -0.18, -16.35

 

CMYK 5 / 3 / 0 / 52

HEX #75777B

RGB 117 119 123

HSL 220, 0.03%, 0.47%

LAB 49.98, 0.08, -2.46

 

CMYK 80 / 4 / 0 / 22

HEX #28C0C8

RGB 40 192 200

HSL 183, 0.67%, 0.47%

LAB 71.09, -34.39, -14.92

 

CMYK 80 / 26 / 0 / 22

HEX #2895C8

RGB 40 149 200

HSL 199.13, 0.67%, 0.47%

LAB 58.15, -12.38, -34.77

 

CMYK 80 / 47 / 0 / 22

HEX #286AC8

RGB 40 106 200

HSL 215.25, 0.67%, 0.47%

LAB 45.54, 13.42, -54.77

 

CMYK 80 / 68 / 0 / 22

HEX #2840C8

RGB 40 64 200

HSL 231, 0.67%, 0.47%

LAB 34.58, 40.5, -72.61

 

CMYK 71 / 80 / 0 / 22

HEX #3A28C8

RGB 58 40 200

HSL 246.75, 0.67%, 0.47%

LAB 30.85, 55.21, -78.73

 

CMYK 80 / 47 / 0 / 49

HEX #1A4583

RGB 26 69 131

HSL 215.43, 0.67%, 0.31%

LAB 29.7, 9.06, -39.1

 

CMYK 80 / 48 / 0 / 35

HEX #2157A6

RGB 33 87 166

HSL 215.64, 0.67%, 0.39%

LAB 37.65, 11.81, -47.58

 

CMYK 80 / 48 / 0 / 22

HEX #2869C8

RGB 40 105 200

HSL 215.63, 0.67%, 0.47%

LAB 45.25, 14.06, -55.22

 

CMYK 71 / 42 / 0 / 15

HEX #407ED9

RGB 64 126 217

HSL 215.69, 0.67%, 0.55%

LAB 52.97, 10.16, -52.49

 

CMYK 56 / 33 / 0 / 12

HEX #6295E0

RGB 98 149 224

HSL 215.71, 0.67%, 0.63%

LAB 61.2, 4.78, -43.27

 

CMYK 80 / 48 / 0 / 21

HEX #286ACA

RGB 40 106 202

HSL 215.56, 0.67%, 0.47%

LAB 45.67, 14.19, -55.71

 

CMYK 18 / 80 / 0 / 22

HEX #A528C8

RGB 165 40 200

HSL 286.88, 0.67%, 0.47%

LAB 43.78, 69.79, -57.05

 

CMYK 15 / 0 / 80 / 22

HEX #ABC828

RGB 171 200 40

HSL 70.88, 0.67%, 0.47%

LAB 76.14, -29.37, 69.58

 

CMYK 80 / 48 / 0 / 21

HEX #286ACA

RGB 40 106 202

HSL 215.56, 0.67%, 0.47%

LAB 45.67, 14.19, -55.71

 

CMYK 0 / 80 / 47 / 22

HEX #C8286A

RGB 200 40 106

HSL 335.25, 0.67%, 0.47%

LAB 45.41, 64.71, 2.43

 

CMYK 47 / 0 / 80 / 22

HEX #6AC828

RGB 106 200 40

HSL 95.25, 0.67%, 0.47%

LAB 72.58, -53.2, 65.02

 

CMYK 80 / 48 / 0 / 21

HEX #286ACA

RGB 40 106 202

HSL 215.56, 0.67%, 0.47%

LAB 45.67, 14.19, -55.71

 

CMYK 18 / 80 / 0 / 22

HEX #A528C8

RGB 165 40 200

HSL 286.88, 0.67%, 0.47%

LAB 43.78, 69.79, -57.05

 

CMYK 0 / 34 / 80 / 22

HEX #C88528

RGB 200 133 40

HSL 34.88, 0.67%, 0.47%

LAB 60.96, 18.22, 56.9

 

CMYK 63 / 0 / 80 / 22

HEX #4AC828

RGB 74 200 40

HSL 107.25, 0.67%, 0.47%

LAB 71.5, -61.73, 63.63

 

CMYK 80 / 48 / 0 / 21

HEX #286ACA

RGB 40 106 202

HSL 215.56, 0.67%, 0.47%

LAB 45.67, 14.19, -55.71

 

CMYK 0 / 80 / 7 / 22

HEX #C828BB

RGB 200 40 187

HSL 304.88, 0.67%, 0.47%

LAB 48.74, 74.3, -41.22

 

CMYK 0 / 34 / 80 / 22

HEX #C88528

RGB 200 133 40

HSL 34.88, 0.67%, 0.47%

LAB 60.96, 18.22, 56.9

 

CMYK 80 / 0 / 74 / 22

HEX #28C835

RGB 40 200 53

HSL 124.88, 0.67%, 0.47%

LAB 70.88, -66.7, 58.64

 

Description

Color code: HEX #286ACA | qconv.com Color code: HEX #286ACA | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 106 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 106 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 48 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 48% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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